Concert Band/Harmonie - Grade 4 SKU: BT.AMP-451-140 The Mortimer Revel...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-451-140
The
Mortimer Revel.
Composed by Philip
Sparke. Anglo Music
Midway Series. Opening
Pieces. Score Only.
Composed 2016. 30 pages.
Anglo Music Press #AMP
451-140. Published by
Anglo Music Press
(BT.AMP-451-140).
English-German-French-
Dutch.
Highdays
and Holidays was
commissioned by the South
Berks Concert Band to
celebrate its 40th
anniversary in 2016. The
band rehearses in the
village of Mortimer,
which has a long and
fascinating history
dating back to, and
beyond, the BronzeAge.
Mortimer is famous for
The Mortimer
Revel, an annual
event which was
apparently a fairly
rumbustious and sometimes
violent affair.
Highdays and
Holidays seeks to
capture some of this
festive event in the form
of an energeticoverture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Highdays
and Holidays is
geschreven in opdracht
van de South Berks
Concert Band ter
gelegenheid van hun
veertigjarig bestaan in
2016. Het orkest
repeteert in het Britse
Mortimer, dat een lange,
boeiende geschiedenis
kent, die teruggaat
totvoor het bronzen
tijdperk. Mortimer staat
bekend om The Mortimer
Revel, een jaarlijks
evenement dat kennelijk
een vrij onstuimige en
soms gewelddadige
aangelegenheid was.
Highdays and
Holidays weerspiegelt
dit feestelijke gebeuren
in devorm van een
energieke ouverture
waarin verschillende
sfeerbeelden worden
opgeroepen en de soms
chaotische taferelen van
de Revel worden
verklankt.
High
days and Holidays
wurde 2016 von der South
Berks Concert Band
anlässlich ihres
40-jährigen
Jubiläums in Auftrag
gegeben. Die South Berks
Concert Band probt in der
Stadt Mortimer, die auf
eine lange und
faszinierende
Geschichtezurückblickt
, die bis weit in die
Bronzezeit reicht. Die
Stadt ist für The
Mortimer Revel“
bekannt, eine jährlich
stattfindende
Veranstaltung, die
anscheinend eine ziemlich
wilde und manchmal auch
heftige Angelegenheit
war. Highdays
andHolidays versucht
einiges von dieser
festlichen Veranstaltung
in Form einer
energiegeladenen
Ouvertüre, in der die
unterschiedlichen
Stimmungen und die teils
chaotische Atmosphäre
des Festes erkundet
werden,
darzustellen.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-451-010 The Mortimer Revel...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-451-010
The
Mortimer Revel.
Composed by Philip
Sparke. Anglo Music
Midway Series. Opening
Pieces. Set (Score &
Parts). Composed 2016.
Anglo Music Press #AMP
451-010. Published by
Anglo Music Press
(BT.AMP-451-010).
English-German-French-
Dutch.
Highdays
and Holidays was
commissioned by the South
Berks Concert Band to
celebrate its 40th
anniversary in 2016. The
band rehearses in the
village of Mortimer,
which has a long and
fascinating history
dating back to, and
beyond, the BronzeAge.
Mortimer is famous for
The Mortimer
Revel, an annual
event which was
apparently a fairly
rumbustious and sometimes
violent affair.
Highdays and
Holidays seeks to
capture some of this
festive event in the form
of an energeticoverture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Highdays
and Holidays is
geschreven in opdracht
van de South Berks
Concert Band ter
gelegenheid van hun
veertigjarig bestaan in
2016. Het orkest
repeteert in het Britse
Mortimer, dat een lange,
boeiende geschiedenis
kent, die teruggaat
totvoor het bronzen
tijdperk. Mortimer staat
bekend om The Mortimer
Revel, een jaarlijks
evenement dat kennelijk
een vrij onstuimige en
soms gewelddadige
aangelegenheid was.
Highdays and
Holidays weerspiegelt
dit feestelijke gebeuren
in devorm van een
energieke ouverture
waarin verschillende
sfeerbeelden worden
opgeroepen en de soms
chaotische taferelen van
de Revel worden
verklankt.
High
days and Holidays
wurde 2016 von der South
Berks Concert Band
anlässlich ihres
40-jährigen
Jubiläums in Auftrag
gegeben. Die South Berks
Concert Band probt in der
Stadt Mortimer, die auf
eine lange und
faszinierende
Geschichtezurückblickt
, die bis weit in die
Bronzezeit reicht. Die
Stadt ist für The
Mortimer Revel“
bekannt, eine jährlich
stattfindende
Veranstaltung, die
anscheinend eine ziemlich
wilde und manchmal auch
heftige Angelegenheit
war. Highdays
andHolidays versucht
einiges von dieser
festlichen Veranstaltung
in Form einer
energiegeladenen
Ouvertüre, in der die
unterschiedlichen
Stimmungen und die teils
chaotische Atmosphäre
des Festes erkundet
werden,
darzustellen.
Arranged by Jack Bullock. Arr. Jack Bullock. For Concert Band. Concert Band. Bel...(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Concert Band. Concert
Band. Belwin Young Band.
Level: Easy (grade II).
Conductor Score, Parts &
CD. 344 pages. Duration
4:13. Published by Alfred
Publishing.
Score and Parts. Composed by Victor Young. Edited by Mark Rogers. Arranged by ...(+)
Score and Parts. Composed
by
Victor Young. Edited by
Mark
Rogers. Arranged by
Alfred
Reed. Southern Music.
Softcover. Southern Music
Company #S956CB.
Published by
Southern Music Company
Band concert band - Grade 1 SKU: KJ.WB493 Composed by Ryan Nowlin. Concer...(+)
Band concert band - Grade
1
SKU: KJ.WB493
Composed by Ryan Nowlin.
Concert Marches.
Tradition of Excellence,
Excellence In
Performance. Score and
parts. Neil A. Kjos Music
Company #WB493. Published
by Neil A. Kjos Music
Company (KJ.WB493).
UPC:
8402704873.
Home
Days (Concert March) is
inspired by county fairs
and town gatherings in
which communities come
together in celebration
and fellowship. Imagine
being seated on the
Ferris wheel at the
center of the
fairgrounds, soaking in
all the sights, sounds,
and smells. Even the
livestock barns which
show the accomplishments
of the local farmers and
ranchers create a sense
of homecoming and
wellbeing. is march
embodies music you might
hear throughout the
hustle and bustle of the
fair.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Trouping Days Orchestre d'harmonie - Facile LudwigMasters Publications
Concert Band - Grade 3 SKU: AP.36-50100344 Composed by Karl L. King. Arra...(+)
Concert Band - Grade 3
SKU:
AP.36-50100344
Composed by Karl L. King.
Arranged by Gene Milford.
Concert Band; Performance
Music Ensemble. Concert
Band - LudwigMasters.
Score and Part(s).
Duration 2:00.
LudwigMasters
Publications
#36-50100344. Published
by LudwigMasters
Publications
(AP.36-50100344).
UPC:
659359767838.
English.
Trouping
Days is a popular band
wagon march, played fast
and loud as the band rode
through towns to attract
customers. This
arrangement by Gene
Milford exhibits Karl
King's wonderful gift for
melody and is scored for
the current concert band
from his original
edition. (2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Trouping Days Orchestre d'harmonie [Conducteur] - Facile LudwigMasters Publications
Concert Band - Grade 3 SKU: AP.36-50105344 Composed by Karl L. King. Arra...(+)
Concert Band - Grade 3
SKU:
AP.36-50105344
Composed by Karl L. King.
Arranged by Gene Milford.
Concert Band; Performance
Music Ensemble. Concert
Band - LudwigMasters.
Score. Duration 2:00.
LudwigMasters
Publications
#36-50105344. Published
by LudwigMasters
Publications
(AP.36-50105344).
ISBN
9798892703109. UPC:
659359647932.
English.
Trouping
Days is a popular band
wagon march, played fast
and loud as the band rode
through towns to attract
customers. This
arrangement by Gene
Milford exhibits Karl
King's wonderful gift for
melody and is scored for
the current concert band
from his original
edition. (2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by
Sean O'Loughlin. FS-SWS.
Carl Fischer Concert
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation.
32+8+8+4+8+8+8+4+4+4+4+4+
4+4+8+8+8+4+4+6+6+6+4+8+2
+4+2+4+8+32 pages. Carl
Fischer Music #CPS2.
Published by Carl Fischer
Music (CF.CPS2).
ISBN
9780825837258. UPC:
798408037253. 9 X 12
inches. Key: Eb
major.
A boldly
rhythmic and strikingly
tuneful piece by a gifted
young composer, Days Of
Glory, written in the
style of a concert
overture, is destined to
be a favorite for
contest/festival use. The
middle section has a
soaring lyrical idea that
is richly scored and
makes memorable and
sonorous use of the full
band at the climax.
Duration: 6'.
Wind Band - Grade 3 SKU: YM.GTW01090192 Composed by Arashi. Arranged by H...(+)
Wind Band - Grade 3
SKU:
YM.GTW01090192
Composed by Arashi.
Arranged by Hideaki
Miura. Concert Band. New
Sounds in Brass (NSB).
J-POP. Score & Parts.
Yamaha Music Media
#GTW01090192. Published
by Yamaha Music Media
(YM.GTW01090192).
ISBN
9784636901924.
New
Sounds in Concert Band
Series (NSB). 11 songs
composed for ARASHI,
Japanese boys idle group
Duration: approx7'15
Arranged by Hideaki
Miura
ARASHI; We
can make it!; Beautiful
days; One Love; A Day in
Our Life; Kitto Daijobu;
Kaze no Muko e(Over the
Wind); Happiness; Sakura
Sake; WISH; Love so
sweet.
Full Score. Composed by Victor Young. Arranged by Alfred Reed. Southern M...(+)
Full Score.
Composed by Victor Young.
Arranged by Alfred Reed.
Southern Music.
Softcover. 12 pages.
Southern Music Company
#S956FS. Published by
Southern Music Company
(HL.236121).
0.5
Band concert band - Level 3 SKU: KJ.WB439F Composed by Andrew Boysen, Jr....(+)
Band concert band - Level
3
SKU: KJ.WB439F
Composed by Andrew
Boysen, Jr. Score only.
Neil A. Kjos Music
Company #WB439F.
Published by Neil A. Kjos
Music Company
(KJ.WB439F).
UPC:
084027042274.
Brigh
t Sunny Days opens with
diminished chords hinting
at the tension before the
final school bell rings
on the last day of
school. The clock chimes
and summer begins! This
fast and light-hearted
piece will delight your
students.
(Featuring: Joy to the World / What Child Is This? / The Twelve Days of Christma...(+)
(Featuring: Joy to the
World / What Child Is
This? / The Twelve Days
of Christmas / Angels We
Have Heard on High).
Arranged by Roland
Barrett. Concert Band.
Belwin Concert Band.
Form: Medley. Christmas;
Winter. Grade 3. Score
and parts. 260 pages.
Published by Alfred Music
Publishing
Home Days Orchestre d'harmonie [Conducteur] - Débutant Kjos Music Company
Band concert band - Grade 1 SKU: KJ.WB493F Composed by Ryan Nowlin. Conce...(+)
Band concert band - Grade
1
SKU: KJ.WB493F
Composed by Ryan Nowlin.
Concert Marches.
Tradition of Excellence,
Excellence In
Performance. Score only.
Neil A. Kjos Music
Company #WB493F.
Published by Neil A. Kjos
Music Company
(KJ.WB493F).
ISBN
9788402704870. UPC:
8402704875.
Home
Days (Concert March) is
inspired by county fairs
and town gatherings in
which communities come
together in celebration
and fellowship. Imagine
being seated on the
Ferris wheel at the
center of the
fairgrounds, soaking in
all the sights, sounds,
and smells. Even the
livestock barns which
show the accomplishments
of the local farmers and
ranchers create a sense
of homecoming and
wellbeing. is march
embodies music you might
hear throughout the
hustle and bustle of the
fair. Score only --
complete score and parts
also available:
WB493.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44013340 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.44013340
Concert Band Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover.
Duration 360 seconds.
Anglo Music Press
#AMP451010. Published by
Anglo Music Press
(HL.44013340).
Highdays and
Holidays was commissioned
by the South Berks
Concert Band to celebrate
its 40th anniversary in
2016. The band
rehearsesin the village
of Mortimer, which has a
long and fascinating
history dating back to,
and beyond, the Bronze
Age. Mortimer is famous
for The Mortimer Revel,
an annual event which was
apparently a fairly
rumbustious and sometimes
violent affair. Highdays
and Holidays seeks to
capture some of this
festive event in the form
of an energetic overture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Concert Band (Score) - Grade 4 SKU: HL.44013341 Concert Band Score...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44013341
Concert Band
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 30
pages. Duration 360
seconds. Anglo Music
Press #AMP451140.
Published by Anglo Music
Press (HL.44013341).
UPC:
888680922962.
Highd
ays and Holidays was
commissioned by the South
Berks Concert Band to
celebrate its 40th
anniversary in 2016. The
band rehearsesin the
village of Mortimer,
which has a long and
fascinating history
dating back to, and
beyond, the Bronze Age.
Mortimer is famous for
The Mortimer Revel, an
annual event which was
apparently a fairly
rumbustious and sometimes
violent affair. Highdays
and Holidays seeks to
capture some of this
festive event in the form
of an energetic overture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Auld Lang Syne Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000776-140 Arranged by Menn...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000776-140
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000776-140. Published by
Gobelin Music
Publications
(BT.GOB-000776-140).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000776-010 Arranged by Menn...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000776-010
Arranged by Menno
Haantjes. Set (Score &
Parts). 81 pages. Gobelin
Music Publications #GOB
000776-010. Published by
Gobelin Music
Publications
(BT.GOB-000776-010).
Whereas ‘Auld
Lang Syne’ may be
considered the best-known
Scottish song ever, yet
at the same time it is an
obscure one, for there
are but few people who
know the complete text by
heart. After the
familiar ‘Should auld
acquaintance be forgot
.....‘ many people take
their refuge to lyrics
like ‘rum tee dum ta
dee ..... lah, lah, lah
........... for auld lang
syne’. Even in
Scotland only a handful
of persons know the
entire text and are able
to give a correct
rendering of it. The
current lyrics have been
attributed to the
Scottish poet Robert
Burns. Burns, however, he
did not write the whole
poem : after he had heard
an old man sing the
centuries-old
Scotchballad, he wrote it
down and added a number
of stanzas (1788).
Historical research
teaches us that the
ballad served many
purposes, both political
and religious.
Nowadays, ‘Auld Lang
Syne’ is sung as a
Christmas Carol and it is
also sung on New Year’s
Eve at the turning of the
year. Apart from that,
though, the song is also
sung on many other
occasions sometimes with
different lyrics, which
usually have Love,
Friendship and/or Parting
as their themes, as these
go well with the
fascinating melody.
In this arrangement
a low-sounding solo
instrument is central.
The harmonization in the
accompaniment fits in
perfectly with the
sentiments this song will
evoke.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
be forgot. And days
of auld lang syne?
For auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
Misschien wel het
meest bekende Schotse
lied, maar tegelijkertijd
ook het minst bekende, er
zijn er maar weinig
mensen die de tekst mee
kunnen zingen. Na het
bekende ‘Should auld
acquaintaintance be
forgot and .....‘
vervallenvelen in ‘rum
tee dum ta dee ..... lah,
lah, lah ........... for
auld lang syne’.
Zelfs in Schotland is
maar een enkeling in
staat de tekst correct
weer te geven. De
huidige versie wordt
toegeschreven aan de
Schotse dichterRobert
Burns. Burns heeft echter
niet de hele tekst
gemaakt. Toen hij de
eeuwen oude Schotse
ballade door een oude man
hoorde zingen, heeft hij
enkele verzen toegevoegd
(1788). Historisch
onderzoek leert dat de
ballade voorveel
doeleinden gebruikt werd,
voor politieke als ook
religieuze doelen.
Tegenwoordig wordt
‘Auld Lang Syne’
gebruikt als Christmas
Carol en wordt het
gezongen tijdens de
jaarwisseling op
oudejaarsavond.Het lied,
soms meteen andere tekst,
wordt echter op veel meer
plaatsen gebruikt.
Liefde, Vriendschap en
Afscheid zijn dan meestal
de sentimenten die
gecombineerd worden met
de meeslepende
melodie.
In dit
arrangement staat een
‘laag’
solo-instrumentcentraal.<
br> De harmonisatie in de
begeleiding sluit
naadloos aan bij deze
gevoelens die dit lied
oproepen.
Should
auld acquaintance be
forgot And never
brought to mind?
Should auld acquintance
beforgot And days of
auld lang syne? For
auld lang syne, my
dear, For auld lang
syne, We’ll take a
cup of kindness yet,
For auld lang syne.
The Baron of Dedem Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-001135-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-001135-140
Composed by Carl
Wittrock. Score Only. 36
pages. Gobelin Music
Publications #GOB
001135-140. Published by
Gobelin Music
Publications
(BT.GOB-001135-140).
The Baron of
Dedem once ruled over a
large plot of peat in the
Netherlands. 1809 saw the
beginning of the
construction of a canal
to transport this fuel,
so important in those
days. The canal was named
after the Baron, as was
the nearby village. This
work describes the
establishment of the
canal and the village,
but also life in the
region nowadays, thereby
setting a slice of Dutch
life to music.
Met The Baron
of Dedem verklankt
Wittrock op bijzondere
wijze een mooi stukje
Nederlandse geschiedenis.
Baron van Dedem heerste
200 jaar geleden over een
aanzienlijk gebied waar
turf werd gewonnen. Toen
begin negentiende eeuween
groot kanaal werd
gegraven om deze
brandstof te vervoeren,
kreeg deze vaart de naam
Dedemsvaart mee. Ook een
nabijgelegen dorp kreeg
deze toepasselijke naam.
Dit werk beschrijft het
ontstaan van het kanaal
en het dorp. Maarook
staat het hedendaagse
leven op en rond de vaart
centraal. Dit werk werd
speciaal geschreven ter
gelegenheid van het
tweehonderdjarig jubileum
van Dedemsvaart. The
Baron of Dedem is
geschreven in opdracht
van muziekverenigingJubal
uit Dedemsvaart
(Nederland) ter
gelegenheid van het
200-jarig jubileum van De
Dedemsvaart.
Der
Baron von Dedem herrschte
einst über ein
großes Torfabbaugebiet
in den Niederlanden. Im
Jahre 1809 begann man zum
Abtransport des damals so
wichtigen Brennstoffs
einen Kanal zu bauen, der
nach dem Baron
Dedemsvaart genannt wurde
und in der Folge auch
einem nahe gelegenen Dorf
seinen Namen gab. Dieses
Werk beschreibt die
Entstehung des Kanals und
des Dorfes, aber auch das
Leben in der Region heute
und setzt damit ein
Stück
niederländischer
Geschichte in Musik
um.
Il
Barone di Dedem possedeva
una torbiera in una
provincia dei Paesi
Bassi. Nel 1809, l’uomo
ebbe l’idea di
costruire un canale per
facilitare il trasporto
della torba. Il canale
prese il nome del
proprietario e contribuì
alla prosperit dei
villaggi limitrofi. Al
culmine delle attivit
commerciali, il barone
dovette ridurre
l’importanza del
progetto per mancanza di
fondi. Carl Wittrock
firma con passione una
pagina musicale della
provincia olandese di
Overijssel.
Chapters of Life Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Tuba Solo - Grade 6 SKU: BT.DHP-1115083-140 ...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 6
SKU:
BT.DHP-1115083-140
For Tuba solo & Wind
orchestra. Composed
by Marco Putz. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2011. 72 pages.
De Haske Publications
#DHP 1115083-140.
Published by De Haske
Publications
(BT.DHP-1115083-140).
9x12 inches.
English-German-French-Dut
ch.
Chapters of
Life is a moving
concerto that musically
carries the positive
message that even
life’s hardest
knocks don’t mean
the end. In three
movements: Wild Days,
To Dana and
Chapters of Life,
the solo trombone and
solo tuba enter into a
dialogue and the alto
flute is also given an
opportunity to
shine.News: Selected as a
FINALIST in the 2012 ITEA
Composition Contest (USA)
Chapters of
Life is een roerend
concert met een positieve
boodschap. Al zijn de
tegenslagen nog zo groot,
ze hoeven niet het einde
te betekenen...
Chapters of Life
brengt deze boodschap
bijzonder goed over. In
de driedelen Wild
Days, To Dana en
Chapters of Life
horen we een dialoog
tussen een trombone en
een tuba. En ook een
altfluit mag zich van
zijn beste kant laten
zien.Geselecteerd als
FINALIST bij de 2012 ITEA
CompositionContest
(USA)
Chapters
of Life ist ein
bewegendes Konzert, das
die positive Botschaft,
dass auch die schwersten
Schicksalsschläge
nicht das Ende des Lebens
bedeuten, musikalisch gut
herüberbringt“.
In den drei Sätzen -
Wild Days, To Dana
und Chapters of
Life betitelt - tritt
eine Solo-Posaune mit der
Solo-Tuba in den Dialog
und auch eine Altflöte
darf sich solistisch
präsentieren.Aktuelles
: Das Werk steht in der
Endauswahl des ITEA
Wettbewerbs der
Kompositionen 2012
(USA)
Chapters of
Life ci ricorda che i
momenti difficili che
incontriamo nel corso
della vita sono solamente
temporanei. Dovremmo, al
contrario, apprezzare
maggiormente ogni giorno,
con i suoi alti e bassi,
concentrandoci
soprattutto sugli aspetti
positivi. E’
l’ottimismo con il
quale tutti noi dovremmo
affrontare la vita, che
è evocato in questo
brano in tre movimenti,
To Dana, A Celebration
of Life e Chapters
of Life.News:
Selected as a FINALIST in
the 2012 ITEA Composition
Contest (USA).
Concert Band/Harmonie and Tuba Solo - Grade 6 SKU: BT.DHP-1115083-010 ...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 6
SKU:
BT.DHP-1115083-010
For Tuba solo & Wind
orchestra. Composed
by Marco Putz. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115083-010. Published by
De Haske Publications
(BT.DHP-1115083-010).
9x12 inches.
English-German-French-Dut
ch.
Chapters of
Life is a moving
concerto that musically
carries the positive
message that even
life’s hardest
knocks don’t mean
the end. In three
movements: Wild Days,
To Dana and
Chapters of Life,
the solo trombone and
solo tuba enter into a
dialogue and the alto
flute is also given an
opportunity to
shine.News: Selected as a
FINALIST in the 2012 ITEA
Composition Contest (USA)
Chapters of
Life is een roerend
concert met een positieve
boodschap. Al zijn de
tegenslagen nog zo groot,
ze hoeven niet het einde
te betekenen...
Chapters of Life
brengt deze boodschap
bijzonder goed over. In
de driedelen Wild
Days, To Dana en
Chapters of Life
horen we een dialoog
tussen een trombone en
een tuba. En ook een
altfluit mag zich van
zijn beste kant laten
zien.Geselecteerd als
FINALIST bij de 2012 ITEA
CompositionContest
(USA)
Chapters
of Life ist ein
bewegendes Konzert, das
die positive Botschaft,
dass auch die schwersten
Schicksalsschläge
nicht das Ende des Lebens
bedeuten, musikalisch gut
herüberbringtâ€Å
“. In den drei Sätzen
- Wild Days, To
Dana und Chapters
of Life betitelt -
tritt eine Solo-Posaune
mit der Solo-Tuba in den
Dialog und auch eine
Altflöte darf sich
solistisch
präsentieren.Aktuelles
: Das Werk steht in der
Endauswahl des ITEA
Wettbewerbs der
Kompositionen 2012
(USA)
Chapters of
Life ci ricorda che i
momenti difficili che
incontriamo nel corso
della vita sono solamente
temporanei. Dovremmo, al
contrario, apprezzare
maggiormente ogni giorno,
con i suoi alti e bassi,
concentrandoci
soprattutto sugli aspetti
positivi. E’
l’ottimismo con il
quale tutti noi dovremmo
affrontare la vita, che
è evocato in questo
brano in tre movimenti,
To Dana, A Celebration
of Life e Chapters
of Life.News:
Selected as a FINALIST in
the 2012 ITEA Composition
Contest (USA).
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
(for Drumset And Band). By Ted Huggens. For Concert Band. Percussion Solo and Wi...(+)
(for Drumset And Band).
By Ted Huggens. For
Concert Band. Percussion
Solo and Wind Band /
Original Works Light
Music Repertoire / Little
Solo concerts. Solo and
Band Series. Grade 3.
Score and Parts. Duration
4 minutes, 50 seconds.
Published by Molenaar
Edition
Concert Band, Grade 3
7:40 Score. Composed
by Carl Wittrock. De
Haske Concert Band.
Softcover. Duration 460
seconds. Gobelin Music
Publications
#GOB001135-140. Published
by Gobelin Music
Publications
(HL.44012277).
UPC:
888680057770.
The
Baron of Dedem once ruled
over a large plot of peat
in the Netherlands. 1809
saw the beginning of the
construction of a canal
to transport this fuel,
so important in those
days. The canal was named
after the Baron, as was
the nearby village. This
work describes the
establishment of the
canal and the village,
but also life in the
region nowadays, thereby
setting a slice of Dutch
life to music.
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
The Road to the West Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000753-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000753-140
Composed by Carl
Wittrock. Score Only.
Gobelin Music
Publications #GOB
000753-140. Published by
Gobelin Music
Publications
(BT.GOB-000753-140).
As he did
before in the often
played and commonly
appreciated ‘Lord
Tullamore’, in which he
poetically depicted the
landscape and the
cultural elements of a
small Irish village, in
his composition ‘The
Road to the West’ Carl
Wittrock has sketched
pioneer existence in
America in a cinematic
manner. In ‘The Road
to the West’ the
composer has tried to
capture images of pioneer
life during the period
dating from 1850 to 1890,
the days of the so-called
Wild West. In those
days, the Wild West used
to be the territory west
of civilization, the
domain of cowboys,
trappers, and other
fortune hunters. In
short, ample ingredients
for a captivating
story.
In the
firstscene a lonely
adventurer struggles
against nature and the
elements. After an
exciting adventure he
passes through ‘the
Plains’, where majestic
views alternated by
colossal mountain ranges
display an almost
unimaginable
beauty. After weeks of
isolation civilization is
reached again. ‘The
Saloon’ is the perfect
meeting place here news
is exchanged and
hilarious scenes
regularly take place.
In navolging van
het veel gespeelde en
alom gewaardeerde ‘Lord
Tullamore’, waarin Carl
Wittrock op poëtische
wijze landschap en
culturele elementen van
een Iers dorpje
verklankt, wordt in
‘The Road to the
West’ op filmische
wijzehet pioniersbestaan
in Amerika
geschetst. De
componist betreedt in
‘The Road to the
West’ het pionierspad
in de periode tussen 1850
en 1890, de tijd van het
Wilde Westen. Het
Wilde Westen was het
gebied ten westen van de
beschaving,het domein van
cowboys, pelsjagers en
andere
gelukzoekers. Genoeg
ingrediënten voor een
boeiend
verhaal.
In de
eerste scene gaat een
avonturier, eenzaam en
alleen, de strijd aan met
de natuur en de
elementen. Na een
spannend avontuur trekt
hij door ‘the
Plains’, waar de weidse
vergezichten, afgewisseld
door kolossale
bergformaties een bijna
niet onder woorden te
brengen schoonheid
tentoonspreiden. Na
weken van eenzaamheid
komttenslotte de bewoonde
wereld weer in beeld.
‘The Saloon’ is de
ontmoetingsplek bij
uitstek. Hier worden
ervaringen uitgewisseld
en spelen zich vaak
hilarische taferelen
af.
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-010
Composed by Harrie
Janssen. Set (Score &
Parts). Gobelin Music
Publications #GOB
000915-010. Published by
Gobelin Music
Publications
(BT.GOB-000915-010).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie, gebaseerd
op de taal van de gewone
man. Het was een reactie
op de aan strenge regels
gebonden poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be