Pennsylvania 6-5000 Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Jerry Gray, Lyric By Carl Sigman. Arranged by Victor Lopez. Music by Jerry Gr...(+)
By Jerry Gray, Lyric By
Carl Sigman. Arranged by
Victor Lopez. Music by
Jerry Gray, lyric by Carl
Sigman / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop
Beginning Band. Level: 1
(Very Easy) (grade 1).
Conductor Score & Parts.
170 pages. Duration 1:42.
Published by Alfred
Publishing.
American Landscape #1 (Lake Township, Ohio) by Robert W. Smith. Concert Band. Co...(+)
American Landscape #1
(Lake Township, Ohio) by
Robert W. Smith. Concert
Band. Concert Band.
Belwin Concert Band.
Form: Fanfare; Medley.
Contemporary. Grade 3.
Conductor Score and
Parts. 378 pages.
Duration 6:19. Published
by Belwin Publishing
By Jerry Gray, Lyric By Carl Sigman. Arranged by Victor Lopez. Music by Jerry Gr...(+)
By Jerry Gray, Lyric By
Carl Sigman. Arranged by
Victor Lopez. Music by
Jerry Gray, lyric by Carl
Sigman / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop
Beginning Band. Level: 1
(Very Easy) (grade 1).
Conductor Score. 12
pages. Published by
Alfred Publishing.
Stargate 6 Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
By Carl Strommen. Concert Band. For Concert Band. Carl Fischer First Plus Perfor...(+)
By Carl Strommen. Concert
Band. For Concert Band.
Carl Fischer First Plus
Performance Series. Grade
1.5. Full Score. Standard
notation. Duration 2:53.
Published by Carl Fischer
Stargate 6 Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
By Carl Strommen. Concert Band. For Concert Band. Carl Fischer First Plus Perfor...(+)
By Carl Strommen. Concert
Band. For Concert Band.
Carl Fischer First Plus
Performance Series. Grade
1.5. Score and Set of
Parts. Standard notation.
Duration 2:53
25 or 6 to 4 Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
By Robert Lamm [Chicago]. Arranged by Michael Story and Michael Story. Concert B...(+)
By Robert Lamm [Chicago].
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Score. Pop
Beginning Band. Pop.
Grade 1. 12 pages.
Published by Alfred Music
Publishing
25 or 6 to 4 Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Robert Lamm [Chicago]. Arranged by Michael Story and Michael Story. Concert B...(+)
By Robert Lamm [Chicago].
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score. Pop
Beginning Band. Pop.
Grade 1. 132 pages.
Published by Alfred Music
Publishing
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-010 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-010
III. The Web.
Composed by Jacob De
Haan. Concert Piece. Set
(Score & Parts). Composed
2020. De Haske
Publications #DHP
1125252-010. Published by
De Haske Publications
(BT.DHP-1125252-010).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato,
anch’esso fare
utilizzo di microfoni.Per
ulteriori informazioni
sulle prime due parti,
visitateil sito
www.dehaske.com.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-140 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-140
III. The Web.
Composed by Jacob De
Haan. Concert Piece.
Score Only. Composed
2012. 46 pages. De Haske
Publications #DHP
1125252-140. Published by
De Haske Publications
(BT.DHP-1125252-140).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
groÃ?en englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato, anchâ??esso
fare utilizzo di
microfoni.Per ulteriori
informazioni sulle prime
due parti, visitateil
sito www.dehaske.com.
Band concert band - Grade 2 SKU: CF.YPS224 Composed by John Philip Sousa....(+)
Band concert band - Grade
2
SKU: CF.YPS224
Composed by John Philip
Sousa. Arranged by Andrew
Balent. Folio. Yps.
Corcoran Cadets is one of
Sousa’s early
marches written in 1890
for the Corcoran Cadet
Drill Team in Washington,
D.C. Rhythmic accuracy
and dynamic contrast are
important for a
successful
performance.Performance
Time:Â Â 3:00. Set
of Score and Parts.
8+8+4+8+8+8+4+4+10+10+4+4
+8+8+8+4+4+6+6+6+4+6+1+1+
4+1+20 pages. Duration 3
minutes. Carl Fischer
Music #YPS224. Published
by Carl Fischer Music
(CF.YPS224).
ISBN
9781491158425. UPC:
680160917020. 9 x 12
inches.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
Composed by Scott Boerma.
SWS FS. Carl Fischer
Concert Performance
Series. Set of Score and
Parts. With Standard
notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+2+6+1+
2+2+16 pages. Duration 5
minutes, 51 seconds. Carl
Fischer Music #CPS130.
Published by Carl Fischer
Music (CF.CPS130).
ISBN 9780825888335.
UPC: 798408088330. 9x12
inches.
Written in
memory of a prominent
band director who touched
the lives of so many,
Shadows is an extremely
emotional and passionate
piece by composer Scott
Boerma. It demonstrates
Scott's heartfelt
thoughts of admiration
and sincerity through
this gorgeous piece of
music. We are proud to
offer such a
contemplative work and to
have him in the Carl
Fischer Music catalog for
the first time. We hope
to offer more of Scott's
beautiful music in the
near future.
Composed by George Sweet.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
2+8+8+4+8+8+8+2+2+4+4+2+2
+8+8+8+4+4+6+6+1+2+3+8+1+
6+1+4+8+20 pages. Carl
Fischer Music #CPS94.
Published by Carl Fischer
Music (CF.CPS94).
ISBN
9780825870545. UPC:
798408070540. Key: C
major.
Encomium,
meaning a formal
expression of praise,
contains a fresh harmonic
palette from new composer
George Sweet. A
contemporary fanfare for
band, this two-minute
piece is an ideal concert
opener. Expect more great
things from this gifted
composer in the
future.
Band concert band - Grade 4 SKU: CF.SPS63 Based on a Puerto Rican Caro...(+)
Band concert band - Grade
4
SKU: CF.SPS63
Based on a Puerto
Rican Carol. Composed
by Carol Brittin
Chambers. SWS FS. Set of
Score and Parts. With
Standard notation.
8+8+2+8+8+8+4+2+2+4+4+2+4
+6+6+6+4+4+6+6+3+4+6+8+2+
6+1+6+8+4+24 pages.
Duration 3 minutes. Carl
Fischer Music #SPS63.
Published by Carl Fischer
Music (CF.SPS63).
ISBN
9781491140444. UPC:
680160628506. 9 x 12
inches. Key: D
minor.
So Wondrous
Bright is a fresh, unique
take on a Puerto Rican
carol. Composer Carol
Brittin Chambers' setting
is full of Latin infused
rhythms and percussion,
and is sure to make a
strong statement at your
next holiday concert.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112601
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-E112601.
Published by
LudwigMasters
Publications
(AP.36-E112601).
ISBN
9798892700733. UPC:
659359826610.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112602
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-E112602.
Published by
LudwigMasters
Publications
(AP.36-E112602).
UPC:
659359956621.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Full
Score and Parts.
Composed by Joseph
Compello. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+4+8+4+2+2+10+2+2+8+8+8
+6+4+6+6+1+1+4+1+32
pages. Duration 3
minutes. Carl Fischer
Music #YPS16. Published
by Carl Fischer Music
(CF.YPS16).
ISBN
9780825843426. UPC:
798408043421. 9 X 12
inches. Key: Eb
major.
An exciting
British/Regimental style
march by a master of
writing for young
musicians, Joe
Compello's, The Royal
Regiment is tuneful and
harmonically straight
forward. Set in a stately
march tempo, the overall
effect is of a band on
parade approaching from
far away and, after a
fully-scored climax,
receding to the sound of
drums fading out in the
distance. This is a good
alternative march
selection for contest or
festival. Duration:
3'.
By Timothy Broege. Concert band. Suitable for elementary and middle school bands...(+)
By Timothy Broege.
Concert band. Suitable
for elementary and middle
school bands. Level:
Grade 1. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
Band Concert Band - Grade 2 SKU: CF.YPS250 Concert March. Composed...(+)
Band Concert Band - Grade
2
SKU: CF.YPS250
Concert March.
Composed by Joseph
Compello. Yps. Set of
Score and Parts.
2+16+4+8+8+8+4+4+10+4+4+8
+8+8+4+4+6+6+6+4+6+1+1+4+
1+24 pages. Duration 2
minutes, 43 seconds. Carl
Fischer Music #YPS250.
Published by Carl Fischer
Music (CF.YPS250).
ISBN 9781491161333.
UPC:
680160919925.
Mount
Vernon Square derives its
title from the location
of the Peabody
Conservatory of Music in
Baltimore, Maryland. It
was here that the
composer Joseph Compello
took his first classes in
Music Theory from
Professor Haven Hensler,
to whom this march is
dedicated. After hearing
this march performed on
piano as part of final
exam requirements in a
Music Theory course,
Professor Hensler
encouraged further
exploration of music
composition, leading
Compello into a prolific
career writing pieces
like this theme, now
years later arranged for
full band as a concert
march. Performance Notes
The form of the march is
a standard A-BB-Trio-C-A.
Melodically, much of the
march is based on the
figure contained in mm. 8
and 9. Tempo,
articulation, and
dynamics in a standard
march style are essential
to a successful
interpretation. Pay
particular attention to
dynamics in the second
strain at m. 41. Strive
for a legato diminuendo
at the transition in mm.
63-65. The melody in the
Trio (m. 70) will also
require smooth
articulation from low
brass and woodwinds. The
Euphonium counter-melody
will be played only
during the repeat of the
Trio. The Breakup Strain
(m. 87) is, of course,
powerfully marcato as is
the reprise of the first
theme at m. 109. Mount
Vernon Square derives its
title from the location
of the Peabody
Conservatory of Music in
Baltimore, Maryland. It
was here that the
composer Joseph Compello
took his first classes in
Music Theory from
Professor Haven Hensler,
to whom this march is
dedicated. After hearing
this march performed on
piano as part of final
exam requirements in a
Music Theory course,
Professor Hensler
encouraged further
exploration of music
composition, leading
Compello into a prolific
career writing pieces
like this theme, now
years later arranged for
full band as a concert
march.Performance
NotesThe form of the
march is a standard
A-BB-Trio-C-A.
Melodically, much of the
march is based on the
figure contained in mm. 8
and 9. Tempo,
articulation, and
dynamics in a standard
march style are essential
to a successful
interpretation. Pay
particular attention to
dynamics in the second
strain at m. 41. Strive
for a legato diminuendo
at the transition in mm.
63-65. The melody in the
Trio (m. 70) will also
require smooth
articulation from low
brass and woodwinds. The
Euphonium counter-melody
will be played only
during the repeat of the
Trio. The Breakup Strain
(m. 87) is, of course,
powerfully marcato as is
the reprise of the first
theme at m. 109.
Tone Builders for Developing Bands (Grade 1 to 2.5 - Score and Parts). By James ...(+)
Tone Builders for
Developing Bands (Grade 1
to 2.5 - Score and
Parts). By James Curnow.
For Concert Band. Curnow
Music Concert Band. Grade
1-2. Curnow Music
#009496. Published by
Curnow Music
Concert Band; Orchestra
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in set
SKU: AP.36-A672690
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A672690.
Published by
LudwigMasters
Publications
(AP.36-A672690).
UPC:
659359666292.
English.
The Cuban
composer and pianist
Ernesto Lecuona
(1896-1963) wrote many
works labelled as
Afro-Cuban, and sorting
them all can be
difficult. While some are
lost and others are
scattered about, the 1930
piano suite titled Danzas
Afro-Cubanas, a
collection of six of the
dances, remains a core
group in the style. La
Comparsa (Carnival
Procession) is the sixth
dance in the suite, and
it is based on the
traditional parade and
ceremony that occurs
during Carnival season in
Cuba. This composition
starts with the gradual
approach of the
procession and carries
one through all the
excitement until the last
faint notes of the
departing parade die away
in the distance. This
version for full
orchestra has been
arranged by Morton Gould
(1913-1996).
Instrumentation:
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in set
SKU: AP.36-A672699
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Condensed
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A672699.
Published by
LudwigMasters
Publications
(AP.36-A672699).
ISBN
9798888527887. UPC:
659359811340.
English.
The Cuban
composer and pianist
Ernesto Lecuona
(1896-1963) wrote many
works labelled as
Afro-Cuban, and sorting
them all can be
difficult. While some are
lost and others are
scattered about, the 1930
piano suite titled Danzas
Afro-Cubanas, a
collection of six of the
dances, remains a core
group in the style. La
Comparsa (Carnival
Procession) is the sixth
dance in the suite, and
it is based on the
traditional parade and
ceremony that occurs
during Carnival season in
Cuba. This composition
starts with the gradual
approach of the
procession and carries
one through all the
excitement until the last
faint notes of the
departing parade die away
in the distance. This
version for full
orchestra has been
arranged by Morton Gould
(1913-1996).
Instrumentation:
2.2.3+BCl.2: 3Sax(AAT;
opt.): 2.3.3.1:
Perc(1-2): Hp.Clst.Gtr:
Str (9-8-7-6-5 in set):
Pno Cond Score in
set.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Jeannette, Isabella Orchestre d'harmonie [Conducteur] - Débutant Manhattan Beach Music
By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable f...(+)
By Traditional French
Carol. Arranged by
William Ryden. Concert
band. Suitable for
elementary and middle
school bands. Christmas.
Grade 1. Conductor Full
Score. Duration 1:45.
Published by Manhattan
Beach Music
Composed by
Michael John Trotta.
Arranged by James
Meredith. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+10+4+4+8+8+12+
6+6+1+1+4+20+8+8+4+1+4
pages. Duration 3
minutes, 3 seconds. Carl
Fischer Music #YPS201.
Published by Carl Fischer
Music (CF.YPS201).
ISBN 9781491152218.
UPC: 680160909711. Key: F
minor.
Already one
of the most popular
choral settings in the
Carl Fischer Music
catalog, Michael John
Trotta's setting of Veni,
Veni Emmanuel has now
been skillfully
transcribed by James
Meredith for band.
Trotta's setting of this
seminal carol juxtaposes
the old and new together
in a refreshingly
different approach to the
song. The piece can work
with band alone or with
the popular choral
setting. It is
sophisticated enough for
high school groups to put
together quickly and can
also work well with
middle school
groups. This piece was
conceived as a dialogue
between the supplicants
and the creator, a
combination of old and
new, juxtaposing a
personal longing for
something still to come,
with the steadfast
assurance of something
ever-present yet not
always seen. While the
original theme is
associated with the
Christmas season, the
wider theme of longing
for something greater is
universal to the human
condition and allows this
piece to be programmed
throughout the year.This
work may be performed
with SATBÂ Voices
(published by Carl
Fischer Music,
CM9418).
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.