March. By Edwin Franko Goldman. Arranged by Loras J. Schissel. Concert Band. Heritage of the March. Level: Grade 3.5. Score and set of parts. Composed 1998. Duration 0:03:21. Published by C.L. Barnhouse.

To The Max. ((On The Truck)). By Robert W. Smith. Concert band. Symphony Band Series. Audio recording available separately (item CL.WFR364). Grade 3.5. Score and set of parts. Composed 2009. Duration 3 minutes, 11 seconds. Published by C.L. Barnhouse

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0981116-010

Arranged by Naohiro Iwai. New Sounds for Concert Band. Pop & Rock. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981116-010. Published by De Haske Publications (BT.DHP-0981116-010).

Cheek To Cheek, I Get A Kick Out Of You, Everybody Loves Somebody, I've Got You Under My Skin and My Way together form the Frank Sinatra Hits Medley. Frank Sinatra's songs are timeless classics and this arrangementwill undoubtedly bring great pleasure to all your audience.

Ein wunderbares Medley aus fünf der vielen Titel, die alle mit dem und durch den einzigartigen Entertainer Frank Sinatra zu Hits wurden. In Frank Sinatra Hits Medley hat Naohiro Iwai altbekannte und beliebte Klassiker wie My Way oderI've got you Under My Skin gekonnt verarbeitet ' Musik, die Musikern und Publikum unter die Haut gehen wird.

Naohiro Iwai a réalisé un superbe arrangement de quelques-uns des plus grands succès de cet artiste hors pair qu’a été Frank Sinatra. Avec Cheek to Cheek, Everybody Loves Somebody, I’ve Got You Under My Skin et My Way vous serez enparfaite harmonie avec votre public comme l’a été “The Voice” chacun de ses concerts. Une pièce unique pour célébrer une légende de la chanson.

Porta la firma del grande Naohiro Iwai questo splendido arrangiamento di alcune dei più grani successi dell’artista senza eguali che risponde al nome di Frank Sinatra. Con Cheek to Cheek, Everybody Loves Somebody, I’ve Got You Under My Skin eMy Way sarete in perfetta sintonia con il vostro pubblico, come lo è stato The Voice in ogni suo concerto. Un medley unico per ricordare questa leggenda della canzone.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettes� �) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettes� �) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-010

Arranged by Wil van der Beek. Great Classics. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1125039-010. Published by De Haske Publications (BT.DHP-1125039-010).

9x12 inches. English-German-French-Dut ch.

For La Belle Héléne Jacques Offenbach was inspired by Greek mythology. The plot is based on the story of Helen of Troy, but was turned into a satire on French high society of the 19th century. The overture of La Belle Héléne was-andis-very popular. Offenbach combined within it a series of arias and choral passages from the operetta.

Voor La Belle Héléne putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is als een satire op de elite verplaatst naar het Frankrijk van halverwege de 19e eeuw. De ouverture van La Belle Hééne -waarin Offenbach een aantal arias en koren uit de operette heeft samengevoegd - is nog altijd zeer succesvol.

Für La Belle Héléne bediente sich Jacques Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber in eine Satire auf die höhere französische Gesellschaft des 19. Jahrhunderts verwandelt. Die Ouvertüre vonLa Belle Héléne war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette.

Jacques Offenbach sest inspiré de la mythologie grecque pour composer La Belle Héléne, dont le livret brosse lhistoire dHéléne de Troie. Mais parodiant lune des légendes grecques des plus illustres, cette opérette se veut être une satiresur lélite de lépoque. Innovant dans lécriture, Offenbach glissa dans lOuverture plusieurs arias et choeurs repris ensuite dans lun ou lautre acte de lopérette, afin den offrir un avant-go t lauditoire. Une transcription fidéle, réaliséepar Wil van der Beek.

Per comporre La Belle Hélène Jacques Offenbach si rifece alla mitologia greca. La trama si basa su Elena di Troia e venne trasformata in una satira per l’alta societ francese del XIX secolo. L’ouverture di La Belle Hélène ebbe ed hatuttora molto successo. Offenbach vi ha inserito una serie di arie e punti corali dell’operetta.

Concert band - Grade 2

SKU: CL.011-4350-01

Composed by Frank. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR386). Extra full score. Composed 2015. Duration 2 minutes, 27 seconds. C.L. Barnhouse #011-4350-01. Published by C.L. Barnhouse (CL.011-4350-01).

Capture your audience’s attention and set their toes to tapping with this fun-filled novelty selection! Joyful melodies, humorous musical effects, and a relaxed, swinging groove all come together to create a light-hearted composition that your band will absolutely love to perform. Guaranteed to put a smile on everyone’s face!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert band - Grade 2

SKU: CL.011-4350-00

Composed by Frank. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR386). Score and set of parts. Composed 2015. Duration 2 minutes, 27 seconds. C.L. Barnhouse #011-4350-00. Published by C.L. Barnhouse (CL.011-4350-00).

Capture your audience’s attention and set their toes to tapping with this fun-filled novelty selection! Joyful melodies, humorous musical effects, and a relaxed, swinging groove all come together to create a light-hearted composition that your band will absolutely love to perform. Guaranteed to put a smile on everyone’s face!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.010-1867-00

Composed by Frank W. Meacham. Arranged by Schaeffer. Young Concert Band. Discovery Series. Score and set of parts. Composed 1986. C.L. Barnhouse #010-1867-00. Published by C.L. Barnhouse (CL.010-1867-00).

A wonderful march arranged by one of the best! American Patrol has been arranged for the youngest of bands, and can be played with limited instrumentation. Excellent March for the young!

Grade 2

SKU: CL.010-1867-02

Composed by Frank W. Meacham. Arranged by Schaeffer. Young Concert Band. Extra score. Composed 1986. C.L. Barnhouse #010-1867-02. Published by C.L. Barnhouse (CL.010-1867-02).

A wonderful march arranged by one of the best! American Patrol has been arranged for the youngest of bands, and can be played with limited instrumentation. Excellent March for the young!

By Frank W. Meacham. Concert Band. Level: Grade 3.5. Published by C.L. Barnhouse.

By Frank W. Meacham. Arranged by Ed Huckeby. March. Young concert band. Command. Level: Grade 2. Score and set of parts. Composed 1991. Duration 0:02:05. Published by C.L. Barnhouse.

(March). By Frank A. Panella. Arranged by Loras J. Schissel. Concert Band. Heritage of the March. Grade 3. Score and set of parts. Composed 2003. Duration 0:02:42

By Frank W. Meacham (1856-1909). Arranged by Huckeby. Concert band. Concert Band. Build-A-Band edition. Grade 3. Score and parts

By Frank W. Meacham (1856-1909). Arranged by Huckeby. Concert Band. Grade 3. Extra full score

By Frank W. Meacham (1856-1909). Arranged by Ed Huckeby. Young Concert Band. Extra full score. Composed 1991

Grade 3

SKU: CL.012-3696-01

Composed by Shaffer. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR357). Extra full score. Composed 2008. Duration 5 minutes, 57 seconds. Opus III Wind Orchestra Publications #012-3696-01. Published by Opus III Wind Orchestra Publications (CL.012-3696-01).

Soaring is a mode of flight in which height is gained slowly by using air that is moving upwards. Written for music educator’s Randy Heuvelman’s 30 years of service to the Woodland (Illinois) School District, Soaring paints a music portrait of dedication, compassion and intensity, all aspects of this educator’s tenure. A slower middle section alternating between choirs of woodwinds and brass paints a serene portrait with lush harmonies and soaring countermelodies. The extensive percussion scoring utilizes timbres that add and complement the completed musical setting. Soaring is truly one of David’s best works.

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4202-01

Intermezzo. Composed by Ruggiero Leoncavallo. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR378). Extra full score. Composed 2013. Duration 3 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4202-01. Published by Opus III Wind Orchestra Publications (CL.012-4202-01).

This gorgeous orchestral intermezzo from the famous opera Pagliacci has been masterfully scored for concert band by Andrew Glover. Soaring, passionate lines bring the essence of Italian verismo operatic style to the band with this emotional and lyrical selection. Dramatic and richly scored, this work will enthrall your audiences and performers as well. Magnifico!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4470-00

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Score and set of parts. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-00. Published by Opus III Wind Orchestra Publications (CL.012-4470-00).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Grade 4

SKU: CL.012-3697-75

Composed by Yeo. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR358). Oversized, spiral-bound score. Composed 2008. Duration 8 minutes, 17 seconds. Opus III Wind Orchestra Publications #012-3697-75. Published by Opus III Wind Orchestra Publications (CL.012-3697-75).

Dramatic and powerful, Legend of the Ancient Hero tells the musical story of a warrior in ancient times who risked his life to save his country from being conquered. Benjamin Yeo is a talented young composer from Singapore who has combined exciting rhythmic elements and a contrasting lyrical section that will make this programmatic work the highlight in your band concert, contest or festival performances! Solos for flute, trumpet and saxophone also provide opportunities to feature the best in your band. Simply exceptional!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 3

SKU: CL.012-4402-75

Composed by Taneyev. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4402-75. Published by Opus III Wind Orchestra Publications (CL.012-4402-75).

This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Grade 5

SKU: CL.012-3688-01

Composed by Lloyd. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR358). Extra full score. Composed 2008. Duration 8 minutes, 14 seconds. Opus III Wind Orchestra Publications #012-3688-01. Published by Opus III Wind Orchestra Publications (CL.012-3688-01).

Visions of Australia' is a musical panorama paying tribute to the epochs in Australia's history from its Aboriginal predecessors through to its 'yet to be determined' future. The journey begins with a tribute to Australia's aboriginal past, the arrival of the British Navy and the establishment of the first colony on the shores of Sydney Harbour. The journey then meanders through to the development of electricity and communication, through the wars and to the present. Following a brief reflection on the past, the music concludes with a stirring and patriotic march-like section representing a confident and bold future. The work is a great challenge for all sections of the band and will be easily accessible to any audience. Download the didgerido sound file for use in your performance: http://www.barnhouse.com/ samples/mp3/012-3688-99.m p3.

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Grade 3

SKU: CL.012-4002-75

From Aida. Composed by Giuseppe Verdi. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR372). Oversized, spiral-bound score. Composed 2011. Duration 2 minutes, 15 seconds. Opus III Wind Orchestra Publications #012-4002-75. Published by Opus III Wind Orchestra Publications (CL.012-4002-75).

This fiery work is perfect for an encore, or as a dazzling showstopper! Originally written as ballet music for the orchestra score of one of Verdi's most famous opera, this lively dance makes a terrific showpiece for band. Exciting and challenging, Danza Brilliante will engage your audiences and excite performers. The title says it all!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Grade 3

SKU: CL.012-4611-00

Anvil Solo with Band Accompaniment. Composed by Stauss. Arranged by Longfield. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR395). Score and set of parts. Composed 2018. Duration 2 minutes, 54 seconds. Opus III Wind Orchestra Publications #012-4611-00. Published by Opus III Wind Orchestra Publications (CL.012-4611-00).

If you've been looking for an anvil solo with band accompaniment – and even if you haven’t - this is it! A delightful Strauss polka provides the background to feature your best percussionist (or your principal, or the mayor, or any other special dignitary or friend of your band) on the anvil! Lots of fun for the band and the audience.

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4102-01

Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR375). Extra full score. Composed 2012. Duration 5 minutes, 51 seconds. Opus III Wind Orchestra Publications #012-4102-01. Published by Opus III Wind Orchestra Publications (CL.012-4102-01).

Friska is the traditional Hungarian folk dance which is most famous as the fast section from Franz Liszt’s Second Hungarian Rhapsody. One of the most famous themes from the symphonic repertoire, this work is a time-honored classic that will excite performers and audiences alike. This tour-de-force for concert band is a perfect gem for your mature band. Dazzling!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Concert band - Grade 4

SKU: CL.012-4302-75

Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR381). Oversized, spiral-bound score. Composed 2014. Duration 8 minutes, 1 second. Opus III Wind Orchestra Publications #012-4302-75. Published by Opus III Wind Orchestra Publications (CL.012-4302-75).

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith