Composed by Kenneth Hesketh. Score; Wind Band. Faber Edition: Faber Wind Band Se...(+)
Composed by Kenneth
Hesketh. Score; Wind
Band. Faber Edition:
Faber Wind Band Series.
Form: Dance. 20th
Century; Masterwork.
Published by Faber Music
(AP.12-0571570496).
By Tylman Susato [Tielman Susato]. By Tylman Susato. Arranged by David Marlatt. ...(+)
By Tylman Susato [Tielman
Susato]. By Tylman
Susato. Arranged by David
Marlatt. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Eighth Note
Publications. Form:
Dance; Suite. Masterwork
Arrangement; Renaissance.
Score. Eighth Note
Publications
#81-CB16305S. Published
by Eighth Note
Publications
(AP.81-CB16305S).
Score Only Concert Band (Full Score) - Grade 4-5 SKU: HL.50486971 Compose...(+)
Score Only Concert Band
(Full Score) - Grade 4-5
SKU: HL.50486971
Composed by Aram Ilyich
Khachaturian. Arranged by
Kenneth Snoeck. G.
Schirmer Band/Orchestra.
Classical. Softcover. 56
pages. Published by G.
Schirmer (HL.50486971).
ISBN 9781423474982.
UPC: 884088393700.
10.5x14.0x0.225
inches.
Selected
from the Gayaneh Ballet,
these three colorful
examples of Aram
Khachaturian's writing
for ballet are based on
rhythms and melodic
motives from different
ethnic groups, ranging
from the very Slavic
Ukranian Gopak (Hopak) to
the Armenian Dance of the
Maidens and the Kurdish
Mountaineers' Dance. They
vary in instrumental
color and tension from
festive and party-like,
through sultry and
romantic, to tense and
almost angry. These may
be performed in any
combination - a single
stand-alone dance
movement, a contrasting
pair, or all three in a
complete set. A
culturally rich and
unique experience for
players and audience
alike. Dur: 7:45 (Grade
5).
Folksong Suite No. 2 Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Folk Song Suite No. 2. (for Wind Band). By Frigyes Hidas. For Concert Band (Scor...(+)
Folk Song Suite No. 2.
(for Wind Band). By
Frigyes Hidas. For
Concert Band (Score and
Parts). EMB. Grade 4.
Editio Musica Budapest
#Z13147SET. Published by
Editio Musica Budapest
Concert Band (Score) - Grade 2 SKU: HL.26014011 Composed by Peter Ilyich ...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.26014011
Composed
by Peter Ilyich
Tchaikovsky. Arranged by
Paul Lavender. Basic Band
II. Christmas, Classical,
Concert, Secular.
Published by Hal Leonard
(HL.26014011).
UPC:
884088115357.
8.5x11.0x0.044
inches.
In this
carefully scored setting
of the best-known
movements from
Tchaikovsky's classic
ballet, Paul Lavender has
made this masterpiece
accessible to developing
bands. Includes: Dance of
the Sugar Plum Fairy,
Elves' Dance, Trepak and
Waltz of the Flowers.
(Score) - Grade 3 SKU: HL.4002362 Composed by Giovanni de Palestrina. Arr...(+)
(Score) - Grade 3
SKU:
HL.4002362
Composed
by Giovanni de
Palestrina. Arranged by
John Moss. MusicWorks
Grade 3. Concert Band.
Published by Hal Leonard
(HL.4002362).
UPC:
073999376876.
9.0x12.0x0.076
inches.
Hymns by
Giovanni de Palestrina
pre-date those of Bach by
over a century and
incorporate the great
polyphonic tradition of
Renaissance writing. The
compositions used in this
suite are from a
collection published in
1589 titled Hymns of the
Entire Year, and
incorporate antiphonal
choral effects that lend
themselves particularly
well to instrumental
settings. John Moss uses
richly contrasting tone
colors and textures as
well as characteristic
modal tonalities in this
wonderful setting for
band. (3:30).
Composed by Ottorino Respighi (1879-1936). Arranged by Robert Longfield. MusicWo...(+)
Composed by Ottorino
Respighi (1879-1936).
Arranged by Robert
Longfield. MusicWorks
Grade 4. Renaissance.
Score and parts
(softcover). Published by
Hal Leonard (
Score Only Concert Band (Score) - Level 3.5 SKU: HL.4002888 Composed by O...(+)
Score Only Concert Band
(Score) - Level 3.5
SKU: HL.4002888
Composed by Ottorino
Respighi. Arranged by
Robert Longfield.
MusicWorks Grade 4.
Renaissance. Softcover.
24 pages. Duration 360
seconds. Published by Hal
Leonard (HL.4002888).
UPC: 884088403485.
9.0x12.0x0.076
inches.
From his
famous Ancient Airs and
Dances, 20th-century
composer Ottorino
Respighi used distinctive
melodies from Renaissance
composer Jean-Baptiste
Besard in this second
movement of the third
suite. This marvelous
adaptation for band
retains the authenticity
of the original in an
attractive yet very
playable and unique
setting. Dur: 6:00 (Grade
3-1/2).
Romeo and Juliet Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013759100 The Complete Trilogy. Com...(+)
Concert Band - Grade 5
SKU: ML.013759100
The Complete
Trilogy. Composed by
Sergei Prokofiev.
Arranged by Johan De
Meij. Full set. Molenaar
Edition #013759100.
Published by Molenaar
Edition (ML.013759100).
In this suite
for symphonic band the
arranger did not use the
existing orchestral
suites, but composed
another suite of his own
with those parts of the
ballet music that suited
well for a transcription.
Romeo &
Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In deze suite voor
harmonieorkest is Johan
de Meij niet uitgegaan
van de bestaande
orkestsuites maar heeft
hij een eigen suite
samengesteld uit delen
van het ballet die zich
goed lenen voor een
bewerking.
Ro
meo & Juliet - Part
I I. Introduction
– The Duke’s
Command II. The
Street Awakens III.
Morning Dance IV.
Romeo at Friar
Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
Pour cette suite pour
orchestre d'harmonie,
l'arrangeur Johan de Meij
ne s'est pas basé sur
les suites d'orchestres
existantes, mais il a
composé une nouvelle
suite en choisissant ces
morceaux du ballet qui se
prêtent bien à la
transcription.
<
b>Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
In dieser Suite für
Blasorchester ist Johan
de Meij nicht von den
bestehenden
Orchestersuiten
ausgegangen, sondern hat
er mit welchen Teilen des
Balletts, die für ein
Arrangement gut geeignet
sind, eine eigene Suite
zusammengestellt.
Romeo & Juliet -
Part I I.
Introduction – The
Duke’s Command II.
The Street
Awakens III. Morning
Dance IV. Romeo at
Friar Laurence’s V.
Departure of the Guests
(Gavotte) VI.
Montagues & Capulets
– Dance of the Nights
Romeo
& Juliet - Part
II I. Arrival of
the Guests II. The
Quarrel III. The
Fight IV.
Interlude V. Tybalt
recognizes Romeo VI.
Mercutio
Romeo &
Juliet - Part
III I. Public
Merrymaking II.
Further public
festivities III.
Meeting of Tybalt and
Mercutio IV. The
Duel V. The Death of
Mercutio VI. Romeo
decides to avenge
Mercutio VII. Finale:
Cortège with Tybalt’s
Body
Score Only Concert Band (SCORE) - Grade 3 SKU: HL.29818005 Composed by Ti...(+)
Score Only Concert Band
(SCORE) - Grade 3
SKU:
HL.29818005
Composed
by Tielman Susato.
Arranged by James Curnow.
MusicWorks Grade 3.
Classical, Contest,
Festival, Renaissance.
Softcover. 16 pages.
Duration 390 seconds. Hal
Leonard #17740. Published
by Hal Leonard
(HL.29818005).
UPC:
884088221331.
9.0x12.0x0.056
inches.
Here's a
superb way to introduce
your band to the joys of
early instrumental music.
Jim Curnow's
well-conceived
transcription is based on
three 16th-century dances
by Susato: I. Las
Mourisque (Basse Danse),
II. Mille regretz
(Pavane), and III. La
bataille (Pavane).
Rikudim Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0860039-010 Four Israeli F...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0860039-010
Four Israeli Folk
Dances for Band.
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1986. De
Haske Publications #DHP
0860039-010. Published by
De Haske Publications
(BT.DHP-0860039-010).
Rikudim
(Hebrew for 'Dances') is
a four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavoured
piece.
Rikudim
(Hebrew for
“Dancesâ€) is
a four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavoured piece.
Die vierteilige
Suite Rikudim
(hebräisch für
'Tanzen') besteht aus von
der jüdischen Musik
inspirierten Tänzen.
Durch den Gebrauch von
orientalisch anmutenden
Tonintervallen und
unregelmäßigen
Taktarten ist es dem
Komponistengelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen. Die
deutlich bestimmten
Themen und die bisweilen
sehr überraschenden
und natürlichen
Harmonien bewirken, dass
diesestilisierten
Volkstänze ihre
Botschaft sehr direkt
vermitteln.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Dance Starters Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1053876-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1053876-015
Composed by Peter Kleine
Schaars. Flexible 4
Series. Original Light
Music. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053876-015. Published by
De Haske Publications
(BT.DHP-1053876-015).
9x12 inches.
English-German-French-Dut
ch.
Using themes
based on semi-quavers
Peter Kleine Schaars has
carefully crafted these
four contrasting dances
for the De Haske Flexible
4 Series. Each of the
parts take a turn to play
the melody so no player
feels left out. Take your
players on a musical
dance lesson in which
you’ll hear a paso
doble, a slow waltz, a
tango and a swinging
jive. Fantastic fun for
the smaller ensemble.
Peter Kleine
Schaars schreef deze
eenvoudige selectie in de
Flexible 4 Series
speciaal voor beginnende
jeugdorkesten. Met als
kleinste notenwaarde een
achtste heeft de
componist vier totaal
verschillende dansen
gecreëerd. Destemmen
nemen om de beurt de
melodie voor hun
rekening. In een soort
muzikale dansles hoort u
achtereenvolgens een paso
doble, een langzame wals,
een tango en een
swingende jive als
afsluiter.
Auf die
besonderen Bedürfnisse
von zahlreichen
Anfänger- und
Jugendorchestern
eingehend, schrieb Peter
Kleine Schaars diese
Auswahl an einfachen
Stücken für die
Flexible 4 Series.
Mit Achteln als kleinster
Notenwert schuf der
Komponist vier völlig
unterschiedliche
Tänze, in welchen die
Stimmen abwechselnd die
Melodie präsentieren.
In einer Art
musikalischer Tanzstunde
erklingen nacheinander
ein Paso doble, ein
langsamer Walzer, ein
Tango und ein
schwungvoller
Jive.
Per
rispondere al bisogno
crescente di brani per
banda principiante o ad
organico ridotto, Peter
Kleine Schaars ha
composto questo brano
facile, pubblicato nella
collezione Flexible 4
Series. La croma è il
più piccolo valore di
nota contenuto in questa
suite di quattro danze
contrastate e
contrastanti. La linea
melodica alterna tra
diverse voci. Dance
Starters è una vera
lezione di danza.
Ascolterete un
paso-doble, un valzer
lento, un tango ed un
jive pieno di swing.
Dance of the Whale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-375-010 A Ballet for the E...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-375-010
A
Ballet for the Endangered
Species. Composed by
Philip Sparke. Anglo
Music Midway Series. Set
(Score & Parts). Composed
2014. Anglo Music Press
#AMP 375-010. Published
by Anglo Music Press
(BT.AMP-375-010).
English-German-French-
Dutch.
Dance of
the Whale was
commissioned by the
Spanish music foundation,
Musica et Orbi, at the
instigation of its
president, Frank De
Vuyst. It is part of a
unique project which
involved nine composers
each writing a short
movement, describing
ananimal of the
composers’ choice,
to form a suite called
Bestiarium. A
consortium of bands
around the world helped
to fund the project and
the world premiere of the
suite took place in March
2013 in Medell n,
Colombia. Dance of the
Whaleuses the tenor
instruments of the band
to describe a lazy and
graceful dance by a blue
whale and is dedicated to
endangered species around
the world.
Dance
of the Whale werd
geschreven in opdracht
van de Spaanse
muziekstichting Musica et
Orbi, op initiatief van
zijn voorzitter, Frank De
Vuyst. Het is onderdeel
van een uniek project;
negen componisten
schreven elk een kort
deel waarin een dier naar
keuze het onderwerp
vormde. Zo vormen ze
samen de suite genaamd
Bestiarium. De
wereldpremière van de
suite vond plaats in
maart 2013 in Medell n,
Colombia. Dance of the
Whale gebruikt de
tenorinstrumenten van het
orkest om de gracieuze
dans te beschrijven van
een blauwe vinvis. Het
werk is gewijd aan
bedreigde diersoorten
over de hele
wereld.
Das
Stück Dance of the
Whale (Tanz des
Wales“) ist Teil
eines einzigartigen
Projekts, in das neun
Komponisten eingebunden
waren. Jeder Komponist
sollte ein Tier seiner
Wahl musikalisch in einem
kurzen Satz darstellen.
Das Ergebnis war eine
Suite namens
Bestiarium.
Dance of the Whale
setzt Tenorinstrumente
ein, um den trägen und
zugleich anmutigen Tanz
eines Blauwals zu
beschreiben. Das Werk ist
den bedrohten Tierarten
auf der ganzen Welt
gewidmet.
Dance of
the Whale (La danza della
balena) è parte di un
unico progetto che
coinvolge nove
compositori, ognuno dei
quali scrive un breve
movimento descrivendo un
animale a sua scelta, per
formare una suite che
prende il nome di
Bestiarium. Un gruppo di
bande da tutto il mondo
ha aiutato a sostenere il
progetto e la prima
esecuzione assoluta della
suite ha avuto luogo nel
marzo del 2013 a Medell n
in Colombia. Dance of the
Whale utilizza gli
strumenti tenori della
banda per descrivere una
pigra e aggraziata danza
di una balenottera
azzurra ed è dedicato
alle specie in via di
estinzione in tutto il
mondo.
Dance of the Whale Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-375-140 A Ballet for the E...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-375-140
A
Ballet for the Endangered
Species. Composed by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2014. Anglo Music Press
#AMP 375-140. Published
by Anglo Music Press
(BT.AMP-375-140).
English-German-French-
Dutch.
Dance of
the Whale was
commissioned by the
Spanish music foundation,
Musica et Orbi, at the
instigation of its
president, Frank De
Vuyst. It is part of a
unique project which
involved nine composers
each writing a short
movement, describing
ananimal of the
composers’ choice,
to form a suite called
Bestiarium. A
consortium of bands
around the world helped
to fund the project and
the world premiere of the
suite took place in March
2013 in Medell n,
Colombia. Dance of the
Whaleuses the tenor
instruments of the band
to describe a lazy and
graceful dance by a blue
whale and is dedicated to
endangered species around
the world.
Dance
of the Whale werd
geschreven in opdracht
van de Spaanse
muziekstichting Musica et
Orbi, op initiatief van
zijn voorzitter, Frank De
Vuyst. Het is onderdeel
van een uniek project;
negen componisten
schreven elk een kort
deel waarin een dier naar
keuze het onderwerp
vormde. Zo vormen ze
samen de suite genaamd
Bestiarium. De
wereldpremière van de
suite vond plaats in
maart 2013 in Medell n,
Colombia. Dance of the
Whale gebruikt de
tenorinstrumenten van het
orkest om de gracieuze
dans te beschrijven van
een blauwe vinvis. Het
werk is gewijd aan
bedreigde diersoorten
over de hele
wereld.
Das
Stück Dance of the
Whale (Tanz des
Wales“) ist Teil
eines einzigartigen
Projekts, in das neun
Komponisten eingebunden
waren. Jeder Komponist
sollte ein Tier seiner
Wahl musikalisch in einem
kurzen Satz darstellen.
Das Ergebnis war eine
Suite namens
Bestiarium.
Dance of the Whale
setzt Tenorinstrumente
ein, um den trägen und
zugleich anmutigen Tanz
eines Blauwals zu
beschreiben. Das Werk ist
den bedrohten Tierarten
auf der ganzen Welt
gewidmet.
Dance of
the Whale (La danza della
balena) è parte di un
unico progetto che
coinvolge nove
compositori, ognuno dei
quali scrive un breve
movimento descrivendo un
animale a sua scelta, per
formare una suite che
prende il nome di
Bestiarium. Un gruppo di
bande da tutto il mondo
ha aiutato a sostenere il
progetto e la prima
esecuzione assoluta della
suite ha avuto luogo nel
marzo del 2013 a Medell n
in Colombia. Dance of the
Whale utilizza gli
strumenti tenori della
banda per descrivere una
pigra e aggraziata danza
di una balenottera
azzurra ed è dedicato
alle specie in via di
estinzione in tutto il
mondo.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score and
Parts). Composed 2021.
Anglo Music Press #AMP
503-010. Published by
Anglo Music Press
(BT.AMP-503-010).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
ââ¬Ështetlâ
¬â¢ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
ââ¬ËklezmorimÃ
¢â¬â¢, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
ââ¬Ëkleyââ
¬â¢ (instrument)
and
ââ¬Ëzemerââ
¬â¢ (song). The
roots of the style are
found in secular
melodies, popular dances,
Jewish
ââ¬Ëhazanutâ
â¬â¢ (cantorial
music) and also the
ââ¬Ënigunimâ
â¬â¢, the
wordless melodies intoned
bythe
ââ¬ËHasidimâ
â¬â¢ (orthodox
Jews). The melodies used
in the four movements of
A Little Klezmer
Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De
première vond in
oktober 2020 plaats
tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en gettoââ¬â¢s
van Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke
melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze
melodieën die
worden gezongen door de
orthodoxe chassidische
joden. De
melodieën die in
de vier delen van A
Little Klezmer Suite
zijn gebruikt, werden
vanoorsprong ten gehore
gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung
fand im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetlââ¬Å
(Dörfern) und in
den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorimââ¬Å,
seit dem frühen
Mittelalter bei Festen,
insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmerââ¬Å ist
ein jiddischer Begriff,
der die
hebräischen
Wörter
kleyââ¬Å
(Instrument) und
zemerââ¬Å
(Lied) miteinander
kombiniert. Der Ursprung
des Stils liegt in
weltlichen Melodien,
Volkstänzen,jÃ
¼discher
Hazanutââ¬Å
(Kantorenmusik) und in
den Nigunimââ¬Å
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A
Little Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Zodiac Dances Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-140 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-140
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2017. 50
pages. Anglo Music Press
#AMP 453-140. Published
by Anglo Music Press
(BT.AMP-453-140).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
Zodiac Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-010 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-010
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2017.
Anglo Music Press #AMP
453-010. Published by
Anglo Music Press
(BT.AMP-453-010).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
The Dance Club Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1074195-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1074195-015
Composed by Peter Kleine
Schaars. Flexible 4
Series. Set (Score &
Parts). Composed 2007. De
Haske Publications #DHP
1074195-015. Published by
De Haske Publications
(BT.DHP-1074195-015).
9x12 inches.
English-German-French-Dut
ch.
After the
success of Dance
Starters, a follow-up
in the Flexible 4
Series was a must.
Again, Peter Kleine
Schaars composed four
dances, in which he, by
means of refreshing
chords, uncomplicated
rhythms and simple melody
lines, takes youthful
musicians to The Dance
Club. There, they
learn the cha-cha-cha,
the rumba, disco dancing
and an actual Oriental
belly dance. Great fun
for everyone.
Na
het succes van Dance
Starters kon een
vervolg hierop niet
uitblijven. Opnieuw
componeerde Peter Kleine
Schaars een viertal
dansen, waarin hij met
frisse akkoorden,
ongecompliceerde ritmes
en eenvoudige
melodielijnen de
jeugdigemuzikanten
meeneemt naar The
Dance Club. Daar
leren ze de chachacha, de
rumba, discodansen en een
heuse oosterse buikdans.
De thema’s en
begeleidingen zijn weer
gelijkwaardig verdeeld
over de vier stemmen,
zodat aluw muzikanten een
echte uitdaging vinden in
het studeren en spelen
van The Dance
Club.
In vier
Tänzen führt Peter
Kleine Schaars - mittels
erfrischender Akkorde,
unkomplizierter Rhythmen
und einfacher
Melodielinien - junge
Musiker in den Dance
Club. Dort lernen sie
Cha-Cha-Cha, Rumba,
Discotanzen und einen
echten orientalischen
Bauchtanz. Da die Themen
und Begleitungen
gleichmäßig auf
alle vier Stimmen
verteilt sind, teilen
sich auch alle Spaß
und Herausforderung!
Concert
Band, Grade 3.5, 10:30
Score and Parts.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Concert, Dance, Greek.
Softcover. Duration 630
seconds. Hal Leonard
#EFC018-SC. Published by
Hal Leonard (HL.4008671).
UPC:
196288190011.
After
the great success of the
Greek Folk Song Suite
that has lasted for over
twenty years, Franco
Cesarini once again
ventures intothe long and
rich tradition of Greek
folk music. In his Greek
Folk Song Suite No. 2,
the three movements that
form the piece are named
after the three dances
reworked by the composer.
The first movement,
Samiotissa is a
kalamatianos, whose most
distinctive feature is
the irregular 7/8-time
signature. It is a
festive dance, today
considered the Greek
national dance, which has
roots dating back to
antiquity. The second
movement, Kato sto jalo
is a zeibekiko, a
slow-paced dance
performed by only one man
at a time which was
apparently originated
among the warriors of
Ancient Anatolia. The
third and last movement,
Chasaposerviko, is the
fast part of the hasapiko
dance and is
characterized by its more
extensive form. A new
journey into the Greek
folk tradition that will
delight both performers
and audience.
Rikudim Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0860039-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0860039-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
1986. 32 pages. De Haske
Publications #DHP
0860039-140. Published by
De Haske Publications
(BT.DHP-0860039-140).
Rikudim (Hebrew
for Dances) is a
four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavored piece.Dur:
9:40
Die
vierteilige Suite
Rikudim
(hebräisch für
’Tanzen‘)
besteht aus von der
jüdischen Musik
inspirierten Tänzen.
Durch den Gebrauch von
orientalisch anmutenden
Tonintervallen und
unregelmäßigen
Taktarten ist es dem
Komponisten gelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen. Die
deutlich bestimmten
Themen und die bisweilen
sehr überraschenden
und natürlichen
Harmonien bewirken, dass
diese stilisierten
Volkstänze ihre
Botschaft sehr direkt
vermitteln.
Suite from Miss Saigon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-010 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-010
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1105035-010. Published by
De Haske Publications
(BT.DHP-1105035-010).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Suite from Miss Saigon Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-140 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-140
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1105035-140.
Published by De Haske
Publications
(BT.DHP-1105035-140).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Singapura Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-0981357-010 Composed by Jan...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-0981357-010
Composed by Jan Van der
Roost. Performance
Series. Concert Piece.
Set (Score & Parts).
Composed 1998. De Haske
Publications #DHP
0981357-010. Published by
De Haske Publications
(BT.DHP-0981357-010).
‘Singapura
€™ is de
oorspronkelijke naam van
Singapore in het Maleis,
de originele taal van
deze stadstaat. Omdat
Singapore een van de
belangrijkste havens ter
wereld is, opent de
componist met een
‘zeemansdansâ€
. Ook de
authentiekemelodie
Chan Mali Chan is
te herkennen. Het
dynamische aspect van
Singapore wordt verbeeld
in een snelle bourree,
gevolgd door een
contrasterend authentiek
en rustig bootslied:
Dayung
Sampan.
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.