| Larry Clark:Epic Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
By Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, ...(+)
By Larry Clark. For
concert band (flute, oboe
(opt. flute 2), clarinet
1 in Bb, clarinet 2 in
Bb, bass clarinet in Bb,
alto saxophone in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, horn in F,
trombone, euphonium
$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Epic Orchestre d'harmonie Carl Fischer
By Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, ...(+)
By Larry Clark. For
concert band (flute, oboe
(opt. flute 2), clarinet
1 in Bb, clarinet 2 in
Bb, bass clarinet in Bb,
alto saxophone in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, horn in F,
trombone, euphonium
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Williams: Suite from The Star Wars Epic - Part I Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(I. Duel of the Fates from Episode I: The Phantom Menace; II. Across the Stars f...(+)
(I. Duel of the Fates
from Episode I: The
Phantom Menace; II.
Across the Stars from
Episode II: Attack of the
Clones; III. Revenge of
the Sith from Episode
III: Revenge of the
Sith). By John Williams.
Arranged by Robert W.
Smith. For concert band
(1 - piccolo, 3 - 1st
flute, 3 - 2nd flute, 2 -
oboe, 2 - bassoon, 3 -
1st clarinet, 3 - 2nd
clarinet, 3 - 3rd
clarinet, 2 - bass
clarinet, 1 - contrabass
clarinet, 2 - 1st alto
saxophone, 2 - 2nd alto
saxophone, 1 - tenor
saxophone, 1 barito.
Concert Band. Belwin
Concert Band. Movies. 3.5
(Medium Easy to Medium)
(grade 3.5). Conductor's
score and set of
performance parts.
Published by Alfred Music
Publishing
(1)$80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mustangs - The Spirit of the West (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Larry Clark.
For concert band (flute,
oboe (opt. flute 2),
clarinet 1 in Bb,
clarinet 2 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, horn in F,
trombone, euphonium t.c.
in Bb, euphonium b.c).
Young Performance Series.
Score and parts. Duration
4 minutes, 15 seconds.
Published by Carl Fischer
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mustangs - The Spirit of the West (score) Orchestre d'harmonie [Conducteur] Carl Fischer
Composed by Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Larry Clark.
For concert band (flute,
oboe (opt. flute 2),
clarinet 1 in Bb,
clarinet 2 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, horn in F,
trombone, euphonium t.c.
in Bb, euphonium b.c).
Young Performance Series.
Full score - large.
Duration 4 minutes, 15
seconds. Published by
Carl Fischer
$11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Epic March Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Piccolo, Flute 1-2, Oboe 1-2, Eb Clarinet, Bb Clarinet 1-3, Eb Alt...(+)
Concert band (Piccolo,
Flute 1-2, Oboe 1-2, Eb
Clarinet, Bb Clarinet
1-3, Eb Alto Clarinet, Bb
Bass Clarinet, Bassoon
1-2, Alto Saxophone 1-2,
Bb Tenor Saxophone, Eb
Baritone Saxophone,
Cornet 1-3, Trumpet 1-2,
Horn in F 1-4, Trombone
1-3, Euphonium, Bb
Euphonium TC, T) - grade
5 SKU: CN.R10007
March. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 9:00. Published
by G & M Brand Music
Publishers (CN.R10007).
$110.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Storm Chaser (full set) Orchestre d'harmonie Carl Fischer
Composed by Kevin Mixon. For concert band (flute, oboe (opt. flute 2), clarinet ...(+)
Composed by Kevin Mixon.
For concert band (flute,
oboe (opt. flute 2),
clarinet in Bb, bass
clarinet in Bb, alto
saxophone in Eb, tenor
saxophone in Bb, baritone
saxophone in Eb, trumpet
in Bb, horn in F,
trombone, euphonium b.c.,
bassoon, euphonium t.c.
in Bb, tuba, mallet
percussion - bells, tim).
Beginning Performance
Series. Score and
part(s). Duration 2
minutes, 31 seconds.
Published by Carl Fischer
$53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Circles In A Square Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. For concert band (flute, oboe, clarinet 1 in Bb, clarinet...(+)
Composed by Ed Kiefer.
For concert band (flute,
oboe, clarinet 1 in Bb,
clarinet 2 in Bb,
clarinet 3 in Bb, bass
clarinet in Bb, bassoon,
alto saxophone 1 in Eb,
alto saxophone 2 in Eb,
tenor saxophone in Bb,
baritone saxophone in Eb,
trumpet 1 in Bb, trumpet
2 in Bb, trumpet 3 in Bb,
horn 1 in ). Concert
Performcnace Series.
Score and parts. Duration
4 minutes, 49 seconds.
Published by Carl Fischer
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roma Orchestre d'harmonie [Conducteur] Theodore Presser Co.
(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 O...(+)
(For Concert Band). By
Valerie Coleman. Concert
band. For Piccolo, 3
Flutes, 2 Oboes, Clarinet
in Eb, 3 Clarinets in Bb,
Bass Clarinet in
Bb/Contrabass Clarinet in
Bb, 2 Bassoons,
Contrabassoon, Soprano
Saxophone, 2 Alto
Saxophones, Tenor
Saxophone, Baritone
Saxophone, 3 Trumpets in
Bb, 4 Horns in F, 3
Trombones. Contemporary.
Full score (study).
Standard notation. 40
pages. Duration 7
minutes. Published by
Theodore Presser Company
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hannibal in the Alps Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Joseph Compello. Score and part(s). 12 126 pages. Duration 1 minut...(+)
Composed by Joseph
Compello. Score and
part(s). 12 126 pages.
Duration 1 minute, 55
seconds. Carl Fischer
#PPS0034. Published by
Carl Fischer (CF.PPS34).
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Setting Sail Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Hi-hat Cymbal, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 5 SKU:
CF.SPS54F Freedon
of the Spirit.
Composed by Carl
Strommen. Symphonic
Performance Series. Full
score. With Standard
notation. 32 pages. Carl
Fischer Music #SPS54F.
Published by Carl Fischer
Music (CF.SPS54F).
ISBN 9780825892998.
UPC: 798408092993. 9 x 12
inches. With its
title is taken from the
text of Walt Whitman's
poem Leaves of Grass,
Setting Sail is an epic
new piece that is
expansive and
sophisticated. Its
luxuriant, reticent
opening moves into
beautiful lyrical lines
and all-encompassing
harmonies before leading
into the journey at sea,
punctuated with a cool
6/8 groove. To finish, we
have a climactic return
of the original lyrical
material. This is a
large-scale work of
dramatic proportions. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Night Fury Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet,
Euphonium, Euphonium
T.C., Floor Tom, Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani, Triangle,
Trombone and more. -
Grade 1 SKU:
CF.BPS108F Composed
by Carol Brittin
Chambers. SWS. Carl
Fischer Beginning
Performance Series. Full
score. With Standard
notation. 12 pages.
Duration 1 minute, 53
seconds. Carl Fischer
Music #BPS108F. Published
by Carl Fischer Music
(CF.BPS108F). ISBN
9781491147870. UPC:
680160905379. 9 x 12
inches. Night Fury
is intended to portray a
mythological time period,
full of adventure and
excitement with images of
dragons, castles, and
other legendary
creatures. Composer Carol
Brittin Chambers was
highly influenced by
dramatic film scores
while creating this epic,
fast-paced composition
playable by young
musicians. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Turning Point Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam,
Tambourine and more. -
Grade 2 SKU:
CF.YPS116F Composed
by Sean O'Loughlin. SWS.
Young Performance Series.
Full score. With Standard
notation. 24 pages.
Duration 4 minutes, 35
seconds. Carl Fischer
Music #YPS116F. Published
by Carl Fischer Music
(CF.YPS116F). ISBN
9780825888076. UPC:
798408088071. 9x12
inches. Key: Eb
major. In any
conflict, there is always
a turning point which
determines the outcome.
The phrase is often used
to describe epic wars
throughout history, and
the music of Turning
Point reflects the weight
and drama that comes with
these key historical
moments. Composer Sean
O'Loughlin takes the
listener on a musical
journey filled with
dramatic twists and
turns. This piece will
serve as your young
band's turning point in
their development to
becoming a solid musical
ensemble. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Night Fury Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet,
Euphonium, Euphonium
T.C., Floor Tom, Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani, Triangle,
Trombone and more. -
Grade 1 SKU:
CF.BPS108 Composed by
Carol Brittin Chambers.
SWS FS. Carl Fischer
Beginning Performance
Series. Set of Score and
Parts. With Standard
notation.
8+2+8+8+2+5+2+2+8+8+3+6+3
+2+1+4+4+12+2 pages.
Duration 1 minute, 53
seconds. Carl Fischer
Music #BPS108. Published
by Carl Fischer Music
(CF.BPS108). ISBN
9781491147177. UPC:
680160904679. 9 x 12
inches. Night Fury
is intended to portray a
mythological time period,
full of adventure and
excitement with images of
dragons, castles, and
other legendary
creatures. Composer Carol
Brittin Chambers was
highly influenced by
dramatic film scores
while creating this epic,
fast-paced composition
playable by young
musicians. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Redwoods Orchestre d'harmonie - Intermédiaire Schirmer
| | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Solar Flare Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS219 Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219). ISBN
9781491152454. UPC:
680160909957. Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solar Flare Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS219F Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F). ISBN
9781491153130. UPC:
680160910632. Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:
Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tartan Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Olympica Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0930469-010 Festival Overt...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-0930469-010
Festival Overture for
Band. Composed by Jan
Van der Roost. Sovereign
Series. Concert Piece.
Set (Score & Parts).
Composed 1993. De Haske
Publications #DHP
0930469-010. Published by
De Haske Publications
(BT.DHP-0930469-010).
9x12
inches. This
“Grand
Overture†was
commissioned by the
“Nagano Community
Band†- Japan- on
occasion of its jubilee
in 1992 and is dedicated
to the band’s
conductor, Ikuo
Inagaki.The work is based
upon three main themes,
each symbolising a
certain theme. The first
part is characterized by
its bright themes played
mainly by the brass,
accompanied by the
woodwinds and festive
percussion. This part
symbolizes the jubilee
which is the origin of
the composition. This is
followed by a bouncing
allegro, in which each
register of the band
displays brilliant
techniques. Especially
the woodwinds come to the
fore! This movement
depicts the
industriousness and
enthousiasm shown by the
members of
the“Nagano
Community Band†in
the carrying out of their
hobby. A third, main
theme, is choral-like in
character and is
displayed both in the
(soft) brass as well as
in the warm medium
register of the reeds.
Here, nature’s
beaty in and around the
city of Nagano is
musically celebrated.
Following a
“chamber-music
episode†(featuring
the flute, oboe,
clarinet, alto-saxophone
and horn) the initial
allegro re-occurs,
weaving its way towards a
grandiose finale, in
which the two previous
themes are once again
apparent. Due to its very
colourful scoring and the
enormous diversity of
musical thoughts and
ideas, this composition
is a fascinating and
memorable piece, worthy a
jubilee overture!
Olympica
is gebaseerd op drie
hoofdthema’s. Het
eerste thema wordt
gekenmerkt door een
stralende thematiek in
het koper, omspeeld door
het hout en feestelijk
slagwerk. Dan volgt een
pittig en virtuoos
allegro, waarin met
namede houtblazers
uitgebreid aan bod komen.
Het derde thema is
koraalmatig van karakter.
Na een kamermuziekpassage
komt het allegro terug,
dat uitmondt in een
grootse finale. De
kleurrijke instrumentatie
en veelzijdigheid van
dezecompositie maken een
sprankelend optreden
mogelijk.
Die
olympischen Winterspiele
1998, die nach 26 Jahren
wieder einmal in Japan
stattfanden, sind
unvergessen: Mit 2302
Teilnehmer war eine
Rekordteilnehmerzahl
erreicht und die
deutschen Sportler
kehrten mit einer
Rekordanzahl von 29
Medaillen nach Hause. Das
Blasorchester der
Austragungsstadt Nagano
gab im Hinblick auf
dieses große Ereignis
Olympica in
Auftrag - ein farbig
instrumentiertes Werk mit
abwechslungsreichen
musikalischen Ideen, das
fasziniert!
En
1998, vingt-six ans
après Sapporo, les
Jeux Olympiques d'hiver
firent leur retour au
Japon. Nagano vivait et
vibrait au rythme des
exploits sportifs. Avec
un chiffre record de 2304
athlètes venant de 72
nations, le dernier
rendez-vous planétaire
olympique du XXe
siècle fut un
succès. Pour
célébrer cet
événement
l’Orchestre
d’Harmonie de la
ville de Nagano passe
commande Jan Van der
Roost. Le résultat est
prestigieux. Ce sera
Olympica : une
œuvre fascinante aux
multiples couleurs. $223.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Winter Dreams Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
For Concert Band. Composed by Michael Daugherty (1954-). Michael Daughert...(+)
For Concert Band.
Composed by Michael
Daugherty (1954-).
Michael Daugherty Music.
Softcover. Published by
Hal Leonard (HL.4004650).
$35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Space Journey Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Brad Ciechomski. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Brad
Ciechomski. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Part(s);
Score. 272 pages. Alfred
Music #00-31717.
Published by Alfred Music
(AP.31717).
$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Space Journey Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.31717S Composed by Brad Ciechomski. Concer...(+)
Concert Band - Grade 2
SKU: AP.31717S
Composed by Brad
Ciechomski. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Score.
20 pages. Alfred Music
#00-31717S. Published by
Alfred Music (AP.31717S).
UPC: 038081354958.
English. Space
Journey is a
three-movement suite
depicting the launch,
orbit and return to earth
of a spaceship. Blast Off
Into Orbit begins with a
dramatic launch
portraying the spaceship
powering into the
atmosphere. Zero Gravity
allows the listener to
float in space as a
Lydian melody in the
flute provides a light,
weightless feeling while
the percussion
accompanies on metallic
instruments. Re-entry to
Earth features a
descending fanfare
announcing the return of
the ship through the
atmosphere back to earth.
The ceremonial theme
depicts the spaceship
breaking through the sky,
and landing in full
glory. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222 Composed by
Ed Kiefer. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+2+2+1+
12+2+1+36+4 pages.
Duration 5 minutes, 19
seconds. Carl Fischer
Music #CPS222. Published
by Carl Fischer Music
(CF.CPS222). ISBN
9781491152485. UPC:
680160909988. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222F Composed
by Ed Kiefer. Concert
Band (CPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #CPS222F. Published
by Carl Fischer Music
(CF.CPS222F). ISBN
9781491153161. UPC:
680160910663. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Factory Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor. Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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