| Refining The March Style Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2 SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105). ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major. Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Musicians' March Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1105030-013 Musikantenma...(+)
Concert Band/Harmonie -
Grade 1.5 SKU:
BT.DHP-1105030-013
Musikantenmarsch.
Composed by Eric J. Hovi.
Arranged by Jan de Haan.
Essential Elements
European Band Series. Set
(Score & Parts) with CD.
Composed 2010. De Haske
Publications #DHP
1105030-013. Published by
De Haske Publications
(BT.DHP-1105030-013).
9x12 inches.
English. Eric J.
Hovi cleverly
incorporates a well-known
German children’s
song, Ich bin ein
Musikante, into this
march, with plenty of
syncopated rhythms thrown
in for good measure. The
simple melody and Jan de
Haan’s accessible
arrangement make
Musicians' March an ideal
piece for young musicians
everywhere.
In
diesem Marsch mit einem
auffällig synkopischen
Rhythmus verarbeitete
Eric J. Hovi das bekannte
Kinderlied Ich bin ein
Musikante. Die
vertraute Melodie und die
leichte Bearbeitung von
Jan de Haan
ermöglichen jungen
Musikern einen einfachen,
fröhlichen Einstieg in
das Genre der
Marschmusik.Spielbar ab
Essential Elements
Band 1, Seite 31
Cette pièce
facile et agréable est
idéale pour
familiariser vos jeunes
musiciens avec le style
de la marche. Un rythme
syncopé jalonne la
trame. La mélodie
provient d’une
chanson enfantine
allemande.
La
celebre Ich bin ein
Musikante, nota canzone
tedesca per bambini, è
stata arrangiata con uno
spiccato ritmo sincopato
da Eric J. Hovi. Jan de
Haan ne ha creato una
versione più semplice
per giovani musicisti,
ideale per un approccio
semplice e gioioso
all’esecuzione
delle marce. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Musicians' March Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1105030-143 Musikantenma...(+)
Concert Band/Harmonie -
Grade 1.5 SKU:
BT.DHP-1105030-143
Musikantenmarsch.
Composed by Eric J. Hovi.
Arranged by Jan de Haan.
Essential Elements
European Band Series.
Score with CD. Composed
2010. 12 pages. De Haske
Publications #DHP
1105030-143. Published by
De Haske Publications
(BT.DHP-1105030-143).
9x12 inches.
English. Eric J.
Hovi cleverly
incorporates a well-known
German children’s
song, Ich bin ein
Musikante, into this
march, with plenty of
syncopated rhythms thrown
in for good measure. The
simple melody and Jan de
Haan’s accessible
arrangement make
Musicians' March an ideal
piece for young musicians
everywhere.
In
diesem Marsch mit einem
auffällig synkopischen
Rhythmus verarbeitete
Eric J. Hovi das bekannte
Kinderlied Ich bin ein
Musikante. Die
vertraute Melodie und die
leichte Bearbeitung von
Jan de Haan
ermöglichen jungen
Musikern einen einfachen,
fröhlichen Einstieg in
das Genre der
Marschmusik.Spielbar ab
Essential Elements
Band 1, Seite 31
Cette pièce
facile et agréable est
idéale pour
familiariser vos jeunes
musiciens avec le style
de la marche. Un rythme
syncopé jalonne la
trame. La mélodie
provient d’une
chanson enfantine
allemande.
La
celebre Ich bin ein
Musikante, nota canzone
tedesca per bambini, è
stata arrangiata con uno
spiccato ritmo sincopato
da Eric J. Hovi. Jan de
Haan ne ha creato una
versione più semplice
per giovani musicisti,
ideale per un approccio
semplice e gioioso
all’esecuzione
delle marce. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triangle of the Tempest Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3.5 SKU:
CF.CPS135F Composed
by Alan Lee Silva. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 36 pages.
Duration 4 minutes, 18
seconds. Carl Fischer
Music #CPS135F. Published
by Carl Fischer Music
(CF.CPS135F). ISBN
9780825888496. UPC:
798408088491. 9x12
inches. Triangle of
the Tempest is a
fast-moving composition
with interesting rhythmic
challenges and dynamic
color shifts. Starting
with syncopated figures
over a repeated
eight-measure
progression, the piece
builds in intensity as
more sections and layers
are added. The second
part changes tone and is
led by a heroic trumpet
melody with a soaring
woodwind obligato. The
themes intertwine and the
material develops into a
dramatic conclusion with
a final explosive
ensemble hit.
Action-packed and full of
rhythmic drive, this
piece is a good choice
for contest or festival
performance. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Triangle of the Tempest Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3.5 SKU:
CF.CPS135 Composed by
Alan Lee Silva. SWS FS.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
12+12+6+12+12+12+6+6+4+4+
6+6+12+12+12+6+6+9+9+6+9+
12+4+2+6+2+6+2+15+36
pages. Duration 4
minutes, 18 seconds. Carl
Fischer Music #CPS135.
Published by Carl Fischer
Music (CF.CPS135).
ISBN 9780825888489.
UPC: 798408088484. 9x12
inches. Triangle of
the Tempest is a
fast-moving composition
with interesting rhythmic
challenges and dynamic
color shifts. Starting
with syncopated figures
over a repeated
eight-measure
progression, the piece
builds in intensity as
more sections and layers
are added. The second
part changes tone and is
led by a heroic trumpet
melody with a soaring
woodwind obligato. The
themes intertwine and the
material develops into a
dramatic conclusion with
a final explosive
ensemble hit.
Action-packed and full of
rhythmic drive, this
piece is a good choice
for contest or festival
performance. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Down Through the Chimney Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1.5 SKU: CL.015-2486-01 Composed by J. Williams. Young Concert Band...(+)
Grade 1.5 SKU:
CL.015-2486-01
Composed by J. Williams.
Young Concert Band.
Norman Lee Series. Extra
full score. Composed
1992. C.L. Barnhouse
#015-2486-01. Published
by C.L. Barnhouse
(CL.015-2486-01).
A charming
little Christmas medley
that includes Up On The
House Top, Jolly
Ol’ St. Nicholas
and Jingle Bells with a
few little bits and
pieces of other familiar
holiday favorites thrown
in for good measure.
Expertly arranged by
Jerry Williams to get the
most out of young players
and smaller groups. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Down Through the Chimney Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1 SKU: CL.015-2486-00 Composed by J. Williams. Young Concert Band. ...(+)
Grade 1 SKU:
CL.015-2486-00
Composed by J. Williams.
Young Concert Band.
Norman Lee Series. Score
and set of parts.
Composed 1992. C.L.
Barnhouse #015-2486-00.
Published by C.L.
Barnhouse
(CL.015-2486-00).
A charming
little Christmas medley
that includes Up On The
House Top, Jolly
Ol’ St. Nicholas
and Jingle Bells with a
few little bits and
pieces of other familiar
holiday favorites thrown
in for good measure.
Expertly arranged by
Jerry Williams to get the
most out of young players
and smaller groups. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More Cowbell Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. Concert Band. Concert Band. Accent on Achievement. Contemporar...(+)
By Mark Williams. Concert
Band. Concert Band.
Accent on Achievement.
Contemporary; TV. Grade
1. Conductor Score and
Parts. 128 pages.
Duration 2:00:00
(3)$48.00 $45.6 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exemplary Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet, Tuba,
Vibraphone, alto
Saxophone and more. -
Grade 0.5 SKU:
CF.PPS49F Composed by
Richard Summers. Primer
Band (PPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #PPS49F. Published
by Carl Fischer Music
(CF.PPS49F). ISBN
9781491152614. UPC:
680160910113. Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â . $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exemplary Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet, Tuba,
Vibraphone, alto
Saxophone and more. -
Grade 0.5 SKU:
CF.PPS49 Composed by
Richard Summers. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+1+12+2 pages.
Duration 2 minutes. Carl
Fischer Music #PPS49.
Published by Carl Fischer
Music (CF.PPS49). ISBN
9781491151938. UPC:
680160909438. Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â . $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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