By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
Burning Love Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1342-06-140-MS Composed by Dennis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1342-06-140-MS
Composed by Dennis Linde.
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Score
Only. Composed 2006. 24
pages. Music Sales
#1342-06-140 MS.
Published by Music Sales
(BT.1342-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
In the
seventies, Elvis Presley
gave many concerts with
an orchestra that
included a large wind
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Burning Love was
one of the up-tempo
numbers where the bass
guitar player played an
especially important
role. Thus, this
arrangement of Burning
Love, written by Thijs
Oud, brings a specific
challenge for the
musicians in the low
register. The trumpets
and the trombones can
also play standing behind
the band adding to the
visual and dynamic
enhancement.
Elvis
Presley gab in den
siebziger Jahren viele
Konzerte, auf denen er
sich von einem großen
Orchester mit zahlreichen
Bläsern begleiten
ließ. Ein hohes Tempo
und absolut
mitreißende
Begeisterung
kennzeichneten diese
Auftritte. Eine der
beliebten schnellen
Nummern war Burning
Love, in dem die
Bassgitarre eine wichtige
Rolle spielte. So ist
denn auch Thijs Ouds
gelungene Bearbeitung von
Burning Love eine
besondere Herausforderung
für das tiefe
Register, während die
Trompeten und Posaunen
die ursprünglichen
Bläserstimmen
übernehmen.
Negli
anni 1970, Elvis Presley
si esibì a più
riprese con
un’orchestra
avente a disposizione una
grande sezione di
strumenti a fiato. Questi
concerti furono
caratterizzati da un
enorme entusiasmo e
coinvolgimento del
pubblico. Burning
Love è una di
queste canzoni dal ritmo
molto elevato dove il
basso riveste un ruolo
particolarmente
importante.
Burning Love Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1342-06-010-MS Composed by Dennis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1342-06-010-MS
Composed by Dennis Linde.
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Set
(Score & Parts). Composed
2006. Music Sales
#1342-06-010 MS.
Published by Music Sales
(BT.1342-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
In the
seventies, Elvis Presley
gave many concerts with
an orchestra that
included a large wind
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Burning Love was
one of the up-tempo
numbers where the bass
guitar player played an
especially important
role. Thus, this
arrangement of Burning
Love, written by Thijs
Oud, brings a specific
challenge for the
musicians in the low
register. The trumpets
and the trombones can
also play standing behind
the band adding to the
visual and dynamic
enhancement.
Elvis
Presley gab in den
siebziger Jahren viele
Konzerte, auf denen er
sich von einem großen
Orchester mit zahlreichen
Bläsern begleiten
ließ. Ein hohes Tempo
und absolut
mitreißende
Begeisterung
kennzeichneten diese
Auftritte. Eine der
beliebten schnellen
Nummern war Burning
Love, in dem die
Bassgitarre eine wichtige
Rolle spielte. So ist
denn auch Thijs Ouds
gelungene Bearbeitung von
Burning Love eine
besondere Herausforderung
für das tiefe
Register, während die
Trompeten und Posaunen
die ursprünglichen
Bläserstimmen
übernehmen.
Negli
anni 1970, Elvis Presley
si esibì a più
riprese con
un’orchestra
avente a disposizione una
grande sezione di
strumenti a fiato. Questi
concerti furono
caratterizzati da un
enorme entusiasmo e
coinvolgimento del
pubblico. Burning
Love è una di
queste canzoni dal ritmo
molto elevato dove il
basso riveste un ruolo
particolarmente
importante.
By Gayla Borders, Lowell Alexander, Jeff Borders. Arranged by John Wasson. Score...(+)
By Gayla Borders, Lowell
Alexander, Jeff Borders.
Arranged by John Wasson.
Score and full set of
parts. Young Band
(Concert Band). Grade 3.
Published by Hal Leonard.
Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
4
SKU: HL.4007945
For Concert Band,
Grade 4, 14:17 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 857
seconds. Hal Leonard
#SDP041.21-01. Published
by Hal Leonard
(HL.4007945).
Stories, sagas
and legends--who among us
doesn't know them? Always
delivered with a tinge of
brutality, these
cautionary tales are a
legacy of moral education
from times past:
inquisitive children
alone in the forest are
generally eaten by a
witch; the
“Soup-Kasperâ€
of Hoffmann's
Struwwelpeter dies from
starvation rather than
eating his soup; anyone
letting in strangers
usually gets devoured;
anyone who plays with
matches gets burned; and
thumb-suckers get their
thumbs cut off. The list
of unfortunate demises is
almost endless.In the
tale of The Pied Piper of
Hamelin, parents lose
their children through
greed, ridicule, scorn
and a failure to
appreciate art. There is
still a street in the
town of Hamelin in which
neither drumming nor
playing has not been
allowed since 130
children disappeared into
a mountain, never to be
seen again. This
composition by Otto M.
Schwarz opens with
exactly this scene,
taking us back to the
year 1284. As in many
towns at the time,
Hamelin in Germany
suffered with hygiene
problems--rats and mice
began to multiply
rapidly, and the town was
overrun with the plague.
There appeared a man
dressed in colorful
clothes who promised the
locals to free them from
this burden. They agreed
and settled on a fee.
Then the man pulled out a
pipe and began to play.
When the rats and mice
heard this, they followed
him. He led the animals
into the Weser River,
where they all drowned.
Back in town, the people
refused to pay him. They
didn't recognize this
man's skills and
knowledge and were only
prepared to pay for
simple labour. A pact
with the devil was made,
which led to the Pied
Piper leaving the town in
a furious rage. One
Sunday, when many people
were at church, he
returned, took out his
flute and began to play.
The town's children were
so enchanted by his
playing that they
followed him. He led them
out of the town and
disappeared with them
forever into a mountain.
Of all the children, only
two survived--however one
was mute, and one was
blind. In the street from
which the children left
Hamelin, music may no
longer be played in
memory of this event.
The Wild One! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire MakeMusic
Circus March. Composed by Brian Balmages. Concert Band; MakeMusic Cloud; Per...(+)
Circus March. Composed by
Brian Balmages. Concert
Band;
MakeMusic Cloud;
Performance
Music Ensemble; Single
Titles.
MakeMusic Symphonic Band.
Form: March. Score and
Part(s). Duration 2:40.
MakeMusic #00-50651.
Published
by MakeMusic
Orchestra Concert Band SKU: PR.44641256L For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.44641256L
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
28 pages. Duration 12
minutes. Theodore Presser
Company #446-41256L.
Published by Theodore
Presser Company
(PR.44641256L).
UPC:
680160596010. 11 x 17
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
Orchestra Concert Band SKU: PR.446412560 For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.446412560
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2010. 28 pages.
Duration 12 minutes.
Theodore Presser Company
#446-41256. Published by
Theodore Presser Company
(PR.446412560).
ISBN
9781598063738. UPC:
680160596003. 9x12
inches. Key: A
major.
Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future.
(A Complete Concert Including The Silver Rocket, Dreaming, Tacos and Salsa, and ...(+)
(A Complete Concert
Including The Silver
Rocket, Dreaming, Tacos
and Salsa, and Clog
Dance) Composed by Jack
Bullock, Jerry Burns, Lew
Davison, Paul Cook.
Conductor's score and set
of performance parts for
concert band (10 - flute,
2 - oboe, 10 - clarinet,
2 - bass clarinet, 6 -
alto saxophone, 4 - tenor
saxophone, 2 - baritone
saxophone, 8 - trumpet, 4
- horn in F, 6 -
trombone/baritone/bassoon
, 2 - baritone (treble
clef), 4 - tuba, 1 -
mallet percussion, 2 -
percussion I, 4 -
percussion II, 2 -
percussion III). With
performance notes.
Series: Belwin Beginning
Band. Published by Alfred
Publishing.
Brass Band - Grade 5 SKU: HL.44010989 Brass Band - Score Only. Com...(+)
Brass Band - Grade 5
SKU: HL.44010989
Brass Band - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2011.
Anglo Music Press
#AMP338130. Published by
Anglo Music Press
(HL.44010989).
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het creeren
van diverse cyclische
verbanden tussen vijf
elementen die in ieders
leven een rol spelen. Een
voorbeeld: Aarde - Metaal
- Water - Hout - Vuur -
(Aarde) enz. In deze
cyclus bevat aarde
metaal; metaal verandert
in vloeistof (water) door
verhitting; water helpt
bomen te groeien; hout
dat brandt creeert vuur;
en vuur produceert as
(aarde). Zo blijft de
cyclus voortgaan. Zelf
was ik vooral
geinteresseerd in de
cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor fur
die vierte Abteilung der
Hollandischen Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer ausserordentlichen
Bemuhungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist uber sein
Werk:Die Idee zu diesem
Stuck kam mir beim Lesen
eines Artikels uber eine
Richtung der chinesischen
Philosophie, die
abgekurzt Wu Xing heisst,
was nicht wortlich
ubersetzt werden kann,
aber so viel wie funf
Elemente, funf Phasen
oder funf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedruckt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen funf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthalt die Erde
Metall, das sich bei
Erhitzung verflussigt
(Wasser); Wasser lasst
Baume wachsen, deren Holz
verbrennt (Feuer) und zu
Asche wird (Erde), womit
der Kreislauf von neuem
beginnt.Mich
interessierte besonders
der Kreislauf von
Gefuhlen: Meditation -
Trauer - Angst - Arger -
Freude - (Meditation)
usw. Ich dachte mir, dass
dieser Kreislauf eine
wirkungsvolle emotionale
Reise durch ein
Musikstuck darstellen
konnte. Folglich besteht
Evolution aus funf
gleichen Abschnitten, die
diesen Kreislauf der
Gefuhle grob
nachzeichnen. Ich habe
versucht, die Musik
organisch wachsen zu
lassen mit moglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eroffnung vollendet am
Schluss des Werkes den
Kreis.
Evolution
est une commande de
l'institut Kunstfactor
pour la 4e division des
Championnats neerlandais
de Brass Band en 2011.
Cette oeuvre est dediee a
Jappie Dijkstra et au
Music Information Centre
(MUI) d'Arnhem, aux
Pays-Bas, en hommage a
leur role exceptionnel
dans le developpement du
repertoire pour Brass
Band. Le compositeur
ecrit :L'idee de cette
composition m'est venue
alors que je lisais un
article sur un aspect de
la philosophie chinoise,
connu sous l'abreviation
de Wu Xing, qu'il est
impossible de traduire
litteralement mais qui
peut signifier, par
exemple, cinq elements,
cinq phases ou cinq etats
de changement. Toute
chose dans l'univers est
le fruitd'un cycle de
creation (ou
d'engendrement) et de
domination (ou controle).
Ce concept est essentiel
a tous les elements de la
pensee chinoise, y
compris les sciences, la
philosophie, la medecine
et l'astrologie et, en
termes simples, il
represente les multiples
rapports cycliques qui
existent entre cinq
elements lies a l'univers
et a toute chose dans
l'univers, donc a
l'homme.Evoquons le cycle
de la creation : Terre -
Metal - Eau - Bois - Feu
- (Terre) etc. la terre
contient des mineraux,
source de metal, le metal
peut etre fondu et se
liquefie, l'eau arrose et
fait pousser les arbres,
le bois brule et produit
du feu, le feu produit
des cendres, une sorte de
terre, dans une dynamique
cyclique
perpetuelle.Parmi tous
les cycles existants,
celui des emotions
eveilla particulierement
mon interet : Meditation
- Chagrin - Peur - Colere
- Joie - (Meditation)
etc. et je me suis dit
que ce principe cyclique
pourrait etre a la source
d'un puissant et
emotionnel voyage
musical. Evolution
se compose donc de cinq
parties egales qui
refletent assez librement
ce cycle des emotions.
J'ai essaye de faire en
sorte que la musique se
developpe de maniere
fluide et naturelle, avec
un minimum de
repetitions. Chaque
mouvement s'ouvre a
partir des elements
musicaux qui parachevent
le mouvement precedent,
tandis que le motif
premier reapparait.
Brass Band - Grade 5 SKU: HL.44010988 Brass Band - Score and Parts...(+)
Brass Band - Grade 5
SKU: HL.44010988
Brass Band - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2011.
Anglo Music Press
#AMP338030. Published by
Anglo Music Press
(HL.44010988).
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het creeren
van diverse cyclische
verbanden tussen vijf
elementen die in ieders
leven een rol spelen. Een
voorbeeld: Aarde - Metaal
- Water - Hout - Vuur -
(Aarde) enz. In deze
cyclus bevat aarde
metaal; metaal verandert
in vloeistof (water) door
verhitting; water helpt
bomen te groeien; hout
dat brandt creeert vuur;
en vuur produceert as
(aarde). Zo blijft de
cyclus voortgaan. Zelf
was ik vooral
geinteresseerd in de
cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor fur
die vierte Abteilung der
Hollandischen Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer ausserordentlichen
Bemuhungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist uber sein
Werk:Die Idee zu diesem
Stuck kam mir beim Lesen
eines Artikels uber eine
Richtung der chinesischen
Philosophie, die
abgekurzt Wu Xing heisst,
was nicht wortlich
ubersetzt werden kann,
aber so viel wie funf
Elemente, funf Phasen
oder funf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedruckt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen funf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthalt die Erde
Metall, das sich bei
Erhitzung verflussigt
(Wasser); Wasser lasst
Baume wachsen, deren Holz
verbrennt (Feuer) und zu
Asche wird (Erde), womit
der Kreislauf von neuem
beginnt.Mich
interessierte besonders
der Kreislauf von
Gefuhlen: Meditation -
Trauer - Angst - Arger -
Freude - (Meditation)
usw. Ich dachte mir, dass
dieser Kreislauf eine
wirkungsvolle emotionale
Reise durch ein
Musikstuck darstellen
konnte. Folglich besteht
Evolution aus funf
gleichen Abschnitten, die
diesen Kreislauf der
Gefuhle grob
nachzeichnen. Ich habe
versucht, die Musik
organisch wachsen zu
lassen mit moglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eroffnung vollendet am
Schluss des Werkes den
Kreis.
Evolution
est une commande de
l'institut Kunstfactor
pour la 4e division des
Championnats neerlandais
de Brass Band en 2011.
Cette oeuvre est dediee a
Jappie Dijkstra et au
Music Information Centre
(MUI) d'Arnhem, aux
Pays-Bas, en hommage a
leur role exceptionnel
dans le developpement du
repertoire pour Brass
Band. Le compositeur
ecrit :L'idee de cette
composition m'est venue
alors que je lisais un
article sur un aspect de
la philosophie chinoise,
connu sous l'abreviation
de Wu Xing, qu'il est
impossible de traduire
litteralement mais qui
peut signifier, par
exemple, cinq elements,
cinq phases ou cinq etats
de changement. Toute
chose dans l'univers est
le fruitd'un cycle de
creation (ou
d'engendrement) et de
domination (ou controle).
Ce concept est essentiel
a tous les elements de la
pensee chinoise, y
compris les sciences, la
philosophie, la medecine
et l'astrologie et, en
termes simples, il
represente les multiples
rapports cycliques qui
existent entre cinq
elements lies a l'univers
et a toute chose dans
l'univers, donc a
l'homme.Evoquons le cycle
de la creation : Terre -
Metal - Eau - Bois - Feu
- (Terre) etc. la terre
contient des mineraux,
source de metal, le metal
peut etre fondu et se
liquefie, l'eau arrose et
fait pousser les arbres,
le bois brule et produit
du feu, le feu produit
des cendres, une sorte de
terre, dans une dynamique
cyclique
perpetuelle.Parmi tous
les cycles existants,
celui des emotions
eveilla particulierement
mon interet : Meditation
- Chagrin - Peur - Colere
- Joie - (Meditation)
etc. et je me suis dit
que ce principe cyclique
pourrait etre a la source
d'un puissant et
emotionnel voyage
musical. Evolution
se compose donc de cinq
parties egales qui
refletent assez librement
ce cycle des emotions.
J'ai essaye de faire en
sorte que la musique se
developpe de maniere
fluide et naturelle, avec
un minimum de
repetitions. Chaque
mouvement s'ouvre a
partir des elements
musicaux qui parachevent
le mouvement precedent,
tandis que le motif
premier reapparait.
Burn Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
Composed by Roland Barrett. Concert Band; Part(s); Score; SmartMusic. Belwin Sym...(+)
Composed by Roland
Barrett. Concert Band;
Part(s); Score;
SmartMusic. Belwin
Symphonic Band. Form:
Fanfare. 232 pages.
Published by Belwin Music
(AP.42226).
Music From Braveheart Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By James Horner. Arranged by Johnnie Vinson. Score and full set of parts. Young ...(+)
By James Horner. Arranged
by Johnnie Vinson. Score
and full set of parts.
Young Band (Concert
Band). Grade 3. Size 9x12
inches. Published by Hal
Leonard.
The Hounds of Spring Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4002996 Composed by Alf...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4002996
Composed
by Alfred Reed. Arranged
by Robert Longfield.
MusicWorks Grade 3.
Concert. 24 pages.
Published by Hal Leonard
(HL.4002996).
UPC:
884088505936.
9.0x12.0x0.071
inches.
Alfred Reed
(1921-2005) was one of
America's most prolific
and frequently performed
composers. The Hounds of
Spring was composed in
1980 and was inspired by
the poem “Atalanta in
Calydon” by Algernon
Charles Swinburne. In
this concert overture,
Reed captures the
elements of youthful
exuberance and tenderness
of love expressed in the
poem. Remaining true in
form and intent to the
original, Robert
Longfield has masterfully
shortened and adapted
this work for younger
bands. Dur: 5:30.
Burn - Highway Star -
Smoke on the Water.
Arranged by Toshihiko
Sahashi. New Sounds for
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 1996. De
Haske Publications #DHP
0960774-010. Published by
De Haske Publications
(BT.DHP-0960774-010).
9x12
inches.
Deep Purple
are one of the most
famous rock bands of all
time. This medley is an
essential piece of
Concert Band repertoire.
Keep on rocking with this
powerful arrangement
which includes
Burn, Highway
Star and Smoke on
the Water.
Een flitsende
medley van drie hits van
de rockband Deep Purple,
die eind jaren zestig
werd opgericht. De jaren
zeventig vormden de
hoogtijdagen voor de
groep. Er zijn in de loop
der tijd wat wisselingen
geweest in de bezetting,
maarDeep Purple bestaat
nog steeds. De in deze
medley verwerkte nummers
(Burn, Highway
Star en Smoke on
the Water) stammen
uit de succesperiode.
By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by ...(+)
By John Paul White, Joy
Williams, T-Bone Burnett,
and Taylor Swift.
Arranged by James Kazik.
For Concert Band (Score
and Parts). Discovery
Plus Concert Band. Grade
2. Score and parts.
Published by Hal Leonard
Front Burner Orchestre d'harmonie [Conducteur et Parties séparées]
Score and Parts Concert Band (Score & Parts) - Grade 5 SKU: HL.48025348 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 5
SKU:
HL.48025348
Windependence Series -
Artist Level (Grade
5). Composed by Dana
Wilson. Windependence
Artist Level. Concert.
Softcover. Duration 180
seconds. Published by
Boosey & Hawkes
(HL.48025348).
UPC:
196288181828. 9.0x12.0
inches.
As the
title implies, this short
yet dynamic work is
intended as a fast-paced
“burner” and quite
possibly positioned at
the “front” of any
concert program. Filled
with dynamic twists and
turns, along with
cascading woodwind
passages and splashes of
brass and percussion,
there is a sense of
almost being out of
control as it reaches an
exciting and dramatic
finish. Dur: ca. 3:00
(Recorded live by the
Eastman Wind Ensemble -
Mark Scatterday,
conductor).
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 61 pages.
Anglo Music Press #AMP
342-140. Published by
Anglo Music Press
(BT.AMP-342-140).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
342-010. Published by
Anglo Music Press
(BT.AMP-342-010).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. By Paul Cook, Jack Bul...(+)
By Paul Cook, Jack
Bullock, Lew Davison, and
Jerry Burns. By Paul
Cook, Jack Bullock, Lew
Davison, and Jerry Burns.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level:
Very Easy (grade 1/2).
Conductor Score, Parts
and CD. 344 pages.
Duration 3:34. Published
by Alfred Publishing.