Concert Band - Grade 3

SKU: XC.RCB2301

Composed by William Owens. Concert Concert Band. Rhapsody Grade 3-3.5. Set of parts. Excelcia Music Publishing #RCB2301. Published by Excelcia Music Publishing (XC.RCB2301).

This wonderfully emotional work by composer William Owens will fit perfectly into any concert. Lush harmonies and a beautiful melody make this memorable and add to its heartfelt message. We know you will love What Greater Calling.

Concert Band - Grade 3

SKU: XC.RCB2301FS

Composed by William Owens. Concert Concert Band. Rhapsody Grade 3-3.5. Score. Excelcia Music Publishing #RCB2301FS. Published by Excelcia Music Publishing (XC.RCB2301FS).

This wonderfully emotional work by composer William Owens will fit perfectly into any concert. Lush harmonies and a beautiful melody make this memorable and add to its heartfelt message. We know you will love What Greater Calling.

Concert Band Symphonic Band - Grade 4.5

SKU: FJ.B1503S

Score Only. Composed by Charles Rochester Young. Concert Band. FJH Symphonic Band. Meters. Score. Duration 4:00. The FJH Music Company Inc #98-B1503S. Published by The FJH Music Company Inc (FJ.B1503S).

English.

This powerful concert opener depicts the struggle to honor one's true life calling. The pulsating rhythmic elements alternate between 6/8 and 3/4, and on several occasions the two meters are juxtaposed. Exhilarating and extremely compelling, this work is sure to keep your listeners on the edge of their seats!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

By Stan Applebaum. Concert Band/Wind Ensemble. FJH Concert Band. A piercing dissonance - created by trumpets; wildly trilling clarinets; and splashing, rolling cymbals - launches our toboggan on its fun-filled ride. Speeding into its first turn, the toboggan theme is stated by low clarinets in unison. Seconds later, the theme is restated by all woodwinds, spread across two octaves. An oboe solo, supported by French horns and saxes, accompanies the toboggan as it glides through a clearing between trees. All woodwinds pick up the oboe's message and complete the motif in a colorfully orchestrated section. The low clarinets are reintroduced to close off the first theme. Orchestrating the opening dissonance a fourth higher, our toboggan races down a second slope and into the second theme. Constant shifting of orchestral timbres helps conjure up images of a happy, carefree winter setting. The development of our second theme places our toboggan atop another hill. Recalling the opening dissonance and original key, the toboggan theme follows once again in low clarinets. Sixteen measures later, the opening section is restated but newly orchestrated. An abrupt eighth-note figure played by full ensemble brings our toboggan face-to-face with a snowbank, and the end of the ride. Score for this title: B1308S. Extra part for this title: B1308P. Concert Band. Level: Grade 4. Score and Set of Parts. Published by The FJH Music Company Inc.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music.
Level: Grade 5.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 5. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music.

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

By Philip Sparke. (Score and Parts). ANGLO MUSIC PRESS. Published by Anglo Music.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2, tenor sax, baritone sax, trumpet 1/2, F horn 1/2, trombone 1/2, euphonium, tuba, percussion 1 (klaxon horn, cuckoo, cork gun, duck call, snare drum/temple blocks/cow Bell) - grade 3

SKU: CN.R10236

Novelty. Composed by Ravi Oli. Band Music. Score and parts. Duration 2:45. Published by G & M Brand Music Publishers (CN.R10236).

This pepperoni special is probably the first piece yet written calling for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious

This pepperoni special is probably the first piece yet written call ing for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious.

Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2, tenor sax, baritone sax, trumpet 1/2, F horn 1/2, trombone 1/2, euphonium, tuba, percussion 1 (klaxon horn, cuckoo, cork gun, duck call, snare drum/temple blocks/cow Bell) - grade 3

SKU: CN.S11236

Novelty. Composed by Ravi Oli. Arranged by Geoffrey Brand. Band Music. Score only. Duration 2:45. Published by G & M Brand Music Publishers (CN.S11236).

This pepperoni special is probably the first piece yet written calling for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious

This pepperoni special is probably the first piece yet written call ing for molto mozzarella. It combines Ponchielli's Dance of the Hours with pizzicato Polka. If you were unsure of your Italian condiments, this is the work on which to learn. It is rumored to be Ravi Oli's only contribution to the (hors d') oeuvre. Delicious.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-001009-140

Composed by Rob Goorhuis. Score Only. 24 pages. Gobelin Music Publications #GOB 001009-140. Published by Gobelin Music Publications (BT.GOB-001009-140).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094726-140

Composed by Anton Karas. Arranged by Toshio Mashima. New Sounds for Concert Band. Score Only. Composed 2009. 32 pages. De Haske Publications #DHP 1094726-140. Published by De Haske Publications (BT.DHP-1094726-140).

9x12 inches.

Anton Karas grew up in a modest household in Vienna and became a self taught zither vituoso. He wrote the legendary Harry Lime Theme for the 1949 British film noir The Third Man. The melody became so popular, many people began calling The Third Man “The Zither Movie”! Toshio Mashima carefully turns this typically Viennese melody into a creative piece for concert band.

Anton Karas, der aus einfachen Wiener Verhältnissen stammte und es als Autodidakt zu großer Virtuosität an der Zither brachte, schrieb das legendäre Harry-Lime-Thema“ für den Agentenfilm Der dritte Mann. Die Melodie war so populär, dass manche den Film gar The Zither Film“ nannten. Toshio Mashima setzte die stimmungsvolle, typisch wienerische Melodie geschickt für Blasorchester um.

Tout le monde se souvient du Troisième Homme (1949) et de cette étrange et fascinante musique qui fut la révélation du film. Anton Karas (1906-1985), son compositeur et interprète, traversa le monde du spectacle comme un véritable météore. Sa bande originale jouée la cithare lui apporta la gloire et la richesse. Le thème du film se classa durant onze semaines en tête des meilleures ventes de disques aux États-Unis entre avril et juillet 1950. Le film fut couronné du Grand prix du Festival de Cannes 1949 et de l’Oscar de la meilleure photographie 1951.

Il film Il Terzo Uomo (1949) è ricordato anche per l’affascinante colonna sonora che fu una vera e propria rivelazione. Anton Karas (1906-1985), compositore ed interprete, attraversò il mondo dello spettacolo come una meteora. La colonna sonora originale, eseguita alla cetra, gli portò gloria e ricchezza. Il tema del film fu in vetta alle classifi che delle vendite di dischi negli Stati Uniti tra aprile e giugno 1950 e il film ottenne il massimo riconoscimento a Cannes (Grand Prix du Festival) nel 1949.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094726-010

Composed by Anton Karas. Arranged by Toshio Mashima. New Sounds for Concert Band. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094726-010. Published by De Haske Publications (BT.DHP-1094726-010).

9x12 inches.

Anton Karas grew up in a modest household in Vienna and became a self taught zither vituoso. He wrote the legendary Harry Lime Theme for the 1949 British film noir The Third Man. The melody became so popular, many people began calling The Third Man “The Zither Movie”! Toshio Mashima carefully turns this typically Viennese melody into a creative piece for concert band.

Anton Karas, der aus einfachen Wiener Verhältnissen stammte und es als Autodidakt zu großer Virtuosität an der Zither brachte, schrieb das legendäre Harry-Lime-Thema“ für den Agentenfilm Der dritte Mann. Die Melodie war so populär, dass manche den Film gar The Zither Film“ nannten. Toshio Mashima setzte die stimmungsvolle, typisch wienerische Melodie geschickt für Blasorchester um.

Tout le monde se souvient du Troisième Homme (1949) et de cette étrange et fascinante musique qui fut la révélation du film. Anton Karas (1906-1985), son compositeur et interprète, traversa le monde du spectacle comme un véritable météore. Sa bande originale jouée la cithare lui apporta la gloire et la richesse. Le thème du film se classa durant onze semaines en tête des meilleures ventes de disques aux États-Unis entre avril et juillet 1950. Le film fut couronné du Grand prix du Festival de Cannes 1949 et de l’Oscar de la meilleure photographie 1951.

Il film Il Terzo Uomo (1949) è ricordato anche per l’affascinante colonna sonora che fu una vera e propria rivelazione. Anton Karas (1906-1985), compositore ed interprete, attraversò il mondo dello spettacolo come una meteora. La colonna sonora originale, eseguita alla cetra, gli portò gloria e ricchezza. Il tema del film fu in vetta alle classifi che delle vendite di dischi negli Stati Uniti tra aprile e giugno 1950 e il film ottenne il massimo riconoscimento a Cannes (Grand Prix du Festival) nel 1949.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-001009-010

Composed by Rob Goorhuis. Set (Score & Parts). 7 pages. Gobelin Music Publications #GOB 001009-010. Published by Gobelin Music Publications (BT.GOB-001009-010).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Concert Band (Score & Parts) - Grade 4

SKU: HL.4003778

Composed by Michael Sweeney. MusicWorks Grade 4. Concert. Published by Hal Leonard (HL.4003778).

UPC: 884088984366. 9x12 inches.

Calling for the band to be divided into four separate ensembles (and spread apart if space permits), Villages explores a wide range of harmonic and rhythmic interplay between each of these musical “villages.” The opening creates a dense canopy of sound, out of which the unique identity of each group variously emerges then melts back into the texture. As the fast pace continues, melodic fragments are bounced from group to group with interjections from the percussion. A slower lyric section provides contrast before the frantic pace returns leading to the exciting conclusion. Innovative in its conception, this stunning work will expose your students and audience to dramatically new sounds for band! Duration: 8:15.

Global Variations by Nigel Hess (1953-). Concert Band. For Wind Band. Masterworks; Part(s); Score; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Published by Faber Music

By Vince Gassi. Concert Band. Concert Band; Score. Alfred Concert Band. Grade 4. 24 pages. Published by Alfred Music Publishing

By Todd Stalter. Music by Todd Stalter. For Concert Band. Concert Band. Young Symphonic. Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Concert band concert band

SKU: BC.104023

Composed by Willson; Cacavas. Band Music. Published by Bourne Music (BC.104023).

Concert band concert band

SKU: BC.104022

Composed by Willson; Cacavas. Band Music. Conductor's Score. Published by Bourne Music (BC.104022).

Concert Band - Grade 3.5

SKU: XC.RCB2310

Composed by Robert Sheldon. Concert Concert Band. Rhapsody Grade 3-3.5. Set of parts. Excelcia Music Publishing #RCB2310. Published by Excelcia Music Publishing (XC.RCB2310).

If a traditional march could be called fresh and new! The Golden Panther March would check every box. Composer Robert Sheldon has given us a wonderful new march in 6/8 that has all the calling cards of a traditional style march, perfect for contest & festival performance, with all of the modern charm we have come to love from this beloved composer. As well-suited to a concert opener as it is to an enthusiastic encore, the Golden Panther March will be the hit of any concert.

Concert Band - Grade 2

SKU: AP.37819S

Composed by Brad Ciechomski. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Form: Ballade. Score. 12 pages. Alfred Music #00-37819S. Published by Alfred Music (AP.37819S).

UPC: 038081438474. English.

A mother's love is boundless, never-ending, gentle, and caressing. Written upon the passing of the composer's mother, this composition opens with a pure and simple melodic statement that later opens into the warmth of the full ensemble sound, much like the comfort of a mother's embrace. The opening interval of the minor third is often heard by a child calling mom-my, and the piece closes with the bells playing this motive. The composer dedicates this piece to the memory of his mother, who always believed in his hopes and dreams.

By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable for elementary and middle school bands. Christmas. Grade 1. Conductor Full Score. Duration 1:45. Published by Manhattan Beach Music

Grade 3

SKU: CL.012-4870-00

Composed by Susi. Concert Band. Concert Band Series. Score and set of parts. Composed 2020. Duration 2 minutes, 33 seconds. Opus III Wind Orchestra Publications #012-4870-00. Published by Opus III Wind Orchestra Publications (CL.012-4870-00).

First Responders is a bold and gallant contemporary march set in traditional format paying tribute to the brave men and women who provide the first assistance to those in need during natural disasters and numerous tragedies that are part of daily life. The chimes (alarm bells) are prevalent throughout the piece, calling all first responders to action. The catchy melodic strains are passed around to various instruments, giving all the winds a chance to shine in this snappy march. Very unique and appealing!