By Henry Mancini and Johnny Mercer. Arranged by Michael Brown. For Concert Band ...(+)
By Henry Mancini and
Johnny Mercer. Arranged
by Michael Brown. For
Concert Band (Score and
Parts). Young Concert
Band. Grade 3. Published
by Hal Leonard
March. By Edwin Franko Goldman. Arranged by Loras J. Schissel. Concert Band. Her...(+)
March. By Edwin Franko
Goldman. Arranged by
Loras J. Schissel.
Concert Band. Heritage of
the March. Level: Grade
3.5. Score and set of
parts. Composed 1998.
Duration 0:03:21.
Published by C.L.
Barnhouse.
By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert...(+)
By Johann Sebastian Bach.
Arranged by Alfred Reed.
Sacred,transcription.
Concert Band. Bach Series
arranged by Alfred Reed.
Level: Grade 3. Full
score and set of parts.
Composed 1981. Duration
0:04:18. Published by
C.L. Barnhouse.
A Song of Hope Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By James Swearingen. Sacred. Young concert band. Command. Level: Grade 2. Score ...(+)
By James Swearingen.
Sacred. Young concert
band. Command. Level:
Grade 2. Score and set of
parts. Composed 2002.
Duration 0:02:35.
Published by C.L.
Barnhouse.
By Robert W. Smith. Concert band. For concert band. Young Band. Command. Grade 3...(+)
By Robert W. Smith.
Concert band. For concert
band. Young Band.
Command. Grade 3. Score
and set of parts.
Composed 2009. Duration 2
minutes, 38 seconds.
Published by C.L.
Barnhouse
Grade 2 SKU: CL.011-4728-00 Composed by Romeyn. Young Concert Band. Score...(+)
Grade 2
SKU:
CL.011-4728-00
Composed by Romeyn. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4728-00.
Published by C.L.
Barnhouse
(CL.011-4728-00).
Get ready for
some Halloween fun with
The Horseman Of Sleepy
Hollow, a creative and
well-written novelty
selection easily
accessible to bands. A
spooky and ominous
introduction using the
tune Skin and Bones sets
the stage for this creepy
and hilarious ride on
horseback through the
fictional Sleepy Hollow.
Better hold on, towards
the end our horse gets a
little spooked and starts
speeding up! In this
entertaining setting,
students will learn to
watch the conductor
through the changes of
tempo. Accessory
percussion and timpani
glissandos add to the
spooky effect. A fun and
entertaining favorite for
bands and audiences
alike!
Grade 2 SKU: CL.011-4728-01 Composed by Romeyn. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4728-01
Composed by Romeyn. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4728-01. Published
by C.L. Barnhouse
(CL.011-4728-01).
Get ready for
some Halloween fun with
The Horseman Of Sleepy
Hollow, a creative and
well-written novelty
selection easily
accessible to bands. A
spooky and ominous
introduction using the
tune Skin and Bones sets
the stage for this creepy
and hilarious ride on
horseback through the
fictional Sleepy Hollow.
Better hold on, towards
the end our horse gets a
little spooked and starts
speeding up! In this
entertaining setting,
students will learn to
watch the conductor
through the changes of
tempo. Accessory
percussion and timpani
glissandos add to the
spooky effect. A fun and
entertaining favorite for
bands and audiences
alike!
Part V,VI en VII. Composed by Alex Poelman. The Best Original Composition...(+)
Part V,VI en VII.
Composed by Alex Poelman.
The Best Original
Compositions for Concert
Band. Molenaar
Masterpieces. Recorded on
The Seven Wonders of the
Ancient World
(ML.311080720). Full set.
Duration 17 minutes, 35
seconds. Published by
Molenaar Edition
(ML.012793100).
Song of Hope Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno.
Song of Hope Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1115227-010. Published by
De Haske Publications
(BT.DHP-1115227-010).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor atFukushima only
increased the misery: a
black day in the
country's
history... One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments.It
will take a long time
before the damage
suffered is repaired -
and it will take great
effort to overcome the
psychological effects,
too. Focusing on the
latter, Yutada Nishida
(director of The
Bandwagon radio program)
asked a few composers
fora simple work that
could be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of
Hope. This
pieceimmediately struck a
chord with musicians and
audience alike: it begins
bleakly in the low
register and evolves to a
more open, optimistic
close. There really is
hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet
dekernreactor van
Fukushima maakten de
ellende nog groter: een
zwarte pagina in het
bestaan van het land ...
Dat in dergelijke
dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haastonvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaalweer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Alsbij
toeval kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan
ook ten doop gehoudenen
het werkje sloeg meteen
aan bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van
derRoost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Grade 2 SKU: CL.011-4855-00 Arranged by Romeyn. Young Concert Band. Comma...(+)
Grade 2
SKU:
CL.011-4855-00
Arranged by Romeyn. Young
Concert Band. Command
Series. Score and set of
parts. Composed 2020.
Duration 4 minutes, 15
seconds. C.L. Barnhouse
#011-4855-00. Published
by C.L. Barnhouse
(CL.011-4855-00).
Percy
Grainger's Irish Tune
from County Derry is
unquestionably one of the
most beloved standards of
the concert band
repertoire. Rob
Romeyn’s brilliant
arrangement for the
Command series of this
iconic work has been
skillfully and carefully
adapted to better fit the
instrumentation of a
smaller ensemble, thus
allowing the piece to be
performed effectively by
many more bands who would
otherwise not have the
opportunity. All of
Grainger's iconic melodic
and harmonic lines and
harmonic structure are
present and left intact.
We predict this wonderful
arrangement will become a
classic and will be a
valuable addition to the
repertoire for many years
to come. Great music for
younger performers!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
A Tribute to Bach Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000202-010 Composed by Axel N...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000202-010
Composed by Axel Norman.
Set (Score & Parts). 82
pages. Gobelin Music
Publications #GOB
000202-010. Published by
Gobelin Music
Publications
(BT.GOB-000202-010).
Johann
Sebastian Bach could not
have wished for a better
accolade. A Tribute
to Bach is a daring
arrangement of Bach's
Partita no.2 for
pianoforte and a homage
to the grandmaster of
Baroque in a modern
orchestration.
Arranger Axel Norman has
achieved this by adding
percussion tastefully to
the original. The
woodwind section of the
band, however, plays the
leading parts.
Een mooier
eerbetoon had Johann
Sebastian Bach zich niet
kunnen wensen. A
Tribute to Bach is een
gewaagde bewerking van
Bachs Partita no. 2 voor
pianoforte. Een
hommage aan de
grootmeester van de barok
in een eigentijds
jasje.Zo voegde arrangeur
Axel Norman op
verantwoorde wijze
slagwerk aan de
oorspronkelijke
compositie toe. De
hoofdrollen zijn echter
voor de houtblazers van
het orkest.
A Tribute to Bach Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000202-140 Composed by Axel N...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000202-140
Composed by Axel Norman.
Score Only. 14 pages.
Gobelin Music
Publications #GOB
000202-140. Published by
Gobelin Music
Publications
(BT.GOB-000202-140).
Johann
Sebastian Bach could not
have wished for a better
accolade. A Tribute
to Bach is a daring
arrangement of Bach's
Partita no.2 for
pianoforte and a homage
to the grandmaster of
Baroque in a modern
orchestration.
Arranger Axel Norman has
achieved this by adding
percussion tastefully to
the original. The
woodwind section of the
band, however, plays the
leading parts.
Een mooier
eerbetoon had Johann
Sebastian Bach zich niet
kunnen wensen. A
Tribute to Bach is een
gewaagde bewerking van
Bachs Partita no. 2 voor
pianoforte. Een
hommage aan de
grootmeester van de barok
in een eigentijds
jasje.Zo voegde arrangeur
Axel Norman op
verantwoorde wijze
slagwerk aan de
oorspronkelijke
compositie toe. De
hoofdrollen zijn echter
voor de houtblazers van
het orkest.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Grade 2 SKU: CL.011-4855-01 Composed by Percy Aldridge Grainger. Arranged...(+)
Grade 2
SKU:
CL.011-4855-01
Composed by Percy
Aldridge Grainger.
Arranged by Romeyn. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4855-01. Published
by C.L. Barnhouse
(CL.011-4855-01).
Percy
Grainger's Irish Tune
from County Derry is
unquestionably one of the
most beloved standards of
the concert band
repertoire. Rob
Romeyn’s brilliant
arrangement for the
Command series of this
iconic work has been
skillfully and carefully
adapted to better fit the
instrumentation of a
smaller ensemble, thus
allowing the piece to be
performed effectively by
many more bands who would
otherwise not have the
opportunity. All of
Grainger's iconic melodic
and harmonic lines and
harmonic structure are
present and left intact.
We predict this wonderful
arrangement will become a
classic and will be a
valuable addition to the
repertoire for many years
to come. Great music for
younger performers!
Heaven's Light Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4650-00 Composed by Reineke. Arranged by Romeyn. Youn...(+)
Grade 2
SKU:
CL.011-4650-00
Composed by Reineke.
Arranged by Romeyn. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR395). Score
and set of parts.
Composed 2018. Duration 3
minutes, 20 seconds. C.L.
Barnhouse #011-4650-00.
Published by C.L.
Barnhouse
(CL.011-4650-00).
Beautiful and
touching, Heaven's Light
is one of Steven
Reineke's most popular
works. This arrangement
by Rob Romeyn has been
skillfully adapted for
the Barnhouse Command
series to better fit
less-experienced bands
with limited
instrumentation. The full
effect and sensitivity of
the original remains. We
are excited to offer this
fine arrangement of the
Reineke classic –
an outstanding choice for
any concert
performance.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Heaven's Light Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4650-01 Composed by Reineke. Arranged by Romeyn. Youn...(+)
Grade 2
SKU:
CL.011-4650-01
Composed by Reineke.
Arranged by Romeyn. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR395). Extra
full score. Composed
2018. Duration 3 minutes,
20 seconds. C.L.
Barnhouse #011-4650-01.
Published by C.L.
Barnhouse
(CL.011-4650-01).
Beautiful and
touching, Heaven's Light
is one of Steven
Reineke's most popular
works. This arrangement
by Rob Romeyn has been
skillfully adapted for
the Barnhouse Command
series to better fit
less-experienced bands
with limited
instrumentation. The full
effect and sensitivity of
the original remains. We
are excited to offer this
fine arrangement of the
Reineke classic –
an outstanding choice for
any concert
performance.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
It Started with a Kiss Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000228-140 Composed by Timo...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000228-140
Composed by Timothy
Travis. Score Only. 12
pages. Gobelin Music
Publications #GOB
000228-140. Published by
Gobelin Music
Publications
(BT.GOB-000228-140).
This delightful
ballad, in which the Alto
saxophone plays a leading
role, will remind many
people of a very special
moment in their
lives. A lot could be
said about it, but
perhaps it is better to
let the music speak for
itself. While listening
to this romantic ballad,
unforgettable moments are
sure to be relived by
many people.
Daydreaming is allowed,
but don’t forget to pay
some attention to the
soloist’s performance
it will be worth your
while.
Deze
heerlijke ballad, met een
hoofdrol voor de Alt
Saxofoon, zal velen terug
doen denken aan een
bijzonder moment. We
kunnen er veel over
zeggen, maar misschien is
het beter de muziek te
laten spreken. Bij het
horen van dezeromantische
ballade zal zich in menig
hoofd onvergetelijke
herinneringen
afspelen. Dromen mag,
maar enige aandacht voor
de solist is zeker de
moeite waard.
It Started with a Kiss Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000228-010 Composed by Timo...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000228-010
Composed by Timothy
Travis. Set (Score &
Parts). 46 pages. Gobelin
Music Publications #GOB
000228-010. Published by
Gobelin Music
Publications
(BT.GOB-000228-010).
This delightful
ballad, in which the Alto
saxophone plays a leading
role, will remind many
people of a very special
moment in their
lives. A lot could be
said about it, but
perhaps it is better to
let the music speak for
itself. While listening
to this romantic ballad,
unforgettable moments are
sure to be relived by
many people.
Daydreaming is allowed,
but don’t forget to pay
some attention to the
soloist’s performance
it will be worth your
while.
Deze
heerlijke ballad, met een
hoofdrol voor de Alt
Saxofoon, zal velen terug
doen denken aan een
bijzonder moment. We
kunnen er veel over
zeggen, maar misschien is
het beter de muziek te
laten spreken. Bij het
horen van dezeromantische
ballade zal zich in menig
hoofd onvergetelijke
herinneringen
afspelen. Dromen mag,
maar enige aandacht voor
de solist is zeker de
moeite waard.
The Fields Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084333-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084333-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084333-010. Published by
De Haske Publications
(BT.DHP-1084333-010).
9x12 inches.
English-German-French-Dut
ch.
The Fields is
an ode to the unique
countryside of
Westerwolde, aregion in
the Northeast of the
Netherlands, where Jacob
de Haanlives. The
composition is based on
film footage of the
region as thebeautiful
landscape changes with
the seasons. A moving
concertitem that will
bring out the best in
your players.
The
Fields is een ode aan
het unieke landschap van
Westerwolde, een
landelijk gebied in het
noordoosten van
Nederland, waar componist
Jacob de Haan woont. De
muziek is gebaseerd op
filmopnamen van de akkers
door de
verschillendejaargetijden
heen. Diverse aspecten
van het rustieke leven op
het land passeren de
revue in dit mooie
werk.Download hier de
bijbehorende
filmopnamn.
T
he Fields ist eine
Ode an die einzigartige
Landschaft von
Westerwolde, einer Region
im Nordwesten der
Niederlande, wo Jacob de
Haan lebt. Die
Komposition basiert auf
Filmmaterial von dieser
Gegend. Die im Film
gezeigten Felder im
Jahreszeitenwandel bilden
das zentrale Element von
The Fields. Die
drei Teile dieses
ungewöhnlichen Werkes
beschreiben die Felder im
Wechsel der Jahreszeiten,
aus verschiedenen
Perspektiven und in
unterschiedlichen
Stimmungen. Ein
besonderes
Hörerlebnis!Sie
können den zum Werk
passenden Film hier
herunterladen.
The Fields Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084333-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084333-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2008. 36 pages.
De Haske Publications
#DHP 1084333-140.
Published by De Haske
Publications
(BT.DHP-1084333-140).
9x12 inches.
English-German-French-Dut
ch.
The Fields is
an ode to the unique
countryside of
Westerwolde, aregion in
the Northeast of the
Netherlands, where Jacob
de Haanlives. The
composition is based on
film footage of the
region as thebeautiful
landscape changes with
the seasons. A moving
concertitem that will
bring out the best in
your players.
The
Fields is een ode aan
het unieke landschap van
Westerwolde, een
landelijk gebied in het
noordoosten van
Nederland, waar componist
Jacob de Haan woont. De
muziek is gebaseerd op
filmopnamen van de akkers
door de
verschillendejaargetijden
heen. Diverse aspecten
van het rustieke leven op
het land passeren de
revue in dit mooie
werk.
The
Fields ist eine Ode
an die einzigartige
Landschaft von
Westerwolde, einer Region
im Nordwesten der
Niederlande, wo Jacob de
Haan lebt. Die
Komposition basiert auf
Filmmaterial von dieser
Gegend. Die im Film
gezeigten Felder im
Jahreszeitenwandel bilden
das zentrale Element von
The Fields. Die
drei Teile dieses
ungewöhnlichen Werkes
beschreiben die Felder im
Wechsel der Jahreszeiten,
aus verschiedenen
Perspektiven und in
unterschiedlichen
Stimmungen. Ein
besonderes
Hörerlebnis!Sie
können den zum Werk
passenden Film hier
herunterladen.
Grade 3 SKU: CL.011-3875-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 3
SKU:
CL.011-3875-01
Composed by Robert W.
Smith. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR363). Extra full
score. Composed 2009.
Duration 2 minutes, 38
seconds. C.L. Barnhouse
#011-3875-01. Published
by C.L. Barnhouse
(CL.011-3875-01).
In these
challenging economic
times, what better way to
show creativity and
compliance than this
hilarious setting of the
traditional Jingle Bells?
The opening announcement
reminds the audience that
our budgets have been cut
and the band has been
forced to reduce the
amount of new instrument
purchases. As a result,
the band went to the toy
shop and bought several
new instruments including
the kazoo, toy drum, toy
xylophone, and trash can
lid cymbals among others.
Following the tuning of
the toys, the swing
setting kicks off and
features the toys in
melody, improvisation and
response quotes
throughout. Now
that’s what I call
using our resources!.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Sirocco Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3040-01 Composed by J. Williams. Young Concert Band...(+)
Grade 2.5
SKU:
CL.011-3040-01
Composed by J. Williams.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR195). Extra full
score. Composed 2000.
Duration 4 minutes, 54
seconds. C.L. Barnhouse
#011-3040-01. Published
by C.L. Barnhouse
(CL.011-3040-01).
Energetic and
impressive overture for
better middle school and
jr. high bands that is
descriptive of a
dangerous storm that
struck and partially
destroyed a town. Three
sections of the piece
represent the calm before
the storm, the tornado
and the rebuilding.
Includes short solos for
Flute and F Horn and very
interesting percussion
parts which will
challenge your young
drummers.
OUTSTANDING!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Sax Attack! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3756-01 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3756-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR359). Extra full
score. Composed 2008.
Duration 1 minute, 58
seconds. C.L. Barnhouse
#011-3756-01. Published
by C.L. Barnhouse
(CL.011-3756-01).
It
doesn’t get any
better than this, a
groovin’ rock
beat, hot percussion
writing, and
wailin’
saxophones! The slight
use of syncopation
provides great teaching
opportunities. This
high-energy sax section
feature is sure to bring
down the house at your
next concert.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.