(Full Score and Parts (CD Audio Inside Internet/Web Interactive)). By Andrew Bal...(+)
(Full Score and Parts (CD
Audio Inside Internet/Web
Interactive)). By Andrew
Balent. Concert Band. For
Flute, Oboe, Clarinet I,
Clarinet II, Clarinet
III, Alto Clarinet, Bass
Clarinet, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Tenor I,
Tenor II, Euphonium,
Bassoon, Tuba, S. Carl
Fischer Concert
Performance Series
(Sounds Spectacular).
Grade 3. Score and Set of
Parts. Standard notation.
36 pages. Published by
Carl Fischer
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Bilbo the Hobbit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Horn Solo - Grade 4 SKU: BT.DHP-1064055-010 ...(+)
Concert Band/Harmonie and
Horn Solo - Grade 4
SKU:
BT.DHP-1064055-010
Pièce pour cor et
orchestre d'harmonie.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064055-010. Published by
De Haske Publications
(BT.DHP-1064055-010).
9x12 inches.
English-German-French-Dut
ch.
Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
ijdens zijn leven
schiep J.R.R. Tolkien
(1892-1973) met zijn boek
The Hobbit en de
trilogie The Lord of
the Rings (In de ban van
de ring) een totaal
nieuwe wereld, bevolkt
met fabuleuze wezens:
dwergen, elven, drakenen
natuurlijk hobbits.
Maxime Aulio gaf dit
concertante werk vorm in
filmische stijl. Met de
aftiteling voor ogen
verklankt Aulio’s
muziek de hoofdpersonen
en belangrijkste
gebeurtenissen in de
wereld van Bilbo de
hobbit,zijn visie op
het verhaal is imposant.
Van de landschappen van
de Gouw tot Middenaarde
en van de draken tot
Gandalf de tovenaar
vertelt Bilbo
Baggins ons zijn
verhaal door middel van
lichte en virtuoze
arabesken in de
solpartij.
Faszini
ert vom Schaffen der
großen Meister der
Filmmusik, versuchte
Maxime Aulio dieses
konzertante Werk über
den Fantasy-Roman Werk
Der kleine Hobbit
von J.R.R.Tolkien in
ihrem Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
großen Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
l’Hobbit. La
sua visione è
grandiosa. Dai paesaggi
della contea alla Terra
di Mezzo, dai Grandi
Draghi a Gandalf il Mago,
Bilbon Saquet racconta la
sua storia attraverso
virtuosi ed eterei
arabeschi interpretatati
dal solista.
Bilbo the Hobbit Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Horn Solo - Grade 4 SKU: BT.DHP-1064055-140 ...(+)
Concert Band/Harmonie and
Horn Solo - Grade 4
SKU:
BT.DHP-1064055-140
Pièce pour cor et
orchestre d'harmonie.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2006. 32 pages.
De Haske Publications
#DHP 1064055-140.
Published by De Haske
Publications
(BT.DHP-1064055-140).
9x12 inches.
English-German-French-Dut
ch.
Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
Fasziniert vom
Schaffen der großen
Meister der Filmmusik,
versuchte Maxime Aulio
dieses konzertante Werk
über den Fantasy-Roman
Werk Der kleine
Hobbit von
J.R.R.Tolkien in ihrem
Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
großen Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
l’Hobbit. La
sua visione è
grandiosa. Dai paesaggi
della contea alla Terra
di Mezzo, dai Grandi
Draghi a Gandalf il Mago,
Bilbon Saquet racconta la
sua storia attraverso
virtuosi ed eterei
arabeschi interpretatati
dal solista.
Bilbo the Hobbit Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1064055-040 Pièce pour cor et or...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1064055-040
Pièce pour cor et
orchestre d'harmonie.
Solo Spectrum. Solo and
Concerto. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064055-040. Published by
De Haske Publications
(BT.DHP-1064055-040).
9x12 inches.
English-German-French-Dut
ch.
Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
Fasziniert vom
Schaffen der groÃ?en
Meister der Filmmusik,
versuchte Maxime Aulio
dieses konzertante Werk
über den Fantasy-Roman
Werk Der kleine
Hobbit von
J.R.R.Tolkien in ihrem
Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
groÃ?en Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
lâ??Hobbit. La sua
visione è grandiosa.
Dai paesaggi della contea
alla Terra di Mezzo, dai
Grandi Draghi a Gandalf
il Mago, Bilbon Saquet
racconta la sua storia
attraverso virtuosi ed
eterei arabeschi
interpretatati dal
solista.
Fast Food Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1115073-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1115073-215
Composed by Peter Kleine
Schaars. Flexible 4
Series. Original Light
Music. Score Only.
Composed 2011. 24 pages.
De Haske Publications
#DHP 1115073-215.
Published by De Haske
Publications
(BT.DHP-1115073-215).
9x12 inches.
English-German-French-Dut
ch.
Fast food is
especially popular with
today’s youth,
even though it is
generally acknowledged to
be quite unhealthy. Peter
Kleine Schaars’
new composition, on the
other hand, will provide
some healthy food for the
soul and mind. Fast Food
features four courses:
Pizza Pronto, presenting
Italian delights, Crazy
Kebab, Arabian
delicacies, the American
Cheese Burger, and an
exciting Hot Dog Disco.
Bon appetite!
Vooral bij de
jeugd zeer populair: fast
food! Of het gezond is,
laten we hier maar in het
midden. Dat het goed
klinkt, weten we wel
zeker! Peter Kleine
Schaars serveert maar
liefst vier gangen: Pizza
Pronto, in Italiaanse
stijl geschreven,Crazy
Kebab, lekker Arabisch
gekruid, dan gevolgd door
Cheese Burger en Hot Dog
Disco in discostijl. Eet
smakelijk!
Fast
Food ist bekanntlich
besonders bei der Jugend
sehr beliebt, auch wenn
es nicht gerade gesund
sein soll. Gesundheitlich
völlig unbedenklich
hingegen ist diese
pfiffige Komposition von
Peter Kleine Schaars, in
dem das Blasorchester
seinem Publikum
nacheinander vier
musikalische Gänge
serviert: Pizza
Pronto, im
italienischen Stil
geschrieben, Crazy
Kebab, arabisch
angehaucht, gefolgt von
Cheese Burger und
Hot Dog Disco im
Disco-Stil. Guten
Appetit!
Fast Food è un
termine particolarmente
popolare tra i giovani,
anche se non sempre
sinonimo di qualit .
Questa composizione di
Peter Kleine Schaars è
però un vero toccasana
per il pubblico che
apprezzer la
“freschezzaâ€
dei quattro
“piattiâ€
proposti: Pizza Pronto,
Crazy Kebab, Cheese
Burger e Hot Dog
Disco.
Fast Food Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1115073-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1115073-015
Composed by Peter Kleine
Schaars. Flexible 4
Series. Original Light
Music. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115073-015. Published by
De Haske Publications
(BT.DHP-1115073-015).
9x12 inches.
English-German-French-Dut
ch.
Fast food is
especially popular with
today’s youth,
even though it is
generally acknowledged to
be quite unhealthy. Peter
Kleine Schaars’
new composition, on the
other hand, will provide
some healthy food for the
soul and mind. Fast Food
features four courses:
Pizza Pronto, presenting
Italian delights, Crazy
Kebab, Arabian
delicacies, the American
Cheese Burger, and an
exciting Hot Dog Disco.
Bon appetite!
Vooral bij de
jeugd zeer populair: fast
food! Of het gezond is,
laten we hier maar in het
midden. Dat het goed
klinkt, weten we wel
zeker! Peter Kleine
Schaars serveert maar
liefst vier gangen: Pizza
Pronto, in Italiaanse
stijl geschreven,Crazy
Kebab, lekker Arabisch
gekruid, dan gevolgd door
Cheese Burger en Hot Dog
Disco in discostijl. Eet
smakelijk!
Fast
Food ist bekanntlich
besonders bei der Jugend
sehr beliebt, auch wenn
es nicht gerade gesund
sein soll. Gesundheitlich
völlig unbedenklich
hingegen ist diese
pfiffige Komposition von
Peter Kleine Schaars, in
dem das Blasorchester
seinem Publikum
nacheinander vier
musikalische Gänge
serviert: Pizza
Pronto, im
italienischen Stil
geschrieben, Crazy
Kebab, arabisch
angehaucht, gefolgt von
Cheese Burger und
Hot Dog Disco im
Disco-Stil. Guten
Appetit!
Fast Food è un
termine particolarmente
popolare tra i giovani,
anche se non sempre
sinonimo di qualit .
Questa composizione di
Peter Kleine Schaars è
però un vero toccasana
per il pubblico che
apprezzer la
“freschezzaâ€
dei quattro
“piattiâ€
proposti: Pizza Pronto,
Crazy Kebab, Cheese
Burger e Hot Dog
Disco.
Concert Band - Grade 1.5 SKU: AP.36675 Composed by Steve Hodges. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.36675
Composed by Steve Hodges.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Form: Overture.
Score and Part(s). 130
pages. Alfred Music
#00-36675. Published by
Alfred Music (AP.36675).
UPC: 038081417462.
English.
This
energetic overture opens
strongly with the low
brass presenting a
melodic arpeggio motive
that recurs throughout
the A section of the
piece. The B section
provides an excellent
contrast with an
expressive presentation
by the woodwinds leading
to a sensitive chorale
setting. With shifting
minor and major modes,
the section builds with
the brass before ending
in a tranquil manner. A
repeat of the opening
section leads to a
dynamic coda, bringing
the piece to an exciting
conclusion.
This
is well written
educational material that
plays at the more
technical end of this
grade level. -The
Instrumentalist.
Trois Odelettes Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115104-140 For Soprano So...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115104-140
For Soprano Solo and
Concert band.
Composed by Jacob De
Haan. Solo Spectrum. Solo
& Concerto. Score Only.
Composed 2011. 28 pages.
De Haske Publications
#DHP 1115104-140.
Published by De Haske
Publications
(BT.DHP-1115104-140).
Trois Odelettes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115104-010 For Soprano So...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115104-010
For Soprano Solo and
Concert band.
Composed by Jacob De
Haan. Solo Spectrum. Solo
& Concerto. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115104-010. Published by
De Haske Publications
(BT.DHP-1115104-010).
Score and Parts Concert Band; Wind Orchestra (Score & Parts) - Grade 5 SKU: H...(+)
Score and Parts Concert
Band; Wind Orchestra
(Score & Parts) - Grade 5
SKU: HL.4008644
Wind Orchestra, Grade
5, 12:45 Score and
Parts. Composed by
Johann Sebastian Bach.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Fugue. Softcover.
Duration 765 seconds. Hal
Leonard #EFC004-CBHA.
Published by Hal Leonard
(HL.4008644).
ISBN
9798350115024. UPC:
196288189695.
The
Passacaglia is a set of
instrumental variations
based on an ostinato
bass. Bach's Passacaglia
and Fugue in C-minor for
organ represents the
pinnacle of what had been
achieved in this
compositional form at
that time. In Franco
CesariniÂ’s
arrangement for large
wind orchestra, the
particularly careful
interpretation of the
original piece enables
him to exploit all the
sound colors at his
disposal, and in this
sumptuous guise Bach's
work also takes on a
grandiose dimension,
albeit tinged with
late-Romanticism. The
exposition of the
beautiful theme begins in
the bass part,
immediately creating a
solemn and serious
atmosphere which is
accentuated by the
intensely pathetic
character of the first
variations. Up to the
tenth variation it
remains confined to the
bass, but in subsequent
ones it also passes to
the soprano and alto
register. The integrity
of the theme is also
embellished with elegant
arpeggios, in whose lower
and higher extensions the
theme can be
distinguished. Towards
the end it returns to the
bass in an impressive
thickening of the
polyphonic texture that
swiftly re-establishes
the key of C-minor. The
“Thema
fugatum†which
follows immediately does
not constitute a Fugue in
its own right, rather it
is nothing but the
twenty-first and most
extensive variation of
the Passacaglia. This
time Bach uses only the
first half of the theme,
superimposing a rhythmic
countersubject that
considerably enlivens the
entire development of the
composition. The
polyphonic discourse
becomes increasingly
dense, until the building
tension peaks in a
powerful
“Neapolitan
sixth†chord,
followed by a sudden
pause. This culminating
moment then leads to the
coda and final cadence on
a bright C-major
chord.