Part 2 in C - Treble Clef. By Hans Algra. By Johann Sebastian Bach (1685-1750). ...(+)
Part 2 in C - Treble
Clef. By Hans Algra. By
Johann Sebastian Bach
(1685-1750). Edited by
Hans Algra. De Haske
Ensemble. Hymns and
Chorals. Individual part.
Composed 2000. De Haske
Publications #DHP
1001939-703. Published by
De Haske Publications
Part 2 in F - F Horn, English Horn. By Hans Algra. By Johann Sebastian Bach (168...(+)
Part 2 in F - F Horn,
English Horn. By Hans
Algra. By Johann
Sebastian Bach
(1685-1750). Edited by
Hans Algra. De Haske
Ensemble. Hymns and
Chorals. Individual part.
Composed 2000. De Haske
Publications #DHP
1001942-706. Published by
De Haske Publications
E Flat TC Part 4. By Hans Algra. By Johann Sebastian Bach (1685-1750). De Haske ...(+)
E Flat TC Part 4. By Hans
Algra. By Johann
Sebastian Bach
(1685-1750). De Haske
Ensemble. Hymns and
Chorals. Individual part.
Composed 2000. De Haske
Publications #DHP
1001953-717. Published by
De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.48024362 Composed by Clare Grundma...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.48024362
Composed
by Clare Grundman.
Arranged by Robert
Longfield. Boosey &
Hawkes Concert Band.
Concert. Softcover. 8
pages. Duration 100
seconds. Boosey & Hawkes
#M051663866. Published by
Boosey & Hawkes
(HL.48024362).
ISBN
9798350122916. UPC:
888680747886.
9.0x12.0x0.049
inches.
Commissione
d by The United States
Marine Band and premiered
in 1987, Clare Grundman's
Concord has remained a
staple in the wind band
repertoire. The middle
section of this work is a
beautiful chorale based
on the early hymn
“Americaâ€
composed by William
Billings. Adapted here as
a stand alone piece for
younger bands, this is a
stunning example of lyric
writing and glorious
harmonies. Dur: 1:40.
By Leroy Anderson. Arranged by Russell L. Robinson. For Concert Band. (SATB). C...(+)
By Leroy Anderson.
Arranged by Russell L.
Robinson. For Concert
Band. (SATB). Choral
Octavo. Christmas. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4005544 Vol. 1. ...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4005544
Vol.
1. Composed by
Richard L. Saucedo.
MusicWorks Grade 3.
Concert. Softcover.
Published by Hal Leonard
(HL.4005544).
UPC:
888680748760.
9.0x12.0x0.36
inches.
Drawing on
his many years of
experience building
nationally acclaimed band
programs and also his
work as a successful
guest conductor and
clinician, Richard
Saucedo has created a
much-needed set of
key-based chorales. These
chorales incorporate the
concept of drones
(included on every part),
and in addition to
helping your ensemble
focus on tuning these are
great for developing
tone, balance and
phrasing. Vol 1 includes
three chorales: Bb major,
D minor, Eb major.
A Classic Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
(For Band and Optional Choir (Featuring: Gloria: From Heaven Above to Earth I Co...(+)
(For Band and Optional
Choir (Featuring: Gloria:
From Heaven Above to
Earth I Come / For Unto
Us a Child Is Born /
Hallelujah Chorus)).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band;
Masterworks; Part(s);
Score. Belwin Concert
Band. Form: Medley.
Baroque; Christmas;
Masterwork Arrangement;
Sacred; Winter. Grade 3.
226 pages. Published by
Belwin Publishing
A Chorale Prelude. By James Swearingen. Sacred. Concert Band. Level: Grade 3. Sc...(+)
A Chorale Prelude. By
James Swearingen. Sacred.
Concert Band. Level:
Grade 3. Score and set of
parts. Composed 2003.
Duration 0:02:47.
Published by C.L.
Barnhouse.
Chorale Variants Orchestre d'harmonie - Intermédiaire/avancé Alfred Publishing
Concert Band - Grade 4 SKU: AP.46673S On Herzliebster Jesu. Compos...(+)
Concert Band - Grade 4
SKU: AP.46673S
On Herzliebster
Jesu. Composed by
Todd Stalter and based on
a hymn by Johann Cruger.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Concert
Band. Form: Fantasia.
Hymn; Sacred. Score. 28
pages. Alfred Music
#00-46673S. Published by
Alfred Music (AP.46673S).
UPC: 038081535319.
English.
Chorale
Variants is cast more as
a fantasia than a set of
variations. The woodwind
flourishes purposely
infer what an organist
might play while
improvising on a chorale
theme, and the full
dynamic power of the wind
band brings the piece to
a passionate and vibrant
close.
Chorale Variants Orchestre d'harmonie - Intermédiaire/avancé Alfred Publishing
Concert Band - Grade 4 SKU: AP.46673 On Herzliebster Jesu. Compose...(+)
Concert Band - Grade 4
SKU: AP.46673
On Herzliebster
Jesu. Composed by
Todd Stalter and based on
a hymn by Johann Cruger.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Concert
Band. Form: Fantasia.
Hymn; Sacred. Score and
Part(s). 280 pages.
Alfred Music #00-46673.
Published by Alfred Music
(AP.46673).
UPC:
038081535302.
English.
Chorale
Variants is cast more as
a fantasia than a set of
variations. The woodwind
flourishes purposely
infer what an organist
might play while
improvising on a chorale
theme, and the full
dynamic power of the wind
band brings the piece to
a passionate and vibrant
close.
Concert Band (Score) - Grade 2 SKU: HL.4005906 Composed by James Curnow. ...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4005906
Composed
by James Curnow.
MusicWorks Grade 2.
Concert. Softcover. 20
pages. Duration 269
seconds. Published by Hal
Leonard (HL.4005906).
UPC: 888680942793.
9.0x12.0x0.058
inches.
Written in
a sophisticated and
dynamic style, this work
from James Curnow is more
impressive sounding than
the easy grade level
would indicate. Opening
with a rhythmic and
intense tocatta, this
theme is contrasted with
a sustained and lyric
chorale section. Both
themes are combined at
the end for a powerful
and rewarding finish.
Arranged by Douglas E. Wagner. Choir Sacred. For Belwin Symphonic Band. Choral O...(+)
Arranged by Douglas E.
Wagner. Choir Sacred. For
Belwin Symphonic Band.
Choral Octavo. Christmas;
Sacred; Winter.
Instrumental Parts. 120
pages. Published by
Belwin Music
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Grade 2 SKU: CL.015-2895-01 Composed by A. Clark. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.015-2895-01
Composed by A. Clark.
Young Concert Band. Extra
full score. Composed
1997. C.L. Barnhouse
#015-2895-01. Published
by C.L. Barnhouse
(CL.015-2895-01).
The fifth of
Andy Clark’s
extremely successful time
saving warm-ups. Contains
a Chorale Warm-up, a Key
Study and Technique
Exercise, in addition to
a short Tuning Routine to
get your rehearsal off to
a great start. An
excellent way to save
precious rehearsal time
and improve your band at
the same time.
Grade 2 SKU: CL.015-2741-00 Composed by A. Clark. Young Concert Band. Sco...(+)
Grade 2
SKU:
CL.015-2741-00
Composed by A. Clark.
Young Concert Band. Score
and set of parts.
Composed 1995. C.L.
Barnhouse #015-2741-00.
Published by C.L.
Barnhouse
(CL.015-2741-00).
The third in
Andy Clark’s
extremely successful
series of time saving
warm-ups. Contains a
Chorale Warm-up, a Lip
Slur Exercise & Key
Study, in addition to a
short Tuning Routine to
get your rehearsal off to
a great start. An
excellent way to save
precious rehearsal time
and improve your band at
the same time.
Grade 2 SKU: CL.015-2741-01 Composed by A. Clark. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.015-2741-01
Composed by A. Clark.
Young Concert Band. Extra
full score. Composed
1995. C.L. Barnhouse
#015-2741-01. Published
by C.L. Barnhouse
(CL.015-2741-01).
The third in
Andy Clark’s
extremely successful
series of time saving
warm-ups. Contains a
Chorale Warm-up, a Lip
Slur Exercise & Key
Study, in addition to a
short Tuning Routine to
get your rehearsal off to
a great start. An
excellent way to save
precious rehearsal time
and improve your band at
the same time.
Grade 2 SKU: CL.015-2817-01 Composed by A. Clark. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.015-2817-01
Composed by A. Clark.
Young Concert Band. Extra
full score. Composed
1996. C.L. Barnhouse
#015-2817-01. Published
by C.L. Barnhouse
(CL.015-2817-01).
The fourth in
Andy Clark’s
extremely successful
series of time saving
warm-ups. Contains a
Chorale Warm-up, an
Interval Study and
Technique Exercise, in
addition to a short
Tuning Routine to get
your rehearsal off to a
great start. An excellent
way to save precious
rehearsal time and
improve your band at the
same time. A valuable
investment for the future
of your band program.
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin B...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Beginning
Band. Level: 1 (Very
Easy) (grade 1).
Conductor Score and
Parts. 386 pages.
Duration 1:13. Published
by Alfred Publishing.
Variations on a Nautical Hymn Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
Arranged by Mark Williams. Arr. Mark Williams. For Concert Band. Concert Band. A...(+)
Arranged by Mark
Williams. Arr. Mark
Williams. For Concert
Band. Concert Band.
Alfred Concert Band.
Hymn. Level: 4 (Medium
Difficult) (grade 4).
Conductor Score and
Parts. 3 pages. Published
by Alfred Publishing.
Set Me as a Seal Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4007737 Composed by Rene Clausen. ...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4007737
Composed
by Rene Clausen. Arranged
by Robert C. Cameron.
MusicWorks Grade 3.
Concert. Softcover.
Duration 546 seconds.
Published by Hal Leonard
(HL.4007737).
Full Score Concert Band (Score) - Grade 1 SKU: HL.4280587 Composed by Ann...(+)
Full Score Concert Band
(Score) - Grade 1
SKU:
HL.4280587
Composed
by Anne McGinty.
MusicWorks Grade 1.
Chorale, Concert.
Published by Hal Leonard
(HL.4280587).
UPC:
073999805871.
9.0x12.0x0.019
inches.
The opening
Chorale section of this
very appealling beginning
band piece introduces the
theme that is then used
in the Canon that
follows. Skillfully
designed to pass the
melody to every section,
this is a very rewarding
piece for beginning
groups. First published
in 1984.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-034-010 Composed by Max Reg...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-034-010
Composed by Max Reger.
Arranged by Philip
Sparke. Ceremonial
Series. Hymns & Chorals.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 034-010.
Published by Anglo Music
Press (BT.AMP-034-010).
During his
short lifetime Max Reger
(1873-1916) was a
prolific composer with
many of his best known
works being composed for
organ. The ten chorale
preludes in this
selection are from his
set of Thirty Short
Chorale Preludes Op.135a
composed as short
voluntaries for
liturgical use rather
than for recitals in
these arrangements Philip
Sparke has kept this in
mind and each prelude can
be performed with minimal
instrumentation for those
occasions where a small
band is needed. They also
make great pieces for
band warm-ups or studies
in intonation, sound and
balance.
Max Reger
(1873-1916) is de
componist van 30
Koraalbewerkingen, op.
135a voor orgel. Hieruit
stammen deze tien
preludes. Eigenlijk waren
ze bedoeld als vrij
muzikaal intermezzo
binnen de kerkelijke
muziek. En ook met dit
arrangementvoor
blaasorkest houdt Philip
Sparke rekening met dit
oorspronkelijke doel. Hij
maakte ze speelbaar voor
een minimale bezetting
zodat u ze ook met een
klein ensemble tijdens de
kerkdienst kunnen
uitvoeren. Verder zijn ze
ook bijzondergeschikt als
opwarmstuk en als stem-,
klank- of balansoefening.
Bovendien kunt u ze als
kleine suite gebruiken in
een concertprogramma.
Veelzijdig!
Max
Reger komponierte eine
Fülle an Werken vieler
Genres. Unter anderem
schrieb er 30 kleine
Vorspiele zu den
gebräuchlichsten
Chorälen für Orgel,
die mehr als für den
liturgischen Rahmen, denn
als Vortragsstücke
gedacht waren. Seine
Blasorchesterbearbeitung
dieser zehn Präludien
machte Philip Sparke
daher für eine
minimale Besetzung
spielbar, so dass sie
auch Gottesdienst
verwendet werden
können. Außerdem
eignen sie sich auch
hervorragend als
Aufwärmstücke,
Stimm-, Klang- oder
Balanceübungen oder in
verschiedenen
Zusammenstellungen als
kleine Suiten für den
Konzertgebrauch. Eine
vielseitige Sammlung, die
in keinem Repertoire
fehlen sollte!
Nella
sua breve vita Max Reger
(1873-1916) fu un
compositore molto
prolifico noto per le sue
composizioni per organo.
Le dieci corali
arrangiate da Philip
Sparke fanno parte de
Thirty Short Chorale
Preludes Op. 135a,
composte per uso
liturgico piuttosto che
recitativo. Questo
arrangiamento tiene conto
del fatto che ogni
preludio può essere
eseguito con una
strumentazione minima.
Dieci pezzi ideali anche
come riscaldamento,
studio
dell’intonazione e
del suono.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-034-140 Composed by Max Reg...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-034-140
Composed by Max Reger.
Arranged by Philip
Sparke. Ceremonial
Series. Hymns & Chorals.
Score Only. Composed
2003. 36 pages. Anglo
Music Press #AMP 034-140.
Published by Anglo Music
Press (BT.AMP-034-140).
During his
short lifetime Max Reger
(1873-1916) was a
prolific composer with
many of his best known
works being composed for
organ. The ten chorale
preludes in this
selection are from his
set of Thirty Short
Chorale Preludes Op.135a
composed as short
voluntaries for
liturgical use rather
than for recitals in
these arrangements Philip
Sparke has kept this in
mind and each prelude can
be performed with minimal
instrumentation for those
occasions where a small
band is needed. They also
make great pieces for
band warm-ups or studies
in intonation, sound and
balance.
Max Reger
(1873-1916) is de
componist van 30
Koraalbewerkingen, op.
135a voor orgel. Hieruit
stammen deze tien
preludes. Eigenlijk waren
ze bedoeld als vrij
muzikaal intermezzo
binnen de kerkelijke
muziek. En ook met dit
arrangementvoor
blaasorkest houdt Philip
Sparke rekening met dit
oorspronkelijke doel. Hij
maakte ze speelbaar voor
een minimale bezetting
zodat u ze ook met een
klein ensemble tijdens de
kerkdienst kunnen
uitvoeren. Verder zijn ze
ook bijzondergeschikt als
opwarmstuk en als stem-,
klank- of balansoefening.
Bovendien kunt u ze als
kleine suite gebruiken in
een concertprogramma.
Veelzijdig!
Max
Reger komponierte eine
Fülle an Werken vieler
Genres. Unter anderem
schrieb er 30 kleine
Vorspiele zu den
gebräuchlichsten
Chorälen für Orgel,
die mehr als für den
liturgischen Rahmen, denn
als Vortragsstücke
gedacht waren. Seine
Blasorchesterbearbeitung
dieser zehn Präludien
machte Philip Sparke
daher für eine
minimale Besetzung
spielbar, so dass sie
auch Gottesdienst
verwendet werden
können. Außerdem
eignen sie sich auch
hervorragend als
Aufwärmstücke,
Stimm-, Klang- oder
Balanceübungen oder in
verschiedenen
Zusammenstellungen als
kleine Suiten für den
Konzertgebrauch. Eine
vielseitige Sammlung, die
in keinem Repertoire
fehlen sollte!
Nella
sua breve vita Max Reger
(1873-1916) fu un
compositore molto
prolifico noto per le sue
composizioni per organo.
Le dieci corali
arrangiate da Philip
Sparke fanno parte de
Thirty Short Chorale
Preludes Op. 135a,
composte per uso
liturgico piuttosto che
recitativo. Questo
arrangiamento tiene conto
del fatto che ogni
preludio può essere
eseguito con una
strumentazione minima.
Dieci pezzi ideali anche
come riscaldamento,
studio
dell’intonazione e
del suono.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Concert Band (Score) - Grade 5 SKU: HL.44012906 For Concert Band (Scor...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.44012906
For
Concert Band (Score
Only). Composed by
Philip Sparke. Anglo
Music Concert Band.
Opening Pieces.
Softcover. Composed 2017.
32 pages. Anglo Music
Press #AMP447140.
Published by Anglo Music
Press (HL.44012906).
A Bluegrass
Overture was
commissioned by Gabriel
Wooley and funded by a
grant from Leslie and
Cathy Anderson for the
Central Kentucky Concert
Band to celebrate their
40th anniversary in 2016.
This energetic overture
opens with an
introduction loosely
based on 'bluegrass'
chords before a slower,
legato chorale appears in
the clarinets and flutes.
This is short-lived and
soon a new mood is
introduced, based on a
repeated-note
accompaniment. This leads
to the main theme,
heavily syncopated with
bluesy inflections. A
central section features
a cantabile melody, which
changes key frequently,
before the main theme
reappears, leading to a
triumphal presentation of
the earlierchorale
melody.
A
Bluegrass Overture is
geschreven voor de
Central Kentucky Concert
Band ter gelegenheid van
hun veertigjarig bestaan
in 2016. De opdracht komt
van Gabriel Wooley en is
gefinancierd door een
gift van Leslie en Cathy
Anderson. Deze energieke
ouverture opent met
bluegrass-akkoorden,
waarna in de klarinetten
en fluiten een langzamer,
legato koraal naar voren
komt. Het wordt al snel
gevolgd door een nieuw
sfeerbeeld, dat is
gebaseerd op een
begeleiding van herhaalde
noten. Hier komt het
hoofdthema uit voort, dat
zwaar gesyncopeerd is en
bluesachtige invloeden
laat horen. In het
middengedeelte klinkt een
zangerige melodie met
frequente modulaties,
waarna hethoofdthema weer
opduikt en ons meevoert
naar een glorierijke
presentatie van de eerder
gespeelde koraalmelodie.
A Bluegrass
Overture wurde von
Gabriel Wooley anlasslich
des 40-jahrigen Jubilaums
der Central Kentucky
Concert Band im Jahre
2016 in Auftrag gegeben
und von Leslie und Cathy
Anderson finanziell
unterstutzt. Diese
energiegeladene Ouverture
beginnt mit einer
Einleitung mit lockeren
Bluegrass-Akkorden, bevor
ein langsamer Choral im
Legato in den Klarinetten
und Floten erklingt. Das
ist jedoch nur von kurzer
Dauer, denn schon bald
wird durch eine
Begleitung mit
repetierten Noten eine
neue Stimmung erzeugt.
Dies fuhrt schliesslich
zum Hauptthema mit
deutlichen Synkopen und
Blues-Modulationen. Die
zentrale Passage zeichnet
sich durch eine kantable
Melodie aus, die
haufigdie Tonart
wechselt, bevor das
Hauptthema wiederkehrt
und zu einer triumphalen
Prasentation der
vorherigen Choralmelodie
hinleitet.
A
Bluegrass Overture
fut commande par Gabriel
Wooley et finance par une
bourse de Leslie et Cathy
Anderson pour la
celebration du 40e
anniversaire du Central
Kentucky Concert Band en
2016. Cette ouverture
energique debute par une
introduction basee
vaguement sur les accords
de bluegrass, puis un
court choral plus lent et
plus legato apparait chez
les clarinettes et
flutes. Bientot un
changement d'atmosphere
se produit, base sur un
accompagnement de motifs
de notes repetees. Ceci
nous mene au theme
principal, tres syncope,
aux inflexions de blues.
La section du milieu
comprend une melodie
lyrique qui change de
tonalite frequemment,
avant que le retour du
theme principal nousmene
a une presentation
triomphale de la melodie
de choral entendue plus
tot.
Questa
ouverture energica si
apre con una introduzione
dal movimento ampio
caratterizzata da accordi
in stile bluegrass prima
di un corale lento e
legato affi dato ai
clarinetti e ai flauti,
di breve durata, e presto
sostituito da una nuova
atmosfera, scandita da un
accompagnamento con note
ribattute. Questo conduce
a un tema principale,
molto sincopato, con
inflessioni blues. Una
sezione centrale dalla
melodia cantabile che
cambia spesso tonalita
anticipa la ricomparsa
del tema principale, che
conduce a sua volta a una
trionfale riproposizione
della melodia corale.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-465-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-465-010
Composed by Philip
Sparke. Debut Series.
Hymns & Chorals. Set
(Score & Parts). Composed
2018. Anglo Music Press
#AMP 465-010. Published
by Anglo Music Press
(BT.AMP-465-010).
English-German-French-
Dutch.
These 30
Original Chorales and
Warm-Ups have been
designed to develop the
most important aspects of
band playing, by
providing material that
can be used at the start
of a rehearsal to test
balance, dynamics,
tuning, flexibility and
articulation. Band
directors are encouraged
to adapt them to address
the specific needs and
challenges of their
ensembles. Dynamics and
tempo indications are not
given and should be
chosen by the director as
required. All the
chorales are strictly
four-part. This
multi-purpose collection
is an essential purchase
for every ambitious band!
30 Original
Chorales and Warm-Ups
is ontwikkeld om
belangrijke vaardigheden
van het spelen in een
blaasorkest te
ontwikkelen door middel
van materiaal dat kan
worden gebruikt om bij de
start van een repetitie
aan de balans, dynamiek,
zuiverheid, flexibiliteit
en articulatie te werken.
Dirigenten kunnen de
koralen en warming-ups
naar wens aanpassen door
zich te richten op
specifieke muzikale
aspecten. Er worden geen
aanwijzingen voor
dynamiek en tempo
gegeven, die bepaalt de
dirigent naar eigen
inzicht. Alle koralen
zijn vierstemmig. Een
veelzijdig toepasbare
bundel die onmisbaar is
voor elk ambitieus
blaasorkest!
Die
30 Original Chorales
and Warm-Ups wurden
konzipiert, um die
wichtigsten Aspekte des
Blasorchesterspiels zu
erarbeiten. Mithilfe des
umfangreichen Materials
kann man zu Beginn einer
Probe Balance, Dynamik,
Stimmung, Flexibilität
und Artikulation üben.
Orchesterleiter können
das Material an die
Bedürfnisse ihres
jeweiligen Orchesters
anpassen, indem sie sich
auf bestimmte
musikalische
Herausforderung
konzentrieren. Es gibt
keine Angaben zu Dynamik
und Tempo, da dies vom
Orchesterleiter
entsprechend gewählt
werden soll. Die
Choräle sind alle
vierstimmig. Eine
vielseitige Sammlung, die
unverzichtbar für
jedes anspruchsvolle
Orchester
ist!
Questi 30
Original Chorales and
Warm-Ups (30
corali originali e pezzi
di riscaldamento)
sono stati pensati per
sviluppare gli aspetti
più importanti del
suonare in banda, quali
equilibrio, dinamiche,
intonazione, flessibilit
e articolazione. Tutti i
corali sono rigorosamente
a quattro parti. Questa
collezione è un
acquisto essenziale per
ogni banda che vuole
migliorare!