Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield. For
Concert Band (Score).
Boosey and Hawkes Concert
Band. Grade 4. 36 pages.
Published by Boosey and
Hawkes
Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield. For
Concert Band (Score and
Parts). Boosey and Hawkes
Concert Band. Grade 4.
Published by Boosey and
Hawkes
Full Score. By Aaron Copland. Arranged by Kenneth Singleton. (Full Score). Boos...(+)
Full Score. By Aaron
Copland. Arranged by
Kenneth Singleton. (Full
Score). Boosey and Hawkes
Concert Band. Size 9x12
inches. 12 pages.
Published by Boosey &
Hawkes.
Composed by Aaron Copland (1900-1990). Arranged by James Curnow. For Concert...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
James
Curnow. For Concert Band
(Score & Parts).
Boosey &
Hawkes Concert Band.
Grade 4.
Published by Boosey &
Hawkes
Fanfare for the Common Man Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Boosey and Hawkes
Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. Flex-Band...(+)
Composed by Aaron Copland
(1900-1990). Arranged by
Robert Longfield.
Flex-Band
Grade 3. Fanfare.
Softcover.
Boosey and Hawkes
#M051664306.
Published by Boosey and
Hawkes
New Era Dance Orchestre d'harmonie [Partition] Schirmer
Autograph Editions - Full Score. Composed by Aaron Jay Kernis. Edited by ...(+)
Autograph Editions -
Full Score. Composed
by Aaron Jay Kernis.
Edited by Peter Stanley
Martin. G. Schirmer
Band/Orchestra.
Softcover. 72 pages.
Published by G. Schirmer
(HL.50600876).
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-140 From the opera...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1043545-140
From the opera Rinaldo
van Georg Friedrich
Händel. Composed
by George Frideric
Handel. Arranged by Jacob
De Haan. Your Favorite
Classics. Score Only.
Composed 2004. De Haske
Publications #DHP
1043545-140. Published by
De Haske Publications
(BT.DHP-1043545-140).
Lascia
ch’io pianga (Let
Me Weep) is een aria
uit de opera
Rinaldo. Aaron
Hill schreef het
scenario, waarna Giacomo
Rossi de poëtische
teksten schreef. Georg
Friedrich Händel
voorzag deze later van
muziek. Hij zou demuziek
in veertien dagen hebben
gecomponeerd en veel
melodieën uit eerdere
werken hebben gebruikt.
In 1711 werd
Rinaldo voor het
eerst uitgevoerd. De
melodie van deze
prachtige aria is
wereldwijd bekend en komt
uitstekendtot haar recht
in dit arrangement van
Jacob de
Haan.
Let Me
Weep - im Original
Laschia ch'io
pianga - stammt aus
der Oper Rinaldo,
deren Musik Georg
Friedrich Händel
angeblich in weniger als
vierzehn Tagen
geschrieben hat! Er
verwendete für diese
märchenhafte Oper
viele Melodien aus
älteren Werken. Die
Melodie dieser
prächtigen Arie ist
weltweit bekannt und
beliebt - so ist mit
Jacob de Haans
hervorragender
Bearbeitung für
Blasorchester ein
Publikumserfolg
garantiert!
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1043545-010 From the opera...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1043545-010
From the opera Rinaldo
van Georg Friedrich
Händel. Composed
by George Frideric
Handel. Arranged by Jacob
De Haan. Your Favorite
Classics. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043545-010. Published by
De Haske Publications
(BT.DHP-1043545-010).
Film music is
usually written to match
the action in a scenario.
Sometimes the opposite is
true as is proved by
Jacob de Haan’s
piece La Storia. Written
for creative musicians
and audiences, the
listener is given the
opportunity of making up
his own story to fit the
music, without even the
restriction of
composer’s
comments.
Lascia
ch’io pianga (Let
Me Weep) is een aria
uit de opera
Rinaldo. Aaron
Hill schreef het
scenario, waarna Giacomo
Rossi de poëtische
teksten schreef. Georg
Friedrich Händel
voorzag deze later van
muziek. Hij zou demuziek
in veertien dagen hebben
gecomponeerd en veel
melodieën uit eerdere
werken hebben gebruikt.
In 1711 werd
Rinaldo voor het
eerst uitgevoerd. De
melodie van deze
prachtige aria is
wereldwijd bekend en komt
uitstekendtot haar recht
in dit arrangement van
Jacob de
Haan.
Let Me
Weep - im Original
Laschia ch'io
pianga - stammt aus
der Oper Rinaldo,
deren Musik Georg
Friedrich Händel
angeblich in weniger als
vierzehn Tagen
geschrieben hat! Er
verwendete für diese
märchenhafte Oper
viele Melodien aus
älteren Werken. Die
Melodie dieser
prächtigen Arie ist
weltweit bekannt und
beliebt - so ist mit
Jacob de Haans
hervorragender
Bearbeitung für
Blasorchester ein
Publikumserfolg
garantiert!
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-010
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063975-010. Published by
De Haske Publications
(BT.DHP-1063975-010).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-140
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music.
Score Only. Composed
2006. 24 pages. De Haske
Publications #DHP
1063975-140. Published by
De Haske Publications
(BT.DHP-1063975-140).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
Blazon Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-280-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-280-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2010.
Anglo Music Press #AMP
280-010. Published by
Anglo Music Press
(BT.AMP-280-010).
9x12
inches.
Een blazon
is een wapenschild of
vlag. Daarmee is de titel
van deze mars goed
gekozen, want
Blazon is
uitermate geschikt om te
dienen als een soort
uithangbord: het blazon
waaronder het totale
orkest zich op zijn beste
manierkan presenteren! De
mars begint met een
overvloedige fanfare in
de trompetten, de hoorns
en het groot koper. Een
toonsoortwisseling brengt
ook de houtblazers in het
spel, waarna het totale
blaasorkest het thema
overneemt. Dan keertde
beginfanfare terug, deze
keer nemen de houtblazers
het thema voor hun
rekening. Ze nemen de
mars mee, op weg naar een
stralend
slot!
Blazonâ€
heißt Wappenschild
oder Schmuck und dieser
Marsch ist auch bestens
geeignet als
Aushängeschild, mit
dem sich das ganze
Blasorchester wunderbar
präsentieren kann. Er
beginnt mit einer
ausgiebigen Fanfare in
den Trompeten, Hörnern
und tiefen
Blechblasinstrumenten.
Ein Tonartwechsel bringt
auch die Holzbläser
ins Spiel, bevor das
ganze Blasorchester
dieses Thema aufnimmt.
Dann kehrt die
Eingangsfanfare
zurück, diesmal mit
den Holzbläsern, und
führt den Marsch zu
einem strahlenden
Schluss.
Blazon Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-280-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-280-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2010. 24 pages.
Anglo Music Press #AMP
280-140. Published by
Anglo Music Press
(BT.AMP-280-140).
9x12
inches.
Een blazon
is een wapenschild of
vlag. Daarmee is de titel
van deze mars goed
gekozen, want
Blazon is
uitermate geschikt om te
dienen als een soort
uithangbord: het blazon
waaronder het totale
orkest zich op zijn beste
manierkan presenteren! De
mars begint met een
overvloedige fanfare in
de trompetten, de hoorns
en het groot koper. Een
toonsoortwisseling brengt
ook de houtblazers in het
spel, waarna het totale
blaasorkest het thema
overneemt. Dan keertde
beginfanfare terug, deze
keer nemen de houtblazers
het thema voor hun
rekening. Ze nemen de
mars mee, op weg naar een
stralend
slot!
Blazonâ€
heißt Wappenschild
oder Schmuck und dieser
Marsch ist auch bestens
geeignet als
Aushängeschild, mit
dem sich das ganze
Blasorchester wunderbar
präsentieren kann. Er
beginnt mit einer
ausgiebigen Fanfare in
den Trompeten, Hörnern
und tiefen
Blechblasinstrumenten.
Ein Tonartwechsel bringt
auch die Holzbläser
ins Spiel, bevor das
ganze Blasorchester
dieses Thema aufnimmt.
Dann kehrt die
Eingangsfanfare
zurück, diesmal mit
den Holzbläsern, und
führt den Marsch zu
einem strahlenden
Schluss.
Concert Band - Grade 2 SKU: AP.45799S Recorded by American Authors...(+)
Concert Band - Grade 2
SKU: AP.45799S
Recorded by American
Authors. Composed by
Aaron Accetta, David
Rublin, James Shelley,
Jonnie Davis, Matthew
Sanchez, Michael Goodman,
and Zachary Barnett.
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Young Band.
Pop. Score. 16 pages.
Duration 2:45. Alfred
Music #00-45799S.
Published by Alfred Music
(AP.45799S).
UPC:
038081523989. English.
Zachary Barnett; James
Shelley; Matthew Sanchez;
David Rublin; Aaron
Accetta; Jonnie Davis;
Michael Goodman [American
Authors].
With an
electronic dance beat and
a hint of Latin flavor,
the American Authors
anthem, Go Big or Go
Home, is a perfect fit
for enthusiastic school
concerts. Go big and get
your audience excited
with this bright and
energetic sing-along hit.
(2:45).
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
A Golden Jubilation Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175792-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175792-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175792-010. Published by
De Haske Publications
(BT.DHP-1175792-010).
English-German-French-
Dutch.
This work
was composed as a
commission by the Aikodai
Meiden High School
Symphonic Band, for the
50th anniversary of their
annual concert; the title
A Golden
Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, theconductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
rangeof instruments and a
band of 200 musicians,
including a separate
‘banda’,
harp and a variety of
special instruments. This
new version has been
rescored for standard
band instrumentation by
the composer
himself.
Dit werk
is geschreven in opdracht
van de Aikodai Meiden
High School Symphonic
Band, ter gelegenheid van
het vijftigste
jaarconcert dat door het
orkest werd uitgevoerd
een feit waar de titel
naar verwijst. De hechte
vriendschap tussen Hiroki
Ito(de dirigent van het
orkest) en Satoshi
Yagisawa leidde ertoe dat
Yagisawa op uitnodiging
deze schitterende,
boeiende fanfare van
circa twee minuten lang
schreef: een werk dat
ideaal is als opening van
een concert. De
oorspronkelijke
compositie
werdgearrangeerd voor een
extreem omvangrijke
instrumentatie, waaronder
een afzonderlijke
banda, harp en
diverse speciale
instrumenten, maar deze
nieuwe versie is door de
componist zelf opnieuw
georkestreerd voor een
standaard
harmonieorkest.
Di
eses Werk wurde von der
Aikodai Meiden High
School Symphonic Band
anlässlich ihres
50-jährigen
Konzertjubiläums, auf
das sich der Titel des
Werkes bezieht, in
Auftrag gegeben. Die enge
Freundschaft zwischen
Hiroki Ito, dem Leiter
des Orchesters,und
Satoshi Yagisawa
führte zur Komposition
dieser brillanten und
hinreißenden Fanfare
von etwa zwei Minuten
Dauer, die sich bestens
als Eröffnungsstück
eignet. Die
Originalkomposition wurde
für eine extrem
große Besetzung
inklusive einer
separatenBanda“,
Harfe und einigen
Spezialinstrumenten
komponiert. Diese neue
Version hat der Komponist
für eine
Standardbesetzung neu
instrumentiert.
Quest
a fanfara brillante della
durata di circa 2 minuti,
ispirata
dall’amicizia tra
Hiroki Ito il direttore
della banda e Satoshi
Yagisawa, è ideale
come apertura di un
concerto. L’opera
originale venne
arrangiata per una
strumentazione molto
ampia e una banda di 200
musicisti, inclusa una
sezione separata, con
un’arpa e una
variet di strumenti
speciali. Questa nuova
versione è stata
riarrangiata per banda
con strumentazione
standard dallo stesso
compositore.
A Golden Jubilation Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175792-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175792-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 13
pages. De Haske
Publications #DHP
1175792-140. Published by
De Haske Publications
(BT.DHP-1175792-140).
English-German-French-
Dutch.
This work
was composed as a
commission by the Aikodai
Meiden High School
Symphonic Band, for the
50th anniversary of their
annual concert; the title
A Golden
Jubilation is a
reference to this. The
close friendship between
Hiroki Ito, theconductor
of the band, and Satoshi
Yagisawa resulted in this
brilliant and
exhilarating fanfare of
approximately two minutes
in length; the piece is
ideal to use as a concert
opener. The original
composition was arranged
for an extremely wide
rangeof instruments and a
band of 200 musicians,
including a separate
‘banda’,
harp and a variety of
special instruments. This
new version has been
rescored for standard
band instrumentation by
the composer
himself.
Dit werk
is geschreven in opdracht
van de Aikodai Meiden
High School Symphonic
Band, ter gelegenheid van
het vijftigste
jaarconcert dat door het
orkest werd uitgevoerd
een feit waar de titel
naar verwijst. De hechte
vriendschap tussen Hiroki
Ito(de dirigent van het
orkest) en Satoshi
Yagisawa leidde ertoe dat
Yagisawa op uitnodiging
deze schitterende,
boeiende fanfare van
circa twee minuten lang
schreef: een werk dat
ideaal is als opening van
een concert. De
oorspronkelijke
compositie
werdgearrangeerd voor een
extreem omvangrijke
instrumentatie, waaronder
een afzonderlijke
banda, harp en
diverse speciale
instrumenten, maar deze
nieuwe versie is door de
componist zelf opnieuw
georkestreerd voor een
standaard
harmonieorkest.
Di
eses Werk wurde von der
Aikodai Meiden High
School Symphonic Band
anlässlich ihres
50-jährigen
Konzertjubiläums, auf
das sich der Titel des
Werkes bezieht, in
Auftrag gegeben. Die enge
Freundschaft zwischen
Hiroki Ito, dem Leiter
des Orchesters,und
Satoshi Yagisawa
führte zur Komposition
dieser brillanten und
hinreißenden Fanfare
von etwa zwei Minuten
Dauer, die sich bestens
als Eröffnungsstück
eignet. Die
Originalkomposition wurde
für eine extrem
große Besetzung
inklusive einer
separatenBanda“,
Harfe und einigen
Spezialinstrumenten
komponiert. Diese neue
Version hat der Komponist
für eine
Standardbesetzung neu
instrumentiert.
Quest
a fanfara brillante della
durata di circa 2 minuti,
ispirata
dall’amicizia tra
Hiroki Ito il direttore
della banda e Satoshi
Yagisawa, è ideale
come apertura di un
concerto. L’opera
originale venne
arrangiata per una
strumentazione molto
ampia e una banda di 200
musicisti, inclusa una
sezione separata, con
un’arpa e una
variet di strumenti
speciali. Questa nuova
versione è stata
riarrangiata per banda
con strumentazione
standard dallo stesso
compositore.
-1872. Composed by
Amilcare Ponchielli.
Arranged by Franco
Cesarini. Mitropa Music
Concert Band.
Transcription. Score
Only. Composed 2010. Hal
Leonard #173110M.
Published by Hal Leonard
(HL.44011379).
Thi
s overture, called
Sinfonia, is
without doubt one of the
best original works for
concert band to emerge
from the 19th century. It
is characterised by its
fluid spontaneity as well
as its rich texture. This
arrangement off ers bands
the opportunity to
perform a work of high
artistic value, which
otherwise would be
forgotten.
Deze
ouverture met de titel
Sinfonia is zonder
twijfel een van de beste
oorspronkelijke
19e-eeuwse werken voor
blaasorkest. De componist
Ponchielli werkte
jarenlang als dirigent in
Cremona en Piacenza (waar
hij een blaasorkest
leidde). Zijn oeuvre, dat
wordt bewaard in de
Nationale Bibliotheek in
Cremona, omvat ongeveer
150 originele partituren,
waaronder composities en
fantasieen die zijn
gebaseerd op lyrische
opera's van belangrijke
componisten uit zijn
tijd. De Sinfonia per
banda uit 1872 is een
volwassen werk waarin het
grote vakmanschap van
Ponchielli goed tot zijn
recht komt. Het wordt
gekenmerkt door een
vloeiende spontaniteit en
rijke textuur, enzoals
gezegd is het een van
Ponchielli's fraaiste
werken voor
blaasinstrumenten. Het
originele manuscript was
geschreven voor de
volgende bezetting:
Ab-klarinet, Eb-klarinet,
Bb-klarinetten 1-2-3,
Eb-bugel, Bb-cornetten
1-2, flugelhorn 1-2,
Eb-genis/hoorns 1-2-3,
Bb-trompetten 1-2-3,
Eb-bastrompet, trombones
1-2-3, Bb-basbugel,
Bb-tenorhoorn,
'pelittone'
(basinstrument), kleine
trom, grote trom en
pauken. Deze bewerking
geeft orkesten de
mogelijkheid om een werk
van een hoog artistiek
niveau uit te voeren dat
anders in vergetelheid
zou raken.
Diese
mit Sinfonia
betitelte Ouvertüre
ist zweifellos eines der
besten originalen Werke
für Blasorchester
aus dem 19. Jahrhundert.
Sie ist gepragt von
flüssiger
Spontaneitat und
Einfallsreichtum. Diese
Bearbeitung von Franco
Cesarini bietet modernen
Blasorchestern die
Chance, ein Werk von
hohem
künstlerischem Wert
aufzuführen, das
sonst in Vergessenheit
geraten ware.
Cette ouverture
du compositeur italien
Amilcare Ponchielli
(1834-1886) est une des
oeuvres majeures du
repertoire pour Orchestre
a Vent du XIXe siecle.
Sinfonia per Banda
(Ouverture pour Orchestre
a Vent - 1872), oeuvre de
maturite, revele
l'immense talent du
compositeur. Elle se
caracterise par un style
fluide et spontane, et
une texture riche. En
readaptant cette oeuvre,
Franco Cesarini offre aux
Orchestres a Vent
d'aujourd'hui
l'opportunite de faire
revivre une composition
quelque peu
oubliee.
Questa
sinfonia e indubbiamente
una delle migliori opere
originali per banda che
si siano tramandate dal
XIX secolo. Essa si
sviluppa con scorrevole
spontaneita e ricchezza
d'invenzione ed e una
delle migliori opere per
fiati di Ponchielli.
L'arrangiamento di Franco
Cesarini ha l'obiettivo
di restituire alle
orchestre di fiati
contemporanee un'opera di
notevole pregio
artistico, altrimenti
destinata ad essere
dimenticata.
Symphony No. 3.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
403-010. Published by
Anglo Music Press
(BT.AMP-403-010).
English-German-French-
Dutch.
Philip
Sparke’s third
symphony, A Colour
Symphony, was
commissioned by
“sinfonischen
blasorchester
wehdel†conducted
by Thomas Ratzek. In the
five movements (white,
yellow, blue, red and
green) the
composer creates links
betweenthe
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano andcelli. A
Colour Symphony is an
impressive and iconic
addition to the standard
repertoire for large
symphonic
bands.
De derde
symfonie van Philip
Sparke, A Colour
Symphony, is
geschreven in opdracht
van het
‘sinfonischen
blasorchester
wehdel’, dat onder
leiding staat van
dirigent Thomas Ratzek.
In de vijf delen
(white, yellow, blue,
red andgreen)
legt de componist
verbanden tussen de
instrumentatie en
harmonische elementen en
de kleur waar het
betreffende deel voor
staat. Om een grote
klankrijkdom te
creëren heeft Sparke
een omvangrijk palet aan
instrumentatie
gebruikt,waaronder het
lage houtregister, een
harp, piano en
cello’s. A
Colour Symphony is
een indrukwekkende en
iconische aanvulling op
het standaardrepertoire
van het grote symfonische
blaasorkest.
Phili
p Sparkes dritte
Sinfonie, A Colour
Symphony, wurde vom
Sinfonischen
Blasorchester Wehdel, das
von Thomas Ratzek
geleitet wird, in Auftrag
gegeben. In den fünf
Sätzen (white,
yellow, blue, red and
green) stellt der
Komponisteine Verbindung
zwischen der
Instrumentierung und den
harmonischen Elementen
sowie der jeweiligen
Farbe, für die der
Satz steht, her. Um eine
möglichst große
Bandbreite zu erzeugen,
verwendete Philip Sparke
eine sehr umfangreiche
Instrumentierung
mittiefen Holzbläsern,
Harfe, Klavier und Celli.
A Colour Symphony
ist eine eindrucksvolle
und hervorragende
Ergänzung zum
Standardrepertoire für
sinfonisches
Blasorchester.
La terza sinfonia di
Philip Sparke, è stata
commissionata dalla
Sinfonischen
Blasorchester Wehdel di
Thomas Ratzek. Ciascuno
dei quattro movimenti
corrisponde a un colore
(bianco, giallo, blu e
rosso), in un
inarrestabile sinestetico
rincorrersi di suoni e
visioni.
L’orchestrazione
è di quelle imponenti:
legni, arpa, pianoforte e
violoncello svolgono una
parte fondamentale
nell’opera di
conferimento di ulteriore
rigoglio arrangiativo
alla sinfonia
sparkiana.
I Remember Clifford Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053915-140 Arranged by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053915-140
Arranged by Jacob De
Haan. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2005. 16 pages. De Haske
Publications #DHP
1053915-140. Published by
De Haske Publications
(BT.DHP-1053915-140).
English-German-French-
Dutch.
The
well-known American jazz
musician Benny Golson (b.
1929) worked with great
names like Benny Goodman,
Dizzy Gillespie and
Lionel Hampton. He wrote
a number of jazz
standards, including I
Remember Clifford. The
Japanese
composer/arranger Toshio
Mashima has produced this
exciting arrangement of
this jazz classic for
trumpet and concert band.
De bekende
Amerikaanse jazzmuzikant
Benny Golson (geb. 1929)
werkte samen met de
allergrootsten, onder wie
Benny Goodman, Dizzy
Gillespie en Lionel
Hampton. Hij schreef
verschillende
jazz-standards, waaronder
I Remember
Clifford.De Japanse
componist/arrangeur
Toshio Mashima maakte van
dit stuk een sfeervol
arrangement voor trompet
en
harmonieorkest.
Ni
cht nur unter
Jazzliebhabern bekannt
ist der amerikanische
Jazzer Benny Golson,
Zeitgenosse und
Mitmusiker von
Größen wie Benny
Goodman, Dizzy Gillespie
und Lionel Hampton. I
Remember Clifford,
eine seiner
Kompositionen, gehört
mittlerweile zu den
Jazz-Standards. Toshio
Mashima schrieb eine
reizvolle Bearbeitung des
Klassikers für
Blasorchester. Für
Jazzfans ein Muss, in
jedem Fall aber eine
unterhaltsame
Bereicherung des
Repertoires.
Il noto musicista
jazz americano Benny
Golson (nato nel 1929)
lavorò con grandi nomi
come Benny Goodman, Dizzy
Gillespie e Lionel
Hampton. Scrisse numerosi
jazz standards, tra i
quali I Remember
Clifford, del quale il
compositore e
arrangiatore giapponese
Toshio Mashima ha
composto un accattivante
arrangiamento per tromba
e banda.
I Remember Clifford Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053915-010 Arranged by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053915-010
Arranged by Jacob De
Haan. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053915-010. Published by
De Haske Publications
(BT.DHP-1053915-010).
English-German-French-
Dutch.
The
well-known American jazz
musician Benny Golson (b.
1929) worked with great
names like Benny Goodman,
Dizzy Gillespie and
Lionel Hampton. He wrote
a number of jazz
standards, including I
Remember Clifford. The
Japanese
composer/arranger Toshio
Mashima has produced this
exciting arrangement of
this jazz classic for
trumpet and concert band.
De bekende
Amerikaanse jazzmuzikant
Benny Golson (geb. 1929)
werkte samen met de
allergrootsten, onder wie
Benny Goodman, Dizzy
Gillespie en Lionel
Hampton. Hij schreef
verschillende
jazz-standards, waaronder
I Remember
Clifford.De Japanse
componist/arrangeur
Toshio Mashima maakte van
dit stuk een sfeervol
arrangement voor trompet
en
harmonieorkest.
Ni
cht nur unter
Jazzliebhabern bekannt
ist der amerikanische
Jazzer Benny Golson,
Zeitgenosse und
Mitmusiker von
Größen wie Benny
Goodman, Dizzy Gillespie
und Lionel Hampton. I
Remember Clifford,
eine seiner
Kompositionen, gehört
mittlerweile zu den
Jazz-Standards. Toshio
Mashima schrieb eine
reizvolle Bearbeitung des
Klassikers für
Blasorchester. Für
Jazzfans ein Muss, in
jedem Fall aber eine
unterhaltsame
Bereicherung des
Repertoires.
Il noto musicista
jazz americano Benny
Golson (nato nel 1929)
lavorò con grandi nomi
come Benny Goodman, Dizzy
Gillespie e Lionel
Hampton. Scrisse numerosi
jazz standards, tra i
quali I Remember
Clifford, del quale il
compositore e
arrangiatore giapponese
Toshio Mashima ha
composto un accattivante
arrangiamento per tromba
e banda.
Golden Pass Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115088-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115088-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Festive
and Solemn Music. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1115088-010. Published by
De Haske Publications
(BT.DHP-1115088-010).
9x12 inches.
English-German-French-Dut
ch.
The Golden Pass
is a rail line in the
Swiss Alps that connects
Montreux, located by Lake
Geneva, to Lucerne, in
central Switzerland. This
composition echoes the
thoughts and feelings of
a passenger who watches
the changing landscapes
he observes on this
journey: green meadows
full of grazing cows and
traditional chalets,
beautiful mountain lakes,
waterfalls and mountain
tops, including the
scenic Brüning
Pass. Is this real or
just a dream? We may
never know!
De
Golden Pass verwijst naar
een prachtige reis per
trein die vanuit Montreux
aan het meer van
Genève door de
Zwitserse Alpen voert
naar Luzern in
Centraal-Zwitserland. Als
een echo weerklinken de
gevoelens van een
passagier. Volverrukking
slaat hij het
afwisselende landschap
gade tijdens de reis:
grazende koeien op
sappige groene weides,
traditionele chalets,
fantastische bergmeren,
watervallen en
indrukwekkende
bergtoppen, waaronder de
Brüningpass.Is dit
werkelijkheid of slechts
een
droom…?
Der
Goldene Pass ist eine
Panorama-Zuglinie, die
durch die Schweizer Alpen
von Montreux am Genfer
See nach Luzern in der
Zentralschweiz
führt. Diese
Komposition ist ein Echo
der Seele eines
Passagiers, der die
abwechslungsreiche
Landschaft während der
Reise bewundert: weidende
Kühe auf saftig
grünen Wiesen,
traditionelle Chalets,
wunderschöne Bergseen,
Wasserfälle und
beeindruckende
Berggipfel, darunter auch
der Brüning-Pass.
Ist dies Wirklichkeit
oder Traum? Egal, reisen
Sie einfach
mit!
La linea
ferroviaria Golden Pass
collega Montreux a
Lucerna via
Chateau-d’Oex,
Gstaad e Interlaken. Un
viaggio di 5 ore su
vagoni panoramici
attraverso i paesaggi
più pittoreschi della
Svizzera. Questa
composizione fa eco allo
stato d’animo di
un passeggero che ammira
la diversit del
paesaggio: i vigneti a
terrazza del lago di
Ginevra, le distese di
pascoli e foreste
dell’Alto
Gruyère, gli splendidi
chalets del Saanenland, i
laghi e le montagne. Si
tratta di un sogno o
della realt ? Difficile a
dirsi….
Fra Diavolo Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie SKU: BT.DHP-1043529-140 The Great Classics. Transcr...(+)
Concert Band/Harmonie
SKU:
BT.DHP-1043529-140
The Great Classics.
Transcription. Score
Only. Composed 2004. 16
pages. De Haske
Publications #DHP
1043529-140. Published by
De Haske Publications
(BT.DHP-1043529-140).
English-German-French-
Dutch.
The French
composer Daniel
François Esprit Auber
(1782-1871) witnessed
many important
developments in the
history of music ? from
Luigi Cherubini to
Richard Wagner. His
extensive output
consisted mainly of
operas, but unfortunately
today only two of these
are still well known,
including the comic opera
Fra Diavolo. The story
concerns Fra Diavolo, a
famous Italian bandit and
soldier from the late
18th and early 19th
centuries, and is one of
crime, lust and
treachery. The overture
has a classical structure
and is filled with
striking themes and
motifs and has a
particularly unusual
introduction (for the
time) with the snare drum
taking the leading
role!
De Franse
componist Daniel
François Esprit Auber
(1782-1871) heeft
belangrijke
ontwikkelingen in de
muziekgeschiedenis
meegemaakt: van Luigi
Cherubini tot Richard
Wagner. Zijn uitgebreide
oeuvre bestaat
voornamelijk uit
opera’s, waarvaner
nu nog maar twee bekend
zijn, waaronder het
komische werk Fra
Diavolo. Het verhaal over
Fra Diavolo, een beroemde
Italiaanse roverhoofdman
en soldaat, is er een van
misdaad, begeerte en
verraad. De ouverture
heeft een klassiekeopbouw
met opvallende
thema’s en
motieven en heeft een
(voor die tijd) wel heel
ongebruikelijke
inleiding: de kleine trom
speelt een solistische
rol!
Die
Ouvertüre zu Aubers
komischer Oper Fra
Diavolo hat eine
klassische Form mit
leicht wieder erkennbaren
Themen, klaren Bildern
und deutlichen Motiven -
sehr passend zu einer
ebenfalls
einprägsamen,
turbulenten Handlung voll
von Gerichtsvollziehern
und Dieben!
Unsentimentale, reizvolle
Musik, die auch in der
Transkription von Wil van
der Beek das Publikum in
ihren Bann ziehen wird!
Golden Pass Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115088-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115088-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Festive
and Solemn Music. Score
Only. Composed 2011. 12
pages. De Haske
Publications #DHP
1115088-140. Published by
De Haske Publications
(BT.DHP-1115088-140).
9x12 inches.
English-German-French-Dut
ch.
The Golden Pass
is a rail line in the
Swiss Alps that connects
Montreux, located by Lake
Geneva, to Lucerne, in
central Switzerland. This
composition echoes the
thoughts and feelings of
a passenger who watches
the changing landscapes
he observes on this
journey: green meadows
full of grazing cows and
traditional chalets,
beautiful mountain lakes,
waterfalls and mountain
tops, including the
scenic Brüning
Pass. Is this real or
just a dream? We may
never know!
De
Golden Pass verwijst naar
een prachtige reis per
trein die vanuit Montreux
aan het meer van
Genève door de
Zwitserse Alpen voert
naar Luzern in
Centraal-Zwitserland. Als
een echo weerklinken de
gevoelens van een
passagier. Volverrukking
slaat hij het
afwisselende landschap
gade tijdens de reis:
grazende koeien op
sappige groene weides,
traditionele chalets,
fantastische bergmeren,
watervallen en
indrukwekkende
bergtoppen, waaronder de
Brüningpass.Is dit
werkelijkheid of slechts
een
droom…?
Der
Golden Pass ist eine
Panorama-Zuglinie, die
durch die Schweizer Alpen
von Montreux am Genfer
See nach Luzern in der
Zentralschweiz
führt. Diese
Komposition ist ein Echo
der Seele eines
Passagiers, der die
abwechslungsreiche
Landschaft während der
Reise bewundert: weidende
Kühe auf saftig
grünen Wiesen,
traditionelle Chalets,
wunderschöne Bergseen,
Wasserfälle und
beeindruckende
Berggipfel, darunter auch
der Brüning-Pass.
Ist dies Wirklichkeit
oder Traum?
La linea
ferroviaria Golden Pass
collega Montreux a
Lucerna via
Chateau-d’Oex,
Gstaad e Interlaken. Un
viaggio di 5 ore su
vagoni panoramici
attraverso i paesaggi
più pittoreschi della
Svizzera. Questa
composizione fa eco allo
stato d’animo di
un passeggero che ammira
la diversit del
paesaggio: i vigneti a
terrazza del lago di
Ginevra, le distese di
pascoli e foreste
dell’Alto
Gruyère, gli splendidi
chalets del Saanenland, i
laghi e le montagne. Si
tratta di un sogno o
della realt ? Difficile a
dirsi….
Fra Diavolo Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1043529-010 The Great Classic...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1043529-010
The Great Classics.
Transcription. Set (Score
& Parts). Composed 2004.
16 pages. De Haske
Publications #DHP
1043529-010. Published by
De Haske Publications
(BT.DHP-1043529-010).
English-German-French-
Dutch.
The French
composer Daniel
François Esprit Auber
(1782-1871) witnessed
many important
developments in the
history of music ? from
Luigi Cherubini to
Richard Wagner. His
extensive output
consisted mainly of
operas, but unfortunately
today only two of these
are still well known,
including the comic opera
Fra Diavolo. The story
concerns Fra Diavolo, a
famous Italian bandit and
soldier from the late
18th and early 19th
centuries, and is one of
crime, lust and
treachery. The overture
has a classical structure
and is filled with
striking themes and
motifs and has a
particularly unusual
introduction (for the
time) with the snare drum
taking the leading
role!
De Franse
componist Daniel
François Esprit Auber
(1782-1871) heeft
belangrijke
ontwikkelingen in de
muziekgeschiedenis
meegemaakt: van Luigi
Cherubini tot Richard
Wagner. Zijn uitgebreide
oeuvre bestaat
voornamelijk uit
opera’s, waarvaner
nu nog maar twee bekend
zijn, waaronder het
komische werk Fra
Diavolo. Het verhaal over
Fra Diavolo, een beroemde
Italiaanse roverhoofdman
en soldaat, is er een van
misdaad, begeerte en
verraad. De ouverture
heeft een klassiekeopbouw
met opvallende
thema’s en
motieven en heeft een
(voor die tijd) wel heel
ongebruikelijke
inleiding: de kleine trom
speelt een solistische
rol!
Die
Ouvertüre zu Aubers
komischer Oper Fra
Diavolo hat eine
klassische Form mit
leicht wieder erkennbaren
Themen, klaren Bildern
und deutlichen Motiven -
sehr passend zu einer
ebenfalls
einprägsamen,
turbulenten Handlung voll
von Gerichtsvollziehern
und Dieben!
Unsentimentale, reizvolle
Musik, die auch in der
Transkription von Wil van
der Beek das Publikum in
ihren Bann ziehen wird!
Composed
by George Sweet. Young
Band (YPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #YPS214F. Published
by Carl Fischer Music
(CF.YPS214F).
ISBN
9781491153017. UPC:
680160910519.
This
new piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major.
This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00