Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Odyssee Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-140
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000508-140. Published by
Gobelin Music
Publications
(BT.GOB-000508-140).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-010
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
000508-010. Published by
Gobelin Music
Publications
(BT.GOB-000508-010).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series. Pop
& Rock. Set (Score &
Parts). Composed 2011.
Anglo Music Press #AMP
316-010. Published by
Anglo Music Press
(BT.AMP-316-010).
9x12
inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 28 pages. Anglo
Music Press #AMP 316-140.
Published by Anglo Music
Press (BT.AMP-316-140).
9x12 inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Concert Band (Score) - Grade 4 SKU: HL.4003060 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003060
Composed
by Richard L. Saucedo.
MusicWorks Grade 4.
Contest, Festival. Score.
20 pages. Published by
Hal Leonard (HL.4003060).
UPC: 884088574796.
10.5x14
inches.
This
intense and emotional
work was commissioned by
the Indiana Music
Educators Association and
was premiered at the 2011
IMEA Convention with the
composer conducting.
Written as a gift to
longtime friend of music
education, Dr. Tim
Lautzenheiser, the piece
is basically lyrical in
nature with beautiful
lines and colors. A brief
faster section, in the
words of the composer,
“describes that
uncomfortable time when
we are desperately trying
to find ourselves.”
The piece ends on a
solemn yet reaffirming
note, reminding us of the
importance of guides and
mentors along life's
pathway. Duration:
5:00.
One Little Spark Orchestre d'harmonie - Débutant Alfred Publishing
By Richard M. Sherman and Robert B. Sherman [Disney]. Arranged by Douglas E. Wag...(+)
By Richard M. Sherman and
Robert B. Sherman
[Disney]. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Score. Pop
Beginning Band. Pop.
Grade 1. Published by
Alfred Music
One Little Spark Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Richard M. Sherman and Robert B. Sherman [Disney]. Arranged by D...(+)
Composed by Richard M.
Sherman
and Robert B. Sherman
[Disney]. Arranged by
Douglas
E. Wagner. Concert Band.
Concert Band; Part(s);
Score.
Pop Beginning Band. Pop.
Grade
1. 130 pages. Published
by
Alfred Music
Mixed Bag Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1 SKU: BT.GOB-000764-010 Composed by Peter ...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.GOB-000764-010
Composed by Peter Martin.
Set (Score & Parts). 114
pages. Gobelin Music
Publications #GOB
000764-010. Published by
Gobelin Music
Publications
(BT.GOB-000764-010).
‘Mixed Bag’
stands midway between a
collection and a
hotchpotch. It is a
colourful compilation of
four completely different
pieces, each with its own
specific
character.
The
first part is called
‘Tanguillo’ : as its
name suggests, this
Spanish dance is related
to the Tango. In the
next part, ‘Maybe next
time ....’ a repeated
bass line (Passacaglia)
can be heard, first solo,
but thereafter gradually
the other instruments
join in. The third
part forms a huge
contrast did the former
part have a Baroque
atmosphere, ‘Rock
Hard’ seems to have
come directly from the
Rock ‘n Roll era,
reminding us of stars
such as Bill Haley and
Elvis Presley. The
finale is acheerful,
inciting movement called
‘Gypsy Dance’.
Mixed Bag’
houdt het midden tussen
collectie en ratjetoe.
Het is een bonte
verzameling van vier
verschillende stukjes met
ieder een heel eigen
karakter.
Het
eerste deel heet
‘Tanguillo’. Dit is
een Spaanse dans, die
zoalsde naam al doet
vermoeden verwantschap
vertoont met de
Tango. Daarna volgt
‘Maybe next time
....’. Dit deel bestaat
uit een steeds herhalende
baslijn (Passacaglia). De
eerste keer solo,
vervolgens komen de
andere instrumentenerbij.
Het derde deel vormt
een groot contrast.
Ademde deel twee vooral
een Baroksfeer uit,
‘Rock Hard’ komt
rechtstreeks uit de Rock
‘n Roll tijd van Bill
Haley en Elvis
Presley. De
afsluiting is vrolijk en
een tikkeltjeopzwepend:
‘Gypsy Dance’.
Mixed Bag Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1 SKU: BT.GOB-000764-140 Composed by Peter ...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.GOB-000764-140
Composed by Peter Martin.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000764-140. Published by
Gobelin Music
Publications
(BT.GOB-000764-140).
‘Mixed Bag’
stands midway between a
collection and a
hotchpotch. It is a
colourful compilation of
four completely different
pieces, each with its own
specific
character.
The
first part is called
‘Tanguillo’ : as its
name suggests, this
Spanish dance is related
to the Tango. In the
next part, ‘Maybe next
time ....’ a repeated
bass line (Passacaglia)
can be heard, first solo,
but thereafter gradually
the other instruments
join in. The third
part forms a huge
contrast did the former
part have a Baroque
atmosphere, ‘Rock
Hard’ seems to have
come directly from the
Rock ‘n Roll era,
reminding us of stars
such as Bill Haley and
Elvis Presley. The
finale is acheerful,
inciting movement called
‘Gypsy Dance’.
Mixed Bag’
houdt het midden tussen
collectie en ratjetoe.
Het is een bonte
verzameling van vier
verschillende stukjes met
ieder een heel eigen
karakter.
Het
eerste deel heet
‘Tanguillo’. Dit is
een Spaanse dans, die
zoalsde naam al doet
vermoeden verwantschap
vertoont met de
Tango. Daarna volgt
‘Maybe next time
....’. Dit deel bestaat
uit een steeds herhalende
baslijn (Passacaglia). De
eerste keer solo,
vervolgens komen de
andere instrumentenerbij.
Het derde deel vormt
een groot contrast.
Ademde deel twee vooral
een Baroksfeer uit,
‘Rock Hard’ komt
rechtstreeks uit de Rock
‘n Roll tijd van Bill
Haley en Elvis
Presley. De
afsluiting is vrolijk en
een tikkeltjeopzwepend:
‘Gypsy Dance’.
Under the Double Eagle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Richard Wagner (1813-1883). Arranged by James Swearingen. For concert band. Y...(+)
By Richard Wagner
(1813-1883). Arranged by
James Swearingen. For
concert band. Young Band.
Rising Band. Leading to
Command of the Concert
Band!. Grade 2. Score and
parts. Composed 2010.
Duration 1 minutes, 32
seconds. Published by
C.L. Barnhouse
Aerius Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS217F Composed by Carl Strommen. Co...(+)
Band Concert Band - Grade
3
SKU: CF.CPS217F
Composed by Carl
Strommen. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS217F. Published by
Carl Fischer Music
(CF.CPS217F).
ISBN
9781491153116. UPC:
680160910618.
The
title, Aerius, is a Latin
term meaning
“soaring†or
“rising
aloftâ€. This
piece is signature Carl
Strommen at his best. The
piece begins with a lush
brass chorale that is
developed before leading
to an energetic presto
section. The
composition comes full
circle and finishes with
a majestic return of the
chorale material from the
opening. A welcome
addition to the
repertoire. The
title Aerius is a
Latin term meaning
“soaring†or
“rising
aloft.†The
students chose this title
to signify the forward
momentum and overall
journey of their time in
the high school band
program. With new events
and performances, and a
first time commissioning
a work, this piece
signifies the great
strides the band has made
in recent years.The
opening brass chorale
section should be played
very connected, observing
the two-measure phrasing
and breathing as one
cohesive unit. The Presto
section at m. 25 should
be taken between 165-170
bpm. the vibraphone
soloist should use
medium-hard mallets with
the pedal on. The
sustained notes at m. 41
should be played way
under the upper woodwinds
to get the greatest
effect as it builds in
volume and intensity in
m. 49, and again into m.
57.At m. 69, the
percussion must sustain
the pulse to the
conductor’s tempo,
careful not to add
accents they’re
hearing among the other
sections. After the
ritardando in m. 83, push
the tempo at m. 85
slightly to where the
woodwinds feel
comfortable playing the
triplet figure with
appropriate breathing and
phrasing.- Andrew Monsen,
Hauppauge High School
Band Director, June
2017.
Band Concert Band - Grade 3 SKU: CF.CPS217 Composed by Carl Strommen. Con...(+)
Band Concert Band - Grade
3
SKU: CF.CPS217
Composed by Carl
Strommen. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+6+8+2+2+4
+8+24+4 pages. Duration 4
minutes, 18 seconds. Carl
Fischer Music #CPS217.
Published by Carl Fischer
Music (CF.CPS217).
ISBN 9781491152430.
UPC:
680160909933.
The
title, Aerius, is a Latin
term meaning
“soaring†or
“rising
aloftâ€. This
piece is signature Carl
Strommen at his best. The
piece begins with a lush
brass chorale that is
developed before leading
to an energetic presto
section. The
composition comes full
circle and finishes with
a majestic return of the
chorale material from the
opening. A welcome
addition to the
repertoire. The
title Aerius is a
Latin term meaning
“soaring†or
“rising
aloft.†The
students chose this title
to signify the forward
momentum and overall
journey of their time in
the high school band
program. With new events
and performances, and a
first time commissioning
a work, this piece
signifies the great
strides the band has made
in recent years.The
opening brass chorale
section should be played
very connected, observing
the two-measure phrasing
and breathing as one
cohesive unit. The Presto
section at m. 25 should
be taken between 165-170
bpm. the vibraphone
soloist should use
medium-hard mallets with
the pedal on. The
sustained notes at m. 41
should be played way
under the upper woodwinds
to get the greatest
effect as it builds in
volume and intensity in
m. 49, and again into m.
57.At m. 69, the
percussion must sustain
the pulse to the
conductor’s tempo,
careful not to add
accents they’re
hearing among the other
sections. After the
ritardando in m. 83, push
the tempo at m. 85
slightly to where the
woodwinds feel
comfortable playing the
triplet figure with
appropriate breathing and
phrasing.- Andrew Monsen,
Hauppauge High School
Band Director, June
2017.
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005148 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4005148
Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Latinx. Softcover. 12
pages. Published by Hal
Leonard (HL.4005148).
UPC: 888680694937.
9.0x12.0x0.045
inches.
Recognizing
the need for well-paced
lyric pieces for young
players, Richard Saucedo
gives us The Lullaby in
the Mirror. This
heartfelt and touching
work features a mournful
melody that winds its way
through a variety of
moods, and will stay in
your memory long after
the music has ended.
Simply beautiful! Dur:
3:10.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life..
Composed by Richard
Summers. Young Band. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+2+1+4+2+2+20
pages. Duration 2
minutes, 24 seconds. Carl
Fischer Music #YPS140.
Published by Carl Fischer
Music (CF.YPS140).
ISBN 9780825895708.
UPC: 798408095703. 9 x 12
inches. Key: Bb
major.
Based on
Streets of Laredo, the
popular cowboy ballad
from the American West,
composer Richard Summers
has crafted a delightful
set of variations. After
a bold fanfare
introduction, the theme
is stated in a lush
chorale setting. The
piece then goes through
several variations that
utilize the theme in
unique rhythmic and
harmonic ways.
Composed by Richard
Summers. Young Band. Full
score. With Standard
notation. 20 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS140F. Published
by Carl Fischer Music
(CF.YPS140F).
ISBN
9780825896323. UPC:
798408096328. 9 x 12
inches.
Based on
Streets of Laredo, the
popular cowboy ballad
from the American West,
composer Richard Summers
has crafted a delightful
set of variations. After
a bold fanfare
introduction, the theme
is stated in a lush
chorale setting. The
piece then goes through
several variations that
utilize the theme in
unique rhythmic and
harmonic ways.
Elf Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4485-00 Composed by Conaway. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4485-00
Composed by Conaway.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Score and set
of parts. Composed 2016.
Duration 2 minutes, 56
seconds. C.L. Barnhouse
#011-4485-00. Published
by C.L. Barnhouse
(CL.011-4485-00).
This charming
dance represents the
Christmas Day After-Party
for the hardworking elves
in Santa’s
workshop. Musical quotes
from Jolly Old St.
Nicholas and Up On The
Housetop demonstrate that
even the big man in red
joins in the celebration
after another job well
done. Great fun for your
students and
audience!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Elf Dance Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4485-01 Composed by Conaway. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4485-01
Composed by Conaway.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 2 minutes, 56
seconds. C.L. Barnhouse
#011-4485-01. Published
by C.L. Barnhouse
(CL.011-4485-01).
This charming
dance represents the
Christmas Day After-Party
for the hardworking elves
in Santa’s
workshop. Musical quotes
from Jolly Old St.
Nicholas and Up On The
Housetop demonstrate that
even the big man in red
joins in the celebration
after another job well
done. Great fun for your
students and
audience!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1365S Score Only. C...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
FJ.B1365S
Score
Only. Composed by
William Owens. Concert
Band. FJH Starter Series.
Score. Duration 1:00. The
FJH Music Company Inc
#98-B1365S. Published by
The FJH Music Company Inc
(FJ.B1365S).
English.
Take an
imaginary flight on the
ever-graceful
winged-horse Pegasus!
Using just six notes,
this work manages to
capture the grandeur of
this mythical creature
through the triumphant
melodies that are passed
around the ensemble.
Harmonies are
surprisingly rich for a
work at this level and
make the piece sound much
harder than it really is.
Fabulous!
In
Greek mythology, Pegasus
was the winged horse-god
son of Poseidon and the
Gorgon Medusa. During his
life, he carried
thunderbolts for the god
Zeus and was ridden by
Eos, the goddess of dawn.
Today, the word pegasus
has come to refer to any
winged horse, and the
symbol endures as one of
endless fascination. The
music is quite lively in
nature, and portrays an
imaginary flight of the
ever-graceful equine of
myth. The introduction
takes us up-up-and-away
in the form of a bright
trumpet fanfare. The
melody is then played by
lower instruments,
depicting peril during
flight. The full ensemble
then comes together,
giving a picture of the
winged wonder in all his
glory leading to a
thrilling
finish.
Score only.
Full set (score and
parts) also available:
B1365.
Score Only Concert Band (Score) - Grade 2 SKU: HL.4002868 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4002868
Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Overture. Softcover. 28
pages. Duration 250
seconds. Published by Hal
Leonard (HL.4002868).
UPC: 884088353018.
9.0x12.0x0.096
inches.
Described
by the composer as
“bombastic, but with a
groove” this work for
young players opens with
striking percussion
statements. The band
enters gradually, first
with unison figures along
with the percussion, and
then additional layers. A
contrasting slow section
with flowing lines and
minor harmonies sets the
stage for the dramatic
final section. A great
way to showcase your
percussion section. Dur:
4:10 (Grade 2).
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006554 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006554
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Contest, Festival.
Softcover. 16 pages.
Duration 235 seconds.
Published by Hal Leonard
(HL.4006554).
UPC:
840126913071.
9.0x12.0x0.055
inches.
Composed as
a tribute and memorial to
a revered educator, If It
Were Easy... brings to
mind a range of emotions
and moods, including the
idea that goals worth
achieving are not always
easy, but require
dedication and
perseverance. The piece
begins quietly then
builds gradually to a
glorious full band
chorale before tapering
to a quiet and delicate
finish.
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006695 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006695
Composed
by Richard L. Saucedo.
MusicWorks Grade 3.
Contest, Festival,
Western. Softcover. 24
pages. Duration 660
seconds. Published by Hal
Leonard (HL.4006695).
UPC: 840126928631.
9.0x12.0x0.073
inches.
Near
present day Olathe, KS
three trails from pioneer
days (the Santa Fe,
Oregon and California
trails) diverged on their
way further West.
Richard's exciting work
Three Trails Turning West
captures the adventurous
spirit of our country's
Western expansion with
fanfares and sweeping
themes bringing to mind
the open prairies and
grand vistas experienced
by the early
settlers.
Confluence Orchestre d'harmonie - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 4 SKU: HL.4003000 (Allegheny L...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.4003000
(Allegheny Lament and
Dance of the
Monongahela).
Composed by Richard L.
Saucedo. MusicWorks Grade
4. Concert. Softcover
with CD. 24 pages.
Published by Hal Leonard
(HL.4003000).
UPC:
884088506803.
9.0x12.0x0.072
inches.
In downtown
Pittsburgh, the Allegheny
and Monongahela Rivers
come together to form the
Ohio River. This
confluence of mighty
waterways served as
inspiration for this
dynamic work for band.
The impassioned
â??lamentâ? features
expressive melodic lines,
followed by the
â??dance,â? which
utilizes mixed meters and
a relentless underlying
pulse. Dur: 3:15.