| István (part 3 from 'Sinfonia Hungarica') Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002209-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6 SKU:
BT.DHP-1002209-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002209-010.
Published by De Haske
Publications
(BT.DHP-1002209-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
final movement is named
after ISTVAN, the King
who introduced
Christianity into Hungary
and who was crowned by
Pope Silvestro II on
January 1, 1001. A rather
solemn start leads to
another war-like passage,
ending with some loud
crashes. This symbolizes
the fact that the body of
the pagan Koppany was cut
into four pieces, and
sent to the four castles
of the country as an
example. After a quiet,
almost
religiousintermezzo, the
National Hymn of Hungary
is introduced. This broad
“grandiosoâ€
ending also has a
symbolic meaning: after
ten centuries, Hungary
has many reasons to look
back on the past with
pride, and to look
forward to the future
with optimism and
confidence.
Dit
stuk werd gecomponeerd in
opdracht van het
symfonisch blaasorkest
Kiskunfélegyhaza uit
Hongarije en opgedragen
aan dirigent Ferenc
Jankovski, burgemeester
Jozsef Ficsor en
Gabriella Kiss. De
wereldpremière vond
plaats op 31 maart2001 in
Budapest (Hongarije) door
het eerdergenoemde orkest
onder leiding van de
componist.Deze driedelige
symfonie beschrijft de
geschiedenis van
Hongarije. De drie delen
zijn ge nspireerd op
historische
sleutelfiguren,
oorlogenen andere
belangrijke
gebeurtenissen in dit
land. De symfonie werd
geschreven ter
gelegenheid van de
millenniumviering van
Hongarije in
2001.ATTILA,
koning van de Hunnen,
vaak ‘de gesel
Gods’ genoemd, is
de centrale figuurin het
eerste deel, dat
voornamelijk wordt
gekenmerkt door angst,
dreiging, agressie en
wreedheid.
Attila’s broer,
Buda, heeft echter een
hero scher thema, terwijl
zijn geliefde vrouw,
Rika, een lyrische
melodie heeft. Het
spannendeeinde van dit
openingsdeel illustreert
de gevreesde snelheid van
Attila’s troepen:
ze achtervolgden hun
slachtoffers en
vermoordden ze allemaal!
Het tweede deel gaat over
ARPAD, de stichter
van de Hongaarse staat.
Hetbegint met een
sfeerpassage, die het
beeld oproept van zijn
grootmoeder, Emese,
dromend over zijn
bestemming. Een van
Arpad’s
tegenstanders, de
Bulgaarse prins Zalan,
werd verdreven na een
gevecht. Hierna noemde
Arpad het gebiedofficieel
‘Magyarorszagâ€
.Het laatste deel is
genoemd naar
ISTVAN, de koning
die het christendom in
Hongarije introduceerde
en die werd gekroond door
paus Silvester II op 1
januari 1001. Een vrij
plechtige start leidt tot
nogeen martiale passage,
die eindigt met een
aantal luide slagen. Deze
symboliseren het voorval
waarbij het lichaam van
de heiden Koppany in vier
stukken werd gesneden,
die naar de vier kastelen
van het land werden
gezonden als
schrikwekkend
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfon
ia Hungarica est une
œuvre de commande
pour l’Orchestre
d’Harmonie de
Kiskunfelegyhaze en
Hongrie. Elle est
dédiée Ferenc
Jankovski (Directeur de
l’Orchestre
d’Harmonie),
Jozsef Ficsor (Maire de
la ville de
Kiskunfelegyhaze) et
Gabriella Kiss.Cette
symphonie en trois
mouvements retrace
l’histoire de la
Hongrie.
L’ensemble des
trois mouvements
s’inspire de la
vie de personnages
historiques clés, de
guerres et
d’autres
événements de
grande importance qui ont
marqué
l’histoire de ce
pays. Sinfonia
Hungarica
célèbre le
millénaire de la
fondation de
l’État
hongrois (1001-2001).
L’œuvre a
été donnée en
création mondiale, le
31 mars 2001 Budapest,par
l’Orchestre
d’Harmonie de
Kiskunfelegyhaze placé
sous la direction du
compositeur.ATTILA
, roi des Huns,
surnommé “le
Fléau de Dieuâ€,
est le personnage central
du premier mouvement
où règne une
atmosphère de peur, de
menace,
d’agression et de
cruauté. Bléda, le
frère d’Attila,
est associé un
thème aux accents plus
héro ques, tandis que
Kerka, l’épouse
bien-aimée du roi des
Huns, est
représentée par une
mélodie lyrique. La
fin trépidante de ce
mouvement
d’ouverture
illustre
l’effroyable
rapidité avec laquelle
les troupes
d’Attila
poursuivaient et tuaient
toutes leurs victimes.Le
deuxième mouvement est
centré sur
ARPAD, le
fondateur de
l’État
hongrois. Un passage
limpide et aérien
ouvre ce mouvement
évoquant Émèse,
la grand-mère
d’Arpad, qui vit
en rêve sa destinée
future. Après avoir
livré bataille contre
l’un de ses
opposants, le prince
bulgare Zalan, et
l’avoir chassé
des terres magyares,
Arpad donne
officiellement au
territoire le nom de
Magyarorszag.Le
troisième et dernier
mouvement de la symphonie
porte le nom de celui qui
convertit le pays au
christianisme :
Étienne Ier
(ISTVAN), sacré
roi de Hongrie le 1er
janvier 1001 par le Pape
Sylvestre II. Les mesures
d’ouverture,
solennelles et
majestueuses, mènent
un passage dont
l’atmosphère
belliqueuse
s’intensifie pour
s’achever en de
violents fracas
symbolisant la mort
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo. $314.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sounds from the 60's Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1416-07-010-MS Composed by Brian ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.1416-07-010-MS
Composed by Brian Wilson,
Chuck Berry, Danny
Hamilton, and Ray
Hildebrand. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2007.
Music Sales #1416-07-010
MS. Published by Music
Sales
(BT.1416-07-010-MS).
9x12 inches.
English-German-French-Dut
ch. Naohiro Iwai
has here combined three
of the most popular songs
of the 1960's: Surfin'
USA (performed by the
Beach Boys), Hey Paula
(performd by the Pop Duet
Paul and Paula) and the
instrumental music
Diamond Head, by Danny
Hamilton, the first big
success of the POP J (pop
Japanese music). With
Sounds from the
60’s, plunge back
in the grooving tangy
sounds of one of the most
colourful decades.
Naohiro Iwai
selecteerde voor deze
jaren-zestig-medley voor
harmonieorkest drie
geweldige popsongs:
Surfin’ USA van
de Beach Boys, Hey Paula
van het popduo Paul &
Paula en het
instrumentale nummer
Diamond Head van
DannyHamilton. Met deze
mix herleeft de sfeer van
een grootse tijd uit de
popmuziek.
Naohiro
Iwai versammelte in
seinem Medley für
Blasorchester drei
unvergessene Songs, die
die Popmusik der
Sechziger prägten:
Surfin’ USA
von den Beach Boys,
Hey Paula vom
Popduo Paul & Paula und
das Instrumentalstück
Diamond Head von
Danny Hamilton. Mit
diesem Medley können
Sie die Atmosphäre
einer großen
Pop-Ära wieder
aufleben lassen!
Naohiro Iwai a
rassemblé trois
incontournables de la
musique pop desannées
1960 : Surfin’
USA des Beach Boys,
Hey Paula du duo
pop Paul & Paula et la
musique instrumentale
Diamond Head de
Danny Hamilton, premier
grand succès de la
J-pop (musique pop
japonaise). Avec
Sounds of the
60’s,
replongez dans les sons
colorés et acidulés
des années 1960. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sounds from the 60's Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1416-07-140-MS Composed by Brian ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.1416-07-140-MS
Composed by Brian Wilson,
Chuck Berry, Danny
Hamilton, and Ray
Hildebrand. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2007. 36 pages.
Music Sales #1416-07-140
MS. Published by Music
Sales
(BT.1416-07-140-MS).
9x12 inches.
English-German-French-Dut
ch. Naohiro Iwai
has here combined three
of the most popular songs
of the 1960's: Surfin'
USA (performed by the
Beach Boys), Hey Paula
(performd by the Pop Duet
Paul and Paula) and the
instrumental music
Diamond Head, by Danny
Hamilton, the first big
success of the POP J (pop
Japanese music). With
Sounds from the
60’s, plunge back
in the grooving tangy
sounds of one of the most
colourful decades.
Naohiro Iwai
versammelte in seinem
Medley für
Blasorchester drei
unvergessene Songs, die
die Popmusik der
Sechziger prägten:
Surfin’ USA
von den Beach Boys,
Hey Paula vom
Popduo Paul & Paula und
das Instrumentalstück
Diamond Head von
Danny Hamilton. Mit
diesem Medley können
Sie die Atmosphäre
einer großen
Pop-Ära wieder
aufleben lassen!
Naohiro Iwai a
rassemblé trois
incontournables de la
musique pop desannées
1960 : Surfin’
USA des Beach Boys,
Hey Paula du duo
pop Paul & Paula et la
musique instrumentale
Diamond Head de
Danny Hamilton, premier
grand succès de la
J-pop (musique pop
japonaise). Avec
Sounds of the
60’s,
replongez dans les sons
colorés et acidulés
des années 1960. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Achieve Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS51 March. Composed by Lar...(+)
Band concert band - Grade
0.5 SKU: CF.PPS51
March. Composed by
Larry Clark. Primer Band
(PPS). Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+2+12+2 pages.
Duration 2 minutes, 8
seconds. Carl Fischer
Music #PPS51. Published
by Carl Fischer Music
(CF.PPS51). ISBN
9781491151952. UPC:
680160909452. The
march style is important
to the heritage of the
modern concert band. Why
not get beginners off to
a great start by teaching
them this essential band
style as early as
possible? Achieve u
ses only the first six
notes of the Bb-major
scale and utilizes two
repeated eighth notes as
the most difficult
rhythm. It is written in
traditional march form
and style, but without
modulation in the
trio. The march
style is important
to the heritage of the
modern concert band, and
it is my opinion that
even the youngest of
students should be taught
the march style and form
as early as
possible. This march
sets out to give these
students that
opportunity. It uses only
the first six notes of
the Bb-major scale, and
the most difficult rhythm
is two repeated eighth
notes. Yet it has all of
the traditional march
form and style. The
form of this easy march
is the traditional intro,
first strain, second
strain and trio. The
only difference from more
challenge marches is that
the key does not change
to the subdominant at the
trio. Most everything
else is the same as you
would find in the
American marches of
Sousa, Fillmore or
King.The march begins
forte with a quote from
the end of the second
strain, something that is
common in many
marches. This is
followed by the first
strain at a softer
dynamic
level. Additional
voices are added on the
repeat for
variety. The second
strain has tradition
changes in dynamics,
first starting out loud,
then getting soft with
crescendos to the end of
the strain. The trio
following again in
typical fashion with the
first time being very
soft and legato. There
are some suggestions for
changing the
orchestration, but you
can use your creativity
to tailor the
instrumentation to your
musical taste. The
repeat of the trio should
then be back to a more
marcato march
style. This should
start with the last note
of the first ending in m.
70. The march then
ends with the traditional
stinger.It is my opinion
that in marches with this
form that the repeats
should not be eliminated.
By doing so, it changes
the form and makes the
march lopsided, with the
first half of the
marching being too short
compared to the trio
section.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Achieve Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS51F March. Composed by La...(+)
Band concert band - Grade
0.5 SKU: CF.PPS51F
March. Composed by
Larry Clark. Primer Band
(PPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#PPS51F. Published by
Carl Fischer Music
(CF.PPS51F). ISBN
9781491152638. UPC:
680160910137. The
march style is important
to the heritage of the
modern concert band. Why
not get beginners off to
a great start by teaching
them this essential band
style as early as
possible? Achieve u
ses only the first six
notes of the Bb-major
scale and utilizes two
repeated eighth notes as
the most difficult
rhythm. It is written in
traditional march form
and style, but without
modulation in the
trio. The march
style is important
to the heritage of the
modern concert band, and
it is my opinion that
even the youngest of
students should be taught
the march style and form
as early as
possible. This march
sets out to give these
students that
opportunity. It uses only
the first six notes of
the Bb-major scale, and
the most difficult rhythm
is two repeated eighth
notes. Yet it has all of
the traditional march
form and style. The
form of this easy march
is the traditional intro,
first strain, second
strain and trio. The
only difference from more
challenge marches is that
the key does not change
to the subdominant at the
trio. Most everything
else is the same as you
would find in the
American marches of
Sousa, Fillmore or
King.The march begins
forte with a quote from
the end of the second
strain, something that is
common in many
marches. This is
followed by the first
strain at a softer
dynamic
level. Additional
voices are added on the
repeat for
variety. The second
strain has tradition
changes in dynamics,
first starting out loud,
then getting soft with
crescendos to the end of
the strain. The trio
following again in
typical fashion with the
first time being very
soft and legato. There
are some suggestions for
changing the
orchestration, but you
can use your creativity
to tailor the
instrumentation to your
musical taste. The
repeat of the trio should
then be back to a more
marcato march
style. This should
start with the last note
of the first ending in m.
70. The march then
ends with the traditional
stinger.It is my opinion
that in marches with this
form that the repeats
should not be eliminated.
By doing so, it changes
the form and makes the
march lopsided, with the
first half of the
marching being too short
compared to the trio
section.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Georgia On My Mind Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196131-010 As recorded by...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1196131-010
As recorded by Ray
Charles. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196131-010. Published by
De Haske Publications
(BT.DHP-1196131-010).
This jazz
ballad from 1930 is
probably one of the most
covered standards of all
times. The most famous
interpretation dates back
from 1960, covered by the
one and only Ray Charles.
Since then, in 1979 the
song was declared the
official state anthem for
Georgia in the United
States. Top arranger
Peter Kleine Schaars has
now made an amazing
arrangement for band
using the Ray Charles
version it’s so
close to the original
that you can still feel
the vibe of the
60s.
Deze
jazzballad uit 1930 is
waarschijnlijk een van de
meest gecoverde standards
aller tijden. De
beroemdste vertolking
dateert van 1960: een
versie van de enige echte
Ray Charles. Later, in
1979, werd het nummer
zelfs het officiële
volkslied van de
Amerikaanse staat
Georgia. Toparrangeur
Peter Kleine Schaars
heeft er nu een
fantastisch arrangement
voor blaasorkest van
gemaakt, op basis van de
versie van Ray Charles
het blijft zo dicht bij
het origineel dat de vibe
van de jaren zestig er
onmiskenbaar in
doorklinkt!
Diese
Jazz-Ballade aus dem Jahr
1930 zählt
wahrscheinlich zu den am
häufigsten gecoverten
Standards aller Zeiten.
Die berühmteste
Interpretation ist aus
dem Jahr 1960 von dem
unvergleichlichen Ray
Charles. 1979 wurde das
Lied zur offiziellen
Hymne des Bundesstaates
Georgia in den USA
erklärt. Top-Arrangeur
Peter Kleine Schaars hat
nun auf Grundlage der
Version von Ray Charles
ein großartiges
Arrangement für
Blasorchester geschaffen,
das so nah am Original
ist, dass man immer noch
die Stimmung der 1960er
Jahre spüren
kann.
Composée
en 1930, cette ballade
jazzy est sans doute
l’un des standards
les plus repris de tous
les temps. Son
interprétation la plus
connue, enregistrée en
1960, est celle de
l’incomparable Ray
Charles. En 1979, cette
chanson a été
déclarée hymne
officiel de
l’État de
Géorgie, aux
États-Unis. Le grand
arrangeur Peter Kleine
Schaars a réalisé
un arrangement
extraordinaire de la
version de Ray Charles
pour orchestre
d’harmonie
arrangement qui
s’en rapproche
tellement que l’on
ressent pleinement
l’ambiance des
années soixante. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Georgia On My Mind Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196131-140 As recorded by...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1196131-140
As recorded by Ray
Charles. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2019. 12 pages. De Haske
Publications #DHP
1196131-140. Published by
De Haske Publications
(BT.DHP-1196131-140).
This jazz
ballad from 1930 is
probably one of the most
covered standards of all
times. The most famous
interpretation dates back
from 1960, covered by the
one and only Ray Charles.
Since then, in 1979 the
song was declared the
official state anthem for
Georgia in the United
States. Top arranger
Peter Kleine Schaars has
now made an amazing
arrangement for band
using the Ray Charles
version it’s so
close to the original
that you can still feel
the vibe of the
60s.
Deze
jazzballad uit 1930 is
waarschijnlijk een van de
meest gecoverde standards
aller tijden. De
beroemdste vertolking
dateert van 1960: een
versie van de enige echte
Ray Charles. Later, in
1979, werd het nummer
zelfs het officiële
volkslied van de
Amerikaanse staat
Georgia. Toparrangeur
Peter Kleine Schaars
heeft er nu een
fantastisch arrangement
voor blaasorkest van
gemaakt, op basis van de
versie van Ray Charles
het blijft zo dicht bij
het origineel dat de vibe
van de jaren zestig er
onmiskenbaar in
doorklinkt!
Diese
Jazz-Ballade aus dem Jahr
1930 zählt
wahrscheinlich zu den am
häufigsten gecoverten
Standards aller Zeiten.
Die berühmteste
Interpretation ist aus
dem Jahr 1960 von dem
unvergleichlichen Ray
Charles. 1979 wurde das
Lied zur offiziellen
Hymne des Bundesstaates
Georgia in den USA
erklärt. Top-Arrangeur
Peter Kleine Schaars hat
nun auf Grundlage der
Version von Ray Charles
ein großartiges
Arrangement für
Blasorchester geschaffen,
das so nah am Original
ist, dass man immer noch
die Stimmung der 1960er
Jahre spüren
kann.
Composée
en 1930, cette ballade
jazzy est sans doute
l’un des standards
les plus repris de tous
les temps. Son
interprétation la plus
connue, enregistrée en
1960, est celle de
l’incomparable Ray
Charles. En 1979, cette
chanson a été
déclarée hymne
officiel de
l’État de
Géorgie, aux
États-Unis. Le grand
arrangeur Peter Kleine
Schaars a réalisé
un arrangement
extraordinaire de la
version de Ray Charles
pour orchestre
d’harmonie
arrangement qui
s’en rapproche
tellement que l’on
ressent pleinement
l’ambiance des
années soixante. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Atlas Rising Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4 SKU: CF.SPS77 Composed by Carl Strommen. SWS ...(+)
Band concert band - Grade
4 SKU: CF.SPS77
Composed by Carl
Strommen. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+6+12+12+4+4+4+4+6+6+6+
6+4+8+2+2+4+4+28 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #SPS77. Published
by Carl Fischer Music
(CF.SPS77). ISBN
9781491147726. UPC:
680160905225. 9 x 12
inches. Key: Bb
major. In Atlas
Rising, composer Carl
Strommen derives
inspiration from the
statue of Titan Atlas
lifting the universe on
his shoulders. Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful.
This piece takes this
idea and models it into
an exceptional piece for
contest/festival
performance. Atlas
Rising was commissioned
by WorldStrides OnStage
and is dedicated to the
thousands of directors
who have traveled to a
WorldStrides event over
the past thirty-five
years . WorldStrides
OnStage offers
performance experiences
that fuel the passion of
performing artists of all
ages with breathtaking
productions, prestigious
events and premier venues
. They provide
performance opportunities
all over the world where
debuts are made, mentors
are met, co-stars become
lifelong friends and
inspirations build bright
futures .Directly across
the street from St .
Patricks Cathedral on 5th
avenue and in front of
Rockefeller Center in
NYC, is the Lee Lawrie
sculpture of Atlas
holding up the heavens .
Titles are always a
problem - so after
listening to a few
playbacks, this very
imposing statue of the
Titan Atlas lifting the
Universe on his shoulders
came to mind - starting
slowly with the low
brass,
“Risingâ€
moves steadily with
determination and
intensity to a powerful
and
“muscularâ€
conclusion . Unlike
Sisyphus (of perpetual
rolling stone fame) the
monumental effort of
Atlas was successful . As
with all performing
pieces, attention to
dynamics and articulation
are critical - In
“Atlas
Rising†- the
conductor has many
opportunities to
interpretive discretion,
particularly in the
opening slower sections
and after measure 109 on
to the conclusion . $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Pioneers Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band - Grade 3 SKU: HL.44005181 Grade 3 - Score Only. Comp...(+)
Concert Band - Grade 3
SKU: HL.44005181
Grade 3 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2004. 30
pages. Anglo Music Press
#AMP125-140. Published by
Anglo Music Press
(HL.44005181). UPC:
073999888768. 8.5x11
inches.
English-German-French-Dut
ch. Great Britain
has had a National Youth
Brass Band since 1952,
which caters for players
between the ages of 12
and 18 and has produced
many outstanding
instrumentalists in its
distiguished history. An
exciting development took
place in July 2004 when
the first summer course
of a new National
Children's Brass Band of
Great Britain, for
players between the ages
of 8 and 13, was held in
Bromsgrove, Worcester.
Renowned cornet soloist
and conductor Lynda
Nicholson was appointed
music director and she
commissioned Philip
Sparke to write a piece
for this inaugural
course. The Pioneers was
the result. The title
refers to the fact that
the NCBBGB was starting
out on a new adventure
but is also a salute to
the bicentenary of an
expedition by two of the
composer's heroes -
Meriwether Lewis and
William Clark. They were
commissioned by US
President Thomas
Jefferson to find the
headwaters of the
Mississippi and a route
to the Pacific following
the Louisiana Purchase in
1803, which doubled the
size of USA. They set
out, as the “Corps
of Discovery,” from
Louisville, Kentucky, in
May 1804; not only did
they succeed in reaching
the Pacific through
hostile territory, but
also found their way back
- in three years! The
piece is not descriptive
of the journey but gives
the composer the
opportunity to celebrate
the 200th anniversary of
this amazing feat. $26.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Pioneers Orchestre d'harmonie Anglo Music
Score and Parts Midway Series. By Philip Sparke. ANGLO MUSIC PRESS. Published by...(+)
Score and Parts Midway
Series. By Philip Sparke.
ANGLO MUSIC PRESS.
Published by Anglo Music.
$129.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heaven and Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.GOB-000304-010
Composed by Jan Bosveld.
Set (Score & Parts). 26
pages. Gobelin Music
Publications #GOB
000304-010. Published by
Gobelin Music
Publications
(BT.GOB-000304-010).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Gobelin
Music Publications. $196.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Heaven and Earth Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.GOB-000304-140
Composed by Jan Bosveld.
Score Only. Gobelin Music
Publications #GOB
000304-140. Published by
Gobelin Music
Publications
(BT.GOB-000304-140).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Gobelin
Music Publications. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Spirit of Winnipeg Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 5 SKU: HL.4008961 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 5 SKU:
HL.4008961 Concert
Band, Grade 5 14:15 Score
and Parts. Composed
by Georges Sadeler.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 855
seconds. Hal Leonard
#SDP258-24-02. Published
by Hal Leonard
(HL.4008961). UPC:
196288282105. Durin
g the last ice age,
Glacial Lake Agassiz was
the largest lake in the
world, spanning vast
areas of Canada and the
USA, with numerous lakes
forming in its basin,
including Lake Winnipeg.
The beginning of this
composition illustrates
how the ice of the
prehistoric glacier
slowly melts, drop by
drop, signaling the end
of the ice age.
Vegetation in Canada
begins to flourish once
again, and the first rays
of a new era illuminate
the majestic Lake
Winnipeg. Life reawakens
as Canada's indigenous
people sing their sun
dance, traverse the
prairie on horseback, and
engage in hunting. The
conclusion of the
composition pays tribute
to this splendid,
shimmering Lake Winnipeg
and its indigenous
inhabitants. $215.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Spirit of Winnipeg Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 5 SKU: HL.4008962 Concert Band, Grade 5 1...(+)
Concert Band (Score) -
Grade 5 SKU:
HL.4008962 Concert
Band, Grade 5 14:15
Score. Composed by
Georges Sadeler.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 855
seconds. Hal Leonard
#SDP258-24-011. Published
by Hal Leonard
(HL.4008962). UPC:
196288282112. Durin
g the last ice age,
Glacial Lake Agassiz was
the largest lake in the
world, spanning vast
areas of Canada and the
USA, with numerous lakes
forming in its basin,
including Lake Winnipeg.
The beginning of this
composition illustrates
how the ice of the
prehistoric glacier
slowly melts, drop by
drop, signaling the end
of the ice age.
Vegetation in Canada
begins to flourish once
again, and the first rays
of a new era illuminate
the majestic Lake
Winnipeg. Life reawakens
as Canada's indigenous
people sing their sun
dance, traverse the
prairie on horseback, and
engage in hunting. The
conclusion of the
composition pays tribute
to this splendid,
shimmering Lake Winnipeg
and its indigenous
inhabitants. $43.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Battle Pavane Orchestre d'harmonie [Conducteur] - Facile Manhattan Beach Music
By Tielman Susato. Arranged by Bob Margolis. Concert band. Suitable for middle s...(+)
By Tielman Susato.
Arranged by Bob Margolis.
Concert band. Suitable
for middle school and
high school bands. Level:
Grade 2. Conductor Full
Score. Duration 3:30.
Published by Manhattan
Beach Music.
(2)$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Side Partners Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4863-00 Composed by Clarke. Arranged by Glover. Conce...(+)
Grade 3 SKU:
CL.012-4863-00
Composed by Clarke.
Arranged by Glover.
Concert Band. Spotlight
Series. Score and set of
parts. Composed 2020.
Duration 4 minutes, 10
seconds. Opus III Wind
Orchestra Publications
#012-4863-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4863-00).
The era of
old-time concerts in the
park comes back to life
with Side Partners.
Composed by cornet
virtuoso, Herbert L.
Clarke, for himself and
his long-time friend,
Sousa Band trombonist
Frank Holton, this
delightful piece can be
played by two
cornets/trumpets, two
trombones, two
euphoniums, or any
combination of these
instruments. Feature your
two outstanding brass
players in this charming
work. The accompaniment
requires a minimum of
rehearsal, and the solo
parts are flashy without
being overly demanding.
An excellent choice also
for community bands.
Delightful music!
About C.L.
Barnhouse Spotlight
Series The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments $72.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eloise Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-140 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-149-140
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2006. Anglo
Music Press #AMP 149-140.
Published by Anglo Music
Press (BT.AMP-149-140).
9x12 inches.
English-German-French-Dut
ch. Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Paul et
Barry Ryan étaient
jumeaux, nés le 24
octobre 1948, fils de la
chanteuse pop des
années 1950 Marion
Ryan. Formés pour la
célébrité, ils
ont commencé chanter
en duo avant l’ ge
de quinze ans. En 1965
ils ont signé un
contrat
d’enregistrement
avec Decca qui a
commercialisé leur
image soignée
d’icônes de la
mode. Leur premier single
Don’t Bring Me
Your Heartaches est
parvenu au top 20 du
hit-parade britannique,
mais leur succès deux
n’a duré que
trois ans. En 1968, Barry
a entrepris une
carrière solo tandis
que Paul s’est
concentré sur la
composition et la
production.
Eloise, avec son
style vocal
mélodramatique et son
accompagnement très
orchestral, étaitun
succès précoce pour
cette nouvelle
collaboration. De
nombreux artistes
l’ont depuis
reprise, telles que les
légendes du punk The
Damned.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eloise Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-010 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-149-010
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
149-010. Published by
Anglo Music Press
(BT.AMP-149-010). 9x12
inches.
English-German-French-Dut
ch. Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Paul et
Barry Ryan étaient
jumeaux, nés le 24
octobre 1948, fils de la
chanteuse pop des
années 1950 Marion
Ryan. Formés pour la
célébrité, ils
ont commencé chanter
en duo avant l’ ge
de quinze ans. En 1965
ils ont signé un
contrat
d’enregistrement
avec Decca qui a
commercialisé leur
image soignée
d’icônes de la
mode. Leur premier single
Don’t Bring Me
Your Heartaches est
parvenu au top 20 du
hit-parade britannique,
mais leur succès deux
n’a duré que
trois ans. En 1968, Barry
a entrepris une
carrière solo tandis
que Paul s’est
concentré sur la
composition et la
production.
Eloise, avec son
style vocal
mélodramatique et son
accompagnement très
orchestral, étaitun
succès précoce pour
cette nouvelle
collaboration. De
nombreux artistes
l’ont depuis
reprise, telles que les
légendes du punk The
Damned.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eloise Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Full Score Concert Band (Score) - Grade 4 SKU: HL.44007313 Composed by Pa...(+)
Full Score Concert Band
(Score) - Grade 4 SKU:
HL.44007313 Composed
by Paul Ryan. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2006. Anglo
Music Press #AMP149.
Published by Anglo Music
Press (HL.44007313).
UPC: 884088245092.
9x12 inches.
English-German-French-Dut
ch. Paul and Barry
Ryan were identical twin
sons of 1950's pop singer
Marion Ryan and were born
on 24th October 1948.
They were groomed for
stardom and had started
singing as a duo before
their fifteenth birthday.
They were signed by Decca
in 1965 and brilliantly
marketed as clean-cut
fashion icons. Their
first single 'Don't Bring
Me Your Heartaches'
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarriere terwijl Paul
zich concentreerde op het
schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssohne der
50er-Jahre-Popsangerin
Marion Ryan. Den beiden
Brudern war eine Zukunft
als Popstars in die Wiege
gelegt. Bereits vor ihrem
15. Geburtstag traten sie
als Duo auf. Spater
verlegte sich Paul jedoch
aufs Songschreiben und
Barry trat solo auf. Der
Hit Eloise mit
seinem melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Kunstlern neu
interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
fur Blasorchester
spielbar.
Paul et
Barry Ryan etaient
jumeaux, nes le 24
octobre 1948, fils de la
chanteuse pop des annees
1950 Marion Ryan. Formes
pour la celebrite, ils
ont commence a chanter en
duo avant l'age de quinze
ans. En 1965 ils ont
signe un contrat
d'enregistrement avec
Decca qui a commercialise
leur image soignee
d'icones de la mode. Leur
premier single Don't
Bring Me Your
Heartaches est
parvenu au top 20 du
hit-parade britannique,
mais leur succes a deux
n'a dure que trois ans.
En 1968, Barry a
entrepris une carriere
solo tandis que Paul
s'est concentre sur la
composition et la
production.
Eloise, avec son
style vocal
melodramatique et son
accompagnement tres
orchestral, etaitun
succes precoce pour cette
nouvelle collaboration.
De nombreux artistes
l'ont depuis reprise,
telles que les legendes
du punk The Damned.
Figli gemelli di
Marion Ryan, celebre
cantante pop degli anni
'50, Paul e Barry Ryan si
esibivano insieme gia
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, e uno dei
primi successi della
collaborazione tra i due
fratelli. $26.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vom Himmel Hoch O Englein Kommt Sc/pts Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 0.5 SKU: HL.44011614 Co...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 0.5
SKU: HL.44011614
Composed by Traditional.
Arranged by Jan de Haan.
De Haske Concert Band.
Opening Pieces. Score
Only. Composed 1997. De
Haske Publications
#971016. Published by De
Haske Publications
(HL.44011614). UPC:
884088895020. The
German Christmas song Von
Himmel hoch, O Englein
kommt is one of the
oldest known German
carols, with the earliest
versions, also known as
Susani, going back to the
14th century. This
exceptional arrangement
by Jan de Haan works
extremely well for brass
band and will make an
ideal work for any
Christmas concert.
The German
Christmas song Von Himmel
hoch, O Englein kommt is
one of the oldest known
German carols, with the
earliest versions, also
known as Susani, going
back to the 14th century.
This exceptional
arrangement by Jan de
Haan works extremely well
for brass band and will
make an ideal work for
any Christmas concert.
Jan de Haan nahm
sich fur seine
Bearbeitung von Vom
Himmel hoch, o Englein
kommt die Version aus
dem Colner Gesangbuch von
1623 zur Vorlage. Dieses
besondere Arrangement des
alten, beliebten
Weihnachtsliedes schrieb
er in vierstimmigen
Satzen, wodurch es fur
alle Spielstarken
geeignet ist. $92.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Side Partners Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4863-01 Composed by Clarke. Arranged by Glover. Conce...(+)
Grade 3 SKU:
CL.012-4863-01
Composed by Clarke.
Arranged by Glover.
Concert Band. Extra full
score. Composed 2020.
Opus III Wind Orchestra
Publications
#012-4863-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4863-01).
The era of
old-time concerts in the
park comes back to life
with Side Partners.
Composed by cornet
virtuoso, Herbert L.
Clarke, for himself and
his long-time friend,
Sousa Band trombonist
Frank Holton, this
delightful piece can be
played by two
cornets/trumpets, two
trombones, two
euphoniums, or any
combination of these
instruments. Feature your
two outstanding brass
players in this charming
work. The accompaniment
requires a minimum of
rehearsal, and the solo
parts are flashy without
being overly demanding.
An excellent choice also
for community bands.
Delightful music! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vom Himmel hoch, O Englein kommt Orchestre d'harmonie [Conducteur] De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - easy SKU: BT.DHP-0971016-216<...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - easy
SKU:
BT.DHP-0971016-216
Composed by Traditional.
Arranged by Jan de Haan.
Musica Sacra. Opening
Pieces. Score Only.
Composed 1997. De Haske
Publications #DHP
0971016-216. Published by
De Haske Publications
(BT.DHP-0971016-216).
The German
Christmas song Von Himmel
hoch, O Englein kommt is
one of the oldest known
German carols, with the
earliest versions, also
known as Susani, going
back to the 14th century.
This exceptional
arrangement by Jan de
Haan works extremely well
for brass band and will
make an ideal work for
any Christmas concert.
Jan de Haan nahm
sich für seine
Bearbeitung von Vom
Himmel hoch, o Englein
kommt die Version aus
dem Cölner Gesangbuch
von 1623 zur Vorlage.
Dieses besondere
Arrangement des alten,
beliebten
Weihnachtsliedes schrieb
er in vierstimmigen
Sätzen, wodurch es
für alle
Spielstärken geeignet
ist. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Castrum Alemorum Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1175713-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2017. 34 pages.
De Haske Publications
#DHP 1175713-140.
Published by De Haske
Publications
(BT.DHP-1175713-140).
English-German-French-
Dutch. The Castle
of Allymes,
“castrum
Alemorumâ€, located
on a hill in the centre
of the seigneury of
Allymes (France) is an
historic castle dating
back to the fourteenth
century, rebuilt in the
sixteenth century and
restored in the
nineteenth. This piece
evokes an image of the
castle, its beautiful
location within the
surrounding landscape and
its importance for the
rural district of
Ambérieu-en-Bugey.
Combining beautiful
melodies with rhythmical
sections and modern
sounds with passages in a
renaissance style, this
work of Jacob de Haan is
an impressive musical
challenge that is both
fun to play as well as
appealing for your
audience: as you listen
you can almost see the
castlebefore your eyes.
Castrum Alemorum,
gelegen op een heuvel in
de seigneurie van Allymes
(Frankrijk), is een 14e
eeuws kasteel dat in de
16e eeuw is herbouwd en
in de 19e eeuw is
gerestaureerd. Het werk
roept beelden op van het
kasteel zelf en zijn
prachtige omgeving; ook
wordt het belang van het
fort voor het landelijke
district
Ambérieu-en-Bugey erin
onderstreept. Met een
combinatie van fraaie
melodieën, ritmische
gedeelten en moderne
klanken met passages in
renaissancistische stijl,
vormt dit werk van Jacob
de Haan een muzikale
uitdaging die zowel fijn
is om te spelen als om
naar te luisteren. Je
ziet het kasteel bijna
voor je!
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Le ch teau des Allymes,
« castrum Alemorum
», qui se dresse sur
une colline au centre de
la seigneurie
d’Allymes (France)
est un ancien ch teau
fort du XIVe siècle,
reb ti au XVIe siècle,
et restauré depuis le
XIXe. Cette Å“uvre
évoque une image du ch
teau, son bel emplacement
dans le paysage et son
importance pour la
commune
d'Ambérieu-en-Bugey.
En combinant de
magnifiques mélodies
avec des sections
rythmiques, et des sons
modernes avec des
passages dans le style de
la renaissance, cette
Å“uvre de Jacob de
Haan est un défi
musical impressionnant
qui est aussi amusant
jouer que séduisant
pour votre public :
pendant qu’on
écoute, on peut
même presque
visualiser le ch
teau.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi! $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Castrum Alemorum Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1175713-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2017. De
Haske Publications #DHP
1175713-010. Published by
De Haske Publications
(BT.DHP-1175713-010).
English-German-French-
Dutch. The Castle
of Allymes,
“castrum
Alemorumâ€, located
on a hill in the centre
of the seigneury of
Allymes (France) is an
historic castle dating
back to the fourteenth
century, rebuilt in the
sixteenth century and
restored in the
nineteenth. This piece
evokes an image of the
castle, its beautiful
location within the
surrounding landscape and
its importance for the
rural district of
Ambérieu-en-Bugey.
Combining beautiful
melodies with rhythmical
sections and modern
sounds with passages in a
renaissance style, this
work of Jacob de Haan is
an impressive musical
challenge that is both
fun to play as well as
appealing for your
audience: as you listen
you can almost see the
castlebefore your eyes.
Castrum Alemorum,
gelegen op een heuvel in
de seigneurie van Allymes
(Frankrijk), is een 14e
eeuws kasteel dat in de
16e eeuw is herbouwd en
in de 19e eeuw is
gerestaureerd. Het werk
roept beelden op van het
kasteel zelf en zijn
prachtige omgeving; ook
wordt het belang van het
fort voor het landelijke
district
Ambérieu-en-Bugey erin
onderstreept. Met een
combinatie van fraaie
melodieën, ritmische
gedeelten en moderne
klanken met passages in
renaissancistische stijl,
vormt dit werk van Jacob
de Haan een muzikale
uitdaging die zowel fijn
is om te spelen als om
naar te luisteren. Je
ziet het kasteel bijna
voor je!
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Le ch teau des Allymes,
« castrum Alemorum
», qui se dresse sur
une colline au centre de
la seigneurie
d’Allymes (France)
est un ancien ch teau
fort du XIVe siècle,
reb ti au XVIe siècle,
et restauré depuis le
XIXe. Cette Å“uvre
évoque une image du ch
teau, son bel emplacement
dans le paysage et son
importance pour la
commune
d'Ambérieu-en-Bugey.
En combinant de
magnifiques mélodies
avec des sections
rythmiques, et des sons
modernes avec des
passages dans le style de
la renaissance, cette
Å“uvre de Jacob de
Haan est un défi
musical impressionnant
qui est aussi amusant
jouer que séduisant
pour votre public :
pendant qu’on
écoute, on peut
même presque
visualiser le ch
teau.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi! $176.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Primordium Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Tielman Susato. Arranged by Mark Williams. Music by Tielman Susato / arr. Mar...(+)
By Tielman Susato.
Arranged by Mark
Williams. Music by
Tielman Susato / arr.
Mark Williams. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Grade
1.5. Conductor Score and
Parts. 1 pages. Published
by Alfred Publishing
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Black Horse Troop Orchestre d'harmonie [Conducteur] - Facile Willow Blossom Music
Grade 3 SKU: CL.WBM-4867-01 March. Composed by John Philip Sousa. ...(+)
Grade 3 SKU:
CL.WBM-4867-01
March. Composed by
John Philip Sousa.
Arranged by Brion.
Concert Band. Extra full
score. Composed 2020.
Willow Blossom Music
#WBM-4867-01. Published
by Willow Blossom Music
(CL.WBM-4867-01).
John Philip
Sousa’s love of
horses is reflected in
this delightful march
composition, The Black
Horse Troop. Composed in
1924 for Troop A of the
Cleveland National Guard,
this wonderful march has
a character and swagger
unlike any other. The 6/8
meter and Sousa’s
melodic genius create an
astonishing musical image
of a horseback unit on
the move. One of the
March King’s most
beloved and most
frequently requested
marches. Outstanding! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cobra Dance Orchestre d'harmonie - Facile Alfred Publishing
Composed by Joel Spineti. Concert Band. Concert Band; Part(s); Score. Young Symp...(+)
Composed by Joel Spineti.
Concert Band. Concert
Band; Part(s); Score.
Young Symphonic. Form:
Dance. Grade 2.5. 266
pages. Published by
Alfred Music
$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cobra Dance Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.44183S Composed by Joel Spineti. Concert...(+)
Concert Band - Grade 2.5
SKU: AP.44183S
Composed by Joel Spineti.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Form: Dance. Light
Concert. Score. 24 pages.
Duration 3:20. Alfred
Music #00-44183S.
Published by Alfred Music
(AP.44183S). UPC:
038081506074.
English. The King
Cobra uncoils from a
woven basket and flares
out its iconic hood. It
appears to sway back and
forth hypnotically as the
snake charmer plays his
flute. This type of Cobra
Dance has captivated
audiences around the
world for thousands of
years. Timpani solos, a
variety of percussion,
syncopated rhythms and
colorful harmonies are
woven together to create
an exotic tapestry of
sound that your young
musicians will look
forward to playing at
both rehearsal and
performance. (3:20). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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