Concert Band - Grade 3.5 SKU: AP.35392S Composed by Scott Director. Conce...(+)
Concert Band - Grade 3.5
SKU: AP.35392S
Composed by Scott
Director. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Form: Overture. Score. 40
pages. Belwin Music
#00-35392S. Published by
Belwin Music (AP.35392S).
UPC: 038081420752.
English.
Moon
Phases 81 is a dynamic
and innovative
interpretation of the
mystery, grandeur, and
power of the moon. Take a
trip to the mysterious
dark side of the moon,
experience the brilliance
of a full moon, and feel
the power of a lunar
percussion with this
bold, passionate, and
fiery piece. Masterful
scoring contributes to
this dynamic depiction of
lunar phases. Sure to
capture the imagination
of your band and
listeners alike!
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-140 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-140
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Score
Only. 120 pages. Gobelin
Music Publications #GOB
000963-140. Published by
Gobelin Music
Publications
(BT.GOB-000963-140).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Journey to the Centre of the Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-010 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-010
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Set
(Score & Parts). 372
pages. Gobelin Music
Publications #GOB
000963-010. Published by
Gobelin Music
Publications
(BT.GOB-000963-010).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Concert Band Concert Band - Grade 3.5 SKU: FJ.B1332S Score Only. C...(+)
Concert Band Concert Band
- Grade 3.5
SKU:
FJ.B1332S
Score
Only. Composed by
Erik Morales. Concert
Band. FJH Concert Band.
Score. Duration 4:00. The
FJH Music Company Inc
#98-B1332S. Published by
The FJH Music Company Inc
(FJ.B1332S).
English.
Experie
nce the raw power of one
of nature's greatest
spectacles, the
thunderstorm. The
aggressive pace of this
exciting work provides
the backdrop for the main
element, the thunder
sheet. Exciting themes
combine with dark
harmonies as the brutal
force is unleashed.
Consider using one
thunder sheet on each
side of the ensemble to
create a spatial effect
that will really draw
your audience inside the
music!
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Jekyll and Hyde Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Molenaar Edition
Concert Band; Trumpet - Grade 5 SKU: ML.013723090 For 2 Trumpets and W...(+)
Concert Band; Trumpet -
Grade 5
SKU:
ML.013723090
For 2
Trumpets and Wind
Orchestra. Composed
by Alex Poelman. Full
set. Molenaar Edition
#013723090. Published by
Molenaar Edition
(ML.013723090).
Dr Jekyll
researches the evil in
man and succeeds in
creating a potion that
transforms him into his
alter ego, Hyde. However,
Jekyll loses control and
fights an inner battle
with Hyde. He loses this
battle when Hyde commits
murder. Understanding
that there is only one
way to resolve this,
Jekyll kills himself and
thus Hyde. In this solo
concert the main
characters Jekyll and
Hyde are played by two
solo trumpeters. The
different sides of the
trumpet are highlighted
in this story: from the
lyrical passages (Jekyll)
to the sharp, mean and
dark passages (Hyde). A
challenging adventure for
orchestra and
soloists.
Il
s'agit de musique de
location. Veuillez nous
contacter à l'adresse
suivante :
office@molenaar.com Dr. Jekyll erforscht
das Böse im Menschen
und schafft es, einen
Trank herzustellen, der
ihn in sein Alter Ego
Hyde verwandelt. Doch
Jekyll verliert die
Kontrolle und kämpft
einen inneren Kampf mit
Hyde. Er verliert diesen
Kampf, als Hyde einen
Mord begeht. Jekyll
erkennt, dass es nur
einen Weg gibt, um das
Problem zu lösen, und
tötet sich selbst und
damit auch Hyde. In
diesem Solokonzert werden
die Hauptfiguren Jekyll
und Hyde von zwei
Solotrompetern gespielt.
Die verschiedenen Seiten
der Trompete werden in
dieser Geschichte
hervorgehoben: von den
lyrischen Passagen
(Jekyll) bis zu den
scharfen, gemeinen und
dunklen Passagen (Hyde).
Ein anspruchsvolles
Abenteuer für
Orchester und
Solisten.
Dies ist
Leihmusik. Bitte
kontaktieren Sie uns
unter
office@molenaar.com.
Concert Band - Grade 2.5 SKU: AP.43104 Composed by Roland Barrett. Concer...(+)
Concert Band - Grade 2.5
SKU: AP.43104
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Programmatic.
Score and Part(s). 278
pages. Duration 4:30.
Belwin Music #00-43104.
Published by Belwin Music
(AP.43104).
UPC:
038081504513.
English.
In the
final days of November,
as the nights grew longer
and the vicious North
winds began to pound the
embattled city, the
kingdom was rapidly
nearing its darkest hour.
As enemy forces
threatened from every
side, the exhausted
council gathered in the
great hall for one final
desperate meeting. With
all hope waning, with all
other options exhausted,
and with one last chance
to save his people, the
king summoned all
remaining forces and
invoked The Seventh
Resolution. A
contemporary bold work!
(4:30).
Concert Band - Grade 2.5 SKU: AP.43104S Composed by Roland Barrett. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.43104S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Programmatic.
Score. 32 pages. Duration
4:30. Belwin Music
#00-43104S. Published by
Belwin Music (AP.43104S).
UPC: 038081504520.
English.
In the
final days of November,
as the nights grew longer
and the vicious North
winds began to pound the
embattled city, the
kingdom was rapidly
nearing its darkest hour.
As enemy forces
threatened from every
side, the exhausted
council gathered in the
great hall for one final
desperate meeting. With
all hope waning, with all
other options exhausted,
and with one last chance
to save his people, the
king summoned all
remaining forces and
invoked The Seventh
Resolution. A
contemporary bold work!
(4:30).
March of the Trolls Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
By Edvard Grieg (1843-1907). Arranged by Brian Beck. Concert Band. Concert Band;...(+)
By Edvard Grieg
(1843-1907). Arranged by
Brian Beck. Concert Band.
Concert Band; Score.
Alfred Concert Band.
Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 3. 24 pages.
Published by Alfred Music
Publishing
March of the Trolls Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Edvard Grieg (1843-1907). Arranged by Brian Beck. Concert Band. Concert Band;...(+)
By Edvard Grieg
(1843-1907). Arranged by
Brian Beck. Concert Band.
Concert Band; Part(s);
Score. Alfred Concert
Band. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 3. 246 pages.
Published by Alfred Music
Publishing
Passages Orchestre d'harmonie - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 4 SKU: HL.4002872 Composed by Mic...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4002872
Composed
by Michael Sweeney.
MusicWorks Grade 4.
Concert. Score
(softcover). 28 pages.
Duration 420 seconds.
Published by Hal Leonard
(HL.4002872).
UPC:
884088353056.
9.0x12.0x0.092
inches.
The term
passage can variously
describe a passageway of
travel, a musical phrase,
or perhaps the soul's
moving on from this world
to the next. In this work
for band, dark and rich
sonorities are contrasted
with a lilting,
Celtic-flavored melody as
it alternates with
striking passages from
the brass. Later, an alto
sax soloist adds a
haunting quality to the
mood followed by a return
of the ethnic drumming
heard earlier. This
unique and rewarding
composition is
beautifully paced and
skillfully orchestrated
using every section of
the band. Dur: 7:00
(Grade 4) The audio is
accessed online using the
unique code inside each
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
Composed by Conaway.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR367). Extra full
score. Composed 2010.
Duration 2 minutes, 31
seconds. Opus III Wind
Orchestra Publications
#012-3943-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3943-01).
It’s
hard to imagine a more
impressive ending to your
next concert or festival
program than this
aggressive composition
for young bands. The dark
harmonies of the
introduction portray the
image of a vast, ancient
forest, whose residents
flee in terror when a
dangerous storm
approaches. Though driven
strongly by the
percussion section, every
section plays an
important part as the
raging storm builds in
intensity to a powerful
conclusion. A sure hit
with your band and
audience!
Kaboom! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Young concert band - Grade 2 SKU: CL.011-4116-01 Composed by Romeyn. Youn...(+)
Young concert band -
Grade 2
SKU:
CL.011-4116-01
Composed by Romeyn. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR376). Extra
full score. Composed
2012. Duration 3 minutes,
8 seconds. C.L. Barnhouse
#011-4116-01. Published
by C.L. Barnhouse
(CL.011-4116-01).
Kaboom! is an
aggressive work for young
band that is sure to
capture the incredible
energy and passion of
young musicians. It
begins with an explosion
of sound and power. The
tension then subsides
before building to a
thunderous climax of
driving rhythms and
contemporary, fresh
sounding harmonies.
Memorable melodic themes,
stark musical contrasts
and the dark, foreboding
middle section will make
this work a favorite for
concert and festival use.
This is the type of piece
your students will love
to rehearse, and it's
sure to be the hit of any
concert!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Primeval Stormfront Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Conaway. Concert band. Concert Band Series. Audio recording available separat...(+)
By Conaway. Concert band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR367). Grade 2.5.
Score and parts. Composed
2010. Duration 2 minutes,
31 seconds. Published by
C.L. Barnhouse
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: grade IV.
Conductor Score. 48
pages. Published by
Alfred Publishing.
By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: Medium
(grade IV). Conductor
Score and Parts. 340
pages. Published by
Alfred Publishing.
Concert band - Grade 4 SKU: CL.012-4114-75 Composed by Buckley. Concert B...(+)
Concert band - Grade 4
SKU:
CL.012-4114-75
Composed by Buckley.
Concert Band. Opus III
Wind Orchestra series.
Audio recording available
separately (item
CL.WFR375). Oversized,
spiral-bound score.
Composed 2012. Duration 6
minutes, 12 seconds. Opus
III Wind Orchestra
Publications
#012-4114-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4114-75).
Shadowplay is a
descriptive,
impressionistic work
inspired by an early
morning walk along the
beach of the composer's
home in Vancouver,
Canada. The music
reflects the play of
light and shadow with the
rising of the sun through
the trees. It begins
calmly, with the sunrise
as the light melts the
shadows. The piece
develops with the sounds
and sights of nature;
seagulls floating in the
air and the crashing of
the waves. Shadow becomes
light ; light becomes
shadow. The music ebbs
and flows as the sun
rises higher on the
horizon. Shadowplay
features a variety of
tonal colors and
textures, orchestration
which is sometimes
haunting and transparent,
sometimes rich and lush,
yet always evocative.
After a dramatic build,
the music subsides, with
all of the melodies
interweaving like a
tapestry of light and
dark and ending as it
began, with emotional
sensitivity. Features,
lyrical solos by soprano
saxophone, flute and
flugelhorn. An ideal
piece for concert or
festival use to display
sensitivity and
dynamics.
Shadowplay (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Opus III Wind Orchestra Publications
Composed by Bob Buckley. Opus III Wind Orchestra series. Audio recording availab...(+)
Composed by Bob Buckley.
Opus III Wind Orchestra
series. Audio recording
available separately
(item CL.WFR375). Score
and set of parts.
Composed 2012. Duration 6
minutes, 12 seconds.
Published by Opus III
Wind Orchestra
Publications
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
Concert band - Grade 4 SKU: CL.012-4114-01 Composed by Buckley. Concert B...(+)
Concert band - Grade 4
SKU:
CL.012-4114-01
Composed by Buckley.
Concert Band. Opus III
Wind Orchestra series.
Audio recording available
separately (item
CL.WFR375). Extra full
score. Composed 2012.
Duration 6 minutes, 12
seconds. Opus III Wind
Orchestra Publications
#012-4114-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4114-01).
Shadowplay is a
descriptive,
impressionistic work
inspired by an early
morning walk along the
beach of the composer's
home in Vancouver,
Canada. The music
reflects the play of
light and shadow with the
rising of the sun through
the trees. It begins
calmly, with the sunrise
as the light melts the
shadows. The piece
develops with the sounds
and sights of nature;
seagulls floating in the
air and the crashing of
the waves. Shadow becomes
light ; light becomes
shadow. The music ebbs
and flows as the sun
rises higher on the
horizon. Shadowplay
features a variety of
tonal colors and
textures, orchestration
which is sometimes
haunting and transparent,
sometimes rich and lush,
yet always evocative.
After a dramatic build,
the music subsides, with
all of the melodies
interweaving like a
tapestry of light and
dark and ending as it
began, with emotional
sensitivity. Features,
lyrical solos by soprano
saxophone, flute and
flugelhorn. An ideal
piece for concert or
festival use to display
sensitivity and
dynamics.
Freedom Rising Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4166-75 Composed by Shaffer. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4166-75
Composed by Shaffer.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR379). Oversized,
spiral-bound score.
Composed 2013. Duration 5
minutes, 22 seconds. Opus
III Wind Orchestra
Publications
#012-4166-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4166-75).
Freedom Rising
was written in
commemoration of the 150
anniversary of
Quantrill's raid on the
unsuspecting town of
Lawrence, Kansas where
the residents bravely
fought to defend their
town from the forces of
pro-slavery western
counties. Opening with a
dark and haunting
woodwind choir, the
composition quickly
journeys into the raging
battle that took place
that fateful August day
in 1863. The slower
middle section is a
powerful hymn expressing
the hope of all
townspeople for a
successful defense to
this sneak-attack. The
dramatic powerful
conclusion leaves us with
the knowledge that this
community fought
desperately for the
freedom of all people. A
powerful piece that
brings to life this brief
but important period in
American history.
Freedom Rising Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4166-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4166-01
Composed by Shaffer.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR379). Extra full
score. Composed 2013.
Duration 5 minutes, 22
seconds. Opus III Wind
Orchestra Publications
#012-4166-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4166-01).
Freedom Rising
was written in
commemoration of the 150
anniversary of
Quantrill’s raid
on the unsuspecting town
of Lawrence, Kansas where
the residents bravely
fought to defend their
town from the forces of
pro-slavery western
counties. Opening with a
dark and haunting
woodwind choir, the
composition quickly
journeys into the raging
battle that took place
that fateful August day
in 1863. The slower
middle section is a
powerful hymn expressing
the hope of all
townspeople for a
successful defense to
this sneak-attack. The
dramatic powerful
conclusion leaves us with
the knowledge that this
community fought
desperately for the
freedom of all people. A
powerful piece that
brings to life this brief
but important period in
American history.
Trombone Concerto Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band - Grade 6 SKU: HL.44010749 Grade 6 - Score and Parts....(+)
Concert Band - Grade 6
SKU: HL.44010749
Grade 6 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band. Solo
& Concerto. Score Only.
Composed 2007. Anglo
Music Press #AMP 195.
Published by Anglo Music
Press (HL.44010749).
Als
o available for trombone
and piano (HL44007077)
Philip Sparke's Trombone
Concerto was written for
Olaf Ott, principal
trombonist with the
Berlin Philharmonic. The
concerto is in
traditional
three-movement form and
the whole work could be
seen as a dramatic
soliloquy for the
soloist, who starts in
earnest and agitated mood
but, as the concerto
progresses, is able to
take a more optimistic
tone before ending the
work with what could be
called a “symphonic
samba.†Movement 1
begins darkly until the
solo part introduces a
more positive theme -
only to be
“overruledâ€
by a faster, troubled
accompaniment; the
movement closes over a
sombre drum ostinato.
Movement 2 opens with a
heartfelt
“plea†in the
accompaniment that is
echoed by the soloist,
who then plays a simple
chorale melody
introducing a delicate
central section. A
chant-like tune leads to
a joyous climax,
heralding a return of the
opening material.
Movement 3 casts all
troubles aside in a
joyful samba - a
jazz-influenced central
tune explores the higher
ranges of the trombone
before the samba rhythms
set up a
“contestâ€
between trombone and
piano. The soloist is the
eventual
“winner†(of
course) and celebrates by
reintroducing the samba
melody before bringing
the work to a virtuosic
close.
Cats' Night Out Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Young concert band - Grade 2 SKU: CL.011-4091-01 Composed by Phillips. Yo...(+)
Young concert band -
Grade 2
SKU:
CL.011-4091-01
Composed by Phillips.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR377). Extra full
score. Composed 2012.
Duration 2 minutes, 25
seconds. C.L. Barnhouse
#011-4091-01. Published
by C.L. Barnhouse
(CL.011-4091-01).
Cats’
Night Out follows the
adventures of a cat as it
makes its big escape to
explore the magical
mysteries that await our
feline friend in the
darkness of the great
outdoors. The opening
line foreshadows the
upcoming movements of our
cat as it experiences a
night outside. The first
movement, On the Prowl,
musically represents the
cat as it roams around
the neighborhood looking
for adventure. The second
movement Mouse Hunt,
melodiously depicts a cat
as it hunts down its
favorite prey the mouse.
The surprise ending
represents the mouse
making his great escape.
This is a truly enjoyable
selection for students
and audiences alike. This
programmatic work is an
excellent choice for your
next concert.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.