Concert Band/Harmonie - Grade 2 SKU: BT.DHP-0970834-010 Composed by Eric ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-0970834-010
Composed by Eric Carmen
and Sergei Rachmaninoff.
Arranged by Henk
Hogestein. De Haske Pop
Collection. Pop & Rock.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0970834-010. Published by
De Haske Publications
(BT.DHP-0970834-010).
All by Myself Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-0970834-140 Composed by Eric ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-0970834-140
Composed by Eric Carmen
and Sergei Rachmaninoff.
Arranged by Henk
Hogestein. De Haske Pop
Collection. Pop and Rock.
Score Only. Composed
1997. De Haske
Publications #DHP
0970834-140. Published by
De Haske Publications
(BT.DHP-0970834-140).
Wind Band SKU: IS.WE6441EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6441EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6441EM.
Published by Metropolis
Music Publishers
(IS.WE6441EM).
Wind Band SKU: IS.WE6435EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6435EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6435EM.
Published by Metropolis
Music Publishers
(IS.WE6435EM).
Wind Band SKU: IS.WE6437EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6437EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6437EM.
Published by Metropolis
Music Publishers
(IS.WE6437EM).
Wind Band SKU: IS.WE6439EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6439EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6439EM.
Published by Metropolis
Music Publishers
(IS.WE6439EM).
Wind Band SKU: IS.WE6434EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6434EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6434EM.
Published by Metropolis
Music Publishers
(IS.WE6434EM).
Wind Band SKU: IS.WE6438EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6438EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6438EM.
Published by Metropolis
Music Publishers
(IS.WE6438EM).
Wind Band SKU: IS.WE6442EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6442EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6442EM.
Published by Metropolis
Music Publishers
(IS.WE6442EM).
Wind Band SKU: IS.WE6436EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6436EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6436EM.
Published by Metropolis
Music Publishers
(IS.WE6436EM).
Wind Band SKU: IS.WE6433EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6433EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6433EM.
Published by Metropolis
Music Publishers
(IS.WE6433EM).
Wind Band SKU: IS.WE6440EM Composed by Dirk Brosse. Ensembles - Wind Band...(+)
Wind Band
SKU:
IS.WE6440EM
Composed
by Dirk Brosse. Ensembles
- Wind Band. The Dirk
Brosse Collection.
Metropolis Music
Publishers #WE6440EM.
Published by Metropolis
Music Publishers
(IS.WE6440EM).
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204).
ISBN
9781491152249. UPC:
680160909742. Key: D
minor.
Avalonâ€â
€œLong Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Breaking Point Orchestre d'harmonie [Conducteur] - Intermédiaire FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1788S Score Only. C...(+)
Concert Band Symphonic
Band - Grade 4
SKU:
FJ.B1788S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Score. Duration 9:00. The
FJH Music Company Inc
#98-B1788S. Published by
The FJH Music Company Inc
(FJ.B1788S).
English.
Written
over a several month
period when the
composer's father was
dying, the composer
states: Throughout this
entire experience, I have
reached my own breaking
point. Over and over
again. So I fall apart,
put myself together, and
am then broken all over
again. One of the most
emotional and powerful
pieces Balmages has ever
written, there are
moments of untamed
beauty, anger, rage,
hope, despair, and
frustration. Once you
perform this one, you
will never forget it.
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1788 Composed by Brian Bal...(+)
Concert Band Symphonic
Band - Grade 4
SKU:
FJ.B1788
Composed by
Brian Balmages. Concert
Band; MakeMusic Cloud.
FJH Symphonic Band. Score
and Part(s). Duration
9:00. The FJH Music
Company Inc #98-B1788.
Published by The FJH
Music Company Inc
(FJ.B1788).
UPC:
241444405390.
English.
Written
over a several month
period when the
composer's father was
dying, the composer
states: Throughout this
entire experience, I have
reached my own breaking
point. Over and over
again. So I fall apart,
put myself together, and
am then broken all over
again. One of the most
emotional and powerful
pieces Balmages has ever
written, there are
moments of untamed
beauty, anger, rage,
hope, despair, and
frustration. Once you
perform this one, you
will never forget it.
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729.
Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4.