Cleopatra Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-140 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-140
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2021. 39 pages.
De Haske Publications
#DHP 1216342-140.
Published by De Haske
Publications
(BT.DHP-1216342-140).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Cleopatra Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-010 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-010
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216342-010. Published by
De Haske Publications
(BT.DHP-1216342-010).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Polovtsian Dances Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-010(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-010
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094652-010. Published by
De Haske Publications
(BT.DHP-1094652-010).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Polovtsian Dances Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-140
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Score Only.
Composed 2009. 40 pages.
De Haske Publications
#DHP 1094652-140.
Published by De Haske
Publications
(BT.DHP-1094652-140).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2009. 24 pages. Anglo
Music Press #AMP 226-140.
Published by Anglo Music
Press (BT.AMP-226-140).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
Sakura Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3590-75 Composed by Hilliard & D'Alicandro. Young Con...(+)
Grade 2
SKU:
CL.011-3590-75
Composed by Hilliard &
D'Alicandro. Young
Concert Band. Oversized,
spiral-bound score. C.L.
Barnhouse #011-3590-75.
Published by C.L.
Barnhouse
(CL.011-3590-75).
Percussion Time Orchestre d'harmonie - Débutant C.L. Barnhouse
Composed by Hilliard & D'Alicandro. Concert band. Ensemble. Jazz for Developing ...(+)
Composed by Hilliard &
D'Alicandro. Concert
band. Ensemble. Jazz for
Developing Concert Bands
Series. Grade 1.5. Full
set. Composed 2004.
Published by C.L.
Barnhouse
Sakura Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3590-01 Composed by Hilliard & D'Alicandro. Young Con...(+)
Grade 2
SKU:
CL.011-3590-01
Composed by Hilliard &
D'Alicandro. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR351). Extra
full score. Composed
2007. Duration 3 minutes,
2 seconds. C.L. Barnhouse
#011-3590-01. Published
by C.L. Barnhouse
(CL.011-3590-01).
SAKURA is an
exciting piece for
percussion ensemble and
concert band based on the
Japanese folk song
Sakura. The piece
features exciting
percussion writing that
will surely arouse
interest in all of your
young percussionists.
Features sensational
scoring where every
section gets a chance to
play the melody and the
percussion parts feature
motific elements will be
both fun and challenging.
A stirring addition to
any concert
performance!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Liar Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.48197S As Recorded by Camila Cabello<...(+)
Concert Band - Grade 2.5
SKU: AP.48197S
As Recorded by Camila
Cabello. Composed by
Alexandra Tamposi, Andrew
Wotman, Buddha, Camila
Cabello, Jenny Berggren,
Joker, Jonathan Bellion,
Jordan Johnson, Lionel
Richie, Malin Berggren,
and Stefan Johnson.
Arranged by Michael
Kamuf. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop.
Score. 24 pages. Duration
2:45. Alfred Music
#00-48197S. Published by
Alfred Music (AP.48197S).
UPC: 038081558943.
English.
Cuban-Amer
ican singer and
songwriter Camilla
Cabello combines
flamenco, ska, and pop
music elements in her
latest hit. Tight rhythms
and uniform articulations
will make this
arrangement shine.
Latin-American percussion
instruments will bring
this infectious groove
alive at your next
concert! (2:45) This
title available in
MakeMusic Cloud.
Aria di Chiesa Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C. Alan Publications
Composed by Alessandro Stradella (1644-1682). Arranged by Thomas Fraschillo. For...(+)
Composed by Alessandro
Stradella (1644-1682).
Arranged by Thomas
Fraschillo. For concert
band (flute, I/II, oboe
I/II, bassoon, Bb
clarinet, I, Bb clarinet,
II, Bb clarinet, III,
bass clarinet, alto
saxophone, I/II, tenor
saxophone, baritone
saxophone, Bb trumpet,
I/II, horn in F, I/II,
trombone, I/II, trombone,
III, euphonium (baritone
Tc) tuba, t). Band Music.
Grade 2.5. Score and
parts. Duration 4:50.
Published by C. Alan
Publications
Concert Band (Score and Parts) SKU: HL.4008921 Composed by Otto M. Schwar...(+)
Concert Band (Score and
Parts)
SKU:
HL.4008921
Composed
by Otto M. Schwarz.
Symphonic Dimensions.
Symphonic. Softcover.
Duration 555 seconds. Hal
Leonard #SDP1422201.
Published by Hal Leonard
(HL.4008921).
UPC:
196288277521.
A
sinister legend hangs
over the Borgia family, a
legend of corruption,
abuse of power, orgies,
sex and murder. These
rumors proliferated
especially during the
papacy of Alexander VI, a
descendant of the family,
who was even called the
Antichrist. On his death,
contemporary witnesses
reported that the devil
himself prowled around
the death chamber and a
black dog run along the
corridors of the Vatican
as his emissary. One
might say that this
Borgia pope, who ruled
together with his family
with the greatest
brutality, became
demonized.
Unscrupulousness,
poison-toting, incest and
other malice are to this
day the hallmarks of this
pontiff. 2. NEPOTISM
Rodrigo Borgia was
elected Pope on August
11, 1492. From the very
start, the new pope was
prepared to use any means
to eliminate his
opponents, either through
the infamous âBorgia
poisonâ or by
excommunication and
execution. His son
Cesare, who wanted little
to do with the church,
was appointed cardinal
against his will.
Alessandro Farnese, broth
of Giulia Farnese, the
Pope's mistress, also
became a cardinal.
Numerous Spaniards were
brought into the country
and were appointed to
ecclesiastical posts.
This infuriated the
opponents of Alexander
VI. The Dominican
Girolamo Savonarola from
Florence demanded the
removal of the Pope. He
was tortured and banned.
Giuliano della Rovere
wanted to convene
councils to depose the
Pope, which Alexander
managed to prevent
through artful political
maneuverings. Through
great brutality, brillian
political skill and power
games, this pope was able
to achieve his goal of
leaving for his children
a great legacy. Alexander
VI constantly changed his
allies and always acted
unscrupulously to improve
his financial situation
and expand his sphere of
influence. At the centre
of the second movement of
this work is the medieval
hymn Dies Irae (Day of
Wrath), which acts as a
warning in the background
condemning the Pope's
actions.
Liar Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.48197 As Recorded by Camila Cabello(+)
Concert Band - Grade 2.5
SKU: AP.48197
As Recorded by Camila
Cabello. Composed by
Alexandra Tamposi, Andrew
Wotman, Buddha, Camila
Cabello, Jenny Berggren,
Joker, Jonathan Bellion,
Jordan Johnson, Lionel
Richie, Malin Berggren,
and Stefan Johnson.
Arranged by Michael
Kamuf. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop.
Score and Part(s). 254
pages. Duration 2:45.
Alfred Music #00-48197.
Published by Alfred Music
(AP.48197).
UPC:
038081558936.
English.
Cuban-Amer
ican singer and
songwriter Camilla
Cabello combines
flamenco, ska, and pop
music elements in her
latest hit. Tight rhythms
and uniform articulations
will make this
arrangement shine.
Latin-American percussion
instruments will bring
this infectious groove
alive at your next
concert! (2:45) This
title is available in
MakeMusic Cloud.
Odyssey Orchestre d'harmonie Alliance Music Publications
Concert Band (Score) SKU: HL.8773771 For Concert Band. Composed by...(+)
Concert Band (Score)
SKU: HL.8773771
For Concert Band.
Composed by Alexandria M.
Mueller. Concert.
Softcover. Alliance
Publications #AP6077SC.
Published by Alliance
Publications
(HL.8773771).
Odyssey Orchestre d'harmonie Alliance Music Publications
Concert Band (Parts) SKU: HL.8773772 For Concert Band. Composed by...(+)
Concert Band (Parts)
SKU: HL.8773772
For Concert Band.
Composed by Alexandria M.
Mueller. Concert.
Softcover. Alliance
Publications #AP6077SET.
Published by Alliance
Publications
(HL.8773772).