By Irving Berlin. Arranged by Warren Barker. Score and full set of parts. Symphonic/Concert Band Series. Size 9x12 inches. Published by Hal Leonard.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44007247

Composed by Satoshi Yagisawa. De Haske Concert Band. Concert Piece. Score Only. Composed 2006. De Haske Publications #1074188. Published by De Haske Publications (HL.44007247).

UPC: 884088244323. 9x12 inches. English-German-French-Dut ch-Japanese.

With this work, commissioned by a prestigious girls? school with morethan a hundred years of tradition and history, the composer aimed towrite a universal work with love as its theme. He succeeded in doingthis with Sinfonia - a delightfully charming interlude with a transparentsound and a striking melody.

In 2005 maakte de Japanse Hamamatsu Municipal Senior High School een nieuwe start als middelbare school voor zowel meisjes als jongens. Voor die gelegenheid schreef Satoshi Yagisawa op verzoek een nieuw schoollied. In januari 2006componeerde hij Sinfonia voor het schoolharmonieorkest, geleid door Atsuo Yamagata. Het werd een universeel werk met liefde als thema, een soort interludium met een transparante klank en een treffende melodie.

Mit diesem Werk, das er zur Umwandlung einer traditionsreichen Madchenschule zu einer gemischten Schule schrieb, wollte der japanische Komponist ein universelles Werk uber das Miteinander und die Liebe schaffen. Dies gelang ihm mit Sinfonia, einem interessanten Zwischenspiel von transparentem Klang mit einer eindruckvollen Melodie.

Le Lycee Municipal d'Hamamatsu au Japon fut un prestigieux lycee de filles s'appuyant sur plus de cent ans d'histoire et de traditions. En 2005, l'etablissement prit un nouvel envol en devenant un lycee mixte. Pour celebrer cet evenement, Satoshi Yagisawa fut charge de composer un nouveau chant emblematique de l'ecole.En janvier 2006, il compose Sinfonia, une œuvre de commande pour l'Orchestre d'Harmonie du Lycee (Atsuo Yamagata, dir.). L'œuvre se veut universelle developpant le theme eternel de l'amour : une sorte d'interlude sur une trame sonore cristalline et une ligne melodique enivrante.

Concert Band/Harmonie - Grade 5

SKU: HL.44007246

Composed by Satoshi Yagisawa. De Haske Concert Band. Concert Piece. Score Only. Composed 2006. Hal Leonard #1074188. Published by Hal Leonard (HL.44007246).

UPC: 884088244316. 9x12 inches. English(US)/Deutsch/Franc ais/Nederlands/Nihongo.

With this work, commissioned by a prestigious girls? school with morethan a hundred years of tradition and history, the composer aimed towrite a universal work with love as its theme. He succeeded in doingthis with Sinfonia - a delightfully charming interlude with a transparentsound and a striking melody.

In 2005 maakte de Japanse Hamamatsu Municipal Senior High School een nieuwe start als middelbare school voor zowel meisjes als jongens. Voor die gelegenheid schreef Satoshi Yagisawa op verzoek een nieuw schoollied. In januari 2006componeerde hij Sinfonia voor het schoolharmonieorkest, geleid door Atsuo Yamagata. Het werd een universeel werk met liefde als thema, een soort interludium met een transparante klank en een treffende melodie.

Mit diesem Werk, das er zur Umwandlung einer traditionsreichen Madchenschule zu einer gemischten Schule schrieb, wollte der japanische Komponist ein universelles Werk uber das Miteinander und die Liebe schaffen. Dies gelang ihm mit Sinfonia, einem interessanten Zwischenspiel von transparentem Klang mit einer eindruckvollen Melodie.

Le Lycee Municipal d'Hamamatsu au Japon fut un prestigieux lycee de filles s'appuyant sur plus de cent ans d'histoire et de traditions. En 2005, l'etablissement prit un nouvel envol en devenant un lycee mixte. Pour celebrer cet evenement, Satoshi Yagisawa fut charge de composer un nouveau chant emblematique de l'ecole.En janvier 2006, il compose Sinfonia, une œuvre de commande pour l'Orchestre d'Harmonie du Lycee (Atsuo Yamagata, dir.). L'œuvre se veut universelle developpant le theme eternel de l'amour : une sorte d'interlude sur une trame sonore cristalline et une ligne melodique enivrante.

By Gary Fagan. Concert Band. Concert Band; Score. Alfred Debut Series. Form: Ballade. Grade 1. 12 pages. Published by Alfred Music Publishing

Concert Band - Grade 1

SKU: AP.37805

Composed by Gary Fagan. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Form: Ballade; Chorale. Score and Part(s). 120 pages. Alfred Music #00-37805. Published by Alfred Music (AP.37805).

UPC: 038081434278. English.

Daydreamin g is a short, lighthearted tone poem with a very simple lyrical quality reflecting a behavior most of us exhibit from time to time. The melodic theme occurred to the composer as he was sitting in his studio looking out the window and doing what the title suggests he was doing. (2:15)

A lighthearted piece ideal for first-year concert programming!
-The Instrumentalist.

Concert Band - Grade 5

SKU: BT.EMBZ14690

Composed by Istvan Bogar. EMB Concert Band Series. Concert Piece. Score Only. Composed 2010. 56 pages. Editio Musica Budapest #EMBZ14690. Published by Editio Musica Budapest (BT.EMBZ14690).

9x12 inches.

This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).

Dieses Werk von István Bogár ist eines der ungarischen Stücke für Blasorchester, welches in den letzten Jahrzehnten international einen großen Erfolg erntete. Es entstand im Auftrag des Ungarischen Rundfunks, seine Erstaufführung fand 1982 statt. Das grossartig instrumentierte Werk vereint erfolgreich die musikalische Sprache des 20. Jahrhunderts mit den vom Thema vorgegebenen, antiken Elementen. Ein Beispiel hierzu ist gleich im ersten Satz ‚Thessaloniki' ein altgriechischer, asymmetrischer Rhythmus. Der zweite Satz führt uns zu einem verblüffenden geologischen Wunder, den Meteoren, im dritten Satz wird das Bild der Delphi-Tänzer gezeichnet. Im vierten Teil (‚Athen') wird diegebrauchte Form schon im Titel angekündigt: Diese verewigt die kontrastierende Einheit der mehrere Jahrtausend alten Akropolis und ihr von Bouzouki-Musik lautes Umfeld (‚Plaka'). Der Komponist nutzt in der Suite die vom Blasorchester vermittelten Instrumentierungsmögli chkeiten meisterhaft aus.

Thessaloniki (danse de Macédoine) • Meteora • Delphi (danse antique) • Athènes (Acropolis, le quartier Plaka) En composant son oeuvre Hellas, le compositeur hongrois, István Bogár, a renoué avec ses racines grecques. La superbe trame orchestrale combine le langage musical du XXe siècle avec des éléments de la musique grecque antique. Les quatre mouvements sont techniquement exigeants et exploitent toutes les possibilités d’une formation vent. Une oeuvre enrichissante !

Un brano dalla splendida strumentazione, composto anche per ricordare le origini in parte greche del compositore, che abbina al linguaggio musicale del XX° secolo elementi antichi. I quattro movimenti Thessaloniki (Danza proveniente dalla Macedonia), Meteora, Delphi (Antica danza) e Athens compongono insieme un brano da concerto esigente ma allo stesso tempo molto gratificante.

Concert Band - Grade 5

SKU: BT.EMBZ14690SET

Composed by Istvan Bogar. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2010. 338 pages. Editio Musica Budapest #EMBZ14690SET. Published by Editio Musica Budapest (BT.EMBZ14690SET).

9x12 inches.

This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentationoffered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).

Dieses Werk von István Bogár ist eines der ungarischen Stücke für Blasorchester, welches in den letzten Jahrzehnten international einen großen Erfolg erntete. Es entstand im Auftrag des Ungarischen Rundfunks, seine Erstaufführung fand 1982 statt. Das grossartig instrumentierte Werk vereint erfolgreich die musikalische Sprache des 20. Jahrhunderts mit den vom Thema vorgegebenen, antiken Elementen. Ein Beispiel hierzu ist gleich im ersten Satz ‚Thessaloniki' ein altgriechischer, asymmetrischer Rhythmus. Der zweite Satz führt uns zu einem verblüffenden geologischen Wunder, den Meteoren, im dritten Satz wird das Bild der Delphi-Tänzer gezeichnet. Im vierten Teil (‚Athen') wird diegebrauchte Form schon im Titel angekündigt: Diese verewigt die kontrastierende Einheit der mehrere Jahrtausend alten Akropolis und ihr von Bouzouki-Musik lautes Umfeld (‚Plaka'). Der Komponist nutzt in der Suite die vom Blasorchester vermittelten Instrumentierungsmögli chkeiten meisterhaft aus.

Thessaloniki (danse de Macédoine) • Meteora • Delphi (danse antique) • Athènes (Acropolis, le quartier Plaka) En composant son oeuvre Hellas, le compositeur hongrois, István Bogár, a renoué avec ses racines grecques. La superbe trame orchestrale combine le langage musical du XXe siècle avec des éléments de la musique grecque antique. Les quatre mouvements sont techniquement exigeants et exploitent toutes les possibilités d’une formation vent. Une oeuvre enrichissante !

Un brano dalla splendida strumentazione, composto anche per ricordare le origini in parte greche del compositore, che abbina al linguaggio musicale del XX° secolo elementi antichi. I quattro movimenti Thessaloniki (Danza proveniente dalla Macedonia), Meteora, Delphi (Antica danza) e Athens compongono insieme un brano da concerto esigente ma allo stesso tempo molto gratificante.

Concert Band - Grade 2

SKU: AP.BD9807C

Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Score. 24 pages. Duration 3:28. Belwin Music #00-BD9807C. Published by Belwin Music (AP.BD9807C).

UPC: 029156907773. English.

The mind's eye envisions the history, the heritage . . . the times of war, the times of peace on an historic plain whose serene environment belies the richness of its past. Allow your audience the opportunity to musically see a vista where time records the doings of mankind. A marvelously dramatic work that is supremely atmospheric in final performance. Highly recommended. (3:28).

Witches' Dance from Le Villi. Composed by Giacomo Puccini (1858-1924). Arranged by Brian Beck. Concert Band; Masterworks; Performance Music Ensemble; Single Titles; SmartMusic. Young Symphonic. Form: Transcription. Masterwork Arrangement. Part(s); Score. 264 pages. Alfred Music #00-37817. Published by Alfred Music (AP.37817).

Concert Band - Grade 2

SKU: AP.BD9807

Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Score and Part(s). 246 pages. Duration 3:28. Belwin Music #00-BD9807. Published by Belwin Music (AP.BD9807).

UPC: 029156907766. English.

The mind's eye envisions the history, the heritage . . . the times of war, the times of peace on an historic plain whose serene environment belies the richness of its past. Allow your audience the opportunity to musically see a vista where time records the doings of mankind. A marvelously dramatic work that is supremely atmospheric in final performance. Highly recommended. (3:28).

Band concert band - Grade 0.5

SKU: CF.PPS51F

March. Composed by Larry Clark. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS51F. Published by Carl Fischer Music (CF.PPS51F).

ISBN 9781491152638. UPC: 680160910137.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Band concert band - Grade 0.5

SKU: CF.PPS51

March. Composed by Larry Clark. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+2+12+2 pages. Duration 2 minutes, 8 seconds. Carl Fischer Music #PPS51. Published by Carl Fischer Music (CF.PPS51).

ISBN 9781491151952. UPC: 680160909452.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Fanfare Band - Grade 3

SKU: BT.CMP-0909-05-020

Composed by Stephen Bulla. Arranged by Frederik Kampstra. Concert Band. Original Light Music. Set (Score & Parts). Composed 2005. Curnow Music #CMP 0909-05-020. Published by Curnow Music (BT.CMP-0909-05-020).

9x12 inches. English.

Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain, and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!

In dit werk van de Amerikaanse componist Stephen Bulla komen de geweldige jazzsounds die in de jaren veertig en vijftig van de vorige eeuw zo populair waren - en die een revival beleven - tot klinken. De swingende melodieën in ditwerk zijn allemaal origineel gecomponeerd, maar de bigbandstijl is heel herkenbaar. Voor jong en oud een plezier om te spelen en om naar te luisteren!

Jump in at the Swing Train ist eine originale Komposition des Amerikaners Stephen Bulla im authentischen Big-Band-Stil für Ihr Blasorchester! Diese schwungvolle Komposition übt den Zauber der großen Jazzmusik der 1940 und -50er Jahre aus.Springen Sie auf den Swing-Zug auf - Ihr Publikum wird gerne mitfahren!

By Robert Longfield. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR372). Grade 3.5. Score and set of parts. Composed 2011. Duration 5 minutes, 44 seconds. Published by C.L. Barnhouse

Concert Band - Grade 1.5

SKU: AP.45975S

Composed by Steve Hodges. Concert Band; Performance Music Ensemble; Single Titles. Challenger Band Series. Light Concert; Novelty. Score. 12 pages. Duration 2:00. Alfred Music #00-45975S. Published by Alfred Music (AP.45975S).

UPC: 038081526560. English.

This fun piece combines a fast jump beat with sections representing someone doing some big jumps on a trampoline. As they go higher and higher, onlookers watch and encourage through hand claps and foot stomps! (2:00).

By Robert Sheldon. Concert Band. Concert Band; SmartMusic. Young Symphonic. Contemporary. Grade 2.5. Conductor Score and Parts. 133 pages. Published by Alfred Music Publishing

Doing the Samba . Composed by Victor Lopez. Concert Band; Score. Belwin Young Band. Latin; Multicultural. 24 pages. Published by Belwin Music (AP.45791S).

By James Lord Pierpont. Arranged by Timothy Loest. For concert band. FJH Beginning Band. Christmas. Grade 1. Score and set of parts. Composed 2010. Published by The FJH Music Company Inc

By John Edmondson. For concert band. Queenwood Developing Band. Score and set of parts. Published by Queenwood Publications

By Tielman Susato. Arranged by Bob Margolis. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor Full Score. Duration 3:30. Published by Manhattan Beach Music.

Composed by Steve Hodges. Concert Band; Part(s); Score. Challenger Band Series. Light Concert. 234 pages. Published by Alfred Music (AP.45975).

Grade 1

SKU: CL.011-1873-00

Young Concert Band. Command Series. Score and set of parts. Composed 1986. C.L. Barnhouse #011-1873-00. Published by C.L. Barnhouse (CL.011-1873-00).

This composer has a knack of writing for young band that sets him apart from the others. He proves it again with this cute country tune. All sections have a chance to get down with the percussion doing their thing.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Band Concert Band - Grade 2

SKU: CF.YPS82

Composed by Alan Lee Silva. Carl Fischer Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8 +12+4+6+6+6+1+4+12+20 pages. Carl Fischer Music #YPS82. Published by Carl Fischer Music (CF.YPS82).

ISBN 9780825870286. UPC: 798408070281. Key: Bb major.

A contrast between heroic trumpet melodies and lyrical woodwind lines highlight this effective new composition from Alan Lee Silva. Bands will sound their best and love doing it with this distinctive new piece that is suitable for concert or contest.
Staccato brass figures along with woodwind trills and runs highlight the powerful opening of Legend of the Lake. The trumpet states the heroic main theme at m. 10. The dynamics soften in m. 18 for a lyrical flute solo, playing the B-melody. The full woodwind section is featured at m. 26 in a reprise of the B-melody. The trumpets proclaim the A-melody again at m. 34 with full band accompaniment, plus woodwind fills and background lines. The interlude at m. 42 features each section of the band independently as well as the entire ensemble in concerted rhythms.The reiteration of the introduction material at m. 49 builds to a slow maestoso treatment of the A-theme. A short contrapuntal interlude, featuring woodwinds at m. 61, leads to an ending statement with the complete group at m. 66. Measure 68 is a percussion feature that builds to the explosive final tonic chord and staccato unison ending.

Concert Band - Grade 1

SKU: AP.47261

Composed by Scott Watson. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Christmas; Light Concert; Winter. Score and Part(s). 134 pages. Duration 2:25. Alfred Music #00-47261. Published by Alfred Music (AP.47261).

UPC: 038081546063. English.

This lighthearted selection puts a warm musical spin on an activity so many find themselves doing every holiday season---shopping! A call bell in the percussion section mimics the cash register and signals each purchase in this fun, musical shopping trip. (Correlates with Sound Innovations for Concert Band, Book 1, Level 4).

Concert Band - Grade 2.5

SKU: AP.26815S

Composed by Robert Sheldon. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Symphonic. Halloween. Score. 20 pages. Alfred Music #00-26815S. Published by Alfred Music (AP.26815S).

UPC: 038081290126. English.

The Mystery of Duffy's Cut was inspired by an apparition and a series of strange occurrences that have fueled interest in Duffy's Cut, a mass burial site in Malvern, Pennsylvania where 57 Irish immigrant workers died mysteriously while doing work for the Pennsylvania Railroad in 1832. This tone poem chronicles the life and times of these men. This title is available in MakeMusic Cloud.

By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Score and set of parts. Duration 11:10. Published by Brolga Music Publishing Company

Concert Band - Grade 1

SKU: AP.47261S

Composed by Scott Watson. Concert Band; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Christmas; Light Concert; Winter. Score. 12 pages. Alfred Music #00-47261S. Published by Alfred Music (AP.47261S).

UPC: 038081546070. English.

This lighthearted selection puts a warm musical spin on an activity so many find themselves doing every holiday season---shopping! A call bell in the percussion section mimics the cash register and signals each purchase in this fun, musical shopping trip. Correlates with Sound Innovations for Concert Band, Book 1, Level 4).