Composed by Romeyn.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR357). Extra full
score. Composed 2008.
Duration 2 minutes, 45
seconds. Opus III Wind
Orchestra Publications
#012-3736-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3736-01).
Here’s
the perfect opening or
closing selection for
your holiday concert.
Using the famous English
carol as the focus of the
work, Rob Romeyn has
crafted a very clever
arrangement by including
musical fragments from
familiar carols to
capture the true spirit
of holiday caroling, all
while being very
playable. A beautiful and
expressive middle section
of All Through the Night
provides a very nice
contrast to the joyful
beginning and ending of
the piece. You’ll
want to program this one
every year!!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Christmas, Here We Come! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Sally K. Albrecht And John O'reilly. Arr. Sally K. Albrecht and John...(+)
Arranged by Sally K.
Albrecht And John
O'reilly. Arr. Sally K.
Albrecht and John
O'Reilly. For Concert
Band. Concert Band. Young
Symphonic. Level: 2
(Medium Easy) (grade 2).
Conductor Score and
Parts. Published by
Alfred Publishing.
December Joy Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 3 SKU: AP.49561 Featuring: Deck the Hall / Here W...(+)
Concert Band - Grade 3
SKU: AP.49561
Featuring: Deck the
Hall / Here We Come
A-Caroling / Jingle
Bells. Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Christmas; Holiday Pops;
Traditional. Score and
Part(s). Duration 2:55.
Belwin Music #00-49561.
Published by Belwin Music
(AP.49561).
ISBN
9781470648909. UPC:
038081569680.
English.
Arranged
by Douglas E. Wagner,
three well-known secular
carol tunes are showcased
in this big and brassy,
bright and flashy
seasonal extravaganza,
especially suited as a
concert opener.
Beginning with a
cascade of chimes,
soaring woodwind runs,
and bold brass lines,
Deck the Hall and Here We
Come A-Caroling are
presented with dynamic
flair, interspersed with
brief fanfare-like
episodes. The mood
transitions to a jaunting
sleigh ride across the
winter landscape,
partnering the second
time through with Jingle
Bells, as the spirited
celebration closes with a
short coda, drawn from
musical materials heard
in the opening measures
of the work. (2:55) This
title is available in
MakeMusic Cloud.
December Joy Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 3 SKU: AP.49561S Featuring: Deck the Hall / Here ...(+)
Concert Band - Grade 3
SKU: AP.49561S
Featuring: Deck the
Hall / Here We Come
A-Caroling / Jingle
Bells. Arranged by
Douglas E. Wagner.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Concert
Band. Holiday Pops;
Traditional. Score.
Duration 2:55. Belwin
Music #00-49561S.
Published by Belwin Music
(AP.49561S).
ISBN
9781470648916. UPC:
038081569697.
English.
Arranged
by Douglas E. Wagner,
three well-known secular
carol tunes are showcased
in this big and brassy,
bright and flashy
seasonal extravaganza,
especially suited as a
concert opener.
Beginning with a
cascade of chimes,
soaring woodwind runs,
and bold brass lines,
Deck the Hall and Here We
Come A-Caroling are
presented with dynamic
flair, interspersed with
brief fanfare-like
episodes. The mood
transitions to a jaunting
sleigh ride across the
winter landscape,
partnering the second
time through with Jingle
Bells, as the spirited
celebration closes with a
short coda, drawn from
musical materials heard
in the opening measures
of the work. (2:55).
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
(O Come, O Come Emmanuel / Ukrainian Bell Carol). Arranged by Jared Barnes. Conc...(+)
(O Come, O Come Emmanuel
/ Ukrainian Bell Carol).
Arranged by Jared Barnes.
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Christmas; Sacred;
Secular; Winter. Grade 3.
206 pages. Published by
Alfred Music
Arranged by Michael Story. Arr. Michael Story. For Concert Band. Concert Band. B...(+)
Arranged by Michael
Story. Arr. Michael
Story. For Concert Band.
Concert Band. Belwin
Young Band. Level: Easy
(grade II). Conductor
Score, Parts & CD. 338
pages. Duration 4:05.
Published by Alfred
Publishing.
Christmas Salsa Orchestre d'harmonie - Intermédiaire RWS Music Company
Grade 3 SKU: CL.RWS-2019-01 Arranged by Newton. Concert Band. Extra full ...(+)
Grade 3
SKU:
CL.RWS-2019-01
Arranged by Newton.
Concert Band. Extra full
Score. Composed 2020. RWS
Music Company
#RWS-2019-01. Published
by RWS Music Company
(CL.RWS-2019-01).
Bryce
Newton’s newest
holiday work is the
perfect choice to add
interest and variety to
your holiday program.
Combining themes from
Here We Come a-Caroling
and Angels We Have Heard
on High, this piece is
carefully crafted in a
fun salsa style that your
musicians will love to
play. Very accessible in
limited rehearsal time,
Christmas Salsa will
bring wonderful energy
and excitement to your
holiday concert or
assembly.
Arranged by Newton.
Concert Band. RWS Concert
Band Series. Score and
set of parts. Composed
2020. Duration 2 minutes,
14 seconds. RWS Music
Company #RWS-2019-00.
Published by RWS Music
Company (CL.RWS-2019-00).
Bryce
Newton’s newest
holiday work is the
perfect choice to add
interest and variety to
your holiday program.
Combining themes from
Here We Come a-Caroling
and Angels We Have Heard
on High, this piece is
carefully crafted in a
fun salsa style that your
musicians will love to
play. Very accessible in
limited rehearsal time,
Christmas Salsa will
bring wonderful energy
and excitement to your
holiday concert or
assembly.
A Christmas Celebration (Grade 2 to 3 - Score and Parts). Arranged by James Curn...(+)
A Christmas Celebration
(Grade 2 to 3 - Score and
Parts). Arranged by James
Curnow. For Concert Band.
Curnow Music Concert
Band. Grade 2-3. Curnow
Music #019598. Published
by Curnow Music
Rejoice! (A Festive Carol Celebration) - Concert Band Score/Parts by Douglas E. ...(+)
Rejoice! (A Festive Carol
Celebration) - Concert
Band Score/Parts by
Douglas E. Wagner.
Concert Band. For concert
band. Christmas. Score
and Parts. Published by
Heritage Music Press
Holiday Chips and Salsa Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Based on Here We Come A-Wassailing . Arranged by Michael Story; Robert W...(+)
Based on Here We Come
A-Wassailing .
Arranged by Michael
Story; Robert W. Smith.
Concert Band Method;
Part(s); Score. Band
Expressions. Christmas;
Latin; Secular; Winter.
Part(s); Score. 142
pages. Alfred Music
#00-38325. Published by
Alfred Music (AP.38325).
Concert Band Alto
Saxophone, Baritone (Bass
Clef), Baritone
Saxophone, Bass Clarinet,
Bassoon, Clarinet I,
Clarinet II, Flute, Horn,
Mallet Percussion, Oboe,
Percussion I, Percussion
II, Tenor, Tenor
Saxophone, Timpani,
Trumpet I, Trumpet II -
Grade 2-2.5
SKU:
CF.YPS62F
Composed by
Anonymous. Arranged by
Robert Thurston. Carl
Fischer Young Performance
Series. Classical. Full
score. With Standard
notation. Carl Fischer
Music #YPS62F. Published
by Carl Fischer Music
(CF.YPS62F).
ISBN
9780825864582. UPC:
798408064587. 9 X 12
inches.
An easy and
straightforward
arrangement of a popular
Christmas Carol that
features clever rhythmic
variations on the tune.
Mildly dissonant
harmonies and imaginative
scoring, including a
brief, but effective,
solo for the percussion
section, add spice to the
traditional Christmas
brew.
Celtic Bell Carol Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By R. W. Smith. For concert band. Young Band. Command. Grade 2.5. Score and part...(+)
By R. W. Smith. For
concert band. Young Band.
Command. Grade 2.5. Score
and parts. Composed 2010.
Duration 2 minutes, 3
seconds. Published by
C.L. Barnhouse
A Carol Celebration Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Featuring "Hark! The Herald Angels Sing," "O Come Emmanuel,"...(+)
Featuring "Hark! The
Herald Angels Sing,"
"O Come
Emmanuel,"
"Ukranian
Carol," and
"Once in David's
City". Arranged by
Michael Story. Arr.
Michael Story. For
Concert Band. Concert
Band. Belwin Young Band.
Level: 2 (Easy) (grade
2). Conductor Score. 24
pages. Published by
Alfred Publishing.
By Vince Gassi. For Concert Band. Concert Band. Young Symphonic. Conductor Score...(+)
By Vince Gassi. For
Concert Band. Concert
Band. Young Symphonic.
Conductor Score and
Parts. 80 pages.
Published by Alfred
Publishing. Level:
2.5 (Medium Easy) (grade
2.5).
Brass Band (Score & Parts) - Grade 3 SKU: HL.44012861 Composed by Mykola ...(+)
Brass Band (Score &
Parts) - Grade 3
SKU:
HL.44012861
Composed
by Mykola Dmytrovich
Leontovych. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Christmas. Softcover.
Composed 2005. Anglo
Music Press #AMP134-030.
Published by Anglo Music
Press (HL.44012861).
9x12 inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
The <
em>Ukrainian Bell
Carol is part
of a large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921).
The
tune is an adaptation of
an old 'shchedrivka', a
song traditionally sung
on Ukrainian New Year's
Eve (January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of
which Carol of
the Bells is
the most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
D
e Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekraiense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een 'shchedrivka', een
lied dat van oudsher
werdgezongen op de
Oekraiense oudejaarsavond
(13 januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekraiense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines grossen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken lauteten. Aus der
Melodie entstand unter
anderem auch das bekannte
Carol of the Bells
von Peter J. Wilhousky.
Philip Sparke griff fur
seine bewegende
Bearbeitung jedoch auf
die originale ukrainische
Melodie
zuruck.
Ukraini
an Bell Carol
constitue une des parties
de l'œuvre chorale
Shchedryk du
compositeur ukrainien
Mykola Dmytrovich
Leontovich (1877-1921).
La melodie s'inspire d'un
vieux chant traditionnel
ukrainien
(shchedrivka)
chante le Jour de l'An
(celebre le 13 janvier,
conformement au
calendrier julien) dans
l'espoir que l'annee a
venir se presente sous de
bons hospices. A
l'ecriture de
Shchedryk, Mykola
Leontovich a choisi de
changer les paroles. Il
opte pour la legende
selon laquelle, toutes
les cloches des eglises
se sont mises a
carillonner joyeusement
pour annoncer la
naissance de Jesus. La
melodie du chant a
inspire au moins quatre
noelsdifferents. Carol
of the Bells en est
la version la plus
celebre. Elle a ete
adaptee en 1936 (texte et
melodie) par Peter J.
Wilhousky (1902-1978)
d'apres la version
originale de Mykola
Leontovich. Philip Sparke
s'est base sur la melodie
du chant traditionnel
ukrainien pour realiser
cet arrangement brillant
et petillant.
Ukrainian Bell
Carol costituisce una
delle parti dell'opera
corale Shchedryk del
compositore ucraino
Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesu. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky e la versione
piu celebre. Philip
Sparke ha scelto di
ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+8+8+2+2+2+2+2+2+4+4
+4+2+2+3+3+3+4+1+1+1+1+3+
12+2 pages. Duration 3
minutes, 11 seconds. Carl
Fischer Music #CPS224.
Published by Carl Fischer
Music (CF.CPS224).
ISBN 9781491152508.
UPC:
680160910007.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CPS224F. Published by
Carl Fischer Music
(CF.CPS224F).
ISBN
9781491153185. UPC:
680160910687.
Rainb
ow in the Clouds is
based on an old
traditional spiritual,
possibly an
African-American song
from the 19th century,
entitled God Put a
Rainbow in the
Clouds. Composer
Carol Brittin Chambers
was inspired by poetic
Maya Angelou to create of
setting of this beautiful
song. It is lush and
beautiful throughout and
will highlight the
musicianship of your
students. This would
serve as a welcome change
of pace piece on your
program for concert or
contest. Rainbow in
the Clouds was
commissioned by the
Pflugerville Middle
School Wind Ensemble in
Pflugerville, Texas,
directed by Shauna
Satrom. The piece
premiered in May 2017, in
memory and celebration of
Luis Ham, who was an
Assistant Principal at
Pflugerville Middle
School.This piece is
based on an old
traditional spiritual,
possibly an
African-American song
from the nineteenth
century, entitled God Put
a Rainbow in the Clouds.
The first time I heard
reference to this song
was in a Maya Angelou
video, in which she sings
a portion of it:
“When it looked
like the sun
wouldn’t shine
anymore, Oh, God put a
rainbow in the
clouds.†In the
video, Dr. Angelou honors
those who have
demonstrated kindness to
her in the past, and she
suggests that we all try
to be a blessing to
others. The Pflugerville
community believed that
Mr. Ham, with his
positive outlook, was
definitely a
“rainbow in the
clouds†for other
people.The piece begins
with a full ensemble
introduction, followed by
a woodwind treatment of
the first verse with a
fairly reserved tempo and
straight eighth-note
rhythm. When brass pick
up the melody on the
second phrase, we start
to hear the song more
like the original
spiritual, with
dotted-eighth, sixteenth
rhythms. The middle
section of the piece at
m. 22 begins to move at a
slightly quicker tempo,
and the mood becomes
lighter. This section
becomes a
call-and-response between
a euphonium solo and
upper woodwinds. The
final section of the
piece involves everyone
playing together joyously
and full, eventually
winding down with two
more solo statements in
flute and euphonium.Note
to the Conductor:Use this
piece to introduce or
reinforce the following
musical concepts:Lyrical,
expressive playing varied
stylesSolo
responsibilitiesKey
changes, tempo
changes.
Personent Hodie.
Composed by Philip
Sparke. Anglo Music
Midway Series. Hymns &
Chorals. Score Only.
Composed 2013. 16 pages.
Anglo Music Press #AMP
394-140. Published by
Anglo Music Press
(BT.AMP-394-140).
9x12
inches.
English-German-French-Dut
ch.
The melody of
this Christmas carol
comes originally from a
Finnish songbook of 1582,
containing a collection
of 74 medieval songs
together with Latin
texts. The version
arranged by Gustav Holst
became very popular in
the British Isles - with
a text that links it to
December 28, the Day of
the Holy Innocents.
Philip Sparke based his
adaptation on
Holst’s powerful
arrangement and has added
various musical material
himself.
De
melodie van dit kerstlied
is afkomstig uit een Fins
liedboek uit 1582 waarin
74 liederen met Latijnse
tekst gebundeld waren.
Gustav Holst maakte er
een eerste arrangment
van, wat ervoor zorgde
dat dit lied erg bekend
werd in de Britse
Eilanden. Dit had ook te
maken met de tekst die
vertelt over de
“Day of the Holy
Innocents†op 28
december. Philip Sparke
maakte een eigen
arrangement dat gebaseerd
is op de versie van
Holst, en voegde er eigen
elementen aan
toe.
Die Melodie
zu diesem Weihnachtslied
stammt aus einem
finnischen Gesangbuch von
1582, in dem 74
mittelalterliche Lieder
mit lateinischem Text
versammelt waren. Die von
Gustav Holst arrangierte
Version wurde dann auch
in England sehr beliebt -
mit einem Text, der das
Lied mit dem 28.
Dezember, dem Tag der
unschuldigen
Heiligenâ€
verknüpft. Philip
Sparke basierte seine
Bearbeitung auf dem
kraftvollen Arrangement
von Holst und fügte
diesem noch eigenes
musikalisches Material
hinzu.
La
melodia che accompagna
questo canto natalizio ha
origine da un libro di
canti finlandese del 1582
che raccoglie 74 testi in
latino risalenti al
Medioevo. La versione
arrangiata da Gustav
Holst divenne molto
popolare in Inghilterra,
con un testo che
riallaccia il canto al 28
dicembre, “giorno
dei Santi
innocentiâ€. Il
potente arrangiamento di
Holst è servito a
Philip Sparke come base
per il suo
arrangiamento.
Personent Hodie.
Composed by Philip
Sparke. Anglo Music
Midway Series. Hymns &
Chorals. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
394-010. Published by
Anglo Music Press
(BT.AMP-394-010).
9x12
inches.
English-German-French-Dut
ch.
The melody of
this Christmas carol
comes originally from a
Finnish songbook of 1582,
containing a collection
of 74 medieval songs
together with Latin
texts. The version
arranged by Gustav Holst
became very popular in
the British Isles - with
a textthat links it to
December 28, the Day of
the Holy Innocents.
Philip Sparke based his
adaptation on Holsts
powerful arrangement and
has added various musical
material
himself.
De
melodie van deze
kersthymne werd in 1582
voor het eerst uitgegeven
in een Fins liederenboek,
een bundel van 74
middeleeuwse liederen met
Latijnse teksten. Philip
Sparke heeft deze
bewerking voor
harmonieorkest gebaseerd
op het krachtige,
inEngeland zeer geliefde
arrangement van Holst,
met toevoeging van
inleidend materiaal en
een discant in het
laatste
couplet.
Die
Melodie zu diesem
Weihnachtslied stammt aus
einem finnischen
Gesangbuch von 1582, in
dem 74 mittelalterliche
Lieder mit lateinischem
Text versammelt waren.
Die von Gustav Holst
arrangierte Version wurde
dann auch in England sehr
beliebt - miteinem Text,
der das Lied mit dem 28.
Dezember, dem Tag der
unschuldigen Heiligen
verknüpft. Philip
Sparke basierte seine
Bearbeitung auf dem
kraftvollen Arrangement
von Holst und fügte
diesem noch eigenes
musikalisches Material
hinzu.
Composed by Mykola
Leotnovich. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
134-010. Published by
Anglo Music Press
(BT.AMP-134-010).
9x12
inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). It was first
performed by students of
Kiev University in
December 1916. The tune
is an adaptation of an
old
‘shchedrivkaâ€
, a song traditionally
sung on Ukrainian New
Year’s Eve
(January 13th) which
hopes for good fortune in
the year to come. In
Shchedryk, Leontovych
added his own the lyrics
which concern the legend
claiming that when Jesus
was born, all the bells
on earth started ringing
in his honour.The tune
has since been the
inspiration of at least
four different Christmas
carols, but Philip Sparke
has sourced the
originalUkrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekra ense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een
‘shchedrivkaâ€
, een lied dat van
oudsher werdgezongen op
de Oekra ense
oudejaarsavond (13
januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekra ense
melodiegebruikt.
D
as Ukrainian Bell
Carol ist Teil eines
großen Chorwerkes
namens Shchedryk
vom ukrainischen
Komponisten Mykola
Dmytrovich Leontovych.
Leontovych ergänzte
ein traditionelles
ukrainisches Neujahrslied
um eine alte Legende, die
besagt, dass zu Ehren von
Jesu Geburt alle Glocken
läuteten. Die Melodie
diente inzwischen als
Grundlage für
mindestens vier
verschiedene
Weihnachtslieder. Philip
Sparke griff für seine
bewegende Bearbeitung
jedoch auf die originale
ukrainische Melodie
zurück.
Ukrainian Bell
Carol costituisce una
delle parti
dell’opera corale
Shchedryk del compositore
ucraino Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesù. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky è la
versione più celebre.
Philip Sparke ha scelto
di ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
Composed by Mykola
Leotnovich. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2005. 28
pages. Anglo Music Press
#AMP 134-140. Published
by Anglo Music Press
(BT.AMP-134-140).
9x12
inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). It was first
performed by students of
Kiev University in
December 1916. The tune
is an adaptation of an
old
‘shchedrivkaâ€
, a song traditionally
sung on Ukrainian New
Year’s Eve
(January 13th) which
hopes for good fortune in
the year to come. In
Shchedryk, Leontovych
added his own the lyrics
which concern the legend
claiming that when Jesus
was born, all the bells
on earth started ringing
in his honour.The tune
has since been the
inspiration of at least
four different Christmas
carols, but Philip Sparke
has sourced the
originalUkrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekra ense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een
‘shchedrivkaâ€
, een lied dat van
oudsher werdgezongen op
de Oekra ense
oudejaarsavond (13
januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekra ense
melodiegebruikt.
D
as Ukrainian Bell
Carol ist Teil eines
großen Chorwerkes
namens Shchedryk
vom ukrainischen
Komponisten Mykola
Dmytrovich Leontovych.
Leontovych ergänzte
ein traditionelles
ukrainisches Neujahrslied
um eine alte Legende, die
besagt, dass zu Ehren von
Jesu Geburt alle Glocken
läuteten. Die Melodie
diente inzwischen als
Grundlage für
mindestens vier
verschiedene
Weihnachtslieder. Philip
Sparke griff für seine
bewegende Bearbeitung
jedoch auf die originale
ukrainische Melodie
zurück.
Ukrainian Bell
Carol costituisce una
delle parti
dell’opera corale
Shchedryk del compositore
ucraino Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesù. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky è la
versione più celebre.
Philip Sparke ha scelto
di ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.
By Erik Morales. Young Band. FJH Young Band. Score for this title: B1314S. Conce...(+)
By Erik Morales. Young
Band. FJH Young Band.
Score for this title:
B1314S. Concert Band.
Level: 2.5. Score and Set
of Parts. Composed 2006.
Published by The FJH
Music Company Inc.
Brass Band (Full Score) - Grade 3 SKU: HL.44012862 Composed by Mykola Dmy...(+)
Brass Band (Full Score) -
Grade 3
SKU:
HL.44012862
Composed
by Mykola Dmytrovich
Leontovych. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Christmas. Softcover.
Composed 2005. Anglo
Music Press #AMP134-130.
Published by Anglo Music
Press (HL.44012862).
9x12 inches.
English-German-French-Dut
ch.
The
Ukrainian Bell
Carol is part of a
large choral work
entitled Shchedryk by the
Ukrainian composer Mykola
Dmytrovich Leontovych
(1877-1921). The tune is
an adaptation of an old
'shchedrivka', a song
traditionally sung on
Ukrainian New Year's Eve
(January 13th) which
hopes for good fortune in
the year to come. The
tune has since been the
inspiration for at least
four different Christmas
carols, of which Carol
of the Bells is the
most famous. Philip
Sparke has sourced the
original Ukrainian melody
to create this stirring
arrangement.
De
Ukrainian Bell
Carol is onderdeel
van het grote koorwerk
Shchedryk van de
Oekraiense componist
Mykola Dmytrovich
Leontovych (1877-1921).
De melodie is gebaseerd
op een 'shchedrivka', een
lied dat van oudsher
werdgezongen op de
Oekraiense oudejaarsavond
(13 januari). In
Shchedryk voegde
Leontovych de tekst toe
over de legende die
vertelt dat bij de
geboorte van Jezus alle
klokken op aarde begonnen
te luiden. Sindsdien is
deze melodiede
inspiratiebron geweest
voor ten minste vier
verschillende Christmas
carols, waarvan Carol
of the Bells de
beroemdste is. Voor dit
meeslepende arrangement
heeft Philip Sparke
echter de oorspronkelijke
Oekraiense
melodiegebruikt.
D
as Ukrainian Bell
Carol (Ukrainisches
Glocken- Weihnachtslied)
ist Teil eines grossen
Chorwerkes namens
Shchedryk vom
ukrainischen Komponisten
Mykola Dmytrovich
Leontovych. Sein Text
handelt von der Legende,
die besagt, dass zu Ehren
von Jesu Geburt alle
Glocken lauteten. Aus der
Melodie entstand unter
anderem auch das bekannte
Carol of the Bells
von Peter J. Wilhousky.
Philip Sparke griff fur
seine bewegende
Bearbeitung jedoch auf
die originale ukrainische
Melodie
zuruck.
Ukraini
an Bell Carol
constitue une des parties
de l'œuvre chorale
Shchedryk du
compositeur ukrainien
Mykola Dmytrovich
Leontovich (1877-1921).
La melodie s'inspire d'un
vieux chant traditionnel
ukrainien
(shchedrivka)
chante le Jour de l'An
(celebre le 13 janvier,
conformement au
calendrier julien) dans
l'espoir que l'annee a
venir se presente sous de
bons hospices. A
l'ecriture de
Shchedryk, Mykola
Leontovich a choisi de
changer les paroles. Il
opte pour la legende
selon laquelle, toutes
les cloches des eglises
se sont mises a
carillonner joyeusement
pour annoncer la
naissance de Jesus. La
melodie du chant a
inspire au moins quatre
noelsdifferents. Carol
of the Bells en est
la version la plus
celebre. Elle a ete
adaptee en 1936 (texte et
melodie) par Peter J.
Wilhousky (1902-1978)
d'apres la version
originale de Mykola
Leontovich. Philip Sparke
s'est base sur la melodie
du chant traditionnel
ukrainien pour realiser
cet arrangement brillant
et petillant.
Ukrainian Bell
Carol costituisce una
delle parti dell'opera
corale Shchedryk del
compositore ucraino
Mykola Dmytrovich
Leontovich (1877-1921).
Il testo narra una
leggenda secondo la quale
le campane delle chiese
si sono messe a suonare
per annunciare la nascita
di Gesu. La melodia di
Leontovich ha ispirato
almeno quattro canti
natalizi diversi. Carol
of the Bells di Peter
J.Wilhousky e la versione
piu celebre. Philip
Sparke ha scelto di
ispirarsi alla melodia
originale del canto
tradizionale ucraino
(shchedrivka) per
realizzare questo
brillante
arrangiamento.