Concert Band Concert Band - Grade 3 SKU: FL.FX070741 Composed by Wolfgang...(+)
Concert Band Concert Band
- Grade 3
SKU:
FL.FX070741
Composed
by Wolfgang Amadeus
Mozart. Arranged by Eric
Vireton. Classical. Score
and Set of Parts. FLEX
Editions #FX070741.
Published by FLEX
Editions (FL.FX070741).
Go with the Flow Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.4008194 Composed by Jacob ...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.4008194
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 545 seconds. De
Haske Publications
#034098. Published by De
Haske Publications
(HL.4008194).
UPC:
196288137276.
This
work is not only about
the flow of the Doubs,
Ranceuse, and Roide
rivers that converge at
Pont-de-Roide but also
about the flow of life
and history of this
French town. The
composition begins
festively and, after the
tempo picks up, the music
smoothly and rhythmically
depicts the happiness and
enthusiasm of the
inhabitants. The
ever-flowing waters of
the rivers introduce the
slow, melodic middle
section, which suddenly
turns into traditional
march music. After a
return to sounds of
happiness and enthusiasm,
the work closes
majestically.
Concert Band (Score) - Grade 2 SKU: HL.4007602 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4007602
Composed
by Richard L. Saucedo.
Flex-Band Grade 2.
Concert. Softcover.
Duration 369 seconds.
Published by Hal Leonard
(HL.4007602).
UPC:
196288070290.
6.0x12.0x0.052
inches.
First
published in 2004,
Richard Saucedo's Flight
of the Thunderbird has
remained a popular choice
for contest and festival
for younger players.
Skillfully scored in this
new edition for flexible
instrumentation, this
exciting work in one
tempo will sound great
with an ensemble of any
size.
Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219).
ISBN
9781491152454. UPC:
680160909957.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F).
ISBN
9781491153130. UPC:
680160910632.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Fiesta - Flute Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Flute. Swiss import. Tropical Fiesta; Lati...(+)
By Dennis Armitage.
Concert Band. For Flute.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-03)
Fiesta - Flute Orchestre d'harmonie - Facile Editions Marc Reift (Swiss import)
By Dennis Armitage. Concert Band. For Flute. Swiss import. Tropical Fiesta; Lati...(+)
By Dennis Armitage.
Concert Band. For Flute.
Swiss import. Tropical
Fiesta; Latino. Level:
Grade 2+. Part. Published
by Editions Marc Reift.
(EMR 1460-03)
Flash in the Pan! Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Score Only Concert Band (Score) - Level 2.5 SKU: HL.4003914 Composed by R...(+)
Score Only Concert Band
(Score) - Level 2.5
SKU: HL.4003914
Composed by Richard L.
Saucedo. MusicWorks Grade
2. Concert. 20 pages.
Duration 135 seconds.
Published by Hal Leonard
(HL.4003914).
UPC:
888680013189.
9.0x12.0x0.063
inches.
Composed in
a single driving tempo,
this dynamic and concise
work provides plenty of
excitement and flash. The
playful main theme is
accompanied by a rhythmic
pattern alternating
between 4/4 and 3/4. In
addition, some quirky
dissonant passages and
percussion feature spots
help to spice things up.
Dur: 2:15.
Reflections Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score & Parts) - Grade 4 SKU: HL.4002925 Composed by Sammy ...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.4002925
Composed
by Sammy Nestico. Hal
Leonard Concert Band
Series. Concert.
Softcover. Duration 540
seconds. Published by Hal
Leonard (HL.4002925).
UPC: 884088469290.
9.0x12.0x0.83
inches.
Written in
memory of Don Caneva,
director of the acclaimed
Coastal Communities
Concert Band for nearly
20 years, Reflections is
a stirring and
descriptive work from
composer Sammy Nestico.
Including three movements
entitled Mio Amico (My
Friend), Danielle and A
Fond Farewell, this is a
wonderfully crafted and
sophisticated work for
mature bands. Recorded by
the Coastal Communities
Concert Band - Robert
Fleming, conductor.
Flutopia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Featuring Your Flute Section). By Michael Story and Michael Story. Concert Band...(+)
(Featuring Your Flute
Section). By Michael
Story and Michael Story.
Concert Band. Concert
Band. Belwin Beginning
Band. Grade 1. Conductor
Score and Parts. 132
pages. Duration 1:51.
Published by Belwin
Publishing
Fly Me To The Moon Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145544-010 (In Other Word...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1145544-010
(In Other Words).
Composed by Bart Howard.
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145544-010. Published by
De Haske Publications
(BT.DHP-1145544-010).
9x12 inches.
English-German-French-Dut
ch.
This famous
evergreen, performed by
Frank Sinatra and many
others, is now arranged
with lovely solos for
trumpet and flute. After
an
‘authentic’
opening, Bart Howard
allows the arrangement to
glide into a bossa
nova.
Deze
evergreen, die vooral in
de versie van Frank
Sinatra bekend is
geworden, komt in dit
bijzondere arrangement
met fraaie solo’s
voor trompet en fluit
uitstekend tot zijn
recht. Howard laat na een
begin dat getrouw blijft
aan het origineelhet stuk
overgaan in een
bossanovastijl.
De
r von Frank Sinatra oder
anderen Interpreten
bekannte Evergreen
präsentiert sich in
diesem originellem
Arrangement mit
schönen Soli für
Trompete und Flöte.
Hoshide erlaubte sich,
nach einem sehr
authentischen Beginn, das
Stück in
einenBossa-nova-Stil
gleiten zu
lassen...
Canzoni
intramontabili
interpretate da Frank
Sinatra o altri cantanti
sono contenute in questo
arrangiamento originale
con bellissimi assoli per
tromba e flauto. Dopo un
inizio fedele
all’originale,
Takashi Hoshide osa e fa
scivolare il pezzo
versouno stile di bossa
nova.
Flying Colors Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4004200 Third Movement of A Tri...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4004200
Third
Movement of A Tribute to
Arthur Delamont.
Composed by Robert
Buckley. Closer.
MusicWorks Grade 4.
Festival. Score Only. 24
pages. Published by Hal
Leonard (HL.4004200).
UPC: 888680053321.
9x12
inches.
Imagine a
band far off in the
distance marching towards
you – the music,
soft at first, becomes
louder and louder, the
red capes of the band
swaying in the wind,
getting closer and
closer. It was this image
that inspired Flying
Colors. Famed
bandmaster Arthur
Delamont always
programmed a march in his
concerts and the hallmark
of his band was their red
capes. This work starts
very softly with a
distant snare drum beat.
The trumpets enter
quietly with the melody,
and with each new melodic
entry the music grows and
intensifies to a roaring
finish. This is a fresh,
new take on a march and
is sure to please players
and audiences alike!
Duration: 3:10.
(Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band, Flute. ...(+)
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band, Flute. Anglo Music
Concert Band. Grade 4.
Anglo Music Press
#AMP288010. Published by
Anglo Music Press
Concert Band/Harmonie, Flute and Percussion - Grade 2.5 SKU: BT.CMP-0901-05-0...(+)
Concert Band/Harmonie,
Flute and Percussion -
Grade 2.5
SKU:
BT.CMP-0901-05-010
Composed by Timothy
Johnson. Young Band. Solo
& Concerto. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0901-05-010. Published by
Curnow Music
(BT.CMP-0901-05-010).
English.
We are
often so focused on
presenting the entire
ensemble that it’s
easy to forget we can
also program solo feature
pieces. There are so many
reasons to do just that.
It rewards that special
player who has been
working so hard. It sets
an example for other
players in the section.
It provides a nice
contrast regardless of
what else is programmed.
Be sure to put on the
demonstration CD found in
this catalog and hear
Flight of Fancy
for yourself.
We’re sure
you’ll like
it.Scintillating!<
br> Met Flight of
Fancy kunt u een
solist (fluit of mallets)
in de schijnwerpers
plaatsen. We zijn zo vaak
gericht op het orkest als
geheel dat we wel eens
vergeten om solowerken te
programmeren, maar er
zijn redenen te over
omdat te doen. U kunt er
een goede, hardwerkende
muzikant mee belonen en
anderen kunnen er een
voorbeeld aan nemen.
Bovendien creëert u
een aangenaam contrast in
uw concertprogramma. Deze
muziek illustreert de
vlucht die de
verbeeldingskrachtvan een
mens kan nemen - dan weer
zorgeloos en grillig, dan
weer beschouwend, maar
altijd
boeiend.
Gibt es
in Ihrem Blasorchester
einen Flötisten oder
Malletspieler, der sich
mit Fleiß und Hingabe
in der wöchentlichen
Orchesterarbeit einen
besonderen Auftritt im
nächsten Konzert
verdient hat? Flight
of Fancy von Timothy
Johnson ist eine
wundervolle Gelegenheit,
wahlweise einen
Flötisten oder
Malletspieler mit einem
nicht allzu schweren
Solostück ins
Rampenlicht zu
rücken!
Composed by Henk
Hogestein. On Parade!
March. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033439-010. Published by
De Haske Publications
(BT.DHP-1033439-010).
The convent of
St. Florian was the place
of work of the Austrian
composer Anton Bruckner.
It was in the rural
setting of this convent
with its marvelloaus
church that Bruckner
composed many of his
great symphonies. St.
Florian Choral is Thomas
Doss’ modest
tribute to this great
master whose music has
left its permanent mark
on the composer’s
musical life.
Der
Besuch einer
weltberühmten
Blumenschau inspirierte
den Komponisten Henk
Hogestein zu diesem
brillanten Marsch. Die
riesige Vielfalt an
exotischen und
einheimischen Blumen
spiegelt sich in ebenso
abwechslungsreichen
Themen wider, die mal
melancholisch in Moll,
dann lebhaft und
schließlich heiter
diesen Marsch zu einem
ganz besonderen Erlebnis
werden lassen.
Composed by Henk
Hogestein. On Parade!
March. Score Only.
Composed 2003. De Haske
Publications #DHP
1033439-140. Published by
De Haske Publications
(BT.DHP-1033439-140).
Der Besuch
einer weltberühmten
Blumenschau inspirierte
den Komponisten Henk
Hogestein zu diesem
brillanten Marsch. Die
riesige Vielfalt an
exotischen und
einheimischen Blumen
spiegelt sich in ebenso
abwechslungsreichen
Themen wider, die mal
melancholisch in Moll,
dann lebhaft und
schließlich heiter
diesen Marsch zu einem
ganz besonderen Erlebnis
werden lassen.
(from "Flashdance"). Composed by Giorgio Moroder. Arranged by Lorenzo Bocci. ...(+)
(from "Flashdance").
Composed by Giorgio
Moroder.
Arranged by Lorenzo
Bocci.
For concert band.
Musical/Pop
Music/Movies/Catalogue
New
Band Music Vol.
12/Catalogue
Prom Concerts. Movie and
Musical. Recorded on Sway
(ML.311115720). Grade 3.
Full set. Duration 3
minutes, 41 seconds.
Published by Molenaar
Edition
An Irish Stew Orchestre d'harmonie [Conducteur et Parties séparées] Fentone Music
Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowl...(+)
Flex-It Series for
Variable Instrumentation
Concert Band. Arranged by
Colin Cowles. (Score and
Parts). Fentone Play
Along Books. Published by
Fentone Music.
Orchestre, Orchestre
d'Harmonie Concert Band -
Grade 4
SKU:
FL.FX071592
Composed
by Gilles Arcens.
Original Composition.
Classical. Score and Set
of Parts. Duration 8
minutes, 45 seconds. FLEX
Editions #FX071592.
Published by FLEX
Editions (FL.FX071592).
Featuring: Boogie
Boogie Hedgehog / Baby
Monkey (Riding Backwards
on a Pig) / Do You Like
Waffles?. Composed by
Parry Gripp. Arranged by
Michael Story. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Young Band. Score. 24
pages. Alfred Music
#00-38349S. Published by
Alfred Music (AP.38349S).
UPC: 038081438573.
English.
This
three-piece suite is
based on the widely
popular music of talented
songwriter Parry Gripp.
Parry's music has gone
viral on YouTube, where
his songs accompany many
internet videos, as well
as his own music videos.
The three catchy songs
included are Boogie
Boogie Hedgehog, Baby
Monkey (Riding Backwards
on a Pig), and Do You
Like Waffles? If you
aren't familiar with
these viral tunes, just
ask your students!
(Featuring: Boogie Boogie Hedgehog / Baby Monkey (Riding Backwards on a Pig) / D...(+)
(Featuring: Boogie Boogie
Hedgehog / Baby Monkey
(Riding Backwards on a
Pig) / Do You Like
Waffles?). Composed by
Parry Gripp. Arranged by
Michael Story. Concert
Band. Concert Band;
Part(s); Score. Pop Young
Band. Grade 2. 256 pages.
Published by Alfred Music
Fleodrodum was composed for the Fanfare Wilhelmina Vlierden band. The title of t...(+)
Fleodrodum was composed
for the Fanfare
Wilhelmina Vlierden band.
The title of the work
refers to the earliest
formation of the village
of Vlierden in a title
deed from 721 to
Willibrodus. The piece
comprises four parts,
which are themselves
elements from the history
of Vlierden. 1.
Introduction, 2. The
Watermills, 3. 't Ven 4.
The Witch dance on the
'Tutjesberg'. An
impressive composition,
and a challenge for the
more advanced orchestra