By Christopher Theofanidis. Score and Parts. BandQuest. Grade 3. Published by American Composers Forum

By David Hagen. Edited by Bruce Pearson. Band. For concert band. Standard of Excellence in Concert. Grade 1. Score and set of parts. Published by Neil A. Kjos Music Company

By Albert Hague, Lyrics By Dr. Seuss. Arranged by Michael Story. Music by Albert Hague, lyrics by Dr. Seuss / arr. Mike Story. For Concert Band. Concert Band. Pop Young Band. Movie; Novelty; Secular. Level: 2 (Easy) (grade 2). Conductor Score. 8 pages. Published by Alfred Publishing.

By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. Seuss, Albert Hague and Eugene Poddany / arr. Larry Clark. For Concert Band. Concert Band. Pop Symphonic Band. Movie; Novelty; Secular. Conductor Score and Parts. 262 pages. Duration 5:01. Published by Alfred Publishing.
Level: 4 (Medium) (grade 4).

By Dr. Seuss, Albert Hague And Eugene Poddany. Arranged by Larry Clark. By Dr. Seuss, Albert Hague and Eugene Poddany / arr. Larry Clark. For Concert Band. Concert Band. Pop Symphonic Band. Movie; Novelty; Secular. Conductor Score. Published by Alfred Publishing.
Level: 4 (Medium) (grade 4).

By Albert Hague, Lyrics By Dr. Seuss. Arranged by Michael Story. Music by Albert Hague, lyrics by Dr. Seuss / arr. Mike Story. For Concert Band. Concert Band. Pop Young Band. Movie; Novelty; Secular. Level: 2 (Easy) (grade 2). Conductor Score and Parts. 130 pages. Duration 1:43. Published by Alfred Publishing.

By The United States Air Force Band of the West. By Various. For concert band. Mark Records. Classical. Audio CD. Published by Mark Custom Music

Performed by Mannheim Steamroller. Arranged by Chip Davis, Calvin Custer. Score and full set of parts. Young Band (Concert Band). Grade 3. Size 9x12 inches. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2

SKU: CF.YPS208F

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F).

ISBN 9781491152966. UPC: 680160910465.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

By Robert W. Smith. For young concert band. Command Series. Grade 2. Score and set of parts. Published by C.L. Barnhouse

Composed by Ennio Morricone (1928-). For Wind Band. Level 4. Published by Editions Marc Reift

(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Michael Daugherty Music. Grade 4. Softcover. Published by Hal Leonard

Trombone solo with Concert Band - Advanced

SKU: CY.CC3027

Composed by David Fetter. Classical. Score and Parts. Cherry Classics #CC3027. Published by Cherry Classics (CY.CC3027).

ISBN 9790530110027. 8.5 x 11 in inches.

David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Concert Band is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.

By Ryan Nowlin. Edited by Bruce Pearson. For concert band. Concert Band. Level: Grade 1. Score and set of parts. Published by Neil A. Kjos Music Company.

Grade 3

SKU: CL.012-1748-00

Composed by R. Foster. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR101). Score and set of parts. Composed 1984. Duration 5 minutes, 49 seconds. Opus III Wind Orchestra Publications #012-1748-00. Published by Opus III Wind Orchestra Publications (CL.012-1748-00).

A composition student of the late J. Clifton Williams, Robert Foster composed this work for symphonic band as a tribute to Mr. Williams. The work begins with a statement of the primary theme as a fanfare. The theme recurs later in the work in the form of a chorale, and returns even later in the energetic and rhythmic dance section. A recapitulation of the chorale follows, and the work concludes with a brilliant fanfare. This is a unique musical work and an ideal contest selection.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Beginning Band. Level: 1 (Very Easy) (grade 1). Conductor Score and Parts. 196 pages. Duration 2:38. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000592-010

Composed by Jan Bosveld. Set (Score & Parts). 146 pages. Gobelin Music Publications #GOB 000592-010. Published by Gobelin Music Publications (BT.GOB-000592-010).

Concerto for Trombone was written especially for Jörgen van Rijen, the solo trombonist of the Royal Concertgebouw Orchestra Amsterdam.
It is a composition without a story, consisting of four overlapping parts.
The solo part was not written for Jörgen van Rijen technical skills, but rather for his expressive technique in the higher registers.
According to Jan Bosveld, Jörgen van Rijen has additional merits that distinguish him from all other trombonists.
Concerto for Trombone was premiered at the International Music Festival in Saas-Fee, Switzerland.The Repräsentations Orchester des Schweizer Armeespiel, conducted by Christopher Walter, accompanied him.

This composition was made financially possible by the Music Lending and Information Centre (MUI), department of the library for the province of Gelderland in Arnhem, The Netherlands. Special thanks goes to mr. Bert Aalders, director of the MUI.

Het Concerto for Trombone is speciaal geschreven voor Jörgen van Rijen, solo trombonist van het Koninklijk Concertgebouw Orkest.
Het is een non-programmatische compositie bestaande uit vier in elkaar overgaande delen.
Desolo-partij is voornamelijk geschreven in het espressieve, hoge register. Een echte specialiteit van Jörgen van Rijen.
De premi?re vond plaats op het internationale muziekfestival van Saas-Fee (Zwitserland). De begeleiding wasin handen van het Repräsentations Orchester des Schweizer Armeespiel o.l.v. Christoph Walter.

Deze compositie werd financieel mogelijk gemaakt door het Muziek Uitleen en Informatiecentrum (MUI) van de Provinciale BibliotheekCentrale Gelderland.Dank gaat uit naar Bert Aalders, hoofd van het MUI.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000592-140

Composed by Jan Bosveld. Score Only. 30 pages. Gobelin Music Publications #GOB 000592-140. Published by Gobelin Music Publications (BT.GOB-000592-140).

Concerto for Trombone was written especially for Jörgen van Rijen, the solo trombonist of the Royal Concertgebouw Orchestra Amsterdam.
It is a composition without a story, consisting of four overlapping parts.
The solo part was not written for Jörgen van Rijen technical skills, but rather for his expressive technique in the higher registers.
According to Jan Bosveld, Jörgen van Rijen has additional merits that distinguish him from all other trombonists.
Concerto for Trombone was premiered at the International Music Festival in Saas-Fee, Switzerland.The Repräsentations Orchester des Schweizer Armeespiel, conducted by Christopher Walter, accompanied him.

This composition was made financially possible by the Music Lending and Information Centre (MUI), department of the library for the province of Gelderland in Arnhem, The Netherlands. Special thanks goes to mr. Bert Aalders, director of the MUI.

Het Concerto for Trombone is speciaal geschreven voor Jörgen van Rijen, solo trombonist van het Koninklijk Concertgebouw Orkest.
Het is een non-programmatische compositie bestaande uit vier in elkaar overgaande delen.
Desolo-partij is voornamelijk geschreven in het espressieve, hoge register. Een echte specialiteit van Jörgen van Rijen.
De premi?re vond plaats op het internationale muziekfestival van Saas-Fee (Zwitserland). De begeleiding wasin handen van het Repräsentations Orchester des Schweizer Armeespiel o.l.v. Christoph Walter.

Deze compositie werd financieel mogelijk gemaakt door het Muziek Uitleen en Informatiecentrum (MUI) van de Provinciale BibliotheekCentrale Gelderland.Dank gaat uit naar Bert Aalders, hoofd van het MUI.

By Mark Camphouse. Concert Band. Bandworks. Score. Published by Neil A. Kjos Music Company.
Level: Grade 4.

Concert Band Trumpet, Concert Band

SKU: AP.36-BSMSB101

Composed by Bruce Broughton. Concert Band. Black Squirrel Music. Score and Part(s). LudwigMasters Publications #36-BSMSB101. Published by LudwigMasters Publications (AP.36-BSMSB101).

UPC: 659359591884. English.

A demanding work for solo trumpet and band. Commissioned by The United States Air Force Band and recorded by that band on the album, Excursions. In the aptly named work, Mr. Broughton explores the diverse technical and expressive capabilities of the trumpet, with the angular melodies and driving rhythms that characterize the piece used by the solo trumpet to lead the band.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert band - Grade 5

SKU: CL.012-4184-01

Arranged by LaBounty. Concert Band. Opus III Wind Orchestra Publications. Extra full score. Composed 2014. Duration 7 minutes, 28 seconds. Opus III Wind Orchestra Publications #012-4184-01. Published by Opus III Wind Orchestra Publications (CL.012-4184-01).

How Deep The Father’s Love For Us is a timeless hymn from British songwriter and Christian worship leader Stuart Townend, written just before the end of the 20th century. This poignant setting for band by Anthony LaBounty was written to honor Mr. William Leslie, the father of beloved colleague Thomas Leslie, and purposely borrows vignettes of imagery recognized in Aaron Copland’s Appalachian Spring, among other orchestration elements. The tune is melodious and alluring; equal to the text bountiful in poetic language illuminating the scriptural epitome of the ultimate love of a father.

Concert Band; Orchestra 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)

SKU: AP.36-A934101

Composed by Gustav Holst. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A934101. Published by LudwigMasters Publications (AP.36-A934101).

ISBN 9781638879916. UPC: 676737737757. English.

Part of the British folk revival of the early 20th century, Gustav Holst's (1874-1934) Somerset Rhapsody consists of his interpretations of three English folk tunes from the Somerset region: The Sheep-Shearing Song, High Germany, and True Love's Farewell. Holst dedicated this piece, his first major critical success, to Cecil Sharp, a chronicler of English folk music who collected the songs that Holst adapted. Holst intended the cycle to tell a story of a young couple whose relationship is interrupted by war. Somerset Rhapsody premiered in London in April 1910. Instrumentation: 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)

SKU: AP.36-A934190

Composed by Gustav Holst. Full Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A934190. Published by LudwigMasters Publications (AP.36-A934190).

UPC: 676737604493. English.

Part of the British folk revival of the early 20th century, Gustav Holst's (1874-1934) Somerset Rhapsody consists of his interpretations of three English folk tunes from the Somerset region: The Sheep-Shearing Song, High Germany, and True Love's Farewell. Holst dedicated this piece, his first major critical success, to Cecil Sharp, a chronicler of English folk music who collected the songs that Holst adapted. Holst intended the cycle to tell a story of a young couple whose relationship is interrupted by war. Somerset Rhapsody premiered in London in April 1910. Instrumentation: 2(2dPicc).2(1dObd'mr).2.2 : 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellence in Concert. Grade 1.5. Score and set of parts. Published by Neil A. Kjos Music Company