The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Being Stardust Orchestre d'harmonie - Intermédiaire/avancé Boosey and Hawkes
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.48024533 C...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.48024533
Composed
by Edward Fairlie.
Windependence Master
Level. Concert.
Softcover. Boosey &
Hawkes #M051664085.
Published by Boosey &
Hawkes (HL.48024533).
ISBN 9781540043443.
UPC: 888680905088.
9.0x12.0x0.613
inches.
Recognizing
the connection we all
have with the stars in
the universe, Being
Stardust presents a
magical and mystical
experince in sound and
mood. The surreal opening
represents a time before
the Earth came into
being, then with a
star-shattering crack, we
tumble through space to
find ourselves on a newly
created planet with the
promise of wonder and
self-realization as a
human race. Sure to be a
unique concert experience
for players and audiences
alike.
Being Stardust Orchestre d'harmonie - Intermédiaire/avancé Boosey and Hawkes
Concert Band (Score) - Grade 4 SKU: HL.48024534 Windependence Series -...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.48024534
Windependence Series -
Master Level (Grade
4). Composed by
Edward Fairlie.
Windependence Master
Level. Concert.
Softcover. 20 pages.
Boosey & Hawkes
#M051664092. Published by
Boosey & Hawkes
(HL.48024534).
UPC:
888680905095.
9.0x12.0x0.067
inches.
Recognizing
the connection we all
have with the stars in
the universe,
′Being
Stardust′ presents
a magical and mystical
experince in sound and
mood. The surreal opening
represents a time before
the Earth came into
being, then with a
“star-shatteringâ
crack, we tumble
through space to find
ourselves on a newly
created planet with the
promise of wonder and
self-realization as a
human race. Sure to be a
unique concert experience
for players and audiences
alike.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Aurora Eclipsed Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS117 Composed by Tyler Arcari. Begi...(+)
Band concert band - Grade
1
SKU: CF.BPS117
Composed by Tyler Arcari.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+2
+3+12+2 pages. Duration
1:34. Carl Fischer Music
#BPS117. Published by
Carl Fischer Music
(CF.BPS117).
ISBN
9781491152034. UPC:
680160909537.
Auror
a Eclipsed was
inspired by the solar
eclipse of
2017.  During a
solar eclipse, a
beautiful and fascinating
aurora sometimes forms
around the moon creating
an eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. An
aggressive composition
younger students will
enjoy playing over and
over again. I wrote
Aurora Eclipsed while
looking outside at
2017’s solar
eclipse. I find space and
celestial bodies so
fascinating. To think of
how small we are compared
to the scale of even just
the moon is
impressive.During a solar
eclipse, a beautiful and
fascinating aurora
sometimes forms around
the moon creating an
eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. About
the work:Unlike most of
my young-band pieces,
Aurora Eclipsed begins at
its peak tempo. The
rhythmic pattern in m. 2
is repeated throughout
the piece and is used
in the melody in order to
help facilitate the
teaching of eighth-note
patterns. The melodic
pattern changes slightly
at m. 25, while remaining
just as repetitious as
the previous pattern,
giving everyone ample
opportunity for exposure.
At m. 25 the directions
call for euphonium and
bassoon only. This is
merely a color choice and
can easily be used with
trombones to fill the
need or to help
strengthen your students'
playing. The use of
sfz is not used very
much in this level of
music, but I thought with
the addition of the
accents that it would be
a great opportunity to
teach this colorful
effect.
Aurora Eclipsed Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS117F Composed by Tyler Arcari. Beg...(+)
Band concert band - Grade
1
SKU: CF.BPS117F
Composed by Tyler Arcari.
Beginning Band (BPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS117F.
Published by Carl Fischer
Music (CF.BPS117F).
ISBN 9781491152713.
UPC:
680160910212.
Auror
a Eclipsed was
inspired by the solar
eclipse of
2017.  During a
solar eclipse, a
beautiful and fascinating
aurora sometimes forms
around the moon creating
an eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. An
aggressive composition
younger students will
enjoy playing over and
over again. I wrote
Aurora Eclipsed while
looking outside at
2017’s solar
eclipse. I find space and
celestial bodies so
fascinating. To think of
how small we are compared
to the scale of even just
the moon is
impressive.During a solar
eclipse, a beautiful and
fascinating aurora
sometimes forms around
the moon creating an
eerie outline. This
“ring of
fire†is actually
the sun’s outer
edges being revealed for
the human eye. About
the work:Unlike most of
my young-band pieces,
Aurora Eclipsed begins at
its peak tempo. The
rhythmic pattern in m. 2
is repeated throughout
the piece and is used
in the melody in order to
help facilitate the
teaching of eighth-note
patterns. The melodic
pattern changes slightly
at m. 25, while remaining
just as repetitious as
the previous pattern,
giving everyone ample
opportunity for exposure.
At m. 25 the directions
call for euphonium and
bassoon only. This is
merely a color choice and
can easily be used with
trombones to fill the
need or to help
strengthen your students'
playing. The use of
sfz is not used very
much in this level of
music, but I thought with
the addition of the
accents that it would be
a great opportunity to
teach this colorful
effect.
Challenger Deep Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Scomegna Edizioni Musicali
By Filippo Ledda. For concert band. Music for Young band. Grade 2. Score and f...(+)
By Filippo Ledda. For
concert
band. Music for Young
band.
Grade 2. Score and full
set of
parts. Duration 5
minutes, 50
seconds. Published by
Scomegna
Edizioni Musical srl
Renri Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Scomegna Edizioni Musicali
By Federico Agnello. For concert band. Music for Young band. Grade 2. Score ...(+)
By Federico Agnello. For
concert band. Music for
Young
band. Grade 2. Score and
full
set of parts. Duration 3
minutes, 50 seconds.
Published
by Scomegna Edizioni
Musical
srl
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
An American Elegy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 11:10. Published
by Manhattan Beach Music.
An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
Niagara Orchestre d'harmonie - Facile Carl Fischer
Concert Band Concert Band - Grade 2.5 SKU: CF.YPS68 Composed by Gregory B...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
CF.YPS68
Composed by
Gregory B. Rudgers.
FS-SWS. Carl Fischer
Young Performance Series.
Score and Set of Parts.
With Standard notation.
Duration 5:35. Carl
Fischer Music #YPS68.
Published by Carl Fischer
Music (CF.YPS68).
ISBN
9780825867996. UPC:
798408067991. 9 X 12
inches. Key: Eb - f major
- eb.
Niagara Falls
has held the fascination
of human beings from the
time the very first
Native American heard the
low thunder of the falls
and followed the sound to
the mighty cascade.
Niagara captures three
important elements of the
history and legends
surrounding the Falls,
and takes the listener on
a journey through time.
It consists of three
sections, with an ancient
Iroquois melody serving
as their musical
foundation.
Concert Band - Grade 2.5 SKU: AP.44985S Composed by Robert Sheldon. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.44985S
Composed by Robert
Sheldon. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Score.
16 pages. Alfred Music
#00-44985S. Published by
Alfred Music (AP.44985S).
UPC: 038081517766.
English.
Centaurs
are mythological
creatures that are half
horse and half human.
They have been depicted
in art and literature for
centuries as wild beasts,
and also as wise and
noble beings. This piece
is a musical
representation of a
journey to find one of
these remarkable
creatures in a land and
time that are long past.
(2:25) This title is
available in MakeMusic
Cloud.
Niagara Orchestre d'harmonie - Facile Carl Fischer
Concert Band Concert Band - Grade 2.5 SKU: CF.YPS68F Composed by Gregory ...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
CF.YPS68F
Composed by
Gregory B. Rudgers. SWS.
Carl Fischer Young
Performance Series. Full
score. With Standard
notation. Duration 5:35.
Carl Fischer Music
#YPS68F. Published by
Carl Fischer Music
(CF.YPS68F).
ISBN
9780825868009. UPC:
798408068004. 9 X 12
inches. Key: Eb - f major
- eb.
Niagara Falls
has held the fascination
of human beings from the
time the very first
Native American heard the
low thunder of the falls
and followed the sound to
the mighty cascade.
Niagara captures three
important elements of the
history and legends
surrounding the Falls,
and takes the listener on
a journey through time.
It consists of three
sections, with an ancient
Iroquois melody serving
as their musical
foundation.
Hymn to the Fallen Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band - Grade 4 SKU: HL.44010712 Brass Band - Score Only. C...(+)
Concert Band - Grade 4
SKU: HL.44010712
Brass Band - Score
Only. Composed by
John Williams. Arranged
by Philip Sparke. Anglo
Music Concert Band.
Movies. Set (Score and
Parts). Composed 2004.
Anglo Music Press
#AMP068030. Published by
Anglo Music Press
(HL.44010712).
UPC:
884088519414.
Sa
ving Private Ryan is
certainly one of Steven
Spielberg's most powerful
films. The brilliant John
Williams score creates
part of this power.
Hymn to the Fallen
one of the most powerful
and emotional melodies
which appears during the
closing credits, evokes a
feeling of hope and
strength amid the overall
tone of reverence. Philip
Sparke has transcribed
this moving work for
brass band using John
Williams original
orchestral score as the
source. For added effect
this work can also be
performed with a wordless
chorus, with parts being
available separately.
A
terrific Brass Band
arrangement of Johnm
Williams' Hymn To The
Fallen from the
paramount and DreamWorks
motion picture Saving
Private Ryan - by
Philip Sparke.
Saving Private
Ryan is beslist een
van de meest
indrukwekkende films van
Steven Spielberg. De
effecten van zijn grootse
fotografie en de
uitmuntende
acteerprestaties in de
film creeren samen een
emotioneel schokeffect,
metname in de laatste
momenten van de film,
aldus John Williams in
zijn voorwoord bij de
orkestscore van de
filmmuziek. Deze
transcriptie van Philip
Sparke benadert de
originele score zo dicht
mogelijk. De optionele
koorpartijen
zijnafzonderlijk
verkrijgbaar.
Kaum
ein Film hat die Wirren
des zweiten Weltkriegs je
ehrlicher und in so
erschutternden und
eindrucksvollen Bildern
dargestellt, als Steven
Spielbergs Der Soldat
James Ryan. Die Musik
zu dem monumentalen Epos
stammt vom grossen
amerikanischen
Filmmusikkomponisten John
Williams, der sein Werk
den gefallenen
Kriegshelden widmete.
Hymn to the Fallen
- eine Ehrerbietung an
die Gefallenen - wurde
von Philip Sparke getreu
der Originalpartitur fur
Brass Band bearbeitet.
Optionale Chorstimmen
sind separat
erhaltlich.
Quand
on pense a Steven
Spielberg, on evoque
facilement ses films a
grand spectacle. Mais
c'est occulter l'homme
engage qui a signe
plusieurs chef-d'oeuvres
dont Saving Private
Ryan (Il faut sauver
le soldat Ryan) couronne
par 5 Oscars. Avec
Hymn To The
Fallen, le generique
de fin, John Williams
nous offre un puissant
hymne en memoire aux
soldats qui ont sacrifie
leur vie sur l'autel de
la liberte lors du
debarquement en
Normandie, le 6 juin
1944. Une note d'humanite
dans un ocean de noirceur
et de violence.
Se
si pensa a Steven
Spielberg, si evocano
allo stesso tempo i suoi
film di grande successo.
Spielberg e anche un
regista che ha firmato
molti capolavori tra i
quali Saving Private
Ryan (Salvate il
Soldato Ryan) insignito
di 5 Oscar. Con Hymn
to the Fallen, John
Williams ci offre un
potente inno in memoria
dei soldati americani che
hanno sacrificato la loro
vita durante lo sbarco in
Normandia, il 6 giugno
1944.