Concert Band Snare Drum; Other Percussion; Orchestral Percussion

SKU: FJ.BB205AP

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205AP. Published by The FJH Music Company Inc (FJ.BB205AP).

UPC: 674398213214. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929590

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A929590. Published by LudwigMasters Publications (AP.36-A929590).

UPC: 735816239411. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929501

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score. LudwigMasters Publications #36-A929501. Published by LudwigMasters Publications (AP.36-A929501).

ISBN 9781638875192. UPC: 735816239497. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band Other Woodwinds

SKU: FJ.BB205BCL

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205BCL. Published by The FJH Music Company Inc (FJ.BB205BCL).

UPC: 674398213078. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Clarinet

SKU: FJ.BB205CL2

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205CL2. Published by The FJH Music Company Inc (FJ.BB205CL2).

UPC: 674398213061. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Mallet Percussion

SKU: FJ.BB205MLT

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205MLT. Published by The FJH Music Company Inc (FJ.BB205MLT).

UPC: 674398213191. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Baritone

SKU: FJ.BB205BBC

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205BBC. Published by The FJH Music Company Inc (FJ.BB205BBC).

UPC: 674398213160. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Trumpet

SKU: FJ.BB205TP1

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205TP1. Published by The FJH Music Company Inc (FJ.BB205TP1).

UPC: 674398213122. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Trumpet

SKU: FJ.BB205TP2

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205TP2. Published by The FJH Music Company Inc (FJ.BB205TP2).

UPC: 674398213139. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Clarinet

SKU: FJ.BB205CL1

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205CL1. Published by The FJH Music Company Inc (FJ.BB205CL1).

UPC: 674398213054. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band Tuba

SKU: FJ.BB205TU

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205TU. Published by The FJH Music Company Inc (FJ.BB205TU).

UPC: 674398213184. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Paul Murtha. For Concert Band (Score and Parts). Discovery Plus Concert Band. Grade 2. Published by Hal Leonard

By Anne Mcginty. Concert Band. Queenwood Beginning Band. Score. Published by Queenwood Publications.

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Robert Longfield. First Concepts (Concert Band). Softcover. Published by Hal Leonard

Composed by Lin-Manuel Miranda (1980-). Arranged by Johnnie Vinson. Flex-Band Grade 2. Disney, Movies, Musicals. Softcover. Duration 95 seconds. Published by Hal Leonard

Composed by Lin-Manuel Miranda (1980-). Arranged by Michael Sweeney. Discovery Concert Band. Disney, Movies, Musicals. Softcover. Duration 207 seconds. Published by Hal Leonard

Score and Parts Concert Band (Score and Parts) - Grade 2

SKU: HL.4008797

(Featuring each instrument section of the band). Arranged by Johnnie Vinson. Discovery Plus Concert Band. Disney, Movies. Softcover. Published by Hal Leonard (HL.4008797).

UPC: 196288204305. 9.0x12.0x0.652 inches.

Cleverly arranged to showcase each instrument on a well-known Disney tune, here's the perfect recruiting tool for your next concert tour of the elementary schools! It's also an entertaining medley for any concert. Includes: A Whole New World (full band), Let It Go (Clarinets), Arabian Nights (Oboe), Beauty and the Beast (Flutes), We Don't Talk About Bruno (Saxes), Remember Me (Trumpets), Can You Feel the Love Tonight (F Horns), You've Got a Friend in Me (Trombones/Baritones), Under the Sea (Percussion), and You're Welcome (bass instruments).

Grade 3

SKU: CL.RWS-2016-01

Composed by Powell. Arranged by Fulton. Concert Band. Extra full Score. Composed 2020. RWS Music Company #RWS-2016-01. Published by RWS Music Company (CL.RWS-2016-01).

Originally composed for piano in 1908 by W. C. Powell, Right About March has been arranged for the modern concert band by John Fulton. This upbeat march works well as a concert opener and is appropriate for all seasons, including music performance assessment.

Grade 3

SKU: CL.RWS-2016-00

Composed by Powell. Arranged by Fulton. Concert Band. RWS Concert Band Series. Score and set of parts. Composed 2020. Duration 2 minutes, 3 seconds. RWS Music Company #RWS-2016-00. Published by RWS Music Company (CL.RWS-2016-00).

Originally composed for piano in 1908 by W. C. Powell, Right About March has been arranged for the modern concert band by John Fulton. This upbeat march works well as a concert opener and is appropriate for all seasons, including music performance assessment.

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4007595

Composed by Lin-Manuel Miranda. Arranged by Michael Sweeney. Discovery Concert Band. Disney, Movies, Musicals. Softcover. 12 pages. Duration 207 seconds. Published by Hal Leonard (HL.4007595).

UPC: 196288069287. 9.0x12.0x0.025 inches.

From the hit movie Encanto, here's an easy version of the song everyone is talking about!

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1002208-010

Composed by Jan Van der Roost. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002208-010. Published by De Haske Publications (BT.DHP-1002208-010).

Sinfonia Hungarica is a three-movement symphony that depicts the history of Hungary. All three movements were inspired by historical key figures, wars, and other important events from this country. This symphony is a celebration of Hungary’s millennium in 2001.The second movement focuses on ARPAD, the actual founder of the Hungarian State. It starts with an atmospherical passage, evoking his grandmother, Emese, who dreamt about his future destination. One of Arpad’s opponents, the Bulgarian Prince Zalan, was chased away after a fight. After this, Arpad officially named the territory “Magyarorszag.†

Dit stuk werd gecomponeerd in opdracht van het symfonisch blaasorkest Kiskunfélegyhaza uit Hongarije en opgedragen aan dirigent Ferenc Jankovski, burgemeester Jozsef Ficsor en Gabriella Kiss. De wereldpremière vond plaats op 31 maart2001 in Budapest (Hongarije) door het eerdergenoemde orkest onder leiding van de componist.Deze driedelige symfonie beschrijft de geschiedenis van Hongarije. De drie delen zijn ge nspireerd op historische sleutelfiguren, oorlogenen andere belangrijke gebeurtenissen in dit land. De symfonie werd geschreven ter gelegenheid van de millenniumviering van Hongarije in 2001.ATTILA, koning van de Hunnen, vaak ‘de gesel Gods’ genoemd, is de centrale figuurin het eerste deel, dat voornamelijk wordt gekenmerkt door angst, dreiging, agressie en wreedheid. Attila’s broer, Buda, heeft echter een hero scher thema, terwijl zijn geliefde vrouw, Rika, een lyrische melodie heeft. Het spannendeeinde van dit openingsdeel illustreert de gevreesde snelheid van Attila’s troepen: ze achtervolgden hun slachtoffers en vermoordden ze allemaal! Het tweede deel gaat over ARPAD, de stichter van de Hongaarse staat. Hetbegint met een sfeerpassage, die het beeld oproept van zijn grootmoeder, Emese, dromend over zijn bestemming. Een van Arpad’s tegenstanders, de Bulgaarse prins Zalan, werd verdreven na een gevecht. Hierna noemde Arpad het gebiedofficieel ‘Magyarorszag� ��.Het laatste deel is genoemd naar ISTVAN, de koning die het christendom in Hongarije introduceerde en die werd gekroond door paus Silvester II op 1 januari 1001. Een vrij plechtige start leidt tot nogeen martiale passage, die eindigt met een aantal luide slagen. Deze symboliseren het voorval waarbij het lichaam van de heiden Koppany in vier stukken werd gesneden, die naar de vier kastelen van het land werden gezonden als schrikwekkend

Die Sinfonie in drei Sätzen ist eine musikalische Schilderung der Geschichte Ungarns. Alle drei Sätze haben bedeutende historische Persönlichkeiten und Schlüsselereignisse aus der Landesgeschichte - wie etwa Kriege - zum Inhalt. Das Werk wurde zuUngarns Tausendjahrfeier im Jahr 2001 geschrieben.Attila , König der Hunnen, oftmals auch die Geißel Gottes genannt, ist die zentrale Gestalt des ersten Satzes; in seiner musikalischen Beschreibung sind Aggressivität und Grausamkeit, die vonihm ausgehende Bedrohung und ihm entgegengebrachte Furcht spürbar. Daneben erscheinen das heroischer klingende Thema von Buda, Attilas Bruder, und das lyrische von Rika, seiner zärtlich geliebten Frau. Der aufpeitschende Schluss desSatzes ist Sinnbild für die gefürchtete Schnelligkeit von Attilas Truppen, mit der sie ihre Opfer eingeholt und ohne Ausnahme getötet haben.Im Mittelpunkt des zweiten Satzes steht Arpad, der eigentliche Begründer des ungarischen Staates. Eineatmosphärisch klingende Einleitung beschwört Emese, die Großmutter Arpads, herauf, die im Traum seine Bestimmung vorhergesehen hatte. Er schlug seinen Gegner, den Prinzen Zalan von Bulgarien, im Kampf in die Flucht und gab dem Land denNamen Magyarorszag.Das Finale ist nach Istvan benannt, dem König, der in Ungarn das Christentum einführte und am ersten Januar 1001 durch Papst Sylvester II. gekrönt wurde. Ein feierlicher Anfang leitet über in einen an Kriegsgetümmelerinnern den Abschnitt, der in lärmendem Getöse endet. Es steht für das Ende des Heiden Koppany, dessen Körper gevierteilt und als abschreckendes Beispiel an die vier Burgen des Landes gesandt wurde. Ein ruhiges, beinahe religiös wirkendesZwischenspiel mündet in die ungarische Nationalhymne. Dieser prachtvolle, mit grandioso überschriebene Schluss hat auch eine symbolische Bedeutung: Nach zehn Jahrhunderten hat Ungarn guten Grund, mit Stolz zurückzublicken und der Zukunft mitZuversicht und Optimismus entgegenzusehen.Die wunderbare Melodie der Nationalhymne erscheint in der Sinfonie auch vorher schon immer wieder, wird meist aber ganz oder teilweise überdeckt. Sie durchläuft das Werk wie ein roter Faden, der anfangs kaumwahrzunehmen ist und erst im Verlauf der Sinfonie immer deutlicher wird. Am Ende krönt sie das Werk in einer letzten prachtvollen Steigerung, in der das Orchester den majestätischen Klang einer Orgel annimmt.

Sinfon ia Hungarica est une œuvre de commande pour l’Orchestre d’Harmonie de Kiskunfelegyhaze en Hongrie. Elle est dédiée Ferenc Jankovski (Directeur de l’Orchestre d’Harmonie), Jozsef Ficsor (Maire de la ville de Kiskunfelegyhaze) et Gabriella Kiss.Cette symphonie en trois mouvements retrace l’histoire de la Hongrie. L’ensemble des trois mouvements s’inspire de la vie de personnages historiques clés, de guerres et d’autres événements de grande importance qui ont marqué l’histoire de ce pays. Sinfonia Hungarica célèbre le millénaire de la fondation de l’État hongrois (1001-2001). L’œuvre a été donnée en création mondiale, le 31 mars 2001 Budapest,par l’Orchestre d’Harmonie de Kiskunfelegyhaze placé sous la direction du compositeur.ATTILA , roi des Huns, surnommé “le Fléau de Dieu”, est le personnage central du premier mouvement où règne une atmosphère de peur, de menace, d’agression et de cruauté. Bléda, le frère d’Attila, est associé un thème aux accents plus héro ques, tandis que Kerka, l’épouse bien-aimée du roi des Huns, est représentée par une mélodie lyrique. La fin trépidante de ce mouvement d’ouverture illustre l’effroyable rapidité avec laquelle les troupes d’Attila poursuivaient et tuaient toutes leurs victimes.Le deuxième mouvement est centré sur ARPAD, le fondateur de l’État hongrois. Un passage limpide et aérien ouvre ce mouvement évoquant Émèse, la grand-mère d’Arpad, qui vit en rêve sa destinée future. Après avoir livré bataille contre l’un de ses opposants, le prince bulgare Zalan, et l’avoir chassé des terres magyares, Arpad donne officiellement au territoire le nom de Magyarorszag.Le troisième et dernier mouvement de la symphonie porte le nom de celui qui convertit le pays au christianisme : Étienne Ier (ISTVAN), sacré roi de Hongrie le 1er janvier 1001 par le Pape Sylvestre II. Les mesures d’ouverture, solennelles et majestueuses, mènent un passage dont l’atmosphère belliqueuse s’intensifie pour s’achever en de violents fracas symbolisant la mort

Sinfonia Hungarica, commissionata dalla banda ungherese di Kiskunfelegyahaza, è dedicata al maestro Ferenc Jankovski, al sindaco della citt Jozsef Ficsor e a Gabriella Kiss. La prima mondiale, eseguita dalla banda Kiskunfelegyhaza si è tenutaa Budapest il 31 marzo 2001 sotto la direzione del compositore.Gli eventi salienti della storia dell’Ungheria, come le guerre ed altri avvenimenti importanti, sono tradotti in musica in questa sinfonia strutturata in tre movimenti. Sinfonia Hungaricavuole anche essere un omaggio allo stato ungherese che festeggia il suo millennio nel 2001.ATTILA, re degli Unni, spesso chiamato “il flagello di Dio“ è la figura centrale del primo movimento, caratterizzato dalla paura, dalla minaccia,dall’aggr essione e dalla crudelt . Buda, fratello di Attila è associato ad un tema più eroico, mentre Rika, l’amata moglie, è rappresentata da una melodia lirica. L’eccitante finale di questo movimento di apertura illustra la tanto temuta velocit delle truppe di Attila che seminavano paura e morte.Il secondo movimento pone l’accento su ARPAD, il fondatore dello Stato ungherese. Inizia con un passaggio in stile atmosferico che evoca la nonna di Arpad, Emese che aveva sognato e predettoil futuro del nipote. Uno degli oppositori di Arpad, il principe bulgaro Zalan, fu cacciato dopo una battaglia. In seguito, Arpad chiamò ufficialmente il territorio “Magyarorszag� �.Il movimento finale prende il nome da ISTVAN, il re che portòil cristianesimo in Ungheria e che fu incoronato da Papa Silvestro II il 1 gennaio, 1001. Un inizio solenne prelude ad un passaggio bellico accentuato da rumori imponenti; questo a simboleggiare l’atroce fine del pagano Koppany il cui corpo futagliato in quattro pezzi e inviato ai quattro castelli del paese come monito. Dopo un intermezzo quieto, quasi religioso, viene presentato l’Inno nazionale ungherese. In questo ampio e grandioso finale riecheggia l’orgoglio dell’Ungheria nelricordare il suo passato e la fiducia con la quale si proietta al futuro.Lo stupendo tema dell’Inno nazionale ungherese è proposto nell’arco dell’intera sinfonia. E’ però spesso parzialmente nascosto e usato come filo conduttore, appena riconoscibileall’i nizio ma sempre più ovvio quando la sinfonia si avvicina al suo finale. A conclusione della sinfonia, il sublime inno conduce la banda in un’apoteosi finale, facendo apparire l’organico strumentale come un maestoso organo.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000438-140

Composed by Rob Goorhuis. Score Only. 20 pages. Gobelin Music Publications #GOB 000438-140. Published by Gobelin Music Publications (BT.GOB-000438-140).

Written as a commission by the Stichting de Inrichting foundation of Wijk bij Duurstede (the Netherlands), Rob Goorhuis Requiem voor de mens (Requiem for Man) on lyrics by André van Zwieten was composed in the year 2001.
This work for choir andwind-band greatly impressed the audience, whilst its composer remained obsessed by its war theme.

When he subsequently heard that the Rundfunk Blasorchester from the German town of Leipzig -a place not far from Colditz - was to dedicate a CDto his work, Rob Goorhuis got the idea to process some of the themes from his Requiem for Man into an instrumental composition about the famous Colditz castle. a place still bearing the scars of war.

From 1933 to 1934, the castle was aSchutzhaftlager. During the Second World War, it was used as a prison for senior officers. From this prison, many escapes were undertaken, which even resulted in the castle being nicknamed The Escape School. In the seventies, a television-seriesabout this period made the castle very well-known with the public at large.

The despondent tone of the opening theme underscores the sadness caused by wars and violence. Nevertheless the works ending is hopeful and triumphant. Peace iscelebrated, but with the hope for a lasting peace sadly remaining a topical issue to the present moment.

In 2001 schreef Rob Goorhuis, op teksten van André van Zwieten het Requiem voor de Mens, in opdracht van de Stichting de Inrichting uit Wijk bij Duurstede.
Dit werk voor koor en harmonie-orkest maakte grote indruk op het publiek, terwijl decomponist bleef geobsedeerd door het oorlogs thema.

Toen hij later hoorde dat het Rundfunk Blasorchester uit de Duitse stad Leipzig, een plaats niet ver van Colditz, gevraagd was om een cd te wijden aan zijn werk, kreeg Rob Goorhuis het ideeom enkele van de themas uit zijn Requiem voor de Mens te verwerken tot een instrumentale compositie over de beroemde kasteel Colditz, een plaats met nog steeds de littekens van de oorlog.
Het kasteel van Colditz heeft in de historie eenbelangrijke rol gespeeld. Het eeuwenoude kasteel overleefde vele veldslagen en oorlogen. In de Tweede Wereldoorlog diende het kasteel zelfs als gevangenis voor geallieerde officieren. Het aantal ontsnappingen was echter talrijk en de geromantiseerdeBritse TV-serie uit de jaren zeventig over dat onderwerp gaf het kasteel een grote bekendheid.
Het driedelige werk beschrijft de periode voor, tijdens en na de Tweede Wereldoorlog.

De angst voor dat wat staat te gebeuren en het verdrietvan jaren van oorlog in het kalme sfeervolle eerste deel. Vervolgens de hoop op beter en positievere geluiden in het tweede en derde deel. Vooral het derde flitsende deel houdt de hoop op betere tijden springlevend.

Gobe lin Music Publications.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000438-010

Composed by Rob Goorhuis. Set (Score & Parts). 164 pages. Gobelin Music Publications #GOB 000438-010. Published by Gobelin Music Publications (BT.GOB-000438-010).

Written as a commission by the Stichting de Inrichting foundation of Wijk bij Duurstede (the Netherlands), Rob Goorhuis Requiem voor de mens (Requiem for Man) on lyrics by André van Zwieten was composed in the year 2001.
This work for choir andwind-band greatly impressed the audience, whilst its composer remained obsessed by its war theme.

When he subsequently heard that the Rundfunk Blasorchester from the German town of Leipzig -a place not far from Colditz - was to dedicate a CDto his work, Rob Goorhuis got the idea to process some of the themes from his Requiem for Man into an instrumental composition about the famous Colditz castle. a place still bearing the scars of war.

From 1933 to 1934, the castle was aSchutzhaftlager. During the Second World War, it was used as a prison for senior officers. From this prison, many escapes were undertaken, which even resulted in the castle being nicknamed The Escape School. In the seventies, a television-seriesabout this period made the castle very well-known with the public at large.

The despondent tone of the opening theme underscores the sadness caused by wars and violence. Nevertheless the works ending is hopeful and triumphant. Peace iscelebrated, but with the hope for a lasting peace sadly remaining a topical issue to the present moment.

In 2001 schreef Rob Goorhuis, op teksten van André van Zwieten het Requiem voor de Mens, in opdracht van de Stichting de Inrichting uit Wijk bij Duurstede.
Dit werk voor koor en harmonie-orkest maakte grote indruk op het publiek, terwijl decomponist bleef geobsedeerd door het oorlogs thema.

Toen hij later hoorde dat het Rundfunk Blasorchester uit de Duitse stad Leipzig, een plaats niet ver van Colditz, gevraagd was om een cd te wijden aan zijn werk, kreeg Rob Goorhuis het ideeom enkele van de themas uit zijn Requiem voor de Mens te verwerken tot een instrumentale compositie over de beroemde kasteel Colditz, een plaats met nog steeds de littekens van de oorlog.
Het kasteel van Colditz heeft in de historie eenbelangrijke rol gespeeld. Het eeuwenoude kasteel overleefde vele veldslagen en oorlogen. In de Tweede Wereldoorlog diende het kasteel zelfs als gevangenis voor geallieerde officieren. Het aantal ontsnappingen was echter talrijk en de geromantiseerdeBritse TV-serie uit de jaren zeventig over dat onderwerp gaf het kasteel een grote bekendheid.
Het driedelige werk beschrijft de periode voor, tijdens en na de Tweede Wereldoorlog.

De angst voor dat wat staat te gebeuren en het verdrietvan jaren van oorlog in het kalme sfeervolle eerste deel. Vervolgens de hoop op beter en positievere geluiden in het tweede en derde deel. Vooral het derde flitsende deel houdt de hoop op betere tijden springlevend.

Gobe lin Music Publications.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44001492

Composed by Ottorino Respighi. De Haske Concert Band. Score Only. Composed 1989. De Haske Publications #890145. Published by De Haske Publications (HL.44001492).

UPC: 073999014921.

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l'annee de composition est connue, les origines de l'œuvre Huntingtower (1931) restent neanmoins tres floues. Cette ballade pour Orchestre d'Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l'Association des Chefs d'Orchestres a Vent americains (American Bandmaster Association). Huntingtower a ete cree a Washington, le 17 avril 1932, dans le cadre d'un concert en hommage a John Philip Sousa. On ignore si Respighi a personnellement orchestre cette œuvre ou s'il en a confie la realisation a une tierce personne. Huntingtower est le nom d'un chateau ecossais dans lequelRespighi a sejourne pendant quelque temps. Il est donc probable que l'œuvre livre des impressions musicales sur le chateau et son environnement. Franco Cesarini a realise cette transcription en accord avec les exigences de l'Orchestre d'Harmonie moderne.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0890145-140

Composed by Ottorino Respighi. The Great Classics. Score Only. Composed 1989. De Haske Publications #DHP 0890145-140. Published by De Haske Publications (BT.DHP-0890145-140).

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l’année de composition est connue, les origines de l’œuvre Huntingtower (1931) restent néanmoins très floues. Cette ballade pour Orchestre d’Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l’Association des Chefs d’Orchestres Vent américains (American Bandmaster Association). Huntingtower a été créé Washington, le 17 avril 1932, dans le cadre d’un concert en hommage John Philip Sousa. On ignore si Respighi a personnellement orchestré cette œuvre ou s’il en a confié la réalisation une tierce personne. Huntingtower est le nom d’un ch teau écossais dans lequelRespighi a séjourné pendant quelque temps. Il est donc probable que l’œuvre livre des impressions musicales sur le ch teau et son environnement. Franco Cesarini a réalisé cette transcription en accord avec les exigences de l’Orchestre d’Harmonie moderne.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0890145-010

Composed by Ottorino Respighi. The Great Classics. Set (Score & Parts). Composed 1989. De Haske Publications #DHP 0890145-010. Published by De Haske Publications (BT.DHP-0890145-010).

Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation ofthe work to the demands of the contemporary concert band.

Si l’année de composition est connue, les origines de l’œuvre Huntingtower (1931) restent néanmoins très floues. Cette ballade pour Orchestre d’Harmonie du compositeur italien Ottorino Respighi (1879-1936) est une œuvre de commande pour Edwin Franko Goldman et l’Association des Chefs d’Orchestres Vent américains (American Bandmaster Association). Huntingtower a été créé Washington, le 17 avril 1932, dans le cadre d’un concert en hommage John Philip Sousa. On ignore si Respighi a personnellement orchestré cette œuvre ou s’il en a confié la réalisation une tierce personne. Huntingtower est le nom d’un ch teau écossais dans lequelRespighi a séjourné pendant quelque temps. Il est donc probable que l’œuvre livre des impressions musicales sur le ch teau et son environnement. Franco Cesarini a réalisé cette transcription en accord avec les exigences de l’Orchestre d’Harmonie moderne.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1043758-140

Composed by Jacob De Haan. Performance Series. Concert Piece. Score Only. Composed 2004. 36 pages. De Haske Publications #DHP 1043758-140. Published by De Haske Publications (BT.DHP-1043758-140).

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.