Band concert band - Grade 3 SKU: KJ.WB113F Composed by Barry Kopetz. Scor...(+)
Band concert band - Grade
3
SKU: KJ.WB113F
Composed by Barry Kopetz.
Score. Neil A. Kjos Music
Company #WB113F.
Published by Neil A. Kjos
Music Company
(KJ.WB113F).
The themes in
this classic concert
overture are inspired by
the beautiful scenery of
the Spartanburg area
located near the Blue
Ridge Mountains of South
Carolina. The creative
melodies are played by
every section of the
band. Perfect for concert
or contest!
Grade
5 - Score and Parts.
Composed by James Curnow.
Curnow Music Concert
Band. Duration 150
seconds. Curnow Music
#6096040. Published by
Curnow Music
(HL.44000176).
Band Concert Band - Grade 2.5 SKU: CF.YPS184 Composed by Sean O'Loughlin....(+)
Band Concert Band - Grade
2.5
SKU: CF.YPS184
Composed by Sean
O'Loughlin. SWS FS. Carl
Fischer Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+4+2+4+12+20
pages. Duration 3
minutes, 41 seconds. Carl
Fischer Music #YPS184.
Published by Carl Fischer
Music (CF.YPS184).
ISBN 9781491147368.
UPC: 680160904860. 9 x 12
inches. Key: Bb
major.
Dawn of the
Spartans is a bold and
forceful composition from
composer Sean O'Loughlin
for young bands. Strong
melodic figures and full
sounding sonorities make
this a winning piece for
contest/festival
performance. Spartan
movies of days past have
inspired this dramatic
musical throwback that
students will love.
Band Concert Band - Grade 2.5 SKU: CF.YPS184F Composed by Sean O'Loughlin...(+)
Band Concert Band - Grade
2.5
SKU:
CF.YPS184F
Composed
by Sean O'Loughlin. SWS.
Carl Fischer Young
Performance Series. Full
score. With Standard
notation. 20 pages.
Duration 3 minutes, 41
seconds. Carl Fischer
Music #YPS184F. Published
by Carl Fischer Music
(CF.YPS184F).
ISBN
9781491148068. UPC:
680160905560. 9 x 12
inches.
Dawn of the
Spartans is a bold and
forceful composition from
composer Sean O'Loughlin
for young bands. Strong
melodic figures and full
sounding sonorities make
this a winning piece for
contest/festival
performance. Spartan
movies of days past have
inspired this dramatic
musical throwback that
students will love.
Voyage with the VOC Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-010 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-010
Composed by William Vean.
Set (Score & Parts). 36
pages. Gobelin Music
Publications #GOB
000834-010. Published by
Gobelin Music
Publications
(BT.GOB-000834-010).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails
along en A joyful
homecoming.
Di
e Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage
with the VOC verfolgt
ein Schiff vom Ablegen an
(1. Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Voyage with the VOC Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000834-140 Composed by Will...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000834-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000834-140. Published by
Gobelin Music
Publications
(BT.GOB-000834-140).
The United East
India Company, or
Verenigde Oostindische
Compagnie (VOC) was one
of the first
international trading
companies in the
Netherlands. Voyage
With The VOC follows
the route of a ship
(first movement) on a
visit to the Rajah of
Yogakarta (second
movement) to load up the
ship before returning
home (third movement).
The fourth movement
describes the hard life
of a sailor before the
fifth movement sees the
ship safely to harbour
once again.
Mede
door de geografische
ligging is Nederland
sinds jaar en dag een
belangrijke handelsnatie.
Eén van de eerste
multinationals was de
‘Verenigde Oostindische
Compagnie’ (VOC). Het
doel van de VOC was
schepen naar Azië te
sturen ompeper en
specerijen te kopen en
het Portugese monopolie
over te nemen. De VOC
werd een succes. De
Gouden Eeuw brak aan en
het was een tijd van
grote welvaart. Naast een
bloeiende economie
floreerden ook de
schilderkunst
(Rembrandtvan Rijn) en de
wetenschap (Constantijn
Huygens).Inhoud: The
Sails are set, A Visit to
the Rajah of Yogyakarta,
The Holds have been
loaded, Death sails along
en A joyful
homecoming.
Die
Verenigde Oostindische
Compagnie (VOC) war eine
der ersten
internationalen
Handelsgesellschaften der
Niederlande. Voyage with
the VOC verfolgt ein
Schiff vom Ablegen an (1.
Satz) auf eine seiner
Reisen. Nach einem Besuch
beim Rajah von Yogakarta
(2. Satz) wird das Schiff
beladen und die Heimreise
angetreten (3. Satz). Der
vierte Satz beschreibt
das harte Leben auf See,
das Risiken wie
Schiffsbruch, Krankheiten
und Tod in sich barg,
bevor im fünften
Satz das Schiff
schließlich
glücklich
heimkehrt.
La
société Verenigde
Oostindische Compagnie
(VOC), a été l’une
des premières agences de
négoce international des
Pays-Bas. Voyage with
the VOC décrit les
péripéties d’un
navire en partance pour
l’Asie dans une oeuvre
en 5 mouvements : les
voiles sont hissées et
il y beaucoup
d’animation sur le quai
- le voyage aura duré de
nombreuses semaines,
enfin, le lieu de
destination est atteint -
une visite au Rajah de
Yogyakarta s’impose -
les cales sont remplies
d’épices, le voyage de
retour peut être amorcé
- mort sous les voiles,
un marin est décédé -
après plusieurs mois
d’absence, le retour
quai est chaleureux et
festif !
La
compagnia delle Indie
Occidentali (Vereenigde
Oostindische Companie/VOC
in olandese) fu una delle
prime societ di commercio
dell’Olanda. Voyage
with the VOC segue una
nave nel suo viaggio
(primo movimento). Dopo
una visita al rajah di
Yogakarta (secondo
movimento), la nave viene
caricata ed ha inizio il
viaggio di ritorno (terzo
movimento). Il quarto
movimento descrive la
dura vita in alto mare, i
rischi di avaria, di
malattie e addirittura di
morte prima di
attraccare. Il quinto
movimento descrive la
nave che arriva
felicemente a
destinazione.
Eloise Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-140 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-149-140
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2006. Anglo
Music Press #AMP 149-140.
Published by Anglo Music
Press (BT.AMP-149-140).
9x12 inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
Eloise Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-010 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-149-010
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
149-010. Published by
Anglo Music Press
(BT.AMP-149-010).
9x12
inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Heavy Metal Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0082-96-010 Composed by Brian...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0082-96-010
Composed by Brian
Connery. Spotlight on
Entertainment. Set (Score
and Parts). Composed
1996. Curnow Music #CMP
0082-96-010. Published by
Curnow Music
(BT.CMP-0082-96-010).
Heavy Metal is
a powerful piece that
holds a lot of energy.
Rock rhythms and melodies
and a funky bass line
help to create an
exciting rock style.
Mit diesem
Stück können Sie
Ihre Musiker und auch das
Publikum überraschen:
Heavy Metal funktioniert
auch in
Blasorchesterbesetzung!
Kraftvoll und energisch
kommt diese
überzeugende
Komposition von Brian
Connery einher. Rockige
Rhythmen und Melodien,
ein funkiger Bass und
interessante dynamische
Kontraste machen das
Stück zu einem
aufregenden Erlebnis
für Spieler und
Zuhörer. Probieren
Sieâ??s aus!
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-140 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-140
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Score
Only. 120 pages. Gobelin
Music Publications #GOB
000963-140. Published by
Gobelin Music
Publications
(BT.GOB-000963-140).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Journey to the Centre of the Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-010 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-010
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Set
(Score & Parts). 372
pages. Gobelin Music
Publications #GOB
000963-010. Published by
Gobelin Music
Publications
(BT.GOB-000963-010).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Eloise Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Full Score Concert Band (Score) - Grade 4 SKU: HL.44007313 Composed by Pa...(+)
Full Score Concert Band
(Score) - Grade 4
SKU:
HL.44007313
Composed
by Paul Ryan. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2006. Anglo
Music Press #AMP149.
Published by Anglo Music
Press (HL.44007313).
Paul and Barry
Ryan were identical twin
sons of 1950's pop singer
Marion Ryan and were born
on 24th October 1948.
They were groomed for
stardom and had started
singing as a duo before
their fifteenth birthday.
They were signed by Decca
in 1965 and brilliantly
marketed as clean-cut
fashion icons. Their
first single 'Don't Bring
Me Your Heartaches'
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarriere terwijl Paul
zich concentreerde op het
schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssohne der
50er-Jahre-Popsangerin
Marion Ryan. Den beiden
Brudern war eine Zukunft
als Popstars in die Wiege
gelegt. Bereits vor ihrem
15. Geburtstag traten sie
als Duo auf. Spater
verlegte sich Paul jedoch
aufs Songschreiben und
Barry trat solo auf. Der
Hit Eloise mit
seinem melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Kunstlern neu
interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
fur Blasorchester
spielbar.
Paul et
Barry Ryan etaient
jumeaux, nes le 24
octobre 1948, fils de la
chanteuse pop des annees
1950 Marion Ryan. Formes
pour la celebrite, ils
ont commence a chanter en
duo avant l'age de quinze
ans. En 1965 ils ont
signe un contrat
d'enregistrement avec
Decca qui a commercialise
leur image soignee
d'icones de la mode. Leur
premier single Don't
Bring Me Your
Heartaches est
parvenu au top 20 du
hit-parade britannique,
mais leur succes a deux
n'a dure que trois ans.
En 1968, Barry a
entrepris une carriere
solo tandis que Paul
s'est concentre sur la
composition et la
production.
Eloise, avec son
style vocal
melodramatique et son
accompagnement tres
orchestral, etaitun
succes precoce pour cette
nouvelle collaboration.
De nombreux artistes
l'ont depuis reprise,
telles que les legendes
du punk The Damned.
Figli gemelli di
Marion Ryan, celebre
cantante pop degli anni
'50, Paul e Barry Ryan si
esibivano insieme gia
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, e uno dei
primi successi della
collaborazione tra i due
fratelli.
Composed by Sjaak van der
Reijden. Score Only. 8
pages. Gobelin Music
Publications #GOB
000448-140. Published by
Gobelin Music
Publications
(BT.GOB-000448-140).
Bessarabia is
an area of south-eastern
Europe (modern-day
Romania, Moldovia and the
Ukraine) in which
numerous “Shtetl,” or
small Jewish towns, have
been established over
time.
Bessarabyanke is a
remarkable Yiddish themed
work for concertband,
composed by Sjaak van der
Reijden. An ideal piece
to close a concert with,
or perhaps play as an
encore.
Up tempo,
levendig, vol vuur! Je
ziet de klezmorim bijna
voor je… Vol
gedrevenheid luisteren ze
met hun fascinerende
klanken een joodse
bruiloft op. Sjaak van de
Reijden bouwt dit
Jiddische thema op een
buitengewoon
spectaculairewijze uit
tot eenverrassende
concertuitsmijter. Het is
geen toeval dat Van der
Reijden ook trompettist
en arrangeur van de
klezmerband ‘Di
Gojim’ is.
Bessarabyanke: een
heerlijk werk vol
uitdaging voor alle
secties van het
orkes!
Bessarabien
ist eine Region in
Südosteuropa (heute
Teile von Rumänien,
Moldawien und der
Ukraine), in der seit dem
18. Jahrhundert
zahlreiche jüdische
Shtetl“ entstanden
sind. Ein jiddisches
Thema ist es denn auch,
das der Komponist
inBessarabyanke
auf spektakuläre Weise
zu einem überraschenden
Blasorchesterwerk
ausarbeitete, das sich
ideal als
Konzertabschluss oder
Zugabestück eignet.
La Bessarabie est
une région du sud-est de
l’Europe, partagée
depuis 1991 entre la
République de Moldavie
et l’Ukraine. Elle
comptait de nombreuses
communautés juives au
cours du 18e siècle.
L’expérience acquise
par le compositeur
lorsqu’il était
trompettiste et arrangeur
du Klezmer Band Di Gojim
aura indéniablement
contribué l’écriture
de ce thème yiddish. Une
pièce idéale pour toute
programmation de concert
ou comme pièce de
rappel.
La
Bessarabia è una regione
del sud-est europeo (oggi
parte della Romania,
Moldavia e Ucraina),
patria di molti ebrei
“shetl” nel corso del
XVIII secolo. Ed è anche
un tema di musica yiddish
che il compositore
arrangia superbamente per
banda, creando così
Bessarabyanke, un brano
perfetto per chiudere un
concerto o per un
bis.
Composed by Sjaak van der
Reijden. Set (Score &
Parts). 82 pages. Gobelin
Music Publications #GOB
000448-010. Published by
Gobelin Music
Publications
(BT.GOB-000448-010).
Bessarabia is
an area of south-eastern
Europe (modern-day
Romania, Moldovia and the
Ukraine) in which
numerous “Shtetl,” or
small Jewish towns, have
been established over
time.
Bessarabyanke is a
remarkable Yiddish themed
work for concertband,
composed by Sjaak van der
Reijden. An ideal piece
to close a concert with,
or perhaps play as an
encore.
Up tempo,
levendig, vol vuur! Je
ziet de klezmorim bijna
voor je… Vol
gedrevenheid luisteren ze
met hun fascinerende
klanken een joodse
bruiloft op. Sjaak van de
Reijden bouwt dit
Jiddische thema op een
buitengewoon
spectaculairewijze uit
tot eenverrassende
concertuitsmijter. Het is
geen toeval dat Van der
Reijden ook trompettist
en arrangeur van de
klezmerband ‘Di
Gojim’ is.
Bessarabyanke: een
heerlijk werk vol
uitdaging voor alle
secties van het
orkes!
Bessarabien
ist eine Region in
Südosteuropa (heute
Teile von Rumänien,
Moldawien und der
Ukraine), in der seit dem
18. Jahrhundert
zahlreiche jüdische
Shtetl“ entstanden
sind. Ein jiddisches
Thema ist es denn auch,
das der Komponist
inBessarabyanke
auf spektakuläre Weise
zu einem überraschenden
Blasorchesterwerk
ausarbeitete, das sich
ideal als
Konzertabschluss oder
Zugabestück eignet.
La Bessarabie est
une région du sud-est de
l’Europe, partagée
depuis 1991 entre la
République de Moldavie
et l’Ukraine. Elle
comptait de nombreuses
communautés juives au
cours du 18e siècle.
L’expérience acquise
par le compositeur
lorsqu’il était
trompettiste et arrangeur
du Klezmer Band Di Gojim
aura indéniablement
contribué l’écriture
de ce thème yiddish. Une
pièce idéale pour toute
programmation de concert
ou comme pièce de
rappel.
La
Bessarabia è una regione
del sud-est europeo (oggi
parte della Romania,
Moldavia e Ucraina),
patria di molti ebrei
“shetl” nel corso del
XVIII secolo. Ed è anche
un tema di musica yiddish
che il compositore
arrangia superbamente per
banda, creando così
Bessarabyanke, un brano
perfetto per chiudere un
concerto o per un
bis.
Walk Like a Spartan Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48125S Composed by William Palange. Conc...(+)
Concert Band - Grade 1.5
SKU: AP.48125S
Composed by William
Palange. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Debut Series.
Light Concert. Score. 20
pages. Duration 3:20.
Alfred Music #00-48125S.
Published by Alfred Music
(AP.48125S).
UPC:
038081555300.
English.
This fun
and funky tune got its
title from a school-wide
competition to provide a
title, which fit
perfectly with main theme
and spirit of the piece
as the Spartan is the
mascot of the school
district. (3:20).
Concert Band - Grade 1.5 SKU: AP.48125 Composed by William Palange. Conce...(+)
Concert Band - Grade 1.5
SKU: AP.48125
Composed by William
Palange. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Debut Series.
Light Concert. Score and
Part(s). 184 pages.
Duration 3:20. Alfred
Music #00-48125.
Published by Alfred Music
(AP.48125).
UPC:
038081555294.
English.
This fun
and funky tune got its
title from a school-wide
competition to provide a
title, which fit
perfectly with main theme
and spirit of the piece
as the Spartan is the
mascot of the school
district. (3:20).
Les Marteaux de la Marine Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000258-140 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000258-140
Composed by Rob Goorhuis.
Score Only. 34 pages.
Gobelin Music
Publications #GOB
000258-140. Published by
Gobelin Music
Publications
(BT.GOB-000258-140).
Les Marteaux de
La Marine was composed in
1999 as a commission by
the Marine Band of the
Royal Netherlands
Navy.
The
composition contains
three static elements
which interchange. Static
in this case means that
development of the
material isnot pursued
(by the composer).
The first element
with which the piece
begins is tranquil and
colourful. The second
element is sharp and
incisive, while the third
expresses energy. In all
elements a repeated tone
is the starting point
whichexplains the hammers
in the works title.The
instrumentation is richly
variegated with a harp
also determining the
palette of colours in the
slower movements.
The composition
opens with an atmospheric
Larghetto containing fine
harmonies in thesoft and
subtly moving wood-winds.
The introduction breathes
an impressionistic
atmosphere in which
expressive cantilenas and
soloistic agile motifs
stand out. A strong
setting is followed by an
Allegro virtuoso
containing fast motifs
contrasted withshort and
rhythmic stars of the
various instrumental
sections. Trumpets and
horns add a virtuoso
bugle-call motif.
After a short
stringendosection, the
transparent Larghetto
returns with a varied
setting of the opening
elements. The
beautifulleading roles in
this section are reserved
for cornet (trumpet) and
horn. Subsequently, the
flashing Vivo starts with
continuous movements in
triplets from both
wood-winds and brass.
Next, the opening Allegro
re-appears once again and
thus LesMarteaux de la
Marine ends with a fast
and virtuoso
climax.
Les
Marteaux de La Marine was
selected as a compulsory
grade 6 contest piece for
symphonic bands in the
Netherlands.
Les
marteaux de la marine
werd in 1999 gecomponeerd
in opdracht van de
Marinierskapel van de
Koninklijke
Marine.
De
compositie kent drie
statische elementen,
elkaar afwisselend.
Statisch wil in dit geval
zeggen dat er geen
ontwikkeling vanhet
materiaal wordt
nagestreefd. Het
eerste element waarmee
het stuk begint is rustig
en kleurrijk. Het tweede
element is vinnig en
scherp terwijl het derde
energie verbeeldt. In
alle elementen is de
herhaalde toon het
uigangspunt waarmee
dehamers (martaux)
verklaard kunnen worden.
De instrumentatie is rijk
geschakeerd waarbij in de
langzame gedeelten een
harp medebepalend is voor
het kleurenpalet.
De compositie vangt aan
met een sfeervol
Larghetto met fraaie
harmonieën in hetzachte,
subtiel bewegende,
houtregister. De
inleiding ademt een
impressionistische sfeer
uit, waarbij expressieve
cantilenes en solistische
beweeglijke motieven naar
voren komen. Dan
volgt een virtuoos
Allegro met snelle
motieven afgezet
doorkorte, ritmische
inzetten van de diverse
instrumentengroepen. De
trompetten en hoorns
voegen een virtuoos
signaalmotief toe. Na en
kort stringendo-gedeelte
keert het transparante
Larghetto terug met een
gevarieerde zetting van
de beginelementen.
Decornet (trompet) en
hoorn vervullen in dit
gedeelte een fraaie
hoofdrol. Vervolgens zet
het flitsende Vivo in met
voortdurende
trioolbewegingen in zowel
hout als koper.
Vervolgens duikt het
Allegro van het begin nog
op en Les marteaux de la
marinebesluit met een
snelle en virtuoze
climax.
Les Marteaux de la Marine Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000258-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000258-010
Composed by Rob Goorhuis.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000258-010. Published by
Gobelin Music
Publications
(BT.GOB-000258-010).
Les Marteaux de
La Marine was composed in
1999 as a commission by
the Marine Band of the
Royal Netherlands
Navy.
The
composition contains
three static elements
which interchange. Static
in this case means that
development of the
material isnot pursued
(by the composer).
The first element
with which the piece
begins is tranquil and
colourful. The second
element is sharp and
incisive, while the third
expresses energy. In all
elements a repeated tone
is the starting point
whichexplains the hammers
in the works title.The
instrumentation is richly
variegated with a harp
also determining the
palette of colours in the
slower movements.
The composition
opens with an atmospheric
Larghetto containing fine
harmonies in thesoft and
subtly moving wood-winds.
The introduction breathes
an impressionistic
atmosphere in which
expressive cantilenas and
soloistic agile motifs
stand out. A strong
setting is followed by an
Allegro virtuoso
containing fast motifs
contrasted withshort and
rhythmic stars of the
various instrumental
sections. Trumpets and
horns add a virtuoso
bugle-call motif.
After a short
stringendosection, the
transparent Larghetto
returns with a varied
setting of the opening
elements. The
beautifulleading roles in
this section are reserved
for cornet (trumpet) and
horn. Subsequently, the
flashing Vivo starts with
continuous movements in
triplets from both
wood-winds and brass.
Next, the opening Allegro
re-appears once again and
thus LesMarteaux de la
Marine ends with a fast
and virtuoso
climax.
Les
Marteaux de La Marine was
selected as a compulsory
grade 6 contest piece for
symphonic bands in the
Netherlands.
Les
marteaux de la marine
werd in 1999 gecomponeerd
in opdracht van de
Marinierskapel van de
Koninklijke
Marine.
De
compositie kent drie
statische elementen,
elkaar afwisselend.
Statisch wil in dit geval
zeggen dat er geen
ontwikkeling vanhet
materiaal wordt
nagestreefd. Het
eerste element waarmee
het stuk begint is rustig
en kleurrijk. Het tweede
element is vinnig en
scherp terwijl het derde
energie verbeeldt. In
alle elementen is de
herhaalde toon het
uigangspunt waarmee
dehamers (martaux)
verklaard kunnen worden.
De instrumentatie is rijk
geschakeerd waarbij in de
langzame gedeelten een
harp medebepalend is voor
het kleurenpalet.
De compositie vangt aan
met een sfeervol
Larghetto met fraaie
harmonieën in hetzachte,
subtiel bewegende,
houtregister. De
inleiding ademt een
impressionistische sfeer
uit, waarbij expressieve
cantilenes en solistische
beweeglijke motieven naar
voren komen. Dan
volgt een virtuoos
Allegro met snelle
motieven afgezet
doorkorte, ritmische
inzetten van de diverse
instrumentengroepen. De
trompetten en hoorns
voegen een virtuoos
signaalmotief toe. Na en
kort stringendo-gedeelte
keert het transparante
Larghetto terug met een
gevarieerde zetting van
de beginelementen.
Decornet (trompet) en
hoorn vervullen in dit
gedeelte een fraaie
hoofdrol. Vervolgens zet
het flitsende Vivo in met
voortdurende
trioolbewegingen in zowel
hout als koper.
Vervolgens duikt het
Allegro van het begin nog
op en Les marteaux de la
marinebesluit met een
snelle en virtuoze
climax.
Blossom Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 3.5 SKU: XC.RCB2113 Composed by Christo...(+)
Concert Band Concert Band
- Grade 3.5
SKU:
XC.RCB2113
Composed
by Christopher Artau.
Rhapsody Concert Band
Series. Concert and
Contest. Concert and
Contest. Score and Parts.
Excelcia Music Publishing
#RCB2113. Published by
Excelcia Music Publishing
(XC.RCB2113).
UPC:
812598037081. 9 x 12
inches.
Winner of
the 2020 Florida
Bandmaster's Association
Composition Contest, this
new lyrical work is a
phenomenal addition to
the concert band
repertoire by newcomer
Christopher Artau.
Blossom Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 3.5 SKU: XC.RCB2113FS Composed by Christopher Artau....(+)
Concert Band - Grade 3.5
SKU: XC.RCB2113FS
Composed by Christopher
Artau. Rhapsody Concert
Band Series. Concert and
Contest. Concert and
Contest. Score Only.
Excelcia Music Publishing
#RCB2113FS. Published by
Excelcia Music Publishing
(XC.RCB2113FS).
UPC:
812598036541. 9 x 12
inches.
Winner of
the 2020 Florida
Bandmaster's Association
Composition Contest, this
new lyrical work is a
phenomenal addition to
the concert band
repertoire by newcomer
Christopher Artau.
Partay! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4947-00 Composed by Webb. Young Concert Band. Score a...(+)
Grade 2
SKU:
CL.011-4947-00
Composed by Webb. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4947-00.
Published by C.L.
Barnhouse
(CL.011-4947-00).
Partay! is a
soca/calypso piece with a
festive beat and
challenging rhythms that
will have your audiences
clapping their hands and
tapping their toes! While
somewhat difficult
looking on paper, once
the students get the hang
of the feel and groove of
the music, they’ll
have it put together in
no time!
The Eagles on Tour Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Heartache Tonight / Desperado / Hotel California). Arranged by Patri...(+)
(Featuring: Heartache
Tonight / Desperado /
Hotel California).
Arranged by Patrick
Roszell. Concert Band.
Concert Band; Score. Pop
Concert Band. Form:
Medley. Rock. Grade 3. 36
pages. Published by
Alfred Music
Partay! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4947-01 Composed by Webb. Young Concert Band. Extra f...(+)
Grade 2
SKU:
CL.011-4947-01
Composed by Webb. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4947-01. Published
by C.L. Barnhouse
(CL.011-4947-01).
Partay! is a
soca/calypso piece with a
festive beat and
challenging rhythms that
will have your audiences
clapping their hands and
tapping their toes! While
somewhat difficult
looking on paper, once
the students get the hang
of the feel and groove of
the music, they’ll
have it put together in
no time!
Grade 1 SKU: CL.011-1930-00 Composed by Tyra. Young Concert Band. Command...(+)
Grade 1
SKU:
CL.011-1930-00
Composed by Tyra. Young
Concert Band. Command
Series. Score and set of
parts. Composed 1972.
C.L. Barnhouse
#011-1930-00. Published
by C.L. Barnhouse
(CL.011-1930-00).
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.