| Fiesta - Bb Bass Clarinet Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Bb Bass Clarinet. Swiss import. Tropical F...(+)
By Dennis Armitage.
Concert Band. For Bb Bass
Clarinet. Swiss import.
Tropical Fiesta; Latino.
Level: Grade 2+. Part.
Published by Editions
Marc Reift. (EMR 1460-08)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fiesta - Eb Cornet/Clarinet Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Eb Cornet/Clarinet. Swiss import. Tropical...(+)
By Dennis Armitage.
Concert Band. For Eb
Cornet/Clarinet. Swiss
import. Tropical Fiesta;
Latino. Level: Grade 2+.
Part. Published by
Editions Marc Reift. (EMR
1460-13)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fiesta - Bb Bass Clarinet Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Bb Bass Clarinet. Swiss import. Tropical F...(+)
By Dennis Armitage.
Concert Band. For Bb Bass
Clarinet. Swiss import.
Tropical Fiesta; Latino.
Level: Grade 2+. Part.
Published by Editions
Marc Reift. (EMR 1460-08)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fiesta - 2nd/3rd Clarinet/Flugelhorn Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For 2nd/3rd Clarinet/Flugelhorn. Swiss import....(+)
By Dennis Armitage.
Concert Band. For 2nd/3rd
Clarinet/Flugelhorn.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-07)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fiesta - 1st Bb Clarinet/Flugelhorn Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For 1st Bb Clarinet/Flugelhorn. Swiss import. ...(+)
By Dennis Armitage.
Concert Band. For 1st Bb
Clarinet/Flugelhorn.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-06)
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fiesta - 2nd/3rd Clarinet/Flugelhorn Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For 2nd/3rd Clarinet/Flugelhorn. Swiss import....(+)
By Dennis Armitage.
Concert Band. For 2nd/3rd
Clarinet/Flugelhorn.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-07)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fiesta - 1st Bb Clarinet/Flugelhorn Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For 1st Bb Clarinet/Flugelhorn. Swiss import. ...(+)
By Dennis Armitage.
Concert Band. For 1st Bb
Clarinet/Flugelhorn.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-06)
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fiesta - Eb Cornet/Clarinet Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Eb Cornet/Clarinet. Swiss import. Tropical...(+)
By Dennis Armitage.
Concert Band. For Eb
Cornet/Clarinet. Swiss
import. Tropical Fiesta;
Latino. Level: Grade 2+.
Part. Published by
Editions Marc Reift. (EMR
1460-13)
$8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Latin Folk Song Trilogy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. ...(+)
Latin Folk Song Trilogy
(Grade 3 - Score and
Parts). Arranged by
William Himes. Curnow
Music Concert Band. Grade
3. Curnow Music #044400.
Published by Curnow Music
$69.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Danza Latina Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Claves, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Claves,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Güiro, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet, Tuba, alto
Saxophone and more. -
Grade 1 SKU:
CF.BPS77 Composed by
Gene Milford. Beginning
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+2+3+2
+1+2+3+12 pages. Duration
2 minutes, 8 seconds.
Carl Fischer Music
#BPS77. Published by Carl
Fischer Music (CF.BPS77).
ISBN 9780825892325.
UPC: 798408092320. 9 x 12
inches. Key: Bb
major. An
introduction to the
musical styles of the
Caribbean and South
America, Danza Latina is
a level-appropriate work
for young bands. While
composed of only of
quarter note and half
note rhythms for the
winds, rhythmic
challenges are provided
by the use of rests.
Percussionists have the
opportunity to experience
Latin percussion
instruments in this
fun-filled composition
for beginning groups. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roma Orchestre d'harmonie [Conducteur d'étude / Miniature] Theodore Presser Co.
(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 O...(+)
(For Concert Band). By
Valerie Coleman. Concert
band. For Piccolo, 3
Flutes, 2 Oboes, Clarinet
in Eb, 3 Clarinets in Bb,
Bass Clarinet in
Bb/Contrabass Clarinet in
Bb, 2 Bassoons,
Contrabassoon, Soprano
Saxophone, 2 Alto
Saxophones, Tenor
Saxophone, Baritone
Saxophone, 3 Trumpets in
Bb, 4 Horns in F, 3
Trombones. Contemporary.
Full score (study).
Standard notation. 40
pages. Duration 7
minutes. Published by
Theodore Presser Company
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Wish You A Merry (Latin) Christmas Orchestre d'harmonie - Facile Carl Fischer
Concert Band Alto Saxophone, Baritone (Bass Clef), Baritone Saxophone, Bass Clar...(+)
Concert Band Alto
Saxophone, Baritone (Bass
Clef), Baritone
Saxophone, Bass Clarinet,
Bassoon, Clarinet I,
Clarinet II, Flute, Horn,
Mallet Percussion, Oboe,
Percussion I, Percussion
II, Percussion III,
Tenor, Tenor Saxophone,
Trumpet I, Trumpet II,
Tuba - Grade 2-2.5
SKU: CF.YPS35F
Latin Christmas.
Composed by Traditional
Christmas. Arranged by
Carl Strommen. SWS. Carl
Fischer Young Performance
Series. Classical. Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS35F.
Published by Carl Fischer
Music (CF.YPS35F).
ISBN 9780825851667.
UPC: 798408051662. 9 X 12
inches. Key: Bb
major. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Clarinet Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Jerome Naulais. Concert Band. For Clarinet and Concert Band. Swiss import. Tr...(+)
By Jerome Naulais.
Concert Band. For
Clarinet and Concert
Band. Swiss import.
Tropical Fiesta; Latino.
Level: Grade 3 . Score
and parts. Published by
Editions Marc Reift. (EMR
10670)
$147.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sinfonia XVI: Transcendental Vienna Orchestre d'harmonie - Intermédiaire/avancé Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729. Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Commence! Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, China
Cymbal, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1
and more. - Grade 3
SKU: CF.CPS210
Composed by Sean
O'Loughlin. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
16+16+8+16+32+32+8+8+8+8+
8+8+16+16+16+8+8+12+12+12
+16+8+4+8+32+40+8 pages.
Duration 3 minutes, 57
seconds. Carl Fischer
Music #CPS210. Published
by Carl Fischer Music
(CF.CPS210). ISBN
9781491152362. UPC:
680160909865. A
driving composition from
Sean
O'loughlin,?Commence!?beg
ins with a spirited theme
that oscillates between
triple and duple meter.
After developing into a
heartfelt lush brass
chorale, the lilting
theme returns again. The
composition concludes
with a dramatic return of
the B theme and a rousing
finale. A beautiful
piece,?Commence!?is
a?strong choice for any
contest or
festival.
Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Co
mmence! was commissioned
by the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn. This piece is
a loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension releases
into a slow section that
features a flowing,
heartfelt melody. This
builds to the big moment
at m. 112. The timpani
ushers us back to the
6/8, 2/4 section. The
melody is now accompanied
by some flowing
counterpoint at m. 153
which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing finale. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Commence! Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, China
Cymbal, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1
and more. - Grade 3
SKU: CF.CPS210F
Composed by Sean
O'Loughlin. Concert Band
(CPS). Full score. With
Standard notation. 40
pages. Carl Fischer Music
#CPS210F. Published by
Carl Fischer Music
(CF.CPS210F). ISBN
9781491153048. UPC:
680160910540. A
driving composition from
Sean
O'loughlin,?Commence!?beg
ins with a spirited theme
that oscillates between
triple and duple meter.
After developing into a
heartfelt lush brass
chorale, the lilting
theme returns again. The
composition concludes
with a dramatic return of
the B theme and a rousing
finale. A beautiful
piece,?Commence!?is
a?strong choice for any
contest or
festival.
Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Co
mmence! was commissioned
by the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn. This piece is
a loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension releases
into a slow section that
features a flowing,
heartfelt melody. This
builds to the big moment
at m. 112. The timpani
ushers us back to the
6/8, 2/4 section. The
melody is now accompanied
by some flowing
counterpoint at m. 153
which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing finale. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cantus Orchestre d'harmonie [Conducteur et Parties séparées] Mitropa Music
By Thomas Doss. (Score and Parts). This edition: 143407. Mitropa Music Concert ...(+)
By Thomas Doss. (Score
and Parts). This edition:
143407. Mitropa Music
Concert Band. Published
by Mitropa Music.
$147.00 $139.65 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Momentum Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Mitropa Music
By Thomas Doss. For Concert Band (Score and Parts). Mitropa Music Concert Band. ...(+)
By Thomas Doss. For
Concert Band (Score and
Parts). Mitropa Music
Concert Band. Grade 4.
Mitropa Music
#170910010M. Published by
Mitropa Music
$86.00 $81.7 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Charles Dickens Christmas Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507. Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals. $75.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Slidestream Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Mitropa Music
(For Trombone Section and Concert Band). By Gilbert Tinner. Score and Parts. Mit...(+)
(For Trombone Section and
Concert Band). By Gilbert
Tinner. Score and Parts.
Mitropa Music Concert
Band. Grade 4
$104.00 $98.8 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Roma Orchestre d'harmonie Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
Flute 1, Flute 2, Flute
3, Oboe 1, Oboe 2,
Piccolo, Trumpet 1,
Trumpet 2, Trumpet 3,
alto Saxophone 1, alto
Saxophone 2 and more.
SKU: PR.115402070
For Concert Band.
Composed by Valerie
Coleman. Sws score.
Contemporary. Set of
Score and Parts. With
Standard notation.
4+24+24+24+4+4+4+24+24+24
+16+8+8+4+4+4+4+4+8+8+8+8
+4+4+4+4+8+8+8+4+4+12+4+8
+4+4+4+4+40 pages.
Duration 7 minutes.
Theodore Presser Company
#115-40207. Published by
Theodore Presser Company
(PR.115402070). ISBN
9781598063103. UPC:
680160596164. 9 x 12
inches. Key: G
minor. A nation
without a country is the
best way to describe the
nomadic tribes known as
gypsies, or properly
called, the Romani. Their
traditions, their
language (Roma), legends,
and music stretch all
over the globe, from the
Middle East, the
Mediterranean region, and
the Iberian peninsula,
across the ocean to the
Americas. Commissioned by
the CBDNA, ROMA is a
tribute to that culture,
in five descriptive
themes, as told through
the eyes and hearts of
Romani women everywhere:
“Romani
Woman,â€
“Mystic,â€
“Youth,â€
“Trickster,â€
and
“History.â€
The melodies and rhythms
are a fusion of styles
and cultures:
Malagueña of Spain,
Argentine Tango, Arabic
music, Turkish folk
songs, 3/2 Latin claves,
and Jazz). $160.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Capriccio Ritmico Orchestre d'harmonie - Intermédiaire Carl Fischer
Concert Band , Bass Clarinet (in Bb), Bassoon, Clarinet I, Clarinet II, Clarinet...(+)
Concert Band , Bass
Clarinet (in Bb),
Bassoon, Clarinet I,
Clarinet II, Clarinet
III, Flute I, Flute II,
Horn I, Horn II, Oboe,
Trumpet I, Trumpet II,
Trumpet III, alto
Clarinet (in Eb), alto
Saxophone I, alto
Saxophone II, baritone
Saxophone, tenor I, tenor
Saxophone - Grade 3-3.5
SKU: CF.CPS56F
For Band. Composed
by Joseph Compello. This
edition: full score. SWS.
Carl Fischer Concert
Performance Series.
Classical. Full score.
With Standard notation.
Composed 2006. Duration
3:30. Carl Fischer Music
#CPS56F. Published by
Carl Fischer Music
(CF.CPS56F). ISBN
9780825861543. UPC:
798408061548. 9 X 12
inches. Key: F
major. Capriccio
Ritmico is, as the title
suggests, a lighthearted,
rhythmic escapade with a
Latin flavor. It is full
of energy, tuneful
melodies and pure
fun! $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Capriccio Ritmico Orchestre d'harmonie - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Cowbell, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Güiro, Horn
1, Horn 2, Mallet
Percussion, Maracas,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 3-3.5 SKU:
CF.CPS56 Rhythmic
Caprice. Composed by
Joseph Compello. This
edition: Medium Easy
Band. FS-SWS. Carl
Fischer Concert
Performance Series. Score
and Set of Parts. With
Standard notation.
Composed 2006. Carl
Fischer Music #CPS56.
Published by Carl Fischer
Music (CF.CPS56). ISBN
9780825861536. UPC:
798408061531. 9 X 12
inches. Key: Bb
major. Capriccio
Ritmico is, as the title
suggests, a lighthearted,
rhythmic escapade with a
Latin flavor. It is full
of energy, tuneful
melodies and pure
fun! $80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vires, Artes, Mores Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Bongos, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum and more. -
Grade 3.5 SKU:
CF.CPS126F Composed
by Larry Clark. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 28 pages.
Duration 3 minutes, 58
seconds. Carl Fischer
Music #CPS126F. Published
by Carl Fischer Music
(CF.CPS126F). ISBN
9780825888229. UPC:
798408088224. 9x12
inches. This work
is a three-part
composition based on the
Latin words meaning
Strength, Skill, and
Character. The piece
opens with a poignant
fanfare depicting the
strength of the modern
concert band, which is
followed by a fast-paced
section, meant to
demonstrate the
performers' skills. The
third section of the work
is an uplifting theme
designed to depict
character. After moving
back to the skill theme
in a new key, it builds
to a dramatic climax,
followed by a short coda
that bursts to the
finish. Ideal for concert
or contest. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 200 B.C. Orchestre d'harmonie - Intermédiaire/avancé Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chips and Salsa Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. Score and part(s). 24 138 pages. Duration 2 minutes, 22...(+)
Composed by Ed Kiefer.
Score and part(s). 24
138 pages. Duration 2
minutes, 22 seconds. Carl
Fischer #YPS0172.
Published by Carl Fischer
(CF.YPS172).
$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermezzo Orchestre d'harmonie [Conducteur] - Facile C. Alan Publications
(from 'Cavelleria Rusticana'). By Pietro Mascagni (1863-1945). For Concert Band ...(+)
(from 'Cavelleria
Rusticana'). By Pietro
Mascagni (1863-1945). For
Concert Band (Piccolo,
Flute 1, Flute 2, Oboe ,
Bassoon, Bb Clarinet 1,
Bb Clarinet 2, Bb
Clarinet 3, Bb Bass
Clarinet, Eb Alto
Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2 , Bb Trumpet
3, F Horn 1, F Horn 3,
F). Platinum Band Series.
Grade 2. Score. Composed
2010. Duration 2:10.
Published by C. Alan
Publications
$8.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226). ISBN
9781491152522. UPC:
680160910021. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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