Wind Band - Grade 2 SKU: YM.GTW01090715 Concert Band. New Sounds in Brass...(+)
Wind Band - Grade 2
SKU:
YM.GTW01090715
Concert Band. New Sounds
in Brass (NSB). Disney.
Score & Parts. Yamaha
Music Media #GTW01090715.
Published by Yamaha Music
Media (YM.GTW01090715).
ISBN
9784636907155.
New
Sounds in Concert Band
Series (NSB) Medley
for small sized band
Duration: approx. 6'25
Arranged bby Takashi
Hoshide
Medley of:
Let It Go; For the
First Time in Forever
Bing Xue Qi Yuan Zu
Qu : Let it go~Sui Ta Ba
~; Hao Jiu Mei Zai Sheng
Ming Li Zu Qu :
Yong You Wan Mei De
Yi Tian ;Hao Jiu Mei Zai
Sheng Ming Li ; Ni Xiang
Bu Xiang Dui Xue Ren ?;
Sui Ta Ba /Pian Wei
Qu.
Project Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
(March - Full Score and Parts). By Harold Bennett. Arranged by Larry Clark. Conc...(+)
(March - Full Score and
Parts). By Harold
Bennett. Arranged by
Larry Clark. Concert
Band. For Concert Band.
Carl Fischer First Plus
Performance Series. Grade
1.5. Score and Set of
Parts. Standard notation.
12 pages
Time Traveler Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
By Neeck. For concert band. Young Band. Sound Foundations. Real music using only...(+)
By Neeck. For concert
band. Young Band. Sound
Foundations. Real music
using only the first
octave!. Grade 1. Score
and parts. Composed 2010.
Duration 1 minutes, 10
seconds. Published by
C.L. Barnhouse
(Conductor). By Fred Weber. Concert Band. For Conductor. Band Method; Method/Ins...(+)
(Conductor). By Fred
Weber. Concert Band. For
Conductor. Band Method;
Method/Instruction. First
Division Band Course.
Book. 92 pages. Published
by Alfred Music
Publishing
First Suite in E Flat Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Boosey and Hawkes
(Grade 3 Edition). By Gustav Holst/Adpt. Robert Longfield. (Score & Parts). Boo...(+)
(Grade 3 Edition). By
Gustav Holst/Adpt. Robert
Longfield. (Score &
Parts). Boosey and Hawkes
Concert Band. Size 9x12
inches. Published by
Boosey & Hawkes.
Toccata Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043546-140 From the Opera...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043546-140
From the Opera
L'Orfeo. Composed by
Claudio Monteverdi.
Arranged by Jacob De
Haan. Your Favorite
Classics. Score Only.
Composed 2004. 16 pages.
De Haske Publications
#DHP 1043546-140.
Published by De Haske
Publications
(BT.DHP-1043546-140).
Claudio
Monteverdi composed this
toccata as an
instrumental introduction
for the opera
L’Orfeo (1607).
According to the
composer, this
introduction should be
played three times before
the rising of the
curtain. This is actually
the first overture in the
history of opera.)The
story of Orfeo, who
enchanted nature with his
music, is tragic, as he
loses his beloved
Eurydice and decides to
retrieve her from the
underworld. On their
return journey, one
glance back at her is
fatal: he loses her for
the second time.)This
arrangement for wind band
is very suitable as a
concert opener. The
toccata is played three
times just like the
original. The first time
it is played by a
quintetconsisting of two
trumpets and three
trombones.)Various ways
of performing this
toccata are possible. The
tension builds up more
intensely if the quintet
starts off stage.
Eventually, these five
players join the band,
after which the tutti
version follows two
times. You can also have
the brass play from the
gallery during the second
or third time for a
double choir effect.
Claudio
Monteverdi componeerde
deze toccata als
instrumentale inleiding
tot de opera
L’Orfeo
(1607). Dit arrangement
voor harmonieorkest is
dan ook heel geschikt als
openingswerk. De toccata
wordt drie keer gespeeld,
de eerste keer door een
kwintet van twee
trompetten en drie
trombones. De opbouw van
de spanning is intenser
als het kwintet in de
coulissen of achter het
podium begint. Vervolgens
voegen deze vijf
muzikanten zich bij de
rest van het orkest,
waarna de tutti-versie
nog twee keer
klinkt.
Claudio
Monteverdi schrieb diese
Toccata als
instrumentales Vorspiel
zur Oper l'Orfeo.
Sie sollte drei Mal vor
der Hebung des Vorhangs
gespielt werden. Damit
hatte er tatsächlich
die erste Ouvertüre
der Operngeschichte
geschaffen! Wie im
Original, wird auch in
dieser Bearbeitung die
Toccata drei Mal
gespielt: zunächst von
einem Trompeten- und
Posaunenquintett, dann
zwei Mal vom gesamten
Blasorchester. Ein
ideales
Eröffnungswerk!
Claudi
o Monteverdi (1567-1643)
compose questa Toccata
strumentale per
l’ouverture
dell’opera tragica
L’Orfeo (1607). Il
compositore desiderava
che questo brano di
apertura fosse eseguito
tre volte a sipario
chiuso. Così facendo,
compose la prima
ouverture nella storia
dell’opera. Questo
arrangiamento per banda
è ideale per iniziare
un concerto. Fedele alla
versione originale, la
Toccata è interpretata
tre volte, di cui la
prima dal quintetto
composto da tre tromboni
e due trombe.
Toccata Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043546-010 From the Opera...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043546-010
From the Opera
L'Orfeo. Composed by
Claudio Monteverdi.
Arranged by Jacob De
Haan. Your Favorite
Classics. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043546-010. Published by
De Haske Publications
(BT.DHP-1043546-010).
Claudio
Monteverdi composed this
toccata as an
instrumental introduction
for the opera
L’Orfeo (1607).
According to the
composer, this
introduction should be
played three times before
the rising of the
curtain. This is actually
the first overture in the
history of opera.)The
story of Orfeo, who
enchanted nature with his
music, is tragic, as he
loses his beloved
Eurydice and decides to
retrieve her from the
underworld. On their
return journey, one
glance back at her is
fatal: he loses her for
the second time.)This
arrangement for wind band
is very suitable as a
concert opener. The
toccata is played three
times just like the
original. The first time
it is played by a
quintetconsisting of two
trumpets and three
trombones.)Various ways
of performing this
toccata are possible. The
tension builds up more
intensely if the quintet
starts off stage.
Eventually, these five
players join the band,
after which the tutti
version follows two
times. You can also have
the brass play from the
gallery during the second
or third time for a
double choir effect.
Claudio
Monteverdi componeerde
deze toccata als
instrumentale inleiding
tot de opera
L’Orfeo
(1607). Dit arrangement
voor harmonieorkest is
dan ook heel geschikt als
openingswerk. De toccata
wordt drie keer gespeeld,
de eerste keer door een
kwintet van twee
trompetten en drie
trombones. De opbouw van
de spanning is intenser
als het kwintet in de
coulissen of achter het
podium begint. Vervolgens
voegen deze vijf
muzikanten zich bij de
rest van het orkest,
waarna de tutti-versie
nog twee keer
klinkt.
Claudio
Monteverdi schrieb diese
Toccata als
instrumentales Vorspiel
zur Oper l'Orfeo.
Sie sollte drei Mal vor
der Hebung des Vorhangs
gespielt werden. Damit
hatte er tatsächlich
die erste Ouvertüre
der Operngeschichte
geschaffen! Wie im
Original, wird auch in
dieser Bearbeitung die
Toccata drei Mal
gespielt: zunächst von
einem Trompeten- und
Posaunenquintett, dann
zwei Mal vom gesamten
Blasorchester. Ein
ideales
Eröffnungswerk!
Claudi
o Monteverdi (1567-1643)
compose questa Toccata
strumentale per
l’ouverture
dell’opera tragica
L’Orfeo (1607). Il
compositore desiderava
che questo brano di
apertura fosse eseguito
tre volte a sipario
chiuso. Così facendo,
compose la prima
ouverture nella storia
dell’opera. Questo
arrangiamento per banda
è ideale per iniziare
un concerto. Fedele alla
versione originale, la
Toccata è interpretata
tre volte, di cui la
prima dal quintetto
composto da tre tromboni
e due trombe.
Composed by
John Ireland. Band Music.
Score and parts. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.R10011).
Cast your self
into a storm at sea with
this fantastic piece from
John Ireland. Turbulent
rhythmic motives launch
the work to blend into a
more lyrical melody
contrasting the opening.
Don't be fooled though;
the first rhythmic motive
provides the underlay, a
reminder that the calm
surface of the sea is
only masking the swirling
water
underneath!
A
Maritime Overture was
written in 1944 and
published in 1946. This
edition was published in
1988. The score was
prepared from the
composer's full draft by
Norman Richardson, and
uses the same material as
Tritons - a Symphonic
Prelude for orchestra
dating from the early
1900s. The development of
the material however is
different in each piece.
The work is conceived in
F major - but it is 24
bars before Ireland
establishes this
tonality. Fortissimo
chords of B-flat major
open the work, and the
Overture hovers between G
minor and B-flat as a
restless rhythmic motif
is introduced. As soon as
F major is finally
established it is
contradicted as the music
fragments, but the key is
allowed a further 4 bars
to consolidate before
more lyrical interplay
leads to a second idea,
introduced by flutes and
oboes in C major. Marked
'espressivo e ben
cantando' this is a
complete contrast to the
opening, although the
first rhythmic motif
provides the underlay - a
reminder after the
opening storms that the
calm surface of the sea
is only masking the
swirling water
underneath. A Maritime
Overture has a freer
approach to form than say
the first movement of a
symphony might allow,
enabling Ireland to
introduce a totally new
central section marked
'poco meno mosso' in F
minor. A bold cornet (not
trumpet) heralds this new
idea, in a passage marked
'with freedom' and
perhaps for the only time
there is a true
tranquility in the
sextuplet accompaniment.
Thus the restlessness is
suspended, but not for
long, as the opening
storm returns and a
recapitulation allows the
F major theme and the
second theme - this time
in the sub-dominant
(B-flat) - to reassert
themselves.
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Frozen Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175825-140 Making Today A...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175825-140
Making Today A Perfect
Day, For the First Time
in Forever, Do You Want
to Build a Snowman, Let
It Go. Arranged by
Kazuhiro Morita. New
Sounds for Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
2017. 30 pages. De Haske
Publications #DHP
1175825-140. Published by
De Haske Publications
(BT.DHP-1175825-140).
The movie
‘Frozen’ is
one of the most popular
Walt Disney Animation
films of recent years.
Kazuhiro Morita made an
impressive medley for the
famous series ‘New
Sounds for Concert
Band’ containing
Do You Want To Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day
and Let It Go.
De film
Frozen is een van
de populairste
animatiefilms van Walt
Disney uit de afgelopen
jaren. Kazuhiro Morita
heeft van de liedjes uit
de soundtrack een
indrukwekkende medley
gemaakt voor de beroemde
serie ‘New Sounds
for Concert Band’
met daarin Do You Want
To Build A Snowman,
For the First Time in
Forever, Making
Today a Perfect Day
en Let It Go.
Der Film
Frozen“ (Die
Eiskönigin“)
gehört zu den
beliebtesten neuen
Computeranimationsfilmen
von Walt Disney. Kazuhiro
Morita hat ein
eindrucksvolles Medley
für die bekannte Reihe
New Sounds in Concert
Band†erstellt, das
die Lieder Do You
WantTo Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day
und Let It Go
enthält.
Frozen è uno
dei più famosi fi lm
di animazione di Walt
Disney degli ultimi anni.
Kazuhiro Morita ha
realizzato un emozionante
medley per la famosa
serie ‘New Sounds
for Concert Band’
che contiene Do You
Want To Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day e
Let It Go.
Frozen Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175825-010 Making Today A...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175825-010
Making Today A Perfect
Day, For the First Time
in Forever, Do You Want
to Build a Snowman, Let
It Go. Arranged by
Kazuhiro Morita. New
Sounds for Concert Band.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175825-010. Published by
De Haske Publications
(BT.DHP-1175825-010).
The movie
‘Frozen’ is
one of the most popular
Walt Disney Animation
films of recent years.
Kazuhiro Morita made an
impressive medley for the
famous series ‘New
Sounds for Concert
Band’ containing
Do You Want To Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day
and Let It Go.
De film
Frozen is een van
de populairste
animatiefilms van Walt
Disney uit de afgelopen
jaren. Kazuhiro Morita
heeft van de liedjes uit
de soundtrack een
indrukwekkende medley
gemaakt voor de beroemde
serie ‘New Sounds
for Concert Band’
met daarin Do You Want
To Build A Snowman,
For the First Time in
Forever, Making
Today a Perfect Day
en Let It Go.
Der Film
Frozen“ (Die
Eiskönigin“)
gehört zu den
beliebtesten neuen
Computeranimationsfilmen
von Walt Disney. Kazuhiro
Morita hat ein
eindrucksvolles Medley
für die bekannte Reihe
New Sounds in Concert
Band†erstellt, das
die Lieder Do You
WantTo Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day
und Let It Go
enthält.
Frozen è uno
dei più famosi fi lm
di animazione di Walt
Disney degli ultimi anni.
Kazuhiro Morita ha
realizzato un emozionante
medley per la famosa
serie ‘New Sounds
for Concert Band’
che contiene Do You
Want To Build A
Snowman, For the
First time in
Forever, Making
Today A Perfect Day e
Let It Go.
All Cried Out Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1143-04-010-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1143-04-010-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. Music
Sales #1143-04-010 MS.
Published by Music Sales
(BT.1143-04-010-MS).
At the
beginning of the 1980s
Alison Moyet was
discovered by Vince
Clarke, who - in search
of greater independence -
had left the successful
band Depeche Mode. The
soulful singing style of
Moyet and the electronic,
innovative pop that
Clarke made melded well
together in the group
Yazoo with hits such as
Only You and Don’t
Go. However, after a
number of years Moyet
went her own way and
forged a solo career,
during which she
demonstrated a somewhat
more traditional sound.
She recorded several
covers (such as The First
Time I Ever Saw Your Face
and That Ole Devil Called
Love) but she also
wrotefine songs herself,
such as Love Resurrection
and, of course, the
expressive song AllCried
Out. This arrangement by
Peter Kleine Schaars does
justice to the atmosphere
of the original song.
Die erfolgreiche
Karriere von Alison Moyet
begann zu Beginn der
80er-Jahre mit der
englischen Popgruppe
Yazoo. Nach ein paar
Jahren ging die
Sängerin mit der
starken Soulstimme jedoch
eigene Wege und arbeitete
an einer Solo-Karriere.
Sie nahm einige
Cover-Versionen auf,
schrieb aber auch selbst
schöne Lieder,
darunter Love
Resurrection und
natürlich das
ausdrucksvolle,
unvergessene All Cried
Out. Diese
Bearbeitung von Peter
Kleine Schaars wird der
Stimmung des Originals
vollkommen
gerecht.
All Cried Out Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1143-04-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1143-04-140-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1143-04-140 MS.
Published by Music Sales
(BT.1143-04-140-MS).
T the beginning
of the 1980s Alison Moyet
was discovered by Vince
Clarke, who - in search
of greater independence -
had left the successful
band Depeche Mode. The
soulful singing style of
Moyet and the electronic,
innovative pop that
Clarke made melded well
together in the group
Yazoo with hits such as
Only You and Don’t
Go. However, after a
number of years Moyet
went her own way and
forged a solo career,
during which she
demonstrated a somewhat
more traditional sound.
She recorded several
covers (such as The First
Time I Ever Saw Your Face
and That Ole Devil Called
Love) but she also
wrotefine songs herself,
such as Love Resurrection
and, of course, the
expressive song AllCried
Out. This arrangement by
Peter Kleine Schaars does
justice to the atmosphere
of the original song.
Die erfolgreiche
Karriere von Alison Moyet
begann zu Beginn der
80er-Jahre mit der
englischen Popgruppe
Yazoo. Nach ein paar
Jahren ging die
Sängerin mit der
starken Soulstimme jedoch
eigene Wege und arbeitete
an einer Solo-Karriere.
Sie nahm einige
Cover-Versionen auf,
schrieb aber auch selbst
schöne Lieder,
darunter Love
Resurrection und
natürlich das
ausdrucksvolle,
unvergessene All Cried
Out. Diese
Bearbeitung von Peter
Kleine Schaars wird der
Stimmung des Originals
vollkommen
gerecht.
Clarinet - very easy-easy SKU: HL.44001732 Composed by Jan de Haan. De Ha...(+)
Clarinet - very easy-easy
SKU: HL.44001732
Composed by Jan de Haan.
De Haske Concert Band.
Educational Tool. Book
[Softcover]. Composed
2001. De Haske
Publications #1012566.
Published by De Haske
Publications
(HL.44001732).
ISBN
9789043112444. UPC:
073999711929.
9.0x12.0x0.139
inches.
The BAND
TIME series consists of a
number of books
containing easy pieces
suitable for youth band.
BAND TIME Starter is
intended for the first
year of band playing and
includes four-part pieces
in many different styles.
The difficulty of the
pieces increases in
parallel with the
material covered in the
first part of the Look,
Listen & Learn method.
The first three works,
however, are three-part
pieces in order to
accommodate the limited
range of notes available
at this stage. The BAND
TIME series is suitable
for various combinations
of instruments provided
that the parts are
divided in a sensible way
(for concert band,
fanfare band or brass
band). The material for
altosaxophone, trombone
and
baritone/euphonium/bass
clarinet is divided into
parts 1 and 2 in order to
cover all voices using
the most popular
instruments.
De
serie Band Time is
ontwikkeld om kinderen
vroeg kennis te laten
maken met het samenspel
in een blaasorkest.
Band time Starter
maakt dit al in het
eerste jaar mogelijk.
Deze uitgave bevat
vierstemmige stukken in
diversestijlen- de eerste
drie stukken zijn drie
stemmig, aangespast aan
de vaardigheden van de
beginnende leerling. De
moeilijkheidsgraad en de
muzikale inhoud zijn
gebasseerd op Horen,
Lezen & Spelen. In de
partituur staatuitgelegd
hoe u de serie optimaal
benut en hoe de
instrumentatie in uw
specifieke bezetting het
best kan worden
toegepast. Op de los
verkrijgbare cd worden de
stukken door een
harmonieorkest
voorgespeeld, zodat de
leerlingen thuiseen goede
indruk krijgen van hoe de
stukken klinken. Ze
kunnen zelf meespelen of
ernaar luisteren. Dit zal
de motifatie (en het
studieresultaat)
bevorderen.
Parall
el zu den ersten Stunden
Instrumentalunterricht
werden die jungen Musiker
mit den Stucken dieser
Sammlung fur das Spielen
im Anfangerorchester
motiviert. BAND TIME
Starter eignet sich
fur das erste Jahr im
Blasorchester und enthalt
vierstimmige Stucke in
vielen verschiedenen
Stilen. Der allmahlich
fortschreitende
Schwierigkeitsgrad
entspricht dem Stoff der
Blaserschule Horen,
lesen und spielen Band
1, kann aber auch gut
unabhangig davon
eingesetzt werden. Die
ersten drei Stucke passen
sich mit ihren lediglich
drei Stimmen dem noch
begrenzten Tonumfang an,
uber den die Schuler in
diesem Stadium verfugen.
Aus dem gleichen Grund
weichen manchmaldieselben
Stimmen fur
unterschiedliche
Instrumente leicht
voneinander ab.
Geringfugige Abweichungen
erklaren sich ausserdem
aus manchen besonderen
Bedingungen bei einem
bestimmten Instrument,
zum Beispiel schwierige
Tonfolgen. Passend zu der
Reihe ist eine CD
erhaltlich, mit deren
Unterstutzung die Schuler
zu Hause mit richtiger
Orchesterbegleitung
spielen konnen. Ein
schnellerer Erfolg ist
damit gesichert!
L'Obiettivo della
collana BAND TIME e
quello di motivare i
giovani musicisti a
suonare in una banda
principiante o giovanile.
BAND TIME Starter e il
suo seguito BAND TIME
Expert, come anche i
brani natalizi raccolti
in BAND TIME Christmas
propongono brani in vari
generi musicali che
seguono il livello di
difficolta crescente
proposto del metodo
Ascolta, leggi & suona
(possono essere usati
anche separatamente). I
brani sono eseguibili gia
a partire da un organico
di tre o quattro
elementi. per ogni
collana e disponibile
separatamente un CD con
gli accompagnamenti
orchestrali. Per la lista
degli strumenti
disponibili visitate il
nostro sito.
Alto Saxophone - very easy-easy SKU: HL.44001734 Composed by Jan de Haan....(+)
Alto Saxophone - very
easy-easy
SKU:
HL.44001734
Composed
by Jan de Haan. De Haske
Concert Band. Educational
Tool. Book [Softcover].
Composed 2001. De Haske
Publications #1012569.
Published by De Haske
Publications
(HL.44001734).
ISBN
9789043112475. UPC:
073999017342.
9.0x12.0x0.138
inches.
The BAND
TIME series consists of a
number of books
containing easy pieces
suitable for youth band.
BAND TIME Starter is
intended for the first
year of band playing and
includes four-part pieces
in many different styles.
The difficulty of the
pieces increases in
parallel with the
material covered in the
first part of the Look,
Listen & Learn method.
The first three works,
however, are three-part
pieces in order to
accommodate the limited
range of notes available
at this stage. The BAND
TIME series is suitable
for various combinations
of instruments provided
that the parts are
divided in a sensible way
(for concert band,
fanfare band or brass
band). The material for
altosaxophone, trombone
and
baritone/euphonium/bass
clarinet is divided into
parts 1 and 2 in order to
cover all voices using
the most popular
instruments.
De
serie Band Time is
ontwikkeld om kinderen
vroeg kennis te laten
maken met het samenspel
in een blaasorkest.
Band time Starter
maakt dit al in het
eerste jaar mogelijk.
Deze uitgave bevat
vierstemmige stukken in
diversestijlen- de eerste
drie stukken zijn drie
stemmig, aangespast aan
de vaardigheden van de
beginnende leerling. De
moeilijkheidsgraad en de
muzikale inhoud zijn
gebasseerd op Horen,
Lezen & Spelen. In de
partituur staatuitgelegd
hoe u de serie optimaal
benut en hoe de
instrumentatie in uw
specifieke bezetting het
best kan worden
toegepast. Op de los
verkrijgbare cd worden de
stukken door een
harmonieorkest
voorgespeeld, zodat de
leerlingen thuiseen goede
indruk krijgen van hoe de
stukken klinken. Ze
kunnen zelf meespelen of
ernaar luisteren. Dit zal
de motifatie (en het
studieresultaat)
bevorderen.
Parall
el zu den ersten Stunden
Instrumentalunterricht
werden die jungen Musiker
mit den Stucken dieser
Sammlung fur das Spielen
im Anfangerorchester
motiviert. BAND TIME
Starter eignet sich
fur das erste Jahr im
Blasorchester und enthalt
vierstimmige Stucke in
vielen verschiedenen
Stilen. Der allmahlich
fortschreitende
Schwierigkeitsgrad
entspricht dem Stoff der
Blaserschule Horen,
lesen und spielen Band
1, kann aber auch gut
unabhangig davon
eingesetzt werden. Die
ersten drei Stucke passen
sich mit ihren lediglich
drei Stimmen dem noch
begrenzten Tonumfang an,
uber den die Schuler in
diesem Stadium verfugen.
Aus dem gleichen Grund
weichen manchmaldieselben
Stimmen fur
unterschiedliche
Instrumente leicht
voneinander ab.
Geringfugige Abweichungen
erklaren sich ausserdem
aus manchen besonderen
Bedingungen bei einem
bestimmten Instrument,
zum Beispiel schwierige
Tonfolgen. Passend zu der
Reihe ist eine CD
erhaltlich, mit deren
Unterstutzung die Schuler
zu Hause mit richtiger
Orchesterbegleitung
spielen konnen. Ein
schnellerer Erfolg ist
damit gesichert!
L'Obiettivo della
collana BAND TIME e
quello di motivare i
giovani musicisti a
suonare in una banda
principiante o giovanile.
BAND TIME Starter e il
suo seguito BAND TIME
Expert, come anche i
brani natalizi raccolti
in BAND TIME Christmas
propongono brani in vari
generi musicali che
seguono il livello di
difficolta crescente
proposto del metodo
Ascolta, leggi & suona
(possono essere usati
anche separatamente). I
brani sono eseguibili gia
a partire da un organico
di tre o quattro
elementi. per ogni
collana e disponibile
separatamente un CD con
gli accompagnamenti
orchestrali. Per la lista
degli strumenti
disponibili visitate il
nostro sito.
Trombone - very easy-easy SKU: HL.44001735 Composed by Jan de Haan. De Ha...(+)
Trombone - very easy-easy
SKU: HL.44001735
Composed by Jan de Haan.
De Haske Concert Band.
Educational Tool. Book
[Softcover]. Composed
2001. De Haske
Publications #1012576.
Published by De Haske
Publications
(HL.44001735).
ISBN
9789043112550. UPC:
073999222913.
9.0x12.0x0.143
inches.
The BAND
TIME series consists of a
number of books
containing easy pieces
suitable for youth band.
BAND TIME Starter is
intended for the first
year of band playing and
includes four-part pieces
in many different styles.
The difficulty of the
pieces increases in
parallel with the
material covered in the
first part of the Look,
Listen & Learn method.
The first three works,
however, are three-part
pieces in order to
accommodate the limited
range of notes available
at this stage. The BAND
TIME series is suitable
for various combinations
of instruments provided
that the parts are
divided in a sensible way
(for concert band,
fanfare band or brass
band). The material for
altosaxophone, trombone
and
baritone/euphonium/bass
clarinet is divided into
parts 1 and 2 in order to
cover all voices using
the most popular
instruments.
De
serie Band Time is
ontwikkeld om kinderen
vroeg kennis te laten
maken met het samenspel
in een blaasorkest.
Band time Starter
maakt dit al in het
eerste jaar mogelijk.
Deze uitgave bevat
vierstemmige stukken in
diversestijlen- de eerste
drie stukken zijn drie
stemmig, aangespast aan
de vaardigheden van de
beginnende leerling. De
moeilijkheidsgraad en de
muzikale inhoud zijn
gebasseerd op Horen,
Lezen & Spelen. In de
partituur staatuitgelegd
hoe u de serie optimaal
benut en hoe de
instrumentatie in uw
specifieke bezetting het
best kan worden
toegepast. Op de los
verkrijgbare cd worden de
stukken door een
harmonieorkest
voorgespeeld, zodat de
leerlingen thuiseen goede
indruk krijgen van hoe de
stukken klinken. Ze
kunnen zelf meespelen of
ernaar luisteren. Dit zal
de motifatie (en het
studieresultaat)
bevorderen.
Parall
el zu den ersten Stunden
Instrumentalunterricht
werden die jungen Musiker
mit den Stucken dieser
Sammlung fur das Spielen
im Anfangerorchester
motiviert. BAND TIME
Starter eignet sich
fur das erste Jahr im
Blasorchester und enthalt
vierstimmige Stucke in
vielen verschiedenen
Stilen. Der allmahlich
fortschreitende
Schwierigkeitsgrad
entspricht dem Stoff der
Blaserschule Horen,
lesen und spielen Band
1, kann aber auch gut
unabhangig davon
eingesetzt werden. Die
ersten drei Stucke passen
sich mit ihren lediglich
drei Stimmen dem noch
begrenzten Tonumfang an,
uber den die Schuler in
diesem Stadium verfugen.
Aus dem gleichen Grund
weichen manchmaldieselben
Stimmen fur
unterschiedliche
Instrumente leicht
voneinander ab.
Geringfugige Abweichungen
erklaren sich ausserdem
aus manchen besonderen
Bedingungen bei einem
bestimmten Instrument,
zum Beispiel schwierige
Tonfolgen. Passend zu der
Reihe ist eine CD
erhaltlich, mit deren
Unterstutzung die Schuler
zu Hause mit richtiger
Orchesterbegleitung
spielen konnen. Ein
schnellerer Erfolg ist
damit gesichert!
L'Obiettivo della
collana BAND TIME e
quello di motivare i
giovani musicisti a
suonare in una banda
principiante o giovanile.
BAND TIME Starter e il
suo seguito BAND TIME
Expert, come anche i
brani natalizi raccolti
in BAND TIME Christmas
propongono brani in vari
generi musicali che
seguono il livello di
difficolta crescente
proposto del metodo
Ascolta, leggi & suona
(possono essere usati
anche separatamente). I
brani sono eseguibili gia
a partire da un organico
di tre o quattro
elementi. per ogni
collana e disponibile
separatamente un CD con
gli accompagnamenti
orchestrali. Per la lista
degli strumenti
disponibili visitate il
nostro sito.
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115176-140 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115176-140
Arranged by Lorenzo
Bocci. Christmas
Collection. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1115176-140.
Published by De Haske
Publications
(BT.DHP-1115176-140).
9x12 inches.
God
Rest Ye Merry Gentlemen
appeared in print for the
first time in William
Sandy’s Christmas
Carols Ancient and Modern
in 1833, although it was
believed to have been
written many years
earlier. Today, God Rest
Ye Merry, Gentlemen is
one of the most loved and
popular English Christmas
songs of all time.
Italian composer and
arranger Lorenzo Bocci
fell in love with the
delightful melody and
created an arrangement
that will be perfect at
any Christmas concert or
event.
Over de
vraag of dit kerstlied
uit de vijftiende of de
achttiende eeuw stamt,
zijn de geleerden het
niet eens. Wel treffen we
het voor het eerst in
gedrukte vorm aan in het
jaar 1833, in het
gezangenboek Christmas
Carols Ancient andModern
van William Sandy. Hoe
dan ook, dit lied behoort
al vele eeuwen tot de
geliefdste
kerstklassiekers van het
Engelstalige gebied. Ook
de Italiaan Lorenzo Bocci
liet zich betoveren door
de prachtige oude melodie
en maakte ereen
sfeervolle bewerking van
voor
blaasorkest.
Versc
hiedenen Quellen zufolge
stammt dieses englische
Weihnachtslied aus dem
15. oder 18. Jahrhundert
und wurde erstmals im
Gesangbuch Christmas
Carols Ancient and Modern
von William Sandy im
Jahre 1833 gedruckt.
Unbestritten ist hingegen
die Tatsache, dass es
seit langem zu den
beliebtesten englischen
Weihnachtsliedern
zählt und auch über
den englischen Sprachraum
hinaus bekannt ist. Der
Italiener Lorenzo Bocci
ließ sich vom Zauber
der alten Weise gefangen
nehmen und verfasste eine
stimmungsvolle
Bearbeitung für
Blasorchester.
La fonte esatta di
questo inno cristiano
inglese è incerta,
anche se appare in
un’antologia
pubblicata da William
Sandy nel 1833 intitolata
Christmas Carols Ancient
and Modern. La serenit e
la dolcezza di God Rest
Ye Merry hanno
oltrepassato i confini
inglesi. Lorenzo Bocci si
è lasciato conquistare
da questo antico canto e
ci propone un caloroso
arrangiamento per
banda.
Piano - very easy-easy SKU: HL.44001727 Composed by Jan de Haan. De Haske...(+)
Piano - very easy-easy
SKU: HL.44001727
Composed by Jan de Haan.
De Haske Concert Band.
Educational Tool. Book
[Softcover]. Composed
2001. De Haske
Publications #1012650.
Published by De Haske
Publications
(HL.44001727).
ISBN
9789043113250. UPC:
073999266153.
9.0x12.0x0.151
inches.
The BAND
TIME series consists of a
number of books
containing easy pieces
suitable for youth band.
BAND TIME Starter is
intended for the first
year of band playing and
includes four-part pieces
in many different styles.
The difficulty of the
pieces increases in
parallel with the
material covered in the
first part of the Look,
Listen & Learn method.
The first three works,
however, are three-part
pieces in order to
accommodate the limited
range of notes available
at this stage. The BAND
TIME series is suitable
for various combinations
of instruments provided
that the parts are
divided in a sensible way
(for concert band,
fanfare band or brass
band). The material for
altosaxophone, trombone
and
baritone/euphonium/bass
clarinet is divided into
parts 1 and 2 in order to
cover all voices using
the most popular
instruments.
De
serie Band Time is
ontwikkeld om kinderen
vroeg kennis te laten
maken met het samenspel
in een blaasorkest.
Band time Starter
maakt dit al in het
eerste jaar mogelijk.
Deze uitgave bevat
vierstemmige stukken in
diversestijlen- de eerste
drie stukken zijn drie
stemmig, aangespast aan
de vaardigheden van de
beginnende leerling. De
moeilijkheidsgraad en de
muzikale inhoud zijn
gebasseerd op Horen,
Lezen & Spelen. In de
partituur staatuitgelegd
hoe u de serie optimaal
benut en hoe de
instrumentatie in uw
specifieke bezetting het
best kan worden
toegepast. Op de los
verkrijgbare cd worden de
stukken door een
harmonieorkest
voorgespeeld, zodat de
leerlingen thuiseen goede
indruk krijgen van hoe de
stukken klinken. Ze
kunnen zelf meespelen of
ernaar luisteren. Dit zal
de motifatie (en het
studieresultaat)
bevorderen.
Parall
el zu den ersten Stunden
Instrumentalunterricht
werden die jungen Musiker
mit den Stucken dieser
Sammlung fur das Spielen
im Anfangerorchester
motiviert. BAND TIME
Starter eignet sich
fur das erste Jahr im
Blasorchester und enthalt
vierstimmige Stucke in
vielen verschiedenen
Stilen. Der allmahlich
fortschreitende
Schwierigkeitsgrad
entspricht dem Stoff der
Blaserschule Horen,
lesen und spielen Band
1, kann aber auch gut
unabhangig davon
eingesetzt werden. Die
ersten drei Stucke passen
sich mit ihren lediglich
drei Stimmen dem noch
begrenzten Tonumfang an,
uber den die Schuler in
diesem Stadium verfugen.
Aus dem gleichen Grund
weichen manchmaldieselben
Stimmen fur
unterschiedliche
Instrumente leicht
voneinander ab.
Geringfugige Abweichungen
erklaren sich ausserdem
aus manchen besonderen
Bedingungen bei einem
bestimmten Instrument,
zum Beispiel schwierige
Tonfolgen. Passend zu der
Reihe ist eine CD
erhaltlich, mit deren
Unterstutzung die Schuler
zu Hause mit richtiger
Orchesterbegleitung
spielen konnen. Ein
schnellerer Erfolg ist
damit gesichert!
Time Traveler Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.023-3914-01 Composed by Neeck. Young Concert Band. Sound ...(+)
Grade 1
SKU:
CL.023-3914-01
Composed by Neeck. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR370). Extra full
score. Composed 2010.
Duration 1 minute, 10
seconds. C.L. Barnhouse
#023-3914-01. Published
by C.L. Barnhouse
(CL.023-3914-01).
Real music
using only the first
octave! Exciting and
dramatic, Time Traveler
is a perfect introduction
to mixed meters. The
energetic, repeating
ostinato (3/4 + 2/4)
coupled with soaring
melodies provides an
easily achievable, but
truly musical experience
for your young musicians.
On your next concert,
take your band and
audience on a journey
through time withTime
Traveler..
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A929590.
Published by
LudwigMasters
Publications
(AP.36-A929590).
UPC:
735816239411.
English.
When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score.
LudwigMasters
Publications #36-A929501.
Published by
LudwigMasters
Publications
(AP.36-A929501).
ISBN
9781638875192. UPC:
735816239497.
English.
When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Four
Verses for Orchestra and
Record. Composed by
Arnulf Herrmann.
Performance Music
Ensemble; Single Titles.
Peters Contemporary
Library. Classical.
Score. 64 pages. Edition
Peters #98-EP14634.
Published by Edition
Peters (PE.EP14634).
ISBN 9790014139414.
German.
DÃ
monen (Ein
Kinderlied) –
English: Demons (A
Children's Song) –
by Arnulf Herrmann is a
21-minute work for
orchestra and a record
with the children's song
Die Blümelein, sie
schlafen (The little
flowers are sleeping). On
it, white noise and
historical fragments of
this song, preserved in
various versions, can be
heard. The recording is
interwoven with the
orchestra, sets the tempo
and, not least, provides
the timeframe by limiting
it to the duration of one
record side. But the end
is only technical: The
needle lifts, but the
song is not
over.
The premiere
took place on 16 October
2022 at the
Donaueschinger Musiktage,
with the SWR Symphony
Orchestra conducted by
Bas Wiegers.
The
full score (EP 14634) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Goodnight Moon Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Arranged for Grade 3-4 Concert Band - Score Only. Composed by Eric Whitacre (1...(+)
Arranged for Grade 3-4
Concert
Band - Score Only.
Composed by
Eric Whitacre (1970-).
Arranged by Michael
Markowski.
Eric Whitacre Concert
Band.
Children, Concert.
Softcover.
Published by Hal Leonard
For Concert Band - Score Only. Composed by Eric Whitacre (1970-). Arranged by ...(+)
For Concert Band - Score
Only.
Composed by Eric Whitacre
(1970-). Arranged by
senbichler-Bryant and
Verena
Mö. Eric Whitacre
Concert
Band. Children, Concert
Band.
Softcover. 14 pages.
Published
by Hal Leonard
Who Knows? Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 4 SKU: ML.013758070 Composed by Eduardo M. Brito. Fu...(+)
Concert Band - Grade 4
SKU: ML.013758070
Composed by Eduardo M.
Brito. Full set. Molenaar
Edition #013758070.
Published by Molenaar
Edition (ML.013758070).
Originally
written in 2017 for
'Banda Orquestral de
Câmara de Lobos 'Os
Infantes'', this
composition is now
published here for
Concert Band, arranged
and revised by the author
himself. With a Swinged
Funk Style, this piece
present us with a neat
and cool groove that will
put your light musical
habilities to the test.
When asked about the
title of the piece for
the first time, the
author who at the time
still didn't thought
about it yet, replied
'Who knows?'. And the
name
stuck!
Oorspronkel
ijk geschreven in 2017
voor 'Banda Orquestral de
Câmara de Lobos 'Os
Infantes'', is deze
compositie nu hier
gepubliceerd voor Concert
Band, gearrangeerd en
herzien door de auteur
zelf. Met een Swinged
Funk-stijl presenteert
dit stuk ons een nette en
coole groove die je
lichte muzikale
vaardigheden op de proef
zal stellen. Toen de
auteur, die er toen nog
niet over nadacht, voor
het eerst naar de titel
van het stuk werd
gevraagd, antwoordde hij
' Who knows?'. En de naam
bleef
hangen!
Originelle
ment écrite en 2017 pour
la 'Banda Orquestral de
Câmara de Lobos 'Os
Infantes'', cette
composition est
maintenant publiée ici
pour Orchestre
d'Harmonie, arrangée et
révisée par l'auteur
lui-même. Avec un style
Swinged Funk, ce morceau
nous présente un groove
soigné et cool qui
mettra à l'épreuve vos
capacités musicales
légères. Lorsqu'on lui
a demandé pour la
première fois quel
était le titre de cette
pièce, l'auteur, qui à
l'époque n'y avait pas
encore réfléchi, a
répondu: ' Who knows ?
Et le nom est resté
!
Ursprünglich im
Jahr 2017 für die 'Banda
Orquestral de Câmara de
Lobos 'Os Infantes''
geschrieben, wird diese
Komposition nun hier für
Concert Band
veröffentlicht,
arrangiert und
überarbeitet vom Autor
selbst. Mit einem Swinged
Funk Style präsentiert
uns dieses Stück einen
ordentlichen und coolen
Groove, der Ihre leichten
musikalischen
Fähigkeiten auf die
Probe stellen wird. Als
der Autor zum ersten Mal
nach dem Titel des
Stückes gefragt wurde,
antwortete er, der damals
noch nicht darüber
nachdachte, ' Who
knows?'. Und der Name
blieb hängen!
Noel Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000904-140 Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000904-140
Arranged by Peter Martin.
Score Only. Gobelin Music
Publications #GOB
000904-140. Published by
Gobelin Music
Publications
(BT.GOB-000904-140).
Noel is based
on the famous English
Carol The First Noel.
The age of this song
is not clear.Some
scientists argue that tis
song is from early
thirteenth century,
others say that it's from
the sixteenth
century. The first
publication was in
'Christmas Carols,
Ancient and Modern',
compiled by William B.
Sandys. (London,
1833). The exact
origin is unknown. By
Norman influences on the
text, with the result
that the spelling of the
song is not certified
(Noel, Nowell), an
individual will sometimes
claim that France is the
cradle of this song, but
in general assumes that
the First Noel 'for the
first time somewhere in
England
sung.
'Noel' is
gebaseerd op de zeer
bekende Engelse Carol
'the First Noel'.
Over de 'leeftijd' van
dit lied is men het niet
eens. Zo zijn er
geleerden die beweren dat
het al vanaf begin
dertiende eeuw gezongen
werd, anderen zeggendat
het lied vanaf de
zestiende eeuw
bestaat. De eerste
publicatie plaats was in
een verzamelbundel:
'Christmas Carols,
Ancient and Modern',
bijeengebracht door
William B. Sandys.
(Londen, 1833). Over
de exacte herkomstis men
het wel eens, deze is
onbekend. Door
Normandische invloeden op
de tekst, wat tot gevolg
had dat de spelling van
het lied niet eensluidend
is (Noel, Nowell), wil
een enkeling nog wel eens
beweren dat Frankrijk de
bakermatvan dit lied is,
maar over het algemeen
wordt aangenomen dat 'the
First Noel' voor het
eerst ergens in Engeland
gezongen is.