By Dmitri Shostakovich (1906-1975). Arranged by Donald Hunsberger. Full Score. G. Schirmer Concert Band. Grade 4. 16 pages. Published by G. Schirmer

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Arranged by Sally K. Albrecht And John O'reilly. Arr. Sally K. Albrecht and John O'Reilly. For Concert Band. Concert Band. Young Symphonic. Level: 2 (Medium Easy) (grade 2). Conductor Score and Parts. Published by Alfred Publishing.

By Stephen Foster. Arranged by Donald Hunsberger. By Stephen Foster / arr. Donald Hunsberger. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Level: Medium Advanced (grade VI). Conductor Score and Parts. 168 pages. Published by Alfred Publishing.

By Gene Autry And Oakley Haldeman. Arranged by Michael Story. Words and music by Gene Autry and Oakley Haldeman / arr. Michael Story. For Concert Band. Concert Band. Pop Young Band. Level: grade II. Conductor Score. Published by Alfred Publishing.

(Right Down Santa Claus Lane). By Autry and Haldeman. Arranged by Johnnie Vinson. Score and full set of parts. Discovery Concert Band. Grade 1.5. Published by Hal Leonard.

Composed by Gene Autry and Oakley Haldeman. Arranged by Paul Murtha. For Concert Band (Score and Parts). FlexBand. Grade 2-3. Published by Hal Leonard

By Steven Reineke. Concert Band. Extra full score. Composed 2003. Published by C.L. Barnhouse.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44002494

Composed by Irving Berlin. Arranged by Naohiro Iwai. De Haske Concert Band. Original Light Music. Score Only. Composed 1996. Hal Leonard #960679. Published by Hal Leonard (HL.44002494).

UPC: 073999024944. 6.75x10.5 inches.

Dit is een van de bekendste songs van de legendarische Amerikaanse componist Irving Berlin, die in 1989 overleed op 101-jarige leeftijd. Het levendige arrangement dat Naohiro Iwai maakte van There's No Business Like Show Businessweet continu de aandacht vast te houden door middel van verschillende tempowisselingen en boeiende instrumentaties. Een klassieker!

Im modernen Gewand des japanischen Topschneiders fur Blasorchesterarrangements Naohiro Iwai prasentiert sich der beliebte Show-Klassiker von Irving Berlin. Eine Herausforderung fur Ihr Blasorchester und ein Riesenspass fur das Publikum!

Irving Berlin a signe 16 comedies musicales, 10 musiques de films et plus de 1500 chansons dont les plus belles et les plus celebres portent des titres evocateurs : White Christmas, God Bless America, etc. En 1954, la 20th Century Fox produit la comedie musicale There's No Business Like Show Business (La Joyeuse Parade) avec dans les roles principaux Dan Dailey, Ethel Merman et Marylin Monroe. Le succes fut considerable.

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44002493

Composed by Irving Berlin. Arranged by Naohiro Iwai. De Haske Concert Band. Original Light Music. Softcover. Composed 1996. De Haske Publications #960679-010. Published by De Haske Publications (HL.44002493).

UPC: 073999024937. 6.75x10.5 inches.

Dit is een van de bekendste songs van de legendarische Amerikaanse componist Irving Berlin, die in 1989 overleed op 101-jarige leeftijd. Het levendige arrangement dat Naohiro Iwai maakte van There's No Business Like Show Businessweet continu de aandacht vast te houden door middel van verschillende tempowisselingen en boeiende instrumentaties. Een klassieker!

Im modernen Gewand des japanischen Topschneiders fur Blasorchesterarrangements Naohiro Iwai prasentiert sich der beliebte Show-Klassiker von Irving Berlin. Eine Herausforderung fur Ihr Blasorchester und ein Riesenspass fur das Publikum!

Irving Berlin a signe 16 comedies musicales, 10 musiques de films et plus de 1500 chansons dont les plus belles et les plus celebres portent des titres evocateurs : White Christmas, God Bless America, etc. En 1954, la 20th Century Fox produit la comedie musicale There's No Business Like Show Business (La Joyeuse Parade) avec dans les roles principaux Dan Dailey, Ethel Merman et Marylin Monroe. Le succes fut considerable.

By Robert Sheldon. Concert Band. Concert Band; SmartMusic. Challenger Band Series. Contemporary. Grade 1.5. Conductor Score and Parts. 62 pages. Published by Alfred Music Publishing

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler S. Grant Music Works. Score and Part(s). Edition Peters #98- TSGB026. Published by Edition Peters

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

By Philip Sparke. (Score). ANGLO MUSIC PRESS. Size 9.5x13.3 inches. 70 pages. Published by Anglo Music.

By Dmitri Shostakovich (1906-1975) and Donald Hunsberger. Score & Parts. G. Schirmer Concert Band. Grade 4

Arranged by Andrew Watkin. Pop and Rock. Set (Score and Parts). Composed 1998. Hal Leonard #0384-98-015 DHE. Published by Hal Leonard

By William Owens. For concert band. FJH Young Band. Full set (score and parts). Score only also available: B1353S. Grade 2. Score and set of parts. Composed 2007

Concert Band - Grade 2.5

SKU: AP.50787

Composed by Al Jolson, Bud DeSylva, and Joseph Meyer. Arranged by Jerry Brubaker. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Broadway; Halloween; Movie; Pop. Score and Part(s). Duration 1:20. Alfred Music #00-50787. Published by Alfred Music (AP.50787).

ISBN 9781470669263. UPC: 038081588087. English.

Celebrate the 100th anniversary of this classic tune with Jerry Brubaker's masterful band arrangement of California Here I Come. Transport your audience to the Golden State with its iconic melodies and energetic rhythms. It's an exciting opportunity to pay homage to a century of timeless musical charm while showcasing your young band. (1:20).

Concert Band - Grade 2.5

SKU: AP.50787S

Composed by Al Jolson, Bud DeSylva, and Joseph Meyer. Arranged by Jerry Brubaker. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Broadway; Halloween; Movie; Pop. Score. Duration 1:20. Alfred Music #00-50787S. Published by Alfred Music (AP.50787S).

ISBN 9781470669270. UPC: 038081588094. English.

Celebrate the 100th anniversary of this classic tune with Jerry Brubaker's masterful band arrangement of California Here I Come. Transport your audience to the Golden State with its iconic melodies and energetic rhythms. It's an exciting opportunity to pay homage to a century of timeless musical charm while showcasing your young band. (1:20).

Based on Here We Come A-Wassailing . Arranged by Michael Story; Robert W. Smith. Concert Band Method; Part(s); Score. Band Expressions. Christmas; Latin; Secular; Winter. Part(s); Score. 142 pages. Alfred Music #00-38325. Published by Alfred Music (AP.38325).

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Score. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 40 pages. Published by Belwin Publishing

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 236 pages. Published by Belwin Music

Featuring: Here Comes Santa Claus / Santa Claus Is Comin' to Town. Composed by Various. Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble. Pop Young Band. Christmas; Light Concert; Winter. Part(s); Score. Alfred Music #00-49180. Published by Alfred Music

(Deluxe Score). Arranged by Bruce Healey. Symphony Pops. Grade 5-6. 87 pages. Published by Hal Leonard

(March). Composed by Getty Herschel Huffine (1889-1947). Arranged by Van B. Ragsdale. For concert band. Symphonic Band. Score and parts. 16 29 pages. Duration 2 minutes, 3 seconds. Published by Carl Fischer

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-028-140

Composed by Philip Sparke. Elite Series. Concert Piece. Score Only. Composed 2005. 68 pages. Anglo Music Press #AMP 028-140. Published by Anglo Music Press (BT.AMP-028-140).

English-German-French- Dutch.

The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.

Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn.

La fresque Music of the Spheres (“La musique des sphères”) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.

Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?