(March). Composed by Anthony-King. Arranged by Andrew Glover. Concert band. Heritage of the March. Audio recording available separately (items CL.WFR335, CL.WFR343 and CL.WFR366). March. Grade 3. Score and set of parts. Composed 2005. Duration 2 minutes, 21 seconds. Published by C.L. Barnhouse

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2

SKU: CF.YPS208F

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F).

ISBN 9781491152966. UPC: 680160910465.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Mixed Choir

SKU: CF.CFD16

Composed by Charles H. Gabriel, Conrad Kocher, Dennis Allen, Fanny J. Crosby, John Bacchus Dykes, John Darwell, Lelia Morris, Lowell Mason, Phoebe Knapp, Robert Lowry, Samuel Wesley, Traditional, Various, Walter Knapp, and William H. Doane. Arranged by Bob Burroughs, Dana Mengel, Dennis Allen, Elizabeth Campbell, Hal H. Hopson, Ken Berg, Melodie Tunney, Patrick M. Liebergen, Ruth Elaine Schram, Stan Pethel, and Walter Knapp. Jewel Case. Carl Fischer Concert Band Recordings. Audio CD. With Standard notation. Carl Fischer Music #CFD16. Published by Carl Fischer Music (CF.CFD16).

ISBN 9780825860164. UPC: 798408060169.

Since the beginning of the Protestant Reformation, hymns have been the tie binding the hearts and spirits of Christians together. With their beautiful melodies and poetically penned words, hymns are the universal language of Christian worship, the bond that draws believers together from all walks of life and across the world. With texts of faith and inspiration, hymns speak to present time with words of assurance of hope, and help direct us toward the future in glory. Next to the Bible, they have endured as the timeless voice of the Christian faith, teaching and inspiring believers throughout generations. In this collection of “favorites” we offer listeners a compilation of the genre’s most beloved and inspirational hymns of faith. Arranged by some of today’s most distinguished church music icons, the hymns in this collection will thrill and comfort the faithful listener. Drawing upon the words and melodies of some of the world’s greatest hymn writers, including Fanny Crosby, Charles Wesley, and Martin Luther, the arrangers in this collection maintain each work’s original integrity while beautifully transporting each hymn into the realm of today’s modern worship world. From the stirring strains of “Amazing Grace” to the majestic power of “Holy, Holy, Holy,” this collection will inspire Christian worshipers.

March. Composed by Earl E. McCoy. Arranged by Andrew Glover. March. Heritage of the March. March. Score and parts. Duration 0:03:48. Published by C.L. Barnhouse (CL.012-4601-00).

March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the March. Level: Grade 3.5. Score and set of parts. Composed 1999. Duration 0:02:05. Published by C.L. Barnhouse.

Arranged by Paul Clark. Score and parts. Duration 2 minutes, 45 seconds. Published by C.L. Barnhouse (CL.012-4385-00).

Christmas: Short and Suite (Part 1 in C - Treble Clef). Arranged by William Himes. For Concert Band. Curnow Music Concert Band. Grade 2-4. 12 pages. Curnow Music #081004. Published by Curnow Music

Part 4 - F Instruments. Arranged by William Himes. This edition: 082304. Curnow Concert Band Full Set. 12 pages. Published by Curnow Music.

By Larry Clark. Arranged by Larry Clark. For Concert Band. Carl Fischer Young Performance Series. Grade 2-2.5. Score and parts

Composed by Larry Clark. Arranged by Larry Clark. For concert band. Carl Fischer Young Performance Series. Grade 2-2.5. Full score. 16 pages. Duration 3 minutes, 45 seconds. Published by Carl Fischer

Grade 3

SKU: CL.012-3480-75

Composed by Sweet. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR340 & CL.WFR366). Oversized, spiral-bound score. Composed 2006. Duration 3 minutes, 16 seconds. Opus III Wind Orchestra Publications #012-3480-75. Published by Opus III Wind Orchestra Publications (CL.012-3480-75).

The big-top comes to life with this exciting circus march. Unlike many circus marches, technical demands are modest, making this accessible to the majority of bands. Composed during Al Sweet's tenure as bandleader for the Ringling Bros. circus, this classic march is finally available in a modern concert band edition which keeps the color and feel of the original. Audiences and performers alike will thrill to the sounds of this exciting march.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3571-75

March. Composed by Jewel. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR349 & CL.WFR366). Oversized, spiral-bound score. Composed 2007. Duration 3 minutes, 13 seconds. Opus III Wind Orchestra Publications #012-3571-75. Published by Opus III Wind Orchestra Publications (CL.012-3571-75).

Fred Jewell's magnificent E Pluribus Unum march has been a staple of experienced bands for decades; Andrew Glover's new arrangement for the Barnhouse Heritage of the March series finally brings this classic American march into the grasp of modern concert bands. This toe-tapping patriotic gem will challenge your band but prove a favorite of audiences and performers alike. Carefully scored for today's bands, this march is not simplified in any way, but faithfully follows the composer's original work while conforming to contemporary instrumentation and performers. First class in every way!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3900-01

March. Composed by Latey. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR367). Extra full score. Composed 2010. Duration 2 minutes, 15 seconds. Opus III Wind Orchestra Publications #012-3900-01. Published by Opus III Wind Orchestra Publications (CL.012-3900-01).

Andrew Glover’s latest contribution to the Barnhouse Heritage of the March series is a wonderful teaching and performance tool for mid-level bands. Composed by former Army bandmaster Keith Latey, America Triumphant has a bold and swaggering style that is certain to please audiences and performers alike. This 6/8 march serves as an excellent teaching tool, and we’re certain that America Triumphant will be a concert and festival favorite for years to come!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3.5

SKU: CL.012-3309-01

Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR329). Extra full score. Composed 2003. Duration 3 minutes, 13 seconds. Opus III Wind Orchestra Publications #012-3309-01. Published by Opus III Wind Orchestra Publications (CL.012-3309-01).

Here's a thrilling tour-de-force showpiece for mature bands! This stunning work from the French ballet suite has been skillfully arranged for concert band by Andrew Glover to retain the excitement and color of the original orchestral work. Fast-paced dance segments are interspersed with beautiful lyric sections, culminating with a hair-raising presto that will electrify performers and audiences. Excellent for festival/contest use as well as many concert situations, including community and adult bands. BREATHTAKING MUSIC!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert band - Grade 3

SKU: CL.012-4401-75

Composed by R. Hall. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 3 minutes, 31 seconds. Opus III Wind Orchestra Publications #012-4401-75. Published by Opus III Wind Orchestra Publications (CL.012-4401-75).

This brilliant march classic from the pen of New England's March King is now available in a beautiful concert sized edition by Andrew Glover. This delightful 6/8 march features rollicking melodies, and one of the most famous march trios of all time. Fully updated for concert band from the original quickstep-sized parts, this march will be a favorite of audiences and performers every time! Outstanding!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert band - Grade 3

SKU: CL.012-4401-01

March. Composed by R. Hall. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR384). Extra full score. Composed 2015. Duration 3 minutes, 31 seconds. Opus III Wind Orchestra Publications #012-4401-01. Published by Opus III Wind Orchestra Publications (CL.012-4401-01).

This brilliant march classic from the pen of New England’s March King is now available in a beautiful concert sized edition by Andrew Glover. This delightful 6/8 march features rollicking melodies, and one of the most famous march trios of all time. Fully updated for concert band from the original quickstep-sized parts, this march will be a favorite of audiences and performers every time! Outstanding!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 4

SKU: CL.012-3337-01

Danse de l'Amazone. Composed by Liadov. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR331). Extra full score. Composed 2004. Duration 2 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-3337-01. Published by Opus III Wind Orchestra Publications (CL.012-3337-01).

This remarkable work from the Russian composer Liadow is a dazzling tour-de-force for concert band in this new arrangement by Andrew Glover. This fiery dance will challenge your band, but the exciting results are worth the effort. Carefully arranged for contemporary concert band, this stunning orchestral work will dazzle audiences and thrill performers. An excellent choice for concert and contest/festival use.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1820

Fanfare. Composed by Jack Wilds. Concert Band. FJH Starter Series. Score and Part(s). The FJH Music Company Inc #98-B1820. Published by The FJH Music Company Inc (FJ.B1820).

UPC: 241444421826. English.

This pop-inflected fanfare uses only six notes to create a heartfelt, compelling opener for your next concert. Students will love exploring a variety of dynamics, styles, and articulations as they race toward a rousing conclusion. No leap of faith required to program this one!

About FJH Starter Series

Int roduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1820S

Fanfare. Composed by Jack Wilds. Concert Band. FJH Starter Series. Score. The FJH Music Company Inc #98-B1820S. Published by The FJH Music Company Inc (FJ.B1820S).

English.

This pop-inflected fanfare uses only six notes to create a heartfelt, compelling opener for your next concert. Students will love exploring a variety of dynamics, styles, and articulations as they race toward a rousing conclusion. No leap of faith required to program this one!

About FJH Starter Series

Int roduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5

Grade 3

SKU: CL.012-3200-00

Composed by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR322 & CL.WFR343). Patriotic. Score and set of parts. Composed 2002. Duration 4 minutes, 56 seconds. Opus III Wind Orchestra Publications #012-3200-00. Published by Opus III Wind Orchestra Publications (CL.012-3200-00).

This impressive chorale-prelude by Andrew Glover is an exceptional choice for ceremonial events, formal observances, or as a concert selection. A robust opening fanfare segues seemlessly into a peaceful original chorale. A short interlude leads into a robust and powerful chorus of America, the Beautiful which includes optional parts for antiphonal trumpets and trombones. Sensitive and reflective scoring combine with warm and gentle dissonances for a truly remarkable conclusion. Stunning, emotional and inspiring selection for any program.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3.5

SKU: CL.012-3200-01

Composed by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR322 & CL.WFR343). Extra full score. Composed 2002. Duration 4 minutes, 56 seconds. Opus III Wind Orchestra Publications #012-3200-01. Published by Opus III Wind Orchestra Publications (CL.012-3200-01).

This impressive chorale-prelude by Andrew Glover is an exceptional choice for ceremonial events, formal observances, or as a concert selection. A robust opening fanfare segues seemlessly into a peaceful original chorale. A short interlude leads into a robust and powerful chorus of America, the Beautiful which includes optional parts for antiphonal trumpets and trombones. Sensitive and reflective scoring combine with warm and gentle dissonances for a truly remarkable conclusion. Stunning, emotional and inspiring selection for any program.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-4001-75

March. Composed by Julius Fucik. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR372 & CL.WFR197). Oversized, spiral-bound score. Composed 2011. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4001-75. Published by Opus III Wind Orchestra Publications (CL.012-4001-75).

This march masterpiece, famous for generations to children of all ages is at last available in this concert edition arranged by Andrew Glover. This delightful, entertaining, and familiar march will be a hit at any concert performance. An excellent choice also for contest and festival performances.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3057-75

March. Composed by K. Alford. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR325 & CL.WFR194). Oversized, spiral-bound score. Composed 2000. Duration 3 minutes, 38 seconds. Opus III Wind Orchestra Publications #012-3057-75. Published by Opus III Wind Orchestra Publications (CL.012-3057-75).

A wonderful new edition of the most famous of all British marches, it's perfect for concert or contest performances. Skillfully edited and arranged by march expert Andrew Glover.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-2770-75

March. Composed by Codina. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR174). Oversized, spiral-bound score. Composed 1996. Duration 4 minutes, 15 seconds. Opus III Wind Orchestra Publications #012-2770-75. Published by Opus III Wind Orchestra Publications (CL.012-2770-75).

The most famous of all the Mexican marches, presented in a new edition skillfully arranged for the modern concert band by Andrew Glover, it is perfect for concert or contest use.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 4

SKU: CL.012-3405-01

March. Composed by Jewel. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR334 & CL.WFR366). Extra full score. Composed 2005. Duration 1 minute, 50 seconds. Opus III Wind Orchestra Publications #012-3405-01. Published by Opus III Wind Orchestra Publications (CL.012-3405-01).

This rip-snortin' circus march will thrill audiences and performers alike! Composed by classic circus band leader Fred Jewell, this march was dedicated to P. G. Lowery, an African-American cornet virtuoso who was a pioneering headliner in circus bands and is the Jackie Robinson of the American band movement. Walloping low brass, dizzying woodwinds, and screaming trumpets bring the big top to like in this exciting and challenging march. Wow!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3105-75

Composed by Seitz. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR325 & CL.WFR316). Oversized, spiral-bound score. Composed 2001. Duration 2 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3105-75. Published by Opus III Wind Orchestra Publications (CL.012-3105-75).

One of the most distinctive marches ever written, this stately standard is a perfect concert or festival selection. Glover's outstanding arrangement is not simplified or abridged in any way, but does offer insightful articulations, clear dynamics and large readable parts for the modern concert band instrumentation. The nature of the opening strains makes this a wonderful vehicle for teaching everyone in the band chromatic scales. Tremendous! Grade 3 1/2.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Ludwig van Beethoven (1770-1827). Arranged by Poor. For concert band. Concert Band. Symphony Band Series. Grade 4. Score and parts. Composed 2010. Duration 5 minutes, 12 seconds. Published by C.L. Barnhouse

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.