Grade 2 SKU: CL.011-2428-00 Composed by Niehaus. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-2428-00
Composed by Niehaus.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR321). Score and set
of parts. Composed 1992.
C.L. Barnhouse
#011-2428-00. Published
by C.L. Barnhouse
(CL.011-2428-00).
A jaunty,
fun-filled composition to
feature your flute
section. After starting
out staccato and playful,
the middle section is
legato and contains some
lovely chord changes.
Skillfully scored so that
the flute section can be
heard above the
accompaniment. This is a
first rate piece designed
to build skill and
confidence in your young
flutists. A charming
concert addition!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2.5 SKU: CL.011-2428-01 Composed by Niehaus. Young Concert Band. Co...(+)
Grade 2.5
SKU:
CL.011-2428-01
Composed by Niehaus.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR321). Extra full
score. Composed 1992.
C.L. Barnhouse
#011-2428-01. Published
by C.L. Barnhouse
(CL.011-2428-01).
A jaunty,
fun-filled composition to
feature your flute
section. After starting
out staccato and playful,
the middle section is
legato and contains some
lovely chord changes.
Skillfully scored so that
the flute section can be
heard above the
accompaniment. This is a
first rate piece designed
to build skill and
confidence in your young
flutists. A charming
concert addition!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Blues Machine Orchestre d'harmonie - Facile Carl Fischer
(Full Score and Parts). By Carl Strommen. Concert Band. For Flute, Oboe, Flute I...(+)
(Full Score and Parts).
By Carl Strommen. Concert
Band. For Flute, Oboe,
Flute II, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon, Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Euphonium, Tuba,
Contrabass, Xylophone,
Claves, Bells, Guiro,
Cowbell, Tambourine,
Triangle, T. Carl Fischer
Young Performance Series.
Grade 2-2.5. Score and
Set of Parts. Standard
notation. 24 pages.
Published by Carl Fischer
Arranged by Carl Strommen. For concert band (flute, oboe (opt. flute 2), clarine...(+)
Arranged by Carl
Strommen. For concert
band (flute, oboe (opt.
flute 2), clarinet 1 in
Bb, clarinet 2 in Bb,
bass clarinet in Bb,
bassoon, alto saxophone
in Eb, tenor saxophone in
Bb, baritone saxophone in
Eb, trumpet 1 in Bb,
trumpet 2 in Bb, horn in
F,
Junk Funk Shuffle Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Kevin Mixon. Score and part(s). 24 148 pages. Duration 2 minutes, ...(+)
Composed by Kevin Mixon.
Score and part(s). 24
148 pages. Duration 2
minutes, 44 seconds. Carl
Fischer #CPS0187.
Published by Carl Fischer
(CF.CPS187).
Concert band - Grade 2 SKU: CL.011-4199-01 Composed by Huckeby. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4199-01
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR380). Extra full
score. Composed 2013.
Duration 2 minutes, 39
seconds. C.L. Barnhouse
#011-4199-01. Published
by C.L. Barnhouse
(CL.011-4199-01).
This delightful
selection for any two
solo instruments (as a
duet) and band, provides
an outstanding
opportunity to showcase
your young superstars! A
companion piece for Ed
Huckeby’s
children’s book,
Judy Plays the Tuba,
Johnny Plays the Flute,
the light and playful
nature of this very
playable work is sure to
make audiences beg for an
encore. If you prefer,
the title can even be
adapted to fit your
featured students’
names and instruments.
Have fun with this
one!
About
C.L. Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
By Ed Huckeby. For concert band. Young Band. Command Series. Grade 2.5. Score an...(+)
By Ed Huckeby. For
concert band. Young Band.
Command Series. Grade
2.5. Score and set of
parts. Duration 2
minutes, 39 seconds.
Published by C.L.
Barnhouse
Concert Band Flute SKU: FJ.BB215FL Composed by Brian Balmages. Educationa...(+)
Concert Band Flute
SKU: FJ.BB215FL
Composed by Brian
Balmages. Educational
Mats; Method/Instruction.
That's My Jam. Book. The
FJH Music Company Inc
#98-BB215FL. Published by
The FJH Music Company Inc
(FJ.BB215FL).
ISBN
9781619283121.
English.
Practicing
long tones, scales and
other fundamentals is an
essential part of a daily
routine, but it is not
always the most fun
part... All of that
changes with That's My
Jam, a collection of
important technical
studies paired with
incredibly immersive
background tracks
including techno, R&B,
hip-hop, rock and more!
Play along with
incredible background
tracks using your
computer or mobile
device. Ideal for
motivation and home
practice. Establish a
daily routine.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
Courage (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Harold Bennett. Arranged by Larry Clark. For concert band (part 1 - ...(+)
Composed by Harold
Bennett. Arranged by
Larry Clark. For concert
band (part 1 - flute,
clarinet in Bb / trumpet
in Bb, violin, part 2 -
clarinet in Bb / trumpet
in Bb, alto saxophone in
Eb, oboe / violin, part 3
- clarinet in Bb / tenor
saxophone in Bb, alto
saxophone in Eb, horn in
F, violin, viola, part 4
- tenor saxophone).
Flexible Band Series.
Score and parts. Duration
2 minutes, 18 seconds.
Published by Carl Fischer
Grade 3 SKU: CL.013-0098-00 Dirge. Composed by Collins. Band. Scor...(+)
Grade 3
SKU:
CL.013-0098-00
Dirge. Composed by
Collins. Band. Score and
set of parts. Composed
1895. C.L. Barnhouse
#013-0098-00. Published
by C.L. Barnhouse
(CL.013-0098-00).
Note: This is a
reprint from a vintage
publication of 1895. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone and
double-reed parts are not
published. Parts for Eb
Horns are included; no F
Horn parts are published
for this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
Doring's Funeral March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.013-0190-00 Composed by Collins. Band. Score and set of p...(+)
Grade 3
SKU:
CL.013-0190-00
Composed by Collins.
Band. Score and set of
parts. Composed 1899.
C.L. Barnhouse
#013-0190-00. Published
by C.L. Barnhouse
(CL.013-0190-00).
Note: This is a
reprint from a vintage
publication of 1899. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone and
double-reed parts are not
published. Parts for Eb
Horns are included; no F
Horn parts are published
for this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
Ghost Run Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Grant Michel. Score and part(s). 28 214 pages. Duration 3 minutes,...(+)
Composed by Grant Michel.
Score and part(s). 28
214 pages. Duration 3
minutes, 55 seconds. Carl
Fischer #CPS0182.
Published by Carl Fischer
(CF.CPS182).
Composed by James Meredith. Score and part(s). 20 184 pages. Duration 3 minute...(+)
Composed by James
Meredith. Score and
part(s). 20 184 pages.
Duration 3 minutes, 27
seconds. Carl Fischer
#YPS0175. Published by
Carl Fischer (CF.YPS175).
Composed by
Richard Summers. Primer
Band (PPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #PPS49F. Published
by Carl Fischer Music
(CF.PPS49F).
ISBN
9781491152614. UPC:
680160910113.
Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â .
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150).
ISBN
9781491152102. UPC:
680160909605.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F).
ISBN
9781491152782. UPC:
680160910281.
The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs.
Composed by
Richard Summers. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+1+12+2 pages.
Duration 2 minutes. Carl
Fischer Music #PPS49.
Published by Carl Fischer
Music (CF.PPS49).
ISBN
9781491151938. UPC:
680160909438.
Exemp
lary is
a mature musicalÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play. Â Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance. Â .
Who's A-Knockin' Rock Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Joseph Compello. Score and part(s). 20 118 pages. Duration 2 minut...(+)
Composed by Joseph
Compello. Score and
part(s). 20 118 pages.
Duration 2 minutes, 47
seconds. Carl Fischer
#FPS0132. Published by
Carl Fischer (CF.FPS132).
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. You...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198F
Composed by Tyler Arcari.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS198F.
Published by Carl Fischer
Music (CF.YPS198F).
ISBN 9781491152867.
UPC:
680160910366.
All
the While was inspired
by a very special person
in Tyler Arcari's life.
Director's will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Youn...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198
Composed by Tyler Arcari.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
8+2+8+8+2+4+10+4+2+4+4+8+
12+6+3+1+1+4+2+16+4
pages. Duration 2
minutes, 14 seconds. Carl
Fischer Music #YPS198.
Published by Carl Fischer
Music (CF.YPS198).
ISBN 9781491152188.
UPC: 680160909681. Key: C
minor.
All the
While was inspired by
a very special person in
Tyler Arcari's life.
Directors will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.