Tower of Babel Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1074199-010
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074199-010.
Published by De Haske
Publications
(BT.DHP-1074199-010).
9x12 inches.
English-German-French-Dut
ch.
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
Tower of Babel Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1074199-140
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 52
pages. De Haske
Publications #DHP
1074199-140. Published by
De Haske Publications
(BT.DHP-1074199-140).
9x12 inches.
English-German-French-Dut
ch.
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
Composed
by Hayato Hirose. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#1074199. Published by De
Haske Publications
(HL.44007209).
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God's Worry (De
zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Satzen, die ohne
Unterbrechung zu spielen
sind. Sie erzahlen
kunstvoll und detailreich
die Geschichte vom Beginn
des Turmbaus uber den
Zorn Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen uber die ganze
Welt. Ein grossartiges
Werk!
En 2006,
Hayato Hirose compose
Tower of Babel (La
Tour de Babel), une
œuvre dediee a son
professeur et maitre, le
compositeur belge Jan Van
der Roost. L'œuvre a
ete donnee en creation
mondiale, le 20 septembre
2006 a Louvain en
Belgique, par l'Orchestre
d'Harmonie de l'Institut
Lemmens place sous la
direction du
compositeur.Apres le
Deluge, les rescapes de
l'Arche de Noe eurent une
descendance nombreuse.
Partis de l'orient, ils
trouverent une vallee au
pays de Shinear et ils
s'y etablirent. Afin de
ne pas etre disperses sur
toute la surface de la
terre, ils deciderent de
batir une ville et une
tour - la Tour de Babel -
dont le sommet toucherait
le ciel.Inquiet du
dessein des fils des
hommes, l'Eternel
descendit pour voir la
ville et la tour qu'ils
batissaient. Il confondit
leur langage afin qu'ils
ne se comprennent plus
les uns les autres.
Ainsi, ils cesserent de
batir la ville, et de la
L'Eternel les dispersa
sur toute la surface de
la terre. (Genese 11 :
1-9) Hayato Hirose s'est
inspire du celebre recit
biblique selon l'Ancien
Testament pour composer
cette œuvre a
programme dramatique en
sept mouvements, qui
s'enchainent sans
interruption.1. La Tour
de Babel2. Venus de
l'orient3. La
construction de la tour4.
L'espoir5. Les
inquietudes de
l'Eternel6. La
confusion7. La
dispersion.
Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. Hal
Leonard #1053776.
Published by Hal Leonard
(HL.44007582).
Thi
s delightful new
composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso.
Born to Be Wild Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4005194 Composed by M...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4005194
Composed by Mars Bonfire.
Arranged by Robert
Longfield. Discovery
Concert Band. Softcover.
Published by Hal Leonard
(HL.4005194).
UPC:
888680698584.
9.0x12.0x0.025
inches.
The group
Steppenwolf took the rock
world by storm with this
hard-driving hit from
1968. Even today's
students will have a
blast with this nostalgia
classic.
(1. Adagio - Allegro
molto). Composed by
Antonin Dvorak
(1841-1904). Arranged by
Marc Koninkx. For Concert
Band. Grade 5. Full
score. Duration 12:30.
Published by Baton Music
Keystone Orchestre d'harmonie - Avancé De Haske Publications
Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007467 Composed by Thierry ...(+)
Concert Band
(SCORE+PARTS) - Grade 5
SKU: HL.4007467
Composed by Thierry
Deleruyelle. De Haske
Concert Band. Concert.
Softcover. Duration 990
seconds. De Haske
Publications #033197.
Published by De Haske
Publications
(HL.4007467).
UPC:
196288050070. 9.0x12.0
inches.
Keystone
tells the story of the
Odeon of Vriezenveen, a
town in the Netherlands.
“Odeon†is
the name of ancient Greek
and Roman buildings used
for activities such as
singing, music and
poetry. This was the name
chosen in 1998 by several
members of the
'Vriezenveense Harmonie'
for the cultural ceter
they decided to have
built. The piece starts
slowly with the bass
instruments, then speeds
up in a counterpoint
passage where the main
motif moves from one set
of instruments to
another. After a slow
section, the music speeds
up again to reach a
majestic chorale
symbolising the splendid
Odeon.
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
The Gladiator Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
(March). By John Philip Sousa (1854-1932). Arranged by Andrew Balent. Concert Ba...(+)
(March). By John Philip
Sousa (1854-1932).
Arranged by Andrew
Balent. Concert Band. For
Flute I, Flute II, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Tenor I,
Tenor II, Baritone (Bass
Clef),. Carl Fischer
Concert Performance
Series. Classical. Grade
3-3.5. Full Score.
Standard notation. 20
pages. Published by Carl
Fischer
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019886
Composed by Bertold
Hummel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed 1998.
Op. 81g. 16 pages.
Duration 5'. Schott Music
#SHS1024. Published by
Schott Music
(HL.49019886).
ISBN
9790001144797.
9.25x12.0x0.076
inches.
At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998.
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019887
Composed by Bertold
Hummel. Sheet music.
Ensemble. Softcover.
Composed 1998. Op. 81g.
50 pages. Duration 5'.
Schott Music #SHS1024-70.
Published by Schott Music
(HL.49019887).
ISBN
9790001144803.
9.25x12.0x0.336
inches.
At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998.
Pacific Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high...(+)
By Frank Ticheli. Concert
band - antiphonal.
Suitable for the most
advanced high school
bands, community,
college, university, and
professional bands. Grade
5. Conductor score and
set of parts. Duration
5:30
(2. Largo). Composed by Antonin Dvorak (1841-1904). Arranged by Marc Koninkx. Fo...(+)
(2. Largo). Composed by
Antonin Dvorak
(1841-1904). Arranged by
Marc Koninkx. For Concert
Band. Grade 5. Full
score. Duration 13:00.
Published by Baton Music
(2. Largo). By Antonin Dvorak (1841-1904). Arranged by Marc Koninkx. For concert...(+)
(2. Largo). By Antonin
Dvorak (1841-1904).
Arranged by Marc Koninkx.
For concert band. Grade
5. Full score and set of
parts. Duration 13:00.
Published by Baton Music
(4. Allegro con fuoco). Composed by Antonin Dvorak (1841-1904). Arranged by Marc...(+)
(4. Allegro con fuoco).
Composed by Antonin
Dvorak (1841-1904).
Arranged by Marc Koninkx.
For Concert Band. Grade
5. Full score and set of
parts. Duration 12:00.
Published by Baton Music
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
A Classic Touch Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by Victor Lopez. For Concert Band. Concert Band. Belwin Very Beginning ...(+)
Arranged by Victor Lopez.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level: .5
(Very Easy) (grade .5).
Conductor Score and
Parts. 136 pages.
Published by Alfred
Publishing.
Big Foot Stomp Orchestre d'harmonie - Débutant Hal Leonard
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4006641 Arranged by R...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4006641
Arranged by Robert
Buckley. MusicWorks Grade
1. Contest, Festival.
Softcover. 12 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006641).
UPC:
840126925593.
9.0x12.0x0.024
inches.
Bigfoot
Stomp is a quirky,
animated piece that is a
unique change of pace for
your band and audience.
According to legend,
Bigfoot is a tall, hairy,
ape-like creature that
lives in the wilderness
of Northwest America and
leaves huge footprints.
This music imagines a
group of them gathering
together and stamping
their massive feet in a
wild, barbaric dance.
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44007255 Roman Carniva...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44007255
Roman
Carnival Overture.
Composed by Hector
Berlioz. De Haske Concert
Band. Transcription.
Score Only. Composed
2007. De Haske
Publications #DHP1074278.
Published by De Haske
Publications
(HL.44007255).
Berlioz based
his sparkling overture Le
Carnaval Romain on
themesfrom his opera
Benvenuto Cellini. The
opera had been performed
a fewtimes in Paris, a
number of years before,
with little success. The
overturehowever, quickly
became very popular and
is still today a great a
crowdpleaser. The
energetic vitality of the
work - with an Italian
touch- is certainly
present in this skilfully
written transcription by
TohruTakahashi.
Hector Berlioz
(1803-1869) baseerde zijn
sprankelende ouverture
Le Carnaval Romain
- die verscheen in 1844 -
op thema's uit zijn opera
Benvenuto Cellini,
namelijk de tenoraria uit
de eerste akte en de
carnavalscene uitde
tweede akte. De opera was
een aantal jaren daarvoor
een paar keer opgevoerd
in Parijs, met weinig
succes. De ouverture werd
echter al snel bijzonder
geliefd. Een snelle
opening leidt een
langzaam deel in, waarna
een spannendallegro
volgt. De energieke
vitaliteit - met een
Italiaans tintje - spat
van het werk af, ook in
deze vakkundig geschreven
transcriptie van Tohru
Takahashi.
Die
strahlende Ouverture
Le Carnaval von
Hector Berlioz greift auf
Themen aus der einige
Jahre zuvor
uraufgefuhrten Oper
Benevenuto Cellini
zuruck. Damals war die
Ouverture erfolgreicher
als die Oper selbst und
hat - zu Recht - bis
heute nicht an
Popularitat verloren. Die
energiegeladene
Lebendigkeit dieses
Werkes mit italienischem
Flair ist in der
geschickt geschriebenen
Transkription von Tohru
Takahashi absolut
prasent.
Le
compositeur, chef
d'orchestre et critique
musical Hector Berlioz
(1803-1869) fut un des
plus grands innovateurs
et plus eminents
representants du
romantisme musical
francais.La semillante
ouverture du Carnaval
romain (1844),
reprend quelques themes
de l'opera malchanceux
Benvenuto Cellini
et notamment le duo
initial (Acte I) et la
grande scene du Carnaval
(Acte II). Lorsque
Benvenuto Cellini
fut offert au public
parisien en 1838,
l'œuvre fut
conspuee. Au bout de
quelques representations,
l'opera fut abandonne,
mais son ouverture connut
un immense succes.La
frenesie du bref passage
introductif est absorbee
par une phase lente.
L'Allegro qui
suitdechaine la liesse du
Carnaval.
L'extraordinaire vitalite
de l'œuvre
originale, coloree d'une
touche italienne, se
revele aussi dans cette
brillante transcription
pour Orchestre d'Harmonie
signee Tohru
Takahashi.
Score
Only. Composed by
Edward Fairlie.
Windependence Artist
Level. Festival. 20
pages. Boosey & Hawkes
#M051663286. Published by
Boosey & Hawkes
(HL.48023472).
UPC:
888680052591. 10.5x14
inches.
Edward
Fairlie's Storm and
Urge is a significant
work for wind band and
portrays a journey of
emotional turbulence. The
title comes from the
German “Sturm und
Drang,” a literary
and musical movement of
the late 1700s which
focused on extremes of
emotion. Opening with a
simple and reflective
theme, we are then taken
through a range of
emotional settings from
uncertainty to
resistance, and then calm
resolve and
self-knowledge. With a
variety of textures and
vivid imagery, this is a
masterful work for the
contemporary ensemble.
Duration:
9:00
(Recorded by
the University of
Minnesota Wind Ensemble
– Ingrid Martin,
conductor).
Concertino Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Baton Music
(for Clarinet). By Carl Maria von Weber (1786-1826). Arranged by Marco Tamanini....(+)
(for Clarinet). By Carl
Maria von Weber
(1786-1826). Arranged by
Marco Tamanini. For
Clarinet and Concert
Band. Grade 4. Full score
and set of parts.
Duration 9:00
Concert Band Alto Saxophone, Baritone (Bass Clef), Baritone (Treble Clef in Bb),...(+)
Concert Band Alto
Saxophone, Baritone (Bass
Clef), Baritone (Treble
Clef in Bb), Baritone
Saxophone, Bass Clarinet
in Bb, Bassoon, Clarinet
I, Clarinet II, Flute,
Flute II, Handbells,
Horn, Oboe, Snare Drum,
Tenor, Tenor Saxophone,
Timpani, Trumpet I,
Trumpet II, Tuba - Grade
2-2.5
SKU:
CF.YPS44F
Composed by
Carl Strommen. SWS. Carl
Fischer Young Performance
Series. Full score. With
Standard notation. Carl
Fischer Music #YPS44F.
Published by Carl Fischer
Music (CF.YPS44F).
ISBN 9780825858765.
UPC: 798408058760. 9 X 12
inches. Key: F
major.
In the style
of a country hoedown,
this tune is
foot-stomping and
knee-slapping fun. The
piece includes rollicking
eighth-note and
sixteenth-note figures
that should be played
vigorously and with
strict attention to
dynamics. A great piece
to add some var.
By Chris M. Bernotas. Concert Band. Concert Band; Part(s); Score; SmartMusic. So...(+)
By Chris M. Bernotas.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Sound
Innovations for Band.
Patriotic. Grade 1.5. 144
pages. Published by
Alfred Music
Concert Band (Score) - Level 1-1.5 SKU: HL.4003206 Composed by Richard L....(+)
Concert Band (Score) -
Level 1-1.5
SKU:
HL.4003206
Composed
by Richard L. Saucedo.
MusicWorks Grade 1.
Duration 140 seconds.
Published by Hal Leonard
(HL.4003206).
UPC:
884088660871.
9.0x12.0x0.04
inches.
Here is an
exciting and powerful
work for very young
players with one year of
experience. Written using
a single tempo
throughout, a driving 8th
note pulse and minor mode
provide the underlying
energy as the melody is
passed around to
different sections of the
band. With no syncopation
and repetitive patterns,
your band will sound
great with limited
rehearsal time. Dur:
2:20.
Score and Parts (SCORE+PARTS) - Level 2.5 SKU: HL.4007763 Composed by Thi...(+)
Score and Parts
(SCORE+PARTS) - Level 2.5
SKU: HL.4007763
Composed by Thierry
Deleruyelle. De Haske
Concert Band. Concert.
Softcover. Duration 435
seconds. De Haske
Publications #033619.
Published by De Haske
Publications
(HL.4007763).
UPC:
196288092704. 9.0x12.0
inches.
Little
Tokyo Suite is a work in
three movements for wind
ensemble, with a flexible
10-part orchestration
suitable for concert band
or fanfare band. It
portrays the
“Japantownsâ€
established by Japanese
emigrants around the
world. They are often
called “Little
Tokyoâ€, in
reference to the capital
of Japan. The three
movements each focus on a
region with such a
Japanese community. This
suite is dedicated to the
concert band of the
conservatory of the 12th
arrondissement of Paris,
whose conductor is a
lover of Japanese
culture, and to Mochizuki
Junior High School, Saku
City (Nagano, Japan).
They premiered this work,
10,000 km away from each
other, in 2022.
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Concert Band (Score) - Grade 4 SKU: HL.4003893 Composed by James Curnow. ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003893
Composed
by James Curnow.
MusicWorks Grade 4.
Concert. 32 pages.
Published by Hal Leonard
(HL.4003893).
UPC:
888680010225. 9x12
inches.
A powerful
work for the symphonic
band, Ode to the
Spirit of Man is
based on thematic
material taken from the
fourth movement of
Beethoven's Symphony
No. 9 and developed
into a fantasy of
kaleidoscopic nature. The
opening is a joyful
expression of the spirit
of freedom and is based
on the composer's own
themes derived from
Beethoven's music.
Throughout the work,
various themes from the
symphony are interwoven,
including Alla Marcia,
Scherzo, Andante
maestoso and finally
the uplifting Ode to
Joy. Duration:
5:15.
Two Bagatelles Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Alfred Reed (1921-2005). Arranged by Andy Clark. For concert band. This editi...(+)
By Alfred Reed
(1921-2005). Arranged by
Andy Clark. For concert
band. This edition:
Build-A-Band edition.
Build-A-Band Series.
Grade 3.5. Score and set
of parts. Composed 2010.
Duration 5 minutes, 9
seconds. Published by
C.L. Barnhouse