| Belwin Very Beginning Band Kit #1 (A Complete Concert including "In the Calm of the Starry Sky," "The Bermuda Triangle," "Our Tumultuous, Trustworthy, and Terrific Trumpets," and "The Soul of Our School") Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. By Paul Cook, Jack Bul...(+)
By Paul Cook, Jack
Bullock, Lew Davison, and
Jerry Burns. By Paul
Cook, Jack Bullock, Lew
Davison, and Jerry Burns.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level:
Very Easy (grade 1/2).
Conductor Score, Parts
and CD. 344 pages.
Duration 3:34. Published
by Alfred Publishing.
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Other Side Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1145556-010 Composed by Sti...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.DHP-1145556-010
Composed by Stijn Roels.
Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145556-010. Published by
De Haske Publications
(BT.DHP-1145556-010).
English-German-French-
Dutch. The Other
Side was written as a
farewell to a loved one.
Following the melancholy
theme of mourning in a
minor key we also hear
the happy memories in
major key and also the
knowledge that the person
who has gone to ‘a
better place’is now
at peace. This is a
soulful and calm work
that leaves plenty of
space for the
musicians’ and
listeners’ own
thoughts. This set
includes optional parts
for piano and
vibraphone.
The
Other Side is
geschreven als afscheid
van een geliefde persoon.
Behalve het
melancholische
mineurthema komen in dit
werk ook mooie
herinneringen in majeur
naar voren. Bovendien
klinkt in de muziek de
hoop door dat de
betreffende persoon nueen
goed leven heeft
‘aan gene
zijde’. Dit
gevoelige, rustige werk
laat muzikanten en
luisteraars de ruimte
voor hun eigen gedachten.
De set bevat optionele
partijen voor piano en
vibrafoon.
THE
OTHER SIDE wurde zum
Abschied von einem
geliebten Menschen
geschrieben. Neben dem
melancholischen
Trauerthema in Moll
klingen jedoch auch die
schönen Erinnerungen
in Dur durch und auch die
Zuversicht, dass es die
Person nun auf der
anderenSeite“ gut
hat. Ein gefühlvolles,
ruhiges Werk, das den
Musikern und Zuhörern
angenehm viel Raum
lässt, ihre eigenen
Gedanken schweifen zu
lassen. Das Set
enthält optionale
Stimmen für Klavier
und Vibraphon.
THE
OTHER SIDE (De
l’autre coté)
se compose de trois
mouvements ininterrompus
exprimant tout
d’abord, le
chagrin que l’on
éprouve la perte
d’un être cher
mais aussi les moments
heureux passés avec
lui. Alors que le
deuxième mouvement
s’achèvebrutale
ment sur un fortissimo,
vient ensuite un dernier
mouvement instaurant une
ambiance impressionniste
magique : il évoque
l’adieu, le
passage vers une nouvelle
vie. Une Å“uvre lente
qui privilégiera vos
moments de
recueillement.
The Other Side è
stata composta per dare
l’addio a una
persona cara. Oltre al
tema malinconico del
lutto in tonalità
minore, arriva il suono
dei bei ricordi in
tonalità maggiore.
Si confi da nel fatto che
la persona riposiin pace.
Un brano sentimentale e
tranquillo, che lascia a
musicisti e ascoltatori
ampi spazi gradevoli per
consentire ai propri
pensieri di vagare. Il
set comprende parti
opzionali per pianoforte
e vibrafono. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226). ISBN
9781491152522. UPC:
680160910021. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create a Voice Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F). ISBN
9781491153208. UPC:
680160910700. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie De Haske Publications
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Avalon est
une pièce dont le
décor et les
personnages sont
empruntés aux
légendes arthuriennes.
L’œuvre
débute par quelques
mesures surprenantes qui
nous font entrer
subitement dans un autre
monde. Une mélodie
produisant l’effet
d’un chœur
représente la
procession des
fantômes et des
esprits qui vivent dans
l’île magique
d’Avalon, avec,
leur tête, le puissant
magicien Merlin. Soudain,
des figures ostinato et
des phrases bitonales
expriment la tentative
d’une horde
maléfique conduite par
Mordred d’envahir
le monde paisible
d’Avalon. Après
que le Roi Arthur soit
intervenu avec force, on
entend un glissando qui
rappelle les toutes
premières mesures,
et… noussommes de
retour dans le monde
réel. Le voyage se
termine et un rêve
prend fin. $266.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Belwin Very Beginning Band Kit #1 Orchestre d'harmonie [Conducteur] Alfred Publishing
By Paul Cook, Jack Bullock, Lew Davison, And Jerry Burns. By Paul Cook, Jack Bul...(+)
By Paul Cook, Jack
Bullock, Lew Davison, And
Jerry Burns. By Paul
Cook, Jack Bullock, Lew
Davison, and Jerry Burns.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level: .5
(Very Easy) (grade .5).
Conductor Score.
Published by Alfred
Publishing.
$8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1834 Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104883-010 Machera Impres...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1104883-010
Machera
Impressions. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2010. De
Haske Publications #DHP
1104883-010. Published by
De Haske Publications
(BT.DHP-1104883-010).
9x12 inches. The
twofold title of this
concert work is directly
connected with the band
who commissioned it. The
â??Harmonie Municipale
Grevenmacherâ?? from the
town of the same name, by
the river Moselle in the
Grand Duchy of Luxembourg
was founded in the
year1834. The name
Machera is derived from
the word machara, which
in turn originated from
maceries (old wall).
Later, Machera evolved
into Machern,
Grafenmachern, and
finally Grevenmacher.In
2009, this music society
the third oldest still in
existence in the country
celebrated its 175th
anniversary. And after
all these years the
society still flourishes!
The dynamic committee,
led by Georges May, fully
supports and inspires
themusical leader of the
band, Claude Weiland, as
well as his 60-strong
ensemble. This
well-functioning team
took the initiative to
ask Jan Van der Roost to
write an anniversary
composition, inspired, on
the one hand, by the
rural character
ofGrevenmacher and its
surroundings (where the
famous Moselle wine
growing dominates the
countryside), and on the
other hand, by the
dynamics, creativity and
joie de vivre the band
exudes. All of this
resulted in a twofold
work with alternating
peaceand excitement,
virtuous and melodic
features, orchestral
splendour and soberly
orchestrated passages.
The première, on 10
January 2010, was
conducted by the composer
himself at a successful
gala concert which
brought a fine year full
of musicalfestivities to
a close. The â??Harmonie
Municipale
Grevenmacherâ?? faces
the future with
confidence, and will now
prepare for its next
milestone: the 200th
anniversary!
1834
- Machara Impressions was
a commission for the
175th anniversary of the
band Harmonie Municipale
Grevenmacher from the
town of Grevenmacher -
formerly Machara - in
Luxemburg. It is a work
of many contrasts with
alternating peace and
excitement, virtuous and
melodic features,
orchestral splendour and
soberly orchestrated
passages - reflecting the
peaceful and turbulent
history of the band.
Das zweiteilige
Auftragswerk zum
175-jährigen
Jubiläum der Harmonie
Municipale Grevenmacher
aus dem Dorf Grevenmacher
- historisch Machara - in
Luxemburg ist von
Dynamik, Kreativität
und Lebensfreude des
Blasorchesters
inspiriert. Friedliche
und aufregende Zeiten
spiegeln sich
wechselweise in virtuosen
und melodischen
Eigenschaften,
orchestraler Pracht und
nu?chtern orchestrierten
Passagen wider. Ein Thema
fu?r jedes Blasorchester
mit Tradition, umgesetzt
in ein attraktives Werk
von Jan Van der
Roost.
Cette
oeuvre au double titre
souligne le dynamisme de
la formation
dédicataire,
lâ??Harmonie Municipale
de Grevenmacher,
fondée en 1834, tout
en rappelant
lâ??histoire de la ville
de Grevenmacher (ancienn.
Machera), située au
bord de la Moselle
luxembourgeoise. La toile
alterne entre passages
calmes et passages
fougueux, composantes
virtuoses et composantes
mélodiques, splendeur
orchestrale et
sobriété de
lâ??orchestration.
Questo brano
sottolinea ed elogia il
dinamismo della Banda
Municipale di
Grevenmacher, fondata nel
1834, ricordando allo
stesso tempo la storia di
questa cittadina, situata
in riva alla Mosella
lussemburghese, il cui
nome era nellâ??antichit
Machera. Passaggi calmi
si alternano
armoniosamente a passaggi
più vivaci, elementi
virtuosi si mischiano a
tratti melodici, mentre
sul tutto aleggia uno
splendore e una sobriet
orchestrale fuori dal
comune. $211.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1834 Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104883-140 Machera Impres...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1104883-140
Machera
Impressions. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2010. 48 pages.
De Haske Publications
#DHP 1104883-140.
Published by De Haske
Publications
(BT.DHP-1104883-140).
9x12
inches. 1834 -
Machara Impressions was a
commission for the 175th
anniversary of the band
Harmonie Municipale
Grevenmacher from the
town of Grevenmacher -
formerly Machara - in
Luxemburg. It is a work
of many contrasts with
alternating peace and
excitement, virtuous and
melodic features,
orchestral splendour and
soberly orchestrated
passages - reflecting the
peaceful and turbulent
history of the band.
Das zweiteilige
Auftragswerk zum
175-jährigen
Jubiläum der Harmonie
Municipale Grevenmacher
aus dem Dorf Grevenmacher
- historisch Machara - in
Luxemburg ist von
Dynamik, Kreativität
und Lebensfreude des
Blasorchesters
inspiriert. Friedliche
und aufregende Zeiten
spiegeln sich
wechselweise in virtuosen
und melodischen
Eigenschaften,
orchestraler Pracht und
nüchtern
orchestrierten Passagen
wider. Ein Thema
für jedes
Blasorchester mit
Tradition, umgesetzt in
ein attraktives Werk von
Jan Van der
Roost.
Cette
oeuvre au double titre
souligne le dynamisme de
la formation
dédicataire,
l’Harmonie
Municipale de
Grevenmacher, fondée
en 1834, tout en
rappelant
l’histoire de la
ville de Grevenmacher
(ancienn. Machera),
située au bord de la
Moselle luxembourgeoise.
La toile alterne entre
passages calmes et
passages fougueux,
composantes virtuoses et
composantes
mélodiques, splendeur
orchestrale et
sobriété de
l’orchestration.
Questo brano
sottolinea ed elogia il
dinamismo della Banda
Municipale di
Grevenmacher, fondata nel
1834, ricordando allo
stesso tempo la storia di
questa cittadina, situata
in riva alla Mosella
lussemburghese, il cui
nome era
nell’antichit
Machera. Passaggi calmi
si alternano
armoniosamente a passaggi
più vivaci, elementi
virtuosi si mischiano a
tratti melodici, mentre
sul tutto aleggia uno
splendore e una sobriet
orchestrale fuori dal
comune. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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