The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
River Of Peril Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4754-00 Composed by Webb. Young Concert Band. Score a...(+)
Grade 2
SKU:
CL.011-4754-00
Composed by Webb. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4754-00.
Published by C.L.
Barnhouse
(CL.011-4754-00).
Get ready to
ride the rapids on the
River of Peril!
Maine’s Kennebec
River is a popular
white-water rapids
destination, which boasts
several nail-biting runs.
This river promises
enjoyment from beginners
to seasoned pros, with
dips, dives and rushes
galore. But fear not -
for those of you just
beginning your rafting
adventures, there are
several moments of
quietude and solace in
between the perilous
parts - just like in this
clever original band
work, carefully scored
for the developing young
band. Whoosh!
River Of Peril Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4754-01 Composed by Webb. Young Concert Band. Extra f...(+)
Grade 2
SKU:
CL.011-4754-01
Composed by Webb. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4754-01. Published
by C.L. Barnhouse
(CL.011-4754-01).
Get ready to
ride the rapids on the
River of Peril!
Maine’s Kennebec
River is a popular
white-water rapids
destination, which boasts
several nail-biting runs.
This river promises
enjoyment from beginners
to seasoned pros, with
dips, dives and rushes
galore. But fear not -
for those of you just
beginning your rafting
adventures, there are
several moments of
quietude and solace in
between the perilous
parts - just like in this
clever original band
work, carefully scored
for the developing young
band. Whoosh!
Verso il Sole Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053848-010 A Tribute to t...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053848-010
A Tribute to the
Sun. Composed by
Lorenzo Bocci. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 2005. 32
pages. De Haske
Publications #DHP
1053848-010. Published by
De Haske Publications
(BT.DHP-1053848-010).
English-German-French-
Dutch.
Since the
beginning of mankind
people have realized that
the warmth and the light
of the sun were necessary
to develop life on earth
- by creating winds in
the air, by generating
rains through the
evaporation of sea water
and by allowing plants to
grow. The sun creates the
dynamism of the chain of
life. This is the reason
why ancient populations
adored the sun as the god
of cosmic order as
opposed to the god of
chaos or night, who
generated fear and the
necessity of defense.
This piece is a tribute
to the sun (Verso il
Sole) as an existential
symbol of life and
energy.
Sinds de
mensheid bestaat, hebben
mensen zich gerealiseerd
dat de warmte en het
licht van de zon nodig
waren voor de
ontwikkeling van het
leven op aarde. De zon
zorgt voor de dynamiek
van de cirkel van het
leven. Lorenzo Bocci
schreefdit werk als een
hulde aan de zon
(Verso il Sole) -
existentieel symbool van
leven en
energie.
Seit
Menschengedenken ist
bekannt, dass die
Wärme und das Licht
der Sonne notwendig
für alles Leben auf
der Erde ist. Sie bildet
den Antrieb des
Kreislaufs des Lebens.
Alte Völker verehrten
die Sonne als Gott der
Ordnung des Weltalls, als
Gegenspieler des Gottes
des Chaos und der Nacht.
Verso il Sole - an
die Sonne - ist ein
Tribut des italienischen
Komponisten Lorenzo Bocci
an die Sonne als das
existentielle Symbol des
Lebens und der Energie.
Lassen Sie die Sonne in
Ihr
Konzert!
Verso il Sole Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053848-140 A Tribute to t...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053848-140
A Tribute to the
Sun. Composed by
Lorenzo Bocci. Applause
Series. Original Light
Music. Score Only.
Composed 2005. 32 pages.
De Haske Publications
#DHP 1053848-140.
Published by De Haske
Publications
(BT.DHP-1053848-140).
English-German-French-
Dutch.
Since the
beginning of mankind
people have realized that
the warmth and the light
of the sun were necessary
to develop life on earth
- by creating winds in
the air, by generating
rains through the
evaporation of sea water
and by allowing plants to
grow. The sun creates the
dynamism of the chain of
life. This is the reason
why ancient populations
adored the sun as the god
of cosmic order as
opposed to the god of
chaos or night, who
generated fear and the
necessity of defense.
This piece is a tribute
to the sun (Verso il
Sole) as an existential
symbol of life and
energy.
Sinds de
mensheid bestaat, hebben
mensen zich gerealiseerd
dat de warmte en het
licht van de zon nodig
waren voor de
ontwikkeling van het
leven op aarde. De zon
zorgt voor de dynamiek
van de cirkel van het
leven. Lorenzo Bocci
schreefdit werk als een
hulde aan de zon
(Verso il Sole) -
existentieel symbool van
leven en
energie.
Seit
Menschengedenken ist
bekannt, dass die
Wärme und das Licht
der Sonne notwendig
für alles Leben auf
der Erde ist. Sie bildet
den Antrieb des
Kreislaufs des Lebens.
Alte Völker verehrten
die Sonne als Gott der
Ordnung des Weltalls, als
Gegenspieler des Gottes
des Chaos und der Nacht.
Verso il Sole - an
die Sonne - ist ein
Tribut des italienischen
Komponisten Lorenzo Bocci
an die Sonne als das
existentielle Symbol des
Lebens und der Energie.
Lassen Sie die Sonne in
Ihr
Konzert!
The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151).
ISBN
9781491152119. UPC:
680160909612.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
The Snake Pit Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Et in terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0981118-010
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1998. De
Haske Publications #DHP
0981118-010. Published by
De Haske Publications
(BT.DHP-0981118-010).
This piece was
commissioned by the
‘Concert Band
Vlamertinge’ and
is a plea for peace: the
title translates as
‘Peace on
Earth’. This is
expressed by means of the
vocal contribution
expected from the
performers. In various
places of the piece you
can recognize, the words
‘Et In Terra
Pax’ - an appeal
for peace - at first
jumbled together but
later more rhythmically
structured, developing
into synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
‘ConCErtbAnD
VlAmErtinGE’ and
the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
‘Et In Terra
Pax’ bring the
first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem
‘Sonnet’ by
the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words ‘Et In
Terra... Pax’ are
repeated again and again
by the rest of the
orchestra.The composer
has purposely avoided all
forms of aggression and
bombastic sounds
regularly used in works
about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Plädoyer an den
Frieden: Der Titel
bedeutet dann auch
‘Frieden auf
Erden’. Dies kommt
unter anderem im vokalen
Anteil der
Ausführenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte ‘Et In
Terra Pax’ wie ein
flehendes Gebet für
den Frieden.
Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
‘ConCErtbAnD
VlAmErtingE’ und
dem Namen des Dirigenten
NiCk VAnDEnDriessChe
entstammen. Während
der orchestralen Klimax,
die zu einemersten
Klangausbruch führt
(ab Takt 62), entsteht
eine etwas traurige
Melodie. Plötzlich
werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veränderten
Klangfarbe; die Worte
‘Et In Terra
Pax’ runden den
ersten Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das
überraschend durch
eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
währenddessen das
Gedicht Sonnet des
jungen Dichters Charles
Hamilton Sorley vor, der
im ersten Weltkriegfiel.
Es findet für die
Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphäre des Beginns
wieder zurück.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das
“Et In Terra
Pax’ durch den
Rest des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
über den Krieg zu
finden ist, vermieden.
Dennoch ist die Angst vor
Gewalt und Zerstörung
vor allem in den
Allegro-Passagen deutlich
zuhören und zu
fühlen. Am Ende macht
die anfängliche
Spannung jedoch der
Hoffnung Platz: Möge
die Friedlichkeit auch im
täglichen Leben die
Grausamkeit
verbannen….
Heaven and Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000304-010
Composed by Jan Bosveld.
Set (Score & Parts). 26
pages. Gobelin Music
Publications #GOB
000304-010. Published by
Gobelin Music
Publications
(BT.GOB-000304-010).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Heaven and Earth Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000304-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000304-140
Composed by Jan Bosveld.
Score Only. Gobelin Music
Publications #GOB
000304-140. Published by
Gobelin Music
Publications
(BT.GOB-000304-140).
An Astrological
Composition.
Astrology is based on the
principle that each sort
of time has its own
quality. In order to
determine the quality of
a particular moment, an
astrologer looks at the
position of the planets
in the solar sustemat
that moment. Each planet
has specific types of
energies and its location
provides unique
information for a certain
moment on Earth. Thus:
its position in the sky
tells something about
what happens on
Earth.
In this
composition the typesof
energies of four planets
are musically translated.
The four planet were not
randomly chosen. There
are two pairs, whose
influence and energy are
opposite.
Venus
and Mars. Venus
represents the feminine
principle: harmony,
beauty,art, and the
ability to make
relationships and to keep
the peace. Venus
connects, and
communicates in order to
maintain the balance.
Mars represent the
masculine principle:
winning, impulsiveness,
enthusiasm, and sexual
energy for procreation.He
creates war enabling the
strongest to triumph.
Mars is musically
depicted in a stirring
march in which enthusiasm
characterises the
masculine
character.
Saturn
and Jupiter. Saturn
represents concentration
and withdrawal: the
strongnotion of
responsibility,
seriousness,
self-discipline and
melancholy. Saturn is the
hermit who will conquer
his fears and worries in
minimal conditions and by
self-chastisement. This
contemplative character
is depicted in the music
as if it isalmost
standing still, which
also reflects the given
character of this
planet. Jupiter
represents growth and
expansion: the positive,
self-confidence, the good
Samaritan, the healer.
Jupiter is the
philosopher who will make
the world a betterplace,
sees future
possibilities, and
searches for eternal
values. He is the prophet
who sometimes rants and
raves his doctrine and
proclamations, resulting
musically in a whirling
and upbeat finale. not
looking back at what has
been but searchingfor new
challenges.
Heaven and Earth was
commisioned by the Music
Lending and Information
Centre (MUI), a
department of the library
for the province of
Gelderland in Arnhem, The
Netherlands.Een
astrologische compositie.
Astrologie is
gebaseerd op het principe
dat elke tijd zijn eigen
kwaliteit heeft. Tijd
voor koffie of het was je
tijd nog niet als
bijvoorbeeld een baan aan
je neus voorbij is
gegaan. Om de
kwaliteit van een moment
te lezen kijkt
deastroloog naar de stand
van de planeten in ons
zonnestelsel op dat
tijdstip. Elke planeet
heeft specifieke
energieën en de plaats
aan de hemel geeft unieke
informatie over een
bepaald moment op aarde.
Oftewel: de stand aan de
hemel (Ouranos)
verteltiets over wat er
op aarde (Gaia)
gebeurt.
In deze
compositie worden de
energieën van vier
planeten muzikaal
vertaald. De vier
planeten zijn niet
lukraak gekozen. Het zijn
twee paren, die qua
invloed en energie
tegenovergesteldzijn.
Venus en Mars.
Venus vertegenwoordigt
het vrouwelijke principe:
harmonieus, schoonheid,
de kunst, het vermogen om
verbindingen aan te gaan
en de vrede te bewaren.
Venus geeft door en
verbindt om de balans te
bewaren.
Marsvertegenwoordigt het
mannelijke principe:
winnen, anderen
aftroeven, impulsief en
enthousiast, seksuele
energie voor de
voortplanting. Mars
creëert oorlog om de
sterkste te laten
zegevieren. Venus
staat tot Mars als vrede
staat tot oorlog,
alsverbinden staat tot
verbreken, als harmonie
staat tot
competitie.
Jupiter en Saturnus.
Jupiter vertegenwoordigt
groei en expansie: het
positieve zelfvertrouwen,
de weldoener, de genezer.
Jupiter is de filosoof
die de wereld
wilverbeteren,
vooruitkijkend en zoekend
naar eeuwige waarden, de
profeet die soms al te
bombastisch zijn leer
verkondigt. Saturnus
vertegenwoordigt
concentratie en
inkrimping: het sterke
verantwoordelijkheidsbese
f, soberheid,
zelfdiscipline
enmelancholie. Saturnus
is de kluizenaar die
onder minimale
voorwaarden en
zelfkastijding zijn
angsten wil overwinnen.
De harde, serieuze werker
die volgens vaste regels
stug doorgaat om aan zijn
hoge eisen te voldoen.
Jupiter staat tot
Saturnusals uitbreiding
staat tot inkrimping, als
zelfvertrouwen staat tot
faalangst, als vrijheid
staat tot
structuur.
Millennium Fever Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0981380-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0981380-010
Composed by Johan Nijs.
Applause Series. Original
Light Music. Set (Score &
Parts). Composed 1998. De
Haske Publications #DHP
0981380-010. Published by
De Haske Publications
(BT.DHP-0981380-010).
The new
millennium inspires
curiosity, optimism, and
fear of the unknown.
Belgian composer Johan
Nij composed Millennium
Fear to capture the
uncertainty of this
monumental event. The
piece combines dynamic
sounds, feverish rhythms,
and surprising sound
textures in the dialogues
between different
instrument groups. The
piece expresses the
thoughts and feelings
many have toward the new
millennium.
Der
belgische Komponist Johan
Nijs hat diesen
Gefühlen mit dem
Stück Millennium
Fever stimmigen
Ausdruck gegeben. Es
handelt sich dabei um ein
Feuerwerk bewegter
Klänge, ein
Zusammenspiel fiebernder
Rhyhmen und unerwarteter
Wendungen, worin
verschiedene
Instrumentengruppen
miteinander dialogisiern.
Half Off! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4847-00 Composed by Webb. Young Concert Band. Rising ...(+)
Grade 2
SKU:
CL.024-4847-00
Composed by Webb. Young
Concert Band. Rising Band
Series for Developing
Bands! Score and set of
parts. Composed 2020.
Duration 1 minute, 28
seconds. C.L. Barnhouse
#024-4847-00. Published
by C.L. Barnhouse
(CL.024-4847-00).
Teaching
students the concept of
cut time in music can be
difficult and daunting,
but not so with Half
Off!, an engaging,
light-hearted learning
tool. Using only notes
and rests that are easily
divisible by two,
combined with a catchy
tune, this song will
quickly show kids that
cut-time is nothing to be
feared, and actually a
lot of fun to play.
Onward and upward with
Half Off!.
Half Off! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4847-01 Composed by Webb. Young Concert Band. Extra f...(+)
Grade 2
SKU:
CL.024-4847-01
Composed by Webb. Young
Concert Band. Extra full
score. C.L. Barnhouse
#024-4847-01. Published
by C.L. Barnhouse
(CL.024-4847-01).
Teaching
students the concept of
cut time in music can be
difficult and daunting,
but not so with Half
Off!, an engaging,
light-hearted learning
tool. Using only notes
and rests that are easily
divisible by two,
combined with a catchy
tune, this song will
quickly show kids that
cut-time is nothing to be
feared, and actually a
lot of fun to play.
Onward and upward with
Half Off!.
Et in Terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed ...(+)
Concert Band - Grade 4
SKU: HL.44002765
Score and Parts.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Set (Score
& Parts). Composed 1998.
De Haske Publications
#0981118-010. Published
by De Haske Publications
(HL.44002765).
UPC:
073999027655.
9.5x13.5x0.97
inches.
This piece
was commissioned by the
'Concert Band
Vlamertinge' and is a
plea for peace: the title
translates as 'Peace on
Earth'. This is expressed
by means of the vocal
contribution expected
from the performers. In
various places of the
piece you can recognize,
the words 'Et In Terra
Pax' - an appeal for
peace - at first jumbled
together but later more
rhythmically structured,
developing into
synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
'ConCErtbAnD VlAmErtinGE'
and the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
'Et In Terra Pax' bring
the first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem 'Sonnet'
by the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words 'Et In Terra...
Pax' are repeated again
and again by the rest of
the orchestra.The
composer has purposely
avoided all forms of
aggression and bombastic
sounds regularly used in
works about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Pladoyer an den Frieden:
Der Titel bedeutet dann
auch 'Frieden auf Erden'.
Dies kommt unter anderem
im vokalen Anteil der
Ausfuhrenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte 'Et In Terra
Pax' wie ein flehendes
Gebet fur den
Frieden.
Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
'ConCErtbAnD VlAmErtingE'
und dem Namen des
Dirigenten NiCk
VAnDEnDriessChe
entstammen. Wahrend der
orchestralen Klimax, die
zu einemersten
Klangausbruch fuhrt (ab
Takt 62), entsteht eine
etwas traurige Melodie.
Plotzlich werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veranderten Klangfarbe;
die Worte 'Et In Terra
Pax' runden den ersten
Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das uberraschend
durch eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
wahrenddessen das Gedicht
Sonnet des jungen
Dichters Charles Hamilton
Sorley vor, der im ersten
Weltkriegfiel. Es findet
fur die Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphare des Beginns
wieder zuruck.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das Et In
Terra Pax' durch den Rest
des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
uber den Krieg zu finden
ist, vermieden. Dennoch
ist die Angst vor Gewalt
und Zerstorung vor allem
in den Allegro-Passagen
deutlich zuhoren und zu
fuhlen. Am Ende macht die
anfangliche Spannung
jedoch der Hoffnung
Platz: Moge die
Friedlichkeit auch im
taglichen Leben die
Grausamkeit
verbannen...
The Legend of Flathead Lake Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-010 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-010
Composed by Carl
Wittrock. Set (Score &
Parts). 174 pages.
Gobelin Music
Publications #GOB
000447-010. Published by
Gobelin Music
Publications
(BT.GOB-000447-010).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000447-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000447-140
Composed by Carl
Wittrock. Score Only. 30
pages. Gobelin Music
Publications #GOB
000447-140. Published by
Gobelin Music
Publications
(BT.GOB-000447-140).
In Scotland,
the monster of Loch Ness
is a hot issue, but the
American state of Montana
enjoys a comparable
phenomenon going by the
name of Montana
Nessie. In the
western part of this
remote state lies
Flathead Lake: a lake of
45 kilometres /38miles in
lenght and 24 kilometres
/15 miles breath. At
several places, its depth
exeeds 100
metres. Nessies
discovery takes us back
to the year 1889, when
captain James Kerr aboard
the passengership
U.S.Grant was startled by
a ship unknown to
himsuddenly approaching
his vessel across
Flathead Lake.
However, it turned
out not to be a ship but
an undefinable animal of
immense size.From that
moment onwards, life
would never be the same
again in and around
Flathead Lake. The
composer wasinspired by
the story, and summarized
the events into a
symphonic poem, but from
a surprising angle:that
of the monster.
The exiting opening
allows us to follow the
monster in its natural
surroundings. The fast
follow-up movement
depictsMontana Nessie
trotting and frolicking
about the Montana woods
and prairies.From its
abode, it thorougly
enjoys everything around
it. This period abruptly
ends in a short climax
(Chimes). The solo
for cor anglais marks a
new period in themonsters
life.The presence of
people has a paralizing
effect and the
apprehensive atmosphere
of the slow movement may
be felt
profoundly. The
monster observes and
mildly teases the ship.
Abhor sounds force the
ship to a
withdrawal. The
movingmusical
continuation depicts the
triumphant monster
dancing an ironic
waltz. The monsters
fear and anger at the
intrusion of his freedom
run through the piece
like continuous threads,
and develop into the
works final
theme.
Ook Amerika
kent, in navolging van
Loch Ness, haar monster
met alle sterke verhalen
eromheen. Dit Amerikaanse
monster werd in 1889 voor
het eerst gezien door de
kapitein van een
toeristenboot, varende op
Flathead Lake in de staat
Montana. Wittrock
schildert niet enkel de
gebeurtenissen maar
kruipt in de huid van het
monster.
Het
programmatische werk
beschrijft op vaak
ontroerende en soms
angstaanjagende wijze het
leven van Montana Nessie.
Aanknopingspunten in
dit werk zijnde geboorte
(het begin), de eerste
levensfase met oerkreten
(allegro) en de
verwondering en
bewondering van de natuur
(hobosolo). Het
tweede gedeelte
symboliseert de spanning
tussen mens en monster
tijdens de spannende
boottocht op
FlatheadLake. Het
derde deel brengt het
monster aan het dansen in
een aandoenlijke wals vol
ironie en zelfspot. Rode
draad en afsluitend thema
is de angst en boosheid
van Montana Nessie op de
vrijheidsinbreuk. Een
meesterwerk!
Dit
werk isopgenomen in het
Klein repertorium,
harmonie - 2e
divisie
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
The Innocent Condemned Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-001200-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-001200-010
Composed by Rob Goorhuis.
Concert Piece. Set (Score
& Parts). Composed 2013.
170 pages. Gobelin Music
Publications #GOB
001200-010. Published by
Gobelin Music
Publications
(BT.GOB-001200-010).
9x12 inches.
English.
The
Innocent Condemned
tells of the so-called
buck riders
(bokkerijders) who, in
the middle of the 18th
Century caused mayhem in
the area around Limburg.
Calmer passages in the
music depict the fear of
the locals, while a
vivo furioso
describes a night raid,
and powerful drum sounds
together with emotional
musical lines illustrate
the execution of an
innocent. A gripping
piece of history caught
in music!
Deze
indrukwekkende compositie
vertelt het verhaal van
de ‘Bokkenrijders’,
een bende rovers die in
de helft van de 18e eeuw
de streek rond Limburg
onveilig maakten. Vele
burgers werden nadien
valselijk beschuldigd
bokkenrijders te zijn
geweest. Ze werden ten
onrechte veroordeeld en
brutaal terechtgesteld.
In deze programmamuziek
van Rob Goorhuis kun je
de gebeurtenissen
terughoren.
The Innocent
Condemned (Der
unschuldig Verurteilte)
erzählt von den so
genannten Bokkerijders“
(Bockreitern), die Mitte
des 18. Jahrhundert die
Gegend um Limburg
unsicher machten. Ruhige
Passagen im Werk zeugen
von der Angst der
Bürger, ein Vivo
furioso beschreibt
einen nächtlichen
Überfall und vehemente
Schlagzeugklänge sowie
emotionale musikalische
Linien illustrieren die
Hinrichtung eines
Unschuldigen. Ein
packendes Stück
Geschichte in Musik
gefasst!
Selon la
légende, les Buckriders
étaient un gang de
voleurs sans scrupules
qui dévalisaient les
fermes et les
presbytères lors de leur
passage. Il a été dit
que les membres avaient
fait un pacte avec Satan
et chevauchaient dans le
ciel dos de chèvres. Les
passages calmes dans
l’œuvre
témoignent de la crainte
des citoyens, un Vivo
furioso décrit un
raid de nuit et les sons
véhéments des
percussions suivis de
lignes musicales lyriques
illustrent l’exécution
d’un innocent. Cette
histoire de légende
reprend vie gr ce la
musique de Rob
Goorhuis.
The
Innocent Condemned
narra la storia dei
“Bokkerijders”,
briganti che nel XVIII
secolo terrorizzavano con
le loro gesta la regione
olandese intorno a
Limburg. I passaggi calmi
proposti nel brano
evocano la paura dei
cittadini, un Vivo
furioso descrive
un’incursione notturna,
mentre i suoni veementi
delle percussioni seguiti
da una linea melodica
lirica traspogono in
musica l’esecuzione di
un innocente. Un brano
coinvolgente che riassume
la storia in musica!
The Lament Of Familiar Ruins Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire RWS Music Company
Grade 4 SKU: CL.RWS-2240-00 Composed by Green. Concert Band. Score and se...(+)
Grade 4
SKU:
CL.RWS-2240-00
Composed by Green.
Concert Band. Score and
set of parts. Composed
2022. RWS Music Company
#RWS-2240-00. Published
by RWS Music Company
(CL.RWS-2240-00).
The artistic
impact of Christopher
Kyle Green continues to
grow. The Lament of
Familiar Ruins is a
musical depiction of a
personal trauma based on
a house fire. Inspired
and influenced by
feelings that words
cannot explain, the
ensemble is given an
opportunity to convey
true grief, longing,
fear, and emptiness. This
symbolic work captivates
the performers and
audience and creates an
atmosphere of
experiencing
life’s unexpected
hardships. With gorgeous
yet haunting harmonies
and melodies, the concert
hall will fill with
emotion as the piece
encourages individual
vulnerability.
Appropriate for concert
festivals and
assessments.
Grade 4 SKU: CL.RWS-2240-01 Composed by Green. Concert Band. Extra full s...(+)
Grade 4
SKU:
CL.RWS-2240-01
Composed by Green.
Concert Band. Extra full
score. Composed 2022. RWS
Music Company
#RWS-2240-01. Published
by RWS Music Company
(CL.RWS-2240-01).
The artistic
impact of Christopher
Kyle Green continues to
grow. The Lament of
Familiar Ruins is a
musical depiction of a
personal trauma based on
a house fire. Inspired
and influenced by
feelings that words
cannot explain, the
ensemble is given an
opportunity to convey
true grief, longing,
fear, and emptiness. This
symbolic work captivates
the performers and
audience and creates an
atmosphere of
experiencing
life’s unexpected
hardships. With gorgeous
yet haunting harmonies
and melodies, the concert
hall will fill with
emotion as the piece
encourages individual
vulnerability.
Appropriate for concert
festivals and
assessments.
Concert Band Concert Band - Grade 1 SKU: FJ.B1780S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1780S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Beginning Band.
Light Concert; Novelty.
Score. Duration 2:15. The
FJH Music Company Inc
#98-B1780S. Published by
The FJH Music Company Inc
(FJ.B1780S).
English.
Fear,
anxiety, adrenaline, and
a sheer rush of
excitement all take
center stage in this
musical depiction of a
rollercoaster ride. After
percussion simulate the
sound of a lift hill, the
ride is off in an
action-packed series of
drops, turns, and loops.
Eventually the riders get
their hands up in the air
and revel in the
unabashed joy of the
moment before the ride
comes to its end. Unique
and powerful!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Heartbeat of a City Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band Set (Score & Parts) - Level 3.5 SKU: HL.4008300<...(+)
Score and Parts Concert
Band Set (Score & Parts)
- Level 3.5
SKU:
HL.4008300
For
Concert Band, Grade 3.5
9:10 Score and Parts.
Composed by Otto Schwarz.
Symphonic Dimensions.
Concert. Softcover.
Duration 550 seconds. Hal
Leonard #SDP1042102.
Published by Hal Leonard
(HL.4008300).
ISBN
9781705197059. UPC:
196288145219.
A
city is
founded—– it
has a heart that beats.
But visible achievements
such as buildings and
infrastructure merely
bear witness to what its
true heart is made
of—the people who
have lived, and still
live, in the city. The
pulse of the city,
brought to life by
itsheartbeat, changes
over time. Who hasn't
seen those time-lapse
images showing twinkling
lines of car lights as
people make their wayto
work, while others stand
at traffic lights, only
moving as if at the push
of a button? These are
like life flowing in the
veins, driven by a strong
heart. Leonardo da Vinci
had already imagined the
rivers as the blood
vessels of the Earth. In
any city, though, it's
not the rivers but the
movement and activities
of the people who live
there. The heart doesn't
always beat steadily,
however, but its rhythm
can be influenced by joy,
fear, and many other
things. Every city has
its own pulse. This is
also true of the
university city of
Marburg, where people
from over 100 nations now
live together in a
cosmopolitan and tolerant
community. This work
describes the city from
its founding in 1222, and
the charity of Saint
Elizabeth, all the way to
the present day.
Concert Band (Score) - Level 3.5 SKU: HL.4008301 For Concert Band, Gra...(+)
Concert Band (Score) -
Level 3.5
SKU:
HL.4008301
For
Concert Band, Grade 3.5
9:10 Score. Composed
by Otto Schwarz.
Symphonic Dimensions.
Concert. Softcover. 48
pages. Duration 550
seconds. Hal Leonard
#SDP1042101. Published by
Hal Leonard (HL.4008301).
UPC:
196288145226.
A
city is
founded—– it
has a heart that beats.
But visible achievements
such as buildings and
infrastructure merely
bear witness to what its
true heart is made
of—the people who
have lived, and still
live, in the city. The
pulse of the city,
brought to life by
itsheartbeat, changes
over time. Who hasn't
seen those time-lapse
images showing twinkling
lines of car lights as
people make their wayto
work, while others stand
at traffic lights, only
moving as if at the push
of a button? These are
like life flowing in the
veins, driven by a strong
heart. Leonardo da Vinci
had already imagined the
rivers as the blood
vessels of the Earth. In
any city, though, it's
not the rivers but the
movement and activities
of the people who live
there. The heart doesn't
always beat steadily,
however, but its rhythm
can be influenced by joy,
fear, and many other
things. Every city has
its own pulse. This is
also true of the
university city of
Marburg, where people
from over 100 nations now
live together in a
cosmopolitan and tolerant
community. This work
describes the city from
its founding in 1222, and
the charity of Saint
Elizabeth, all the way to
the present day.
Grade 2 SKU: CL.011-3961-01 Composed by Romeyn. Young Concert Band. Comma...(+)
Grade 2
SKU:
CL.011-3961-01
Composed by Romeyn. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR369). Extra
full score. Composed
2010. Duration 1 minute,
58 seconds. C.L.
Barnhouse #011-3961-01.
Published by C.L.
Barnhouse
(CL.011-3961-01).
Off Santa goes
on his yearly journey.
However, this year he
encounters some rough
winter weather along the
way. Not to fear, Santa
navigates the storm and
he and his reindeer are
on course again.
Accessory percussion and
timpani help create the
blizzard effect. Solid
scoring makes this very
playable, and easy to put
together under most
performance situations.
This is a humorous and
entertaining novelty
selection that is sure to
be the hit of your next
holiday concert. You'll
want to program this
every year!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Score Only Concert Band; Symphonic Band (Score) - Grade 3 SKU: HL.4004964 ...(+)
Score Only Concert Band;
Symphonic Band (Score) -
Grade 3
SKU:
HL.4004964
Composed
by Brendan Graham.
Arranged by Michael
Brown. MusicWorks Grade
3. Softcover. Published
by Hal Leonard
(HL.4004964).
UPC:
888680653552.
9.0x12.0x0.051
inches.
Brendan
Graham's tender song
tells the emotional story
of Ireland's Annie Moore,
the first person to step
ashore when Ellis Island
opened as an immigration
center in 1892. With
emotions ranging from
hope to fear, joy to
despair, this deeply
moving ballad has been
recorded notably by Sean
& Dolores Keane, The
Irish Tenors, Celtic
Thunder, and Celtic
Woman. Here is a
beautiful setting adapted
for the concert stage.
Dur: 3:40.
Mission to Mars Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Concert Band - Grade 2 SKU: KJ.WB532 Composed by Ryan Nowlin. Band/Repert...(+)
Concert Band - Grade 2
SKU: KJ.WB532
Composed by Ryan Nowlin.
Band/Repertoire.
Excellence in Performance
- Repertoire. Score and
parts. Neil A. Kjos Music
Company #WB532. Published
by Neil A. Kjos Music
Company (KJ.WB532).
UPC:
084027053157.
With
a tip of the hat to
Gustav Holst and Mars
from The Planets,
composer Ryan Nowlinâ??s
Mission to Mars depicts
the fear, anxiety, and
exhilaration of discovery
and exploration that
future astronauts might
experience on their way
to the Red Planet. This
energetic tone poem in
¾ sits securely under
the fingers of each
instrument and allows
each section of your
developing band to
showcase their abilities.
Correlates with Tradition
of Excellence Book 2,
page 22.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.