Little Suite for Band Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
Composed by Randall D. Standridge. For concert band. FJH Young Band. Grade 2. Sc...(+)
Composed by Randall D.
Standridge. For concert
band. FJH Young Band.
Grade 2. Score and parts.
Duration 4 minutes, 30
seconds. Published by The
FJH Music Company Inc
By Miller. Arranged by Ed Huckeby. For concert band. Concert Band. Lighter. Grad...(+)
By Miller. Arranged by Ed
Huckeby. For concert
band. Concert Band.
Lighter. Grade 2.5. Score
and set of parts.
Composed 2005. Duration 4
minutes, 25 seconds.
Published by C.L.
Barnhouse
(Adventures in Seven). By Ed Huckeby. Concert band. Concert Band Series. Audio r...(+)
(Adventures in Seven). By
Ed Huckeby. Concert band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR373). Grade 3.
Score and set of parts.
Composed 2011. Duration 4
minutes, 37 seconds.
Published by C.L.
Barnhouse
Band concert band SKU: PR.11540224L For Band. Composed by Eric Ewa...(+)
Band concert band
SKU:
PR.11540224L
For
Band. Composed by
Eric Ewazen. Celestial
Dancers. Contemporary.
Large Score. With
Standard notation.
Composed 2007. 276 pages.
Duration 4 minutes.
Theodore Presser Company
#115-40224L. Published by
Theodore Presser Company
(PR.11540224L).
UPC:
680160633333. 11 x 14
inches.
Ewazen
seemingly takes
inspiration from an
endless array of sights,
environments, and events.
It would be impossible
for him to be exposed to
the wonder of Angkor Wat
and to not distill his
impressions into music.
In fact, he created four
distinct impressions for
wind ensemble.
Performance notes are
included, which help to
describe the settings and
the thoughts behind
them.
Band concert band SKU: PR.11540224F For Band. Composed by Eric Ewa...(+)
Band concert band
SKU:
PR.11540224F
For
Band. Composed by
Eric Ewazen. Celestial
Dancers. Contemporary.
Full score. With Standard
notation. Composed 2007.
32 pages. Duration 4
minutes. Theodore Presser
Company #115-40224F.
Published by Theodore
Presser Company
(PR.11540224F).
UPC:
680160633319. 9 x 12
inches.
Ewazen
seemingly takes
inspiration from an
endless array of sights,
environments, and events.
It would be impossible
for him to be exposed to
the wonder of Angkor Wat
and to not distill his
impressions into music.
In fact, he created four
distinct impressions for
wind ensemble.
Performance notes are
included, which help to
describe the settings and
the thoughts behind
them.
Composed by Vittorio Monti (1868-1922). Arranged by Andrew Glover. For concert b...(+)
Composed by Vittorio
Monti (1868-1922).
Arranged by Andrew
Glover. For concert band.
Spotlight Series. Grade
3. Score and parts.
Duration 4 minutes, 19
seconds. Published by
C.L. Barnhouse
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Composed by
Brant Karrick. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
8+8+4+4+8+16+16+4+4+4+4+4
+4+4+6+12+12+4+4+6+6+6+6+
8+6+2+4+14+36+4 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #SPS80. Published
by Carl Fischer Music
(CF.SPS80).
ISBN
9781491152577. UPC:
680160910076. Key: Bb
major.
With Wind
and Water is a musical
portrayal of an adventure
on the high seas during
the sailing age. It was
during the 16th to the
mid-19th century where
large sailing vessels
dominated global
exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band.
Band concert band - Grade 3 SKU: CF.CPS250 Composed by Peter Sciaino. Set...(+)
Band concert band - Grade
3
SKU: CF.CPS250
Composed by Peter
Sciaino. Set of Score and
Parts.
27+12+12+6+12+12+12+6+6+6
+6+4+4+8+8+8+4+4+6+6+6+4+
12+4+2+6+10 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #CPS250. Published
by Carl Fischer Music
(CF.CPS250).
ISBN
9781491159576. UPC:
680160918164.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Challenger Deep Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Scomegna Edizioni Musicali
By Filippo Ledda. For concert band. Music for Young band. Grade 2. Score and f...(+)
By Filippo Ledda. For
concert
band. Music for Young
band.
Grade 2. Score and full
set of
parts. Duration 5
minutes, 50
seconds. Published by
Scomegna
Edizioni Musical srl
Band Concert Band - Grade 3 SKU: CF.CPS263 Composed by Carl Strommen. Cps...(+)
Band Concert Band - Grade
3
SKU: CF.CPS263
Composed by Carl
Strommen. Cps. Set of
Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+4+4+6+6+6+6+4+8+
1+1+4+5+32 pages.
Duration 4 minutes, 38
seconds. Carl Fischer
Music #CPS263. Published
by Carl Fischer Music
(CF.CPS263).
ISBN
9781491161524. UPC:
680160920150.
Notes
The Teton Range is part
of the Rocky Mountain
chain just east of the
Idaho border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
teewinet, meaning many
pinnacles. Performance
Suggestions: The opening
measures of The Grand
Tetons should be played
broadly and majestically.
At m. 14, the tempo is
indicated at q = 132 and
is introduced by a light
snare drum figure. The
low brass figures at m.18
are to be played softly
and broadly in contrast
to the lighter and
slightly louder high
woodwinds. This entire
section builds to a
climax at m.44. Note the
dynamic contrasts in the
mixed meter section after
m. 53. at 67, the
trombone and horn figures
should be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The Teton
Range is part of the
Rocky Mountain chain just
east of the Idaho border
and south of Yellowstone
National Park. The name
of this majestic range
has its roots in the
Shoshone teewinet,
meaning many pinnacles.
Performance Suggestions:
The opening measures of
The Grand Tetons should
be played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The
Teton Range is part of
the Rocky Mountain chain
just east of the Idaho
border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
“teewinet,â€
meaning “many
pinnacles.â€Â Perf
ormance
Suggestions:Â The
opening measures of The
Grand Tetons should be
played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure
mixed meter (6/8) (3/4)
theme introduced at m.88
should be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight
“swing†and
dance-like feeling. At
m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129.
Atlas Rising Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4 SKU: CF.SPS77 Composed by Carl Strommen. SWS ...(+)
Band concert band - Grade
4
SKU: CF.SPS77
Composed by Carl
Strommen. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+6+12+12+4+4+4+4+6+6+6+
6+4+8+2+2+4+4+28 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #SPS77. Published
by Carl Fischer Music
(CF.SPS77).
ISBN
9781491147726. UPC:
680160905225. 9 x 12
inches. Key: Bb
major.
In Atlas
Rising, composer Carl
Strommen derives
inspiration from the
statue of Titan Atlas
lifting the universe on
his shoulders. Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful.
This piece takes this
idea and models it into
an exceptional piece for
contest/festival
performance. Atlas
Rising was commissioned
by WorldStrides OnStage
and is dedicated to the
thousands of directors
who have traveled to a
WorldStrides event over
the past thirty-five
years . WorldStrides
OnStage offers
performance experiences
that fuel the passion of
performing artists of all
ages with breathtaking
productions, prestigious
events and premier venues
. They provide
performance opportunities
all over the world where
debuts are made, mentors
are met, co-stars become
lifelong friends and
inspirations build bright
futures .Directly across
the street from St .
Patricks Cathedral on 5th
avenue and in front of
Rockefeller Center in
NYC, is the Lee Lawrie
sculpture of Atlas
holding up the heavens .
Titles are always a
problem - so after
listening to a few
playbacks, this very
imposing statue of the
Titan Atlas lifting the
Universe on his shoulders
came to mind - starting
slowly with the low
brass,
“Risingâ€
moves steadily with
determination and
intensity to a powerful
and
“muscularâ€
conclusion . Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful . As
with all performing
pieces, attention to
dynamics and articulation
are critical - In
“Atlas
Rising†- the
conductor has many
opportunities to
interpretive discretion,
particularly in the
opening slower sections
and after measure 109 on
to the conclusion .
Composed by
John Pasternak. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+4+2+4+
4+24+4 pages. Duration 4
minutes, 4 seconds. Carl
Fischer Music #CPS214.
Published by Carl Fischer
Music (CF.CPS214).
ISBN 9781491152409.
UPC:
680160909902.
Adven
ture Express is about
a train heading out to
the old west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
country sides,
breathtaking vistas and
the hard work of building
a new land. It is a
contest style piece by
budding composer John
Pasternak. It is tuneful
and well-scored. Perfect
for your next
contest/festival
performance. Adventure
Express is about a train
heading out to the old
west, seeking new
adventures and new
opportunities. The piece
focuses on the beautiful
countrysides,
breathtaking vistas and
the hard work of building
a new land.The beginning
of the piece should have
a very marcato feel.
Measure 18 should have a
lighter feel than the
beginning, with the snare
drum playing the part of
the rail cars going over
the tracks. Be sure to
pay attention to the
accents in the trumpet,
xylophone and snare drum
lining up with the
accents played by the
rest of the
ensemble. At m. 55,
the xylophone should ring
out and should be played
with intention. At m. 71,
the piece returns to a
marcato style, and
remains until the end of
the piece. There are a
few sudden dynamic
changes that are crucial
for effect, so pay close
attention to those
changes.
Band concert band - Grade 3 SKU: CF.CPS190 Three Songs from Britain(+)
Band concert band - Grade
3
SKU: CF.CPS190
Three Songs from
Britain. Composed by
Carl Strommen. Set of
Score and Parts. With
Standard notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+6+4+8+2+1+4+
4+24 pages. Duration 4
minutes, 4 seconds. Carl
Fischer Music #CPS190.
Published by Carl Fischer
Music (CF.CPS190).
ISBN 9781491142929.
UPC:
680160900428.
Three
British folks songs are
given the Carl Strommen
treatment in this contest
style rhapsody. Carl's
lush scoring, interesting
harmonic twists and
flowing melodic lines are
all present in a piece
that will highlight the
strengths of your
ensemble. The variety in
this setting will make it
an audience favorite.
Aisling Gaelach Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 3.5 SKU: CF.CPS108 Irish Fantasy. Compos...(+)
Band concert band - Grade
3.5
SKU: CF.CPS108
Irish Fantasy.
Composed by William
Harbinson. FS SWS. Carl
Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
12+12+4+12+12+12+4+4+4+4+
4+4+8+8+8+4+4+4+4+4+4+6+8
+3+1+8+2+28 pages.
Duration 4 minutes, 59
seconds. Carl Fischer
Music #CPS108. Published
by Carl Fischer Music
(CF.CPS108).
ISBN
9780825874277. UPC:
798408074272. 9x12
inches. Key: F
major.
Composer
William Harbinson takes
two Irish folk songs and
weaves them together in a
tapestry of sounds in a
symphonic setting. This
piece has
contest/festival
potential written all
over it, as we are sure
your music list committee
will agree.
Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219).
ISBN
9781491152454. UPC:
680160909957.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Composed by
George Sweet. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+1+2+2+
2+2+4+8+2+28+4 pages.
Duration 4 minutes, 35
seconds. Carl Fischer
Music #CPS228. Published
by Carl Fischer Music
(CF.CPS228).
ISBN
9781491152546. UPC:
680160910045.
Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored
for the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving
parts†so that they
blend to create a solid
whole both here and
throughout the piece. The
primary thematic material
is stated by the trumpets
and horns at m. 12. This
material is the basis for
much of the harmonic and
thematic material that
follows. A slightly
varied statement of the
main theme is presented
again at m. 26 with a
different type of motor
accompaniment. This leads
to a B-section at m. 44,
which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part†overwhelm
another and keep the
texture evenly balanced.
 A second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion.
Band Concert Band - Grade 3 SKU: CF.CPS217 Composed by Carl Strommen. Con...(+)
Band Concert Band - Grade
3
SKU: CF.CPS217
Composed by Carl
Strommen. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+6+8+2+2+4
+8+24+4 pages. Duration 4
minutes, 18 seconds. Carl
Fischer Music #CPS217.
Published by Carl Fischer
Music (CF.CPS217).
ISBN 9781491152430.
UPC:
680160909933.
The
title, Aerius, is a Latin
term meaning
“soaring†or
“rising
aloftâ€. This
piece is signature Carl
Strommen at his best. The
piece begins with a lush
brass chorale that is
developed before leading
to an energetic presto
section. The
composition comes full
circle and finishes with
a majestic return of the
chorale material from the
opening. A welcome
addition to the
repertoire. The
title Aerius is a
Latin term meaning
“soaring†or
“rising
aloft.†The
students chose this title
to signify the forward
momentum and overall
journey of their time in
the high school band
program. With new events
and performances, and a
first time commissioning
a work, this piece
signifies the great
strides the band has made
in recent years.The
opening brass chorale
section should be played
very connected, observing
the two-measure phrasing
and breathing as one
cohesive unit. The Presto
section at m. 25 should
be taken between 165-170
bpm. the vibraphone
soloist should use
medium-hard mallets with
the pedal on. The
sustained notes at m. 41
should be played way
under the upper woodwinds
to get the greatest
effect as it builds in
volume and intensity in
m. 49, and again into m.
57.At m. 69, the
percussion must sustain
the pulse to the
conductor’s tempo,
careful not to add
accents they’re
hearing among the other
sections. After the
ritardando in m. 83, push
the tempo at m. 85
slightly to where the
woodwinds feel
comfortable playing the
triplet figure with
appropriate breathing and
phrasing.- Andrew Monsen,
Hauppauge High School
Band Director, June
2017.
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor.
Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
Band Concert Band SKU: PR.115402160 2. From Symphonic Dances. Comp...(+)
Band Concert Band
SKU:
PR.115402160
2.
From Symphonic
Dances. Composed by
Eric Ewazen. Folio. Set
of Score and Parts.
40+2+4+4+4+4+4+2+2+2+2+2+
2+2+2+2+2+2+2+2+2+2+2+2+2
+2+2+2+2+2+4+4+4+2+2+4+2+
2 pages. Duration 4
minutes. Theodore Presser
Company #115-40216.
Published by Theodore
Presser Company
(PR.115402160).
UPC:
680160624980. 9 x 12
inches.
The
Symphonic Dances were
written for Peter
Boonshaft, director of
the Hofstra University
Wind Ensemble, who
premiered the work in
2009. The three movements
(Gopak, Valse Triste,
Barcarolle) are presented
as separate publications,
each with a very
different spirit. (Gopak,
Movement I of Symphonic
Dances, was announced
previously,
115-40209.).
Composed by
Larry Clark. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+4+6+6+4+2+4+10+28
pages. Duration 4
minutes, 20 seconds. Carl
Fischer Music #YPS130.
Published by Carl Fischer
Music (CF.YPS130).
ISBN 9780825892721.
UPC: 798408092726. 9 x 12
inches. Key: F
minor.
Envisage
brings across the
contemplative feeling of
a journey, drawing the
performer and listener
toward an inevitable
outcome. The piece is
written in a standard
overture form with a
strident A section
contrasted by a gorgeous
B section which shifts to
a major key. To finish it
up, the A section returns
and ends with a dramatic
coda.
Turning Point Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS116 Composed by Sean O'Loughlin. S...(+)
Band concert band - Grade
2
SKU: CF.YPS116
Composed by Sean
O'Loughlin. SWS FS. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+4+6+6+2+4+4+10+24
pages. Duration 4
minutes, 35 seconds. Carl
Fischer Music #YPS116.
Published by Carl Fischer
Music (CF.YPS116).
ISBN 9780825888069.
UPC: 798408088064. 9x12
inches.
In any
conflict, there is always
a turning point which
determines the outcome.
The phrase is often used
to describe epic wars
throughout history, and
the music of Turning
Point reflects the weight
and drama that comes with
these key historical
moments. Composer Sean
O'Loughlin takes the
listener on a musical
journey filled with
dramatic twists and
turns. This piece will
serve as your young
band's turning point in
their development to
becoming a solid musical
ensemble.
Falcon And Wolf Orchestre d'harmonie - Facile Martin, Robert
Concert band and batterie-fanfare instruments (natural horn brass band) - Grade ...(+)
Concert band and
batterie-fanfare
instruments (natural horn
brass band) - Grade 2
SKU:
RM.CREP02932-BA
Composed by Alain Crepin.
Orchestre harmonie et
instruments
batterie-fanfare.
Orchestra. Full set.
Duration 4 minutes, 30
seconds. Editions Robert
Martin #CREP02932-BA.
Published by Editions
Robert Martin
(RM.CREP02932-BA).
Celtic Echoes Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS181 Composed by Larry Clark. Set o...(+)
Band concert band - Grade
3
SKU: CF.CPS181
Composed by Larry Clark.
Set of Score and Parts.
With Standard notation.
8+2+4+4+4+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+2+4+2+1+2+3+
16 pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CPS181.
Published by Carl Fischer
Music (CF.CPS181).
ISBN 9781491142288.
UPC:
680160630349.
This
piece is built on
original melodies that
capture the essences of
Celtic folk songs. This
ballad is lush, richly
scored and contains
beautiful
countermelodies. The
expressive playing in
this piece will provide
contrast to the uptempo
selections during a
concert or festival
performance.
Band Concert Band - Grade 2 SKU: CF.YPS190 Composed by John Pasternak. SW...(+)
Band Concert Band - Grade
2
SKU: CF.YPS190
Composed by John
Pasternak. SWS FS. Carl
Fischer Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+2+2+4+2+20
pages. Duration 4
minutes, 17 seconds. Carl
Fischer Music #YPS190.
Published by Carl Fischer
Music (CF.YPS190).
ISBN 9781491147429.
UPC: 680160904921. 9 x 12
inches. Key: Eb
major.
Geauga Lake:
An Epilogue is a
reflective piece
depicting an amusement
park from a bygone era.
The piece evokes
musically the fun and
excitement felt by the
many visitors to the park
while at the same time
pondering the melancholic
thought that the park
will never again
entertain. Pasternak's
unique voice and talent
for composition is sure
to please students and
audiences alike.
Composed by Ed Kiefer.
SWS FS. Carl Fischer
Concert Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+8+4+4+8+4+4+8+8+
8+8+8+4+6+8+6+2+2+4+2+32
pages. Duration 4
minutes, 32 seconds. Carl
Fischer Music #CPS127.
Published by Carl Fischer
Music (CF.CPS127).
ISBN 9780825888243.
UPC: 798408088248. 9x12
inches.
An Irish
Legend contains original
melodies in an Irish
style, written to evoke
the sounds of the emerald
isle of Ireland. The
piece is in traditional
ABA form, beginning with
a lilting Irish jig, then
a more lyrical and slow
second theme. After
returning to the jig, it
ends with a climactic
section where both themes
are played together. It
sounds much more
difficult than it plays.
The piece is exciting and
will be well within the
capabilities of students
at this grade level.
Dream Engine Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2.5 SKU: CF.YPS195 Composed by Larry Clark. SWS...(+)
Band Concert Band - Grade
2.5
SKU: CF.YPS195
Composed by Larry Clark.
SWS FS. Carl Fischer
Young Performance Series.
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+1+1+4+8+20
pages. Duration 4
minutes, 7 seconds. Carl
Fischer Music #YPS195.
Published by Carl Fischer
Music (CF.YPS195).
ISBN 9781491147474.
UPC: 680160904976. 9 x 12
inches. Key: Eb
major.
Dream Engine
is a concert overture in
classic ABA form. Opening
with a tuneful melody
that weaves throughout
the ensemble over
staccato accompaniments,
the piece then evolves
into a contrastingly
lyrical and beautifully
lush B section. As with
the rest of Clark's work,
Dream Engine blends
musicality with
teachability and is
perfect for your next
contest or festival.
Composed by
Yukiko Nishimura. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
4+4+2+4+8+8+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+4+1+1+2+16
+2 pages. Duration 4
minutes, 11 seconds. Carl
Fischer Music #CPS227.
Published by Carl Fischer
Music (CF.CPS227).
ISBN 9781491152539.
UPC:
680160910038.
Music
by Yukiko Nishimura is
some of the most
sensitive music that we
publish. This
heart-warming composition
exudes emotion and
musical depth. A perfect
way to improve the
musicianship of young
ensembles. BluebellÂ
is an arrangement of a
piece originally written
for string orchestra. A
short introduction was
added for this
arrangement, and the key
has been changed as well.
Bluebell is the kind of
flower which looks like a
small bell; it is a
dainty little flower.The
main melody is very
simple and easy to
express. The inner
melodies are important,
too. Each inner melody
should be played as a
main melody even if it is
a bass line.This piece
consists of three
sections. The second
section is based on the
main melody, so the
atmosphere is consistent
through the music. The
harmony changes are very
dramatic here. The bass
lines should be heard
clearly. The glockenspiel
has an important role in
this music.
Composed by
Carl Strommen. SWS FS.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
8+8+4+8+8+8+2+2+4+4+4+2+8
+8+8+4+4+6+6+4+6+8+1+1+3+
3+28 pages. Duration 4
minutes, 50 seconds. Carl
Fischer Music #CPS134.
Published by Carl Fischer
Music (CF.CPS134).
ISBN 9780825888458.
UPC: 798408088453. 9x12
inches.
Chisholm
Trail has a truly
American quality,
containing hints of music
from the mountains, which
evoke the rugged terrain
and the pioneering spirit
that were so important to
the growth of this great
nation. Carl Strommen is
most at home in this
style and has great
success with it… in
fact, this may be his
best one yet! It’s
challenging, but
energetic and fun to
play. Students will enjoy
it and audiences will
love to hear it. This is
a winner!
Sunchaser Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS192 Composed by Carol Brittin Cham...(+)
Band Concert Band - Grade
2
SKU: CF.YPS192
Composed by Carol Brittin
Chambers. SWS FS. Carl
Fischer Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+4+1+2+6+6+24
pages. Duration 4
minutes, 58 seconds. Carl
Fischer Music #YPS192.
Published by Carl Fischer
Music (CF.YPS192).
ISBN 9781491147443.
UPC: 680160904945. 9 x 12
inches. Key: Bb
major.
The
contemplative opening
measures of Sunchaser set
the mood by depicting the
dawn of a new day,
quickly launching into a
spirited adventure full
of energy and life.
Composer Carol Brittin
Chambers gives us a
beautiful work rife with
musical imagery that
students will love to
play. Sunchaser is a
perfect selection to
highlight the strengths
of your young band at
your next festival.