| If I Didn't Have You (from Monsters, Inc.) Orchestre d'harmonie - Facile Hal Leonard
(from Monsters, Inc.). Discovery Concert Band Plus. Grade 2. Score and full set ...(+)
(from Monsters, Inc.).
Discovery Concert Band
Plus. Grade 2. Score and
full set of parts.
Published by Hal Leonard.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| MacArthur Park Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-142-140 Arranged by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-142-140
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2005. 28 pages.
Anglo Music Press #AMP
142-140. Published by
Anglo Music Press
(BT.AMP-142-140). 9x12
inches. Over a
period of four decades
Jimmy Webb (b. 1946) has
written hits for a number
of singers including Glen
Campbell, Art Garfunkel,
Frank Sinatra, Willie
Nelson, Johnny Cash and
Linda Ronstadt. His songs
are often epic in
character and include By
the Time I Get to
Phoenix; Up, Up and Away;
Didn’t We; Wichita
Lineman and Galveston.
MacArthur Park (1968) was
unlike anything that had
gone before it. Running
at over 7 minutes, it is
2 or 3 times the length
of most pop songs and has
an extended orchestral
interlude. Richard
Harris’ seminal
recording topped the
music charts in Europe,
while peaking at number
two on the U.S. charts.
Philip Sparke has made
this excellentarrangement
for concert band, which
is sure to become a
regular feature on your
concert programme.
MacArthur
Park van Jimmy Webb,
een nummer dat uitkwam in
1968, was niet te
vergelijken met alles wat
daarvoor was gemaakt. Met
een duur van meer dan
zeven minuten is deze
song twee of drie keer zo
lang als de meeste
popsongs,ook het
orkestraal tussenspel is
bijzonder. Richard
Harris’ originele
opname stond bovenaan in
de hitparades van Europa
en op nummer 2 in de
Verenigde Staten. Philip
Sparke schreef een
fantastisch arrangement
dat zowel uw
muzikantenals uw publiek
zal
aanspreken.
Jimmy
Webbs Musik kennt jeder:
sei es als Musik zur
Fernsehserie Emergency
Room oder als einen
der Hits von großen
Stars wie Frank Sinatra,
Johnny Cash, Linda
Ronstadt und vielen
anderen. Mit dem Popsong
MacArthur Park
gelang Webb ein Riesenhit
im Jahr 1968. Das Lied
über eine verlorene
Liebe ist ungewöhnlich
lang für einen Popsong
und enthält ein
ausgearbeitetes
Orchester-Zwischenspiel.
Grund genug für Philip
Sparke, diesen Hit für
Blasorchester zu
bearbeiten.
Pendan
t plus de quarante ans,
Jimmy Webb (1946) a
composé des chansons
succès pour divers
artistes tels que Glen
Campbell, Art Garfunkel,
Frank Sinatra, Willie
Nelson, Johnny Cash et
Linda Ronstadt. En 1968,
il écrit MacArthur
Park, une chanson
complètement
novatrice. D’une
durée de plus de sept
minutes, elle est deux
trois fois plus longue
que la plupart des
succès pop et contient
un grand interlude
orchestral. La version
d’anthologie de
MacArthur Park,
interprétée et
enregistrée par
Richard Harris,
s’est classée
en tête des
hit-parades européens
et numéro 2 aux
États-Unis.
Pe
r oltre quarant’
anni, Jimmy Webb (1946)
ha composto canzoni di
successo per artisti come
Glen Campbell, Art
Garfunkel, Frank Sinatra,
Willie Nelson, Johnny
Cash e Linda Ronstadt.
Nel 1968, scrive
MacArthur Park,
una canzone totalmente
innovativa. Di una durata
di oltre sette minuti,
è da due a tre volte
più lunga della
maggior parte dei
successi pop e contiene
un interludio
orchestrale. La versione
d’antologia di
MacArthur Park,
interpretata ed incisa da
Richard Harris, è
stata in testa alle
hit-parade europee e
seconda negli Stati
Uniti. $27.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eldorado Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-140 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.DHP-1206260-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2020. 39
pages. De Haske
Publications #DHP
1206260-140. Published by
De Haske Publications
(BT.DHP-1206260-140).
English-German-French-
Dutch. The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Le mythe de
l’El Dorado («
le doré ») raconte
qu’un puissant
seigneur se faisait
enduire de poudre
d’or avant de se
baigner dans un lac
sacré où il jetait
des objets précieux en
offrandes aux dieux. Ce
mythe a rapidement
été relayé par
les conquistadors
espagnols et est
l'origine de nombreuses
expéditions. Mais les
envahisseurs
rapportèrent beaucoup
moins d'or qu'ils
n'espéraient. la fois
mystérieuse et
dynamique,
Eldorado est une
œuvre qui dépeint
le mythe de
l’homme doré et
les expéditions
européennes
qu’il inspira. Gr
ce ses échos
ethniques, la musique est
riche et variée. Cette
Å“uvre est une
commande de
l’association
culturelle Lille 3000
pour
l’éditionthé
matique Eldorado du
festival 2019. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eldorado Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1206260-010 Composed by Thi...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.DHP-1206260-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2020.
De Haske Publications
#DHP 1206260-010.
Published by De Haske
Publications
(BT.DHP-1206260-010).
English-German-French-
Dutch. The myth of
El Dorado (“the
golden oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn’t
bring back nearly as much
gold as they expected, if
any at all.
Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of
theirEldorado-themed
festival in 2019.
De mythe van El
Dorado (de man van goud)
is het verhaal van een
machtig opperhoofd die
zichzelf met goudpoeder
bedekte voordat hij ging
baden in een heilig meer
waar hij ook kostbare
voorwerpen aan de goden
offerde. Deze mythe werd
al snel bekend bij de
Spaanse conquistadores en
vormde de aanzet tot vele
expedities, hoewel de
veroveraars niet met
grote hoeveelheden goud
terugkwamen, zoals ze
hadden gehoopt.
Eldorado is een
mysterieus, dynamisch
werk dat het verhaal van
de gouden man verklankt,
alsmede de Europese
expedities die op touw
werden gezet. Met een
vleugje exotische
invloeden is de muziek
gevarieerd en rijk aan
schakeringen. Het werk
werd geschreven in
opdrachtvan de Franse
culturele organisatie
Lille 3000 als onderdeel
van het thematische
programma Eldorado in
2019.
Der Mythos
von El Dorado (der
Goldene“) handelt
von einem mächtigen
Herrscher, der sich vor
dem Baden in einem
heiligen See mit
Goldstaub bedeckte und
als Opfergaben an die
Götter kostbare
Gegenstände in den See
warf. Der Mythos sprach
sich bald bei den
spanischen Eroberern
herum und war der Grund
für zahlreiche
Expeditionen doch sie
fanden nicht annähernd
so viel Gold, wie sie
erhofft hatten.
Eldorado ist ein
geheimnisvolles und
dynamisches Werk, das den
Mythos des goldenen
Mannes“ und die
daraus resultierenden
Expeditionen der
Europäer darstellt.
Durch ethnische
Anklänge ist die Musik
sehr abwechslungsreich.
Dieses Stück wurde vom
französischen
Kulturverein Lille3000
für den
Themenschwerpunkt
Eldorado“ im Jahr
2019 in Auftrag gegeben.
Le mythe de
l’El Dorado («
le doré ») raconte
qu’un puissant
seigneur se faisait
enduire de poudre
d’or avant de se
baigner dans un lac
sacré où il jetait
des objets précieux en
offrandes aux dieux. Ce
mythe a rapidement
été relayé par
les conquistadors
espagnols et est
l'origine de nombreuses
expéditions. Mais les
envahisseurs
rapportèrent beaucoup
moins d'or qu'ils
n'espéraient. la fois
mystérieuse et
dynamique,
Eldorado est une
œuvre qui dépeint
le mythe de
l’homme doré et
les expéditions
européennes
qu’il inspira. Gr
ce ses échos
ethniques, la musique est
riche et variée. Cette
Å“uvre est une
commande de
l’association
culturelle Lille 3000
pour
l’éditionthé
matique Eldorado du
festival 2019. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cosmopolydian for Wind Band Orchestre d'harmonie Metropolis Music Publishers
Wind Band SKU: IS.WE7090EM Composed by Nico Schoeters. Ensembles - Wind B...(+)
Wind Band SKU:
IS.WE7090EM Composed
by Nico Schoeters.
Ensembles - Wind Band.
Metropolis Music
Publishers #WE7090EM.
Published by Metropolis
Music Publishers
(IS.WE7090EM). ISBN
9790365070909. Nico
Schoeters took his first
percussion lessons with
Eric Buyle in the Academy
for Music and Word in
Boom, near Antwerp, after
getting the hang of it
through private lessons
by Jozef Vervliet.
Afterwards he continued
his music studies at the
Royal Conservatory of
Antwerp, where he was
taught by Leo Ouderits,
Carlo Willems and Koen
Wilmaers. In 1998 he
graduated there with
great distinction as
Master in percussion.
After cooperating on
various projects in
Belgium and abroad as a
freelance percussionist,
Nico took up a position
as a percussionist in the
National Orchestra of
Belgium. However, despite
of all his achievements
as a percussionist, Nico
Schoeters didn’t
take his first musical
steps by playing
percussion, but by
playing the piano. His
love for the piano
remained a common thread
in his musical career.
For example, he played
numerous gigs as a
pianist with his jazz
quartet ‘Just
Friends, consisting of a
number of top musicians
who are his friends. In
addition he started
composing piano works in
2012. Cosmopolydian is my
first composition for
symphonic windband. It's
a solo piece for flute
and vibraphone which is
dedicated to Inge Smedts,
principal piccolo at the
Royal Wind Band of the
Belgian Guides. It is
written in the context of
a musical project
‘Cocktail Maison'.
This project includes a
concert on May 25th, 2017
in De Singel in Antwerp
where this work will be
premiered, a CD recording
and a concert tour. All
the pieces for this
project are new
compositions by Piet
Swerts, Jef Neve, Klaas
Coulembier, Etienne
Houben, Bart Watté,
Jan Huylebroeck, Francois
Glorieux and myself. All
the compositions are
inspired by a cocktail.
My choice is the
Cosmopolitan, but the
non-alcoholic version,
the mocktail actually.
The title Cosmopolydian
is a nod to the lydian
scale which I used as a
base for the majority of
the piece. The idea
behind the music is an
image of children
enjoying themselves,
worry-free, during the
holidays. Tired but
satisfied, they go to
sleep and have wonderful
dreams. The next day they
wake up to start a
beautiful new day.The
work is constructed in a
typical ABA form. A quick
first part:
‘sparkling
allegro', which of course
should sound very light
and playful. A slow
middle part warm adagio,
in which the beautiful
dreams become audible.
The last part is a
re-exposition of the
first part in which
eventually all the themes
merge into the final. $134.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eldorado Orchestre d'harmonie De Haske Publications
Concert Band (SCORE) - Level 3.5 SKU: HL.4006573 Composed by Thierry Dele...(+)
Concert Band (SCORE) -
Level 3.5 SKU:
HL.4006573 Composed
by Thierry Deleruyelle.
De Haske Concert Band.
Concert. Softcover.
Duration 495 seconds. De
Haske Publications
#032613. Published by De
Haske Publications
(HL.4006573). UPC:
840126915099. The
myth of El Dorado
(“The Golden
Oneâ€) stems from
the story of a powerful
chief who used to cover
himself with gold dust
before bathing in a
sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn't bring
back nearly as much gold
as they expected, if any
at all. Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of their
Eldorado-themed festival
in 2019. $31.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Tribute to Harry James Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Hal Leonard
Arranged by Sammy Nestico. (Score & Parts). Score and full set of parts. Hal Hal...(+)
Arranged by Sammy
Nestico. (Score & Parts).
Score and full set of
parts. Hal Hal Leonard
Concert Band Series.
Grade 4. Size 9x12
inches. Published by Hal
Leonard.
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eldorado Orchestre d'harmonie De Haske Publications
Concert Band (SCORE+PARTS) - Level 3.5 SKU: HL.4006572 Composed by Thierr...(+)
Concert Band
(SCORE+PARTS) - Level 3.5
SKU: HL.4006572
Composed by Thierry
Deleruyelle. De Haske
Concert Band. Concert.
Softcover. Duration 620
seconds. De Haske
Publications #032613.
Published by De Haske
Publications
(HL.4006572). UPC:
840126915082. 9.0x12.0
inches. The myth of
El Dorado (“The
Golden Oneâ€) stems
from the story of a
powerful chief who used
to cover himself with
gold dust before bathing
in a sacred lake where he
threw precious objects as
offerings to the gods.
The myth was soon relayed
to the Spanish
conquistadors and
inspired many
expeditions, although the
invaders didn't bring
back nearly as much gold
as they expected, if any
at all. Eldorado is a
mysterious and dynamic
work that illustrates the
myth of the golden man
and the European
expeditions that
followed. With a touch of
exotic influences, the
music is varied and rich.
This piece was
commissioned by the
French Cultural
Association Lille 3000 as
part of their
Eldorado-themed festival
in 2019. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenata Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band; Euphonium (Score) - Grade 4 SKU: HL.4008219 For Euphoniu...(+)
Concert Band; Euphonium
(Score) - Grade 4 SKU:
HL.4008219 For
Euphonium and Concert
Band Solo Spectrum
Series. Composed by
Jan Van der Roost. De
Haske Concert Band.
Concert. Duration 720
seconds. De Haske
Publications #033383.
Published by De Haske
Publications
(HL.4008219). UPC:
196288139102. While
composing Serenata, Jan
Van der Roost didn't
focus too much on
virtuosity, acrobatics or
spectacle. Instead, he
wanted to let the solo
instrument shine as a
melodic and expressive
voice. And indeed: the
warm sound of the
euphonium touches the
heart of the audience
straight away in the
first section with a
melodious theme. Then
follows a rigaudon, a
noble and elegant dance
from the Renaissance era.
Despite the fact that
some of the variations on
the main theme require
some technique and
agility, the overall
character mostly remains
songful. The composition
as a whole builds further
on these two musical
ingredients, but thanks
to a clever alternation
of melodic and technical
passages, it offers a
nice stylistic diversity
to the listeners. The
band is definitely not
'just accompanying' but
fully participates and
begins a dialogue with
the soloist: both musical
partners have their say.
The end is more
spectacular and sonorous,
giving an extra boost of
energy to the soloist as
well as the band in a
grand finale! $40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Pied Piper of Hamelin Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
4 SKU: HL.4007945
For Concert Band,
Grade 4, 14:17 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 857
seconds. Hal Leonard
#SDP041.21-01. Published
by Hal Leonard
(HL.4007945).
Stories, sagas
and legends--who among us
doesn't know them? Always
delivered with a tinge of
brutality, these
cautionary tales are a
legacy of moral education
from times past:
inquisitive children
alone in the forest are
generally eaten by a
witch; the
“Soup-Kasperâ€
of Hoffmann's
Struwwelpeter dies from
starvation rather than
eating his soup; anyone
letting in strangers
usually gets devoured;
anyone who plays with
matches gets burned; and
thumb-suckers get their
thumbs cut off. The list
of unfortunate demises is
almost endless.In the
tale of The Pied Piper of
Hamelin, parents lose
their children through
greed, ridicule, scorn
and a failure to
appreciate art. There is
still a street in the
town of Hamelin in which
neither drumming nor
playing has not been
allowed since 130
children disappeared into
a mountain, never to be
seen again. This
composition by Otto M.
Schwarz opens with
exactly this scene,
taking us back to the
year 1284. As in many
towns at the time,
Hamelin in Germany
suffered with hygiene
problems--rats and mice
began to multiply
rapidly, and the town was
overrun with the plague.
There appeared a man
dressed in colorful
clothes who promised the
locals to free them from
this burden. They agreed
and settled on a fee.
Then the man pulled out a
pipe and began to play.
When the rats and mice
heard this, they followed
him. He led the animals
into the Weser River,
where they all drowned.
Back in town, the people
refused to pay him. They
didn't recognize this
man's skills and
knowledge and were only
prepared to pay for
simple labour. A pact
with the devil was made,
which led to the Pied
Piper leaving the town in
a furious rage. One
Sunday, when many people
were at church, he
returned, took out his
flute and began to play.
The town's children were
so enchanted by his
playing that they
followed him. He led them
out of the town and
disappeared with them
forever into a mountain.
Of all the children, only
two survived--however one
was mute, and one was
blind. In the street from
which the children left
Hamelin, music may no
longer be played in
memory of this event. $38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Renegade Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4466-75 Composed by Huckeby. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4466-75
Composed by Huckeby.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 56 seconds. Opus
III Wind Orchestra
Publications
#012-4466-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4466-75).
This unique
work is a tribute to the
legacy of legendary
humorist, newspaper
columnist, social
commentator, and stage
and motion picture actor
Will Rogers. Although
Rogers never met a man he
didn't like, his wit
earned him a colorful
reputation as a political
renegade and public
favorite. The music
contrasts the serious and
satirical sides of Rogers
and presents your
performing ensemble with
lyrical, rhythmic, and
metrical challenges. This
one has great appeal
which is sure to make it
a favorite of both your
performers and
audiences! $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Renegade Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4466-01 Composed by Huckeby. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4466-01
Composed by Huckeby.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 56
seconds. Opus III Wind
Orchestra Publications
#012-4466-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4466-01).
This unique
work is a tribute to the
legacy of legendary
humorist, newspaper
columnist, social
commentator, and stage
and motion picture actor
Will Rogers. Although
Rogers never met a man he
didn’t like, his
wit earned him a colorful
reputation as a political
renegade and public
favorite. The music
contrasts the serious and
satirical sides of Rogers
and presents your
performing ensemble with
lyrical, rhythmic, and
metrical challenges. This
one has great appeal
which is sure to make it
a favorite of both your
performers and
audiences! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Renegade Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Composed by Ed Huckeby. Concert Band Series. Score and parts. Duration 0:3:56. P...(+)
Composed by Ed Huckeby.
Concert Band Series.
Score and parts. Duration
0:3:56. Published by C.L.
Barnhouse
(CL.012-4466-00).
$74.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenata Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band; Euphonium (Score & Parts) - Grade 4 SKU: HL.4008218 For ...(+)
Concert Band; Euphonium
(Score & Parts) - Grade 4
SKU: HL.4008218
For Euphonium and
Concert Band Solo
Spectrum Series.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Duration
720 seconds. De Haske
Publications #033383.
Published by De Haske
Publications
(HL.4008218). UPC:
196288139096. 9.0x12.0
inches. While
composing Serenata, Jan
Van der Roost didn't
focus too much on
virtuosity, acrobatics or
spectacle. Instead, he
wanted to let the solo
instrument shine as a
melodic and expressive
voice. And indeed: the
warm sound of the
euphonium touches the
heart of the audience
straight away in the
first section with a
melodious theme. Then
follows a rigaudon, a
noble and elegant dance
from the Renaissance era.
Despite the fact that
some of the variations on
the main theme require
some technique and
agility, the overall
character mostly remains
songful. The composition
as a whole builds further
on these two musical
ingredients, but thanks
to a clever alternation
of melodic and technical
passages, it offers a
nice stylistic diversity
to the listeners. The
band is definitely not
'just accompanying' but
fully participates and
begins a dialogue with
the soloist: both musical
partners have their say.
The end is more
spectacular and sonorous,
giving an extra boost of
energy to the soloist as
well as the band in a
grand finale! $215.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Disney Movie Magic Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Arranged by James Christensen. Score and full set of parts. Young Band (Concert ...(+)
Arranged by James
Christensen. Score and
full set of parts. Young
Band (Concert Band).
Grade 3. Published by Hal
Leonard.
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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