Essentials of Musicianship Grade 2-4 - Score and Parts. Arranged by James Curnow. Curnow Concert Band Full Set. Published by Curnow Music.

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Published by Curnow Music.

(Grade 2 to 4 - Score Only). By James Curnow. Curnow Music Concert Band. Grade 2-4. 72 pages. Curnow Music #070103. Published by Curnow Music

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.

Grade 2 to 4 - Score and Parts. Composed by James Curnow. Curnow Music Concert Band. Curnow Music #122208. Published by Curnow Music (HL.44007204).

Value Pak (35 Part Books and Conductor Score). By Jack Saunders, Paula Crider. Essential Musicianship Band. Published by Hal Leonard.

Concert Band/Harmonie - Grade 2

SKU: BT.CMP-0105-96-010

Composed by James Curnow. Essentials of Musicianship Series. Set (Score and Parts). Composed 1996. Curnow Music #CMP 0105-96-010. Published by Curnow Music (BT.CMP-0105-96-010).

Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

Composed by Henk van Lijnschooten. For concert band. Slow Movements and Solemn Works/Liberation Day/The Best Original Compositions for Concert Band/Worldly Songs. Molenaar Original Compositions. Grade 2. Score only. Duration 7 minutes. Published by Molenaar Edition

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Published by Curnow Music.

By Bruce Pearson. For Concert Band. Standard of Excellence in Concert. Grade 2.5. Score and set of parts

By Barry Kopetz. For Concert Band. Standard of Excellence in Concert. Grade 2.5. Score and set of parts

By Bruce Pearson. Band. For concert band. Standard of Excellence in Concert. Grade 2.5. Score and set of parts. Published by Neil A. Kjos Music Company

Composed by Andrew Balent. For concert band. Standard of Excellence in Concert. Grade 2. Score and set of parts. Published by Neil A. Kjos Music Company

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Book only. Published by Curnow Music.

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Size 9x12 inches. Published by Curnow Music.

By Maurice Ravel (1875-1937). Arranged by David Marlatt. Concert Band. For Soloist and Concert Band. Concert Band; Masterworks. Impressionistic; Masterwork. Grade 3. Conductor Score and Parts. 132 pages. Duration 2:10

Grade 2 to 3 - Score Only. Composed by James Curnow/James L. Hosay. Curnow Music Concert Band. Instruction, Warm-up. Curnow Music #30399140. Published by Curnow Music

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow/James L. Hosay. Curnow Concert Band Full Set. Size 9x12 inches. Published by Curnow Music.

By Barry Kopetz. Band. For concert band. Standard of Excellence in Concert. Grade 2.5. Score. Published by Neil A. Kjos Music Company

Essentials of Musicianship Grade 2-4 - Score Only. Arranged by James Curnow. (Score). Curnow Concert Band Full Set. 60 pages. Published by Curnow Music.

Essentials of Musicianship Grade 2-4 - Score and Parts. By James Curnow. Curnow Concert Band Full Set. Size 9x12 inches. Published by Curnow Music.

By Andrew Balent. For concert band. Standard of Excellence in Concert. Grade 2. Score. Published by Neil A. Kjos Music Company . Score.

Arranged by Dallas Burke. For Concert Band. Matrix Concert Band. Warm-Ups. Grade 2 (Easy). Score and parts. Published by Matrix Publishing

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000919-140

Composed by Harrie Janssen. Score Only. 80 pages. Gobelin Music Publications #GOB 000919-140. Published by Gobelin Music Publications (BT.GOB-000919-140).

Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006).
He has been of great influence on the Dutch music for wind instruments.
As a conductor and as a member of the jury, but above all as a prominent composer.
Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point.

The eight parts
1. Choral: ensemble in monophonic texture.
2. Air: relatively free line patterns combined with a constant pulse.
3. Pavana: constant rhythmicity culminating in an orchestral tutti.
4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation.
5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme.
6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before.
7. Fugue: ensemble in a polyphonic texture.
8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.

Analecta Varia bestaat uit acht klankstudies die ook afzonderlijk utgevoerd kunnen worden. In iedere deel wordt een bepaald orkestraal facet centraal gesteld.
Harrie Janssen componeerde Analecta Varia ter nagedachtenis aan Henkvan Lijnschooten (1928-2006). Henk van Lijnschooten heeft zich bijzonder verdienstelijk gemaakt voor de Nederlandse blaasmuziek, als dirigent, jurylid maar vooral als zeer toonaangevend componist.

1. Chorale: Samenspelin een homofone textuur.
2. Air: Relatief vrij lijnenspel gecombineerd met een constante puls.
3. Pavana: Constante ritmiek culminerend in een orkestraal tutti.
4. Lullaby: Dissonate samenklankenboven een orgelpunt in een filigraine instrumentatie.
5. Chaconne: Kleur en virtuositeit gecombineerd met een rigide pasacaglia thema.
6. Interlude: Tegenstelling Hout/Koper en een synthese hiervan.
7. Fuga: Samenspel in een polyfone textuur.
8. Epilogue: Slotzang in een overwegend sterke dynamiek, waarbij een constante welluidendheid nagestreefd dient te worden.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000919-010

Composed by Harrie Janssen. Set (Score & Parts). 44 pages. Gobelin Music Publications #GOB 000919-010. Published by Gobelin Music Publications (BT.GOB-000919-010).

Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006).
He has been of great influence on the Dutch music for wind instruments.
As a conductor and as a member of the jury, but above all as a prominent composer.
Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point.

The eight parts
1. Choral: ensemble in monophonic texture.
2. Air: relatively free line patterns combined with a constant pulse.
3. Pavana: constant rhythmicity culminating in an orchestral tutti.
4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation.
5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme.
6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before.
7. Fugue: ensemble in a polyphonic texture.
8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.

Analecta Varia bestaat uit acht klankstudies die ook afzonderlijk utgevoerd kunnen worden. In iedere deel wordt een bepaald orkestraal facet centraal gesteld.
Harrie Janssen componeerde Analecta Varia ter nagedachtenis aan Henkvan Lijnschooten (1928-2006). Henk van Lijnschooten heeft zich bijzonder verdienstelijk gemaakt voor de Nederlandse blaasmuziek, als dirigent, jurylid maar vooral als zeer toonaangevend componist.

1. Chorale: Samenspelin een homofone textuur.
2. Air: Relatief vrij lijnenspel gecombineerd met een constante puls.
3. Pavana: Constante ritmiek culminerend in een orkestraal tutti.
4. Lullaby: Dissonate samenklankenboven een orgelpunt in een filigraine instrumentatie.
5. Chaconne: Kleur en virtuositeit gecombineerd met een rigide pasacaglia thema.
6. Interlude: Tegenstelling Hout/Koper en een synthese hiervan.
7. Fuga: Samenspel in een polyfone textuur.
8. Epilogue: Slotzang in een overwegend sterke dynamiek, waarbij een constante welluidendheid nagestreefd dient te worden.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-034-010

Composed by Max Reger. Arranged by Philip Sparke. Ceremonial Series. Hymns & Chorals. Set (Score & Parts). Composed 2003. Anglo Music Press #AMP 034-010. Published by Anglo Music Press (BT.AMP-034-010).

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.

Max Reger (1873-1916) is de componist van 30 Koraalbewerkingen, op. 135a voor orgel. Hieruit stammen deze tien preludes. Eigenlijk waren ze bedoeld als vrij muzikaal intermezzo binnen de kerkelijke muziek. En ook met dit arrangementvoor blaasorkest houdt Philip Sparke rekening met dit oorspronkelijke doel. Hij maakte ze speelbaar voor een minimale bezetting zodat u ze ook met een klein ensemble tijdens de kerkdienst kunnen uitvoeren. Verder zijn ze ook bijzondergeschikt als opwarmstuk en als stem-, klank- of balansoefening. Bovendien kunt u ze als kleine suite gebruiken in een concertprogramma. Veelzijdig!

Max Reger komponierte eine Fülle an Werken vieler Genres. Unter anderem schrieb er 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel, die mehr als für den liturgischen Rahmen, denn als Vortragsstücke gedacht waren. Seine Blasorchesterbearbeitung dieser zehn Präludien machte Philip Sparke daher für eine minimale Besetzung spielbar, so dass sie auch Gottesdienst verwendet werden können. Außerdem eignen sie sich auch hervorragend als Aufwärmstücke, Stimm-, Klang- oder Balanceübungen oder in verschiedenen Zusammenstellungen als kleine Suiten für den Konzertgebrauch. Eine vielseitige Sammlung, die in keinem Repertoire fehlen sollte!

Max Reger (1873-1916) a composé les 30 petits Préludes de choral pour orgue, op. 135a, dont sont extraits les dix préludes choisis pour cet arrangement pour orchestre d’harmonie. Philip Sparke est resté fidèle aux pièces originales. Le choix de l’instrumentation permet d’interpréter ces dix préludes avec une formation effectif réduit qui peut être amenée participer un office. Ces pièces peuvent également être utilisées pour effectuer une mise en lèvres ou pour travailler l’intonation, le son et l’équilibre entre les différents pupitres.

Nella sua breve vita Max Reger (1873-1916) fu un compositore molto prolifico noto per le sue composizioni per organo. Le dieci corali arrangiate da Philip Sparke fanno parte de Thirty Short Chorale Preludes Op. 135a, composte per uso liturgico piuttosto che recitativo. Questo arrangiamento tiene conto del fatto che ogni preludio può essere eseguito con una strumentazione minima. Dieci pezzi ideali anche come riscaldamento, studio dell’intonazione e del suono.