Three Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1115117-013 A medley of ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.DHP-1115117-013
A medley of three
countries. Arranged
by Jan de Haan. Essential
Elements European Band
Series. Set (Score &
Parts) with CD. Composed
2011. De Haske
Publications #DHP
1115117-013. Published by
De Haske Publications
(BT.DHP-1115117-013).
9x12 inches.
English-German.
Jan
de Haan has created an
easy international
arrangement that sounds
anything but, featuring
Au clair de la lune from
France, Mary Had a Little
Lamb from England and Un,
dun, dip, a Dutch
children’s song.
Uit Au clair de
la lune uit Frankrijk,
Mary Had a Little Lamb
uit het Engelstalige
spraakgebeid en Un, dun,
dip uit ons eigen land
arrangeerde Jan de Haan
een eenvoudige en goed
klinkende
medley.
Au
clair de la lune aus
Frankreich, Mary Had a
Little Lamb aus dem
englischen Sprachraum und
das holländische
Kinderlied Un, dun,
dip fasste Jan de
Haan in diesem leichten
und doch gut klingenden
Medley zusammen.Spielbar
ab Essential
Elements Band 1,
Seite 11
La canzone
popolare francese Au
clair de la lune, il
canto inglese Mary had a
Little Lamb, e la ninna
nanna olandese Un, dun,
dip, sono state
arrangiate per banda da
Jan de Haan in un medley
molto internazionale e
accattivante.
Three Songs Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1115117-143 A medley of ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.DHP-1115117-143
A medley of three
countries. Arranged
by Jan de Haan. Essential
Elements European Band
Series. Score with CD.
Composed 2011. 8 pages.
De Haske Publications
#DHP 1115117-143.
Published by De Haske
Publications
(BT.DHP-1115117-143).
9x12 inches.
English-German.
Jan
de Haan has created an
easy international
arrangement that sounds
anything but, featuring
Au clair de la lune from
France, Mary Had a Little
Lamb from England and Un,
dun, dip, a Dutch
children’s song.
Uit Au clair de
la lune uit Frankrijk,
Mary Had a Little Lamb
uit het Engelstalige
spraakgebeid en Un, dun,
dip uit ons eigen land
arrangeerde Jan de Haan
een eenvoudige en goed
klinkende
medley.
Au
clair de la lune aus
Frankreich, Mary Had a
Little Lamb aus dem
englischen Sprachraum und
das holländische
Kinderlied Un, dun,
dip fasste Jan de
Haan in diesem leichten
und doch gut klingenden
Medley zusammen.Spielbar
ab Essential
Elements Band 1,
Seite 11
La canzone
popolare francese Au
clair de la lune, il
canto inglese Mary had a
Little Lamb, e la ninna
nanna olandese Un, dun,
dip, sono state
arrangiate per banda da
Jan de Haan in un medley
molto internazionale e
accattivante.
Lorraine Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115059-140 Tone Poem for ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115059-140
Tone Poem for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2011. 36 pages. De Haske
Publications #DHP
1115059-140. Published by
De Haske Publications
(BT.DHP-1115059-140).
9x12 inches.
English-German-French-Dut
ch.
This moving
symphonic poem is about
the French region of
Lorraine. Since the time
of the Roman Empire,
Lorraine has been ruled
by either Germany or
France with wars
redrawing national
boundaries many times
over the years. While its
history has been bloody,
folk music from the
region breaks up the
tension in the piece and
offers many uplifting
moments. An optimistic
conclusion features a
mixture of music from the
three countries Lorraine
sits between: Luxembourg,
Germany and
France.
Dit
ontroerende symfonische
gedicht gaat over
Lotharingen, een gebied
aan de oostkant van
Frankrijk. De muzikale
verklanking begint in de
tijd van het Heilige
Roomse Rijk. Een tijd
waarin het land wordt
geteisterd door vele
oorlogen.Een tijd ook
waarin het land nu eens
bij Duitsland, dan weer
bij Frankrijk hoort.
Vrolijke elementen zijn
er echter ook:
volksmuziek uit
Lotharingen en ook een
verzoenend slot dat met
toespelingen op het
volkslied het
drielandenpuntvan
Frankrijk, Duitsland en
Luxemburg
belicht.
Dieses
bewegende symphonische
Gedicht handelt von der
Region Lothringen in
Frankreich. Beginnend mit
der Zeit des heiligen
Römischen Reiches,
über diverse
Kriege, die im Land
wüteten und Wechsel
zwischen deutscher und
französischer
Staatszugehörigkeit
wird die Geschichte
musikalisch
nacherzählt. Für
fröhliche Elemente
sorgen Anklänge der
lothringischen Volksmusik
und der versöhnliche
Schluss, der mittels
Anspielungen auf die
Nationalhymne auf das
Dreiländereck“
Frankreich, Deutschland
und Luxemburg
anspielt.
La Lorena
è l’unica
regione francese che
condivide i confini con
altre tre nazioni:
Belgio, Lussemburgo e
Germania. Questo brano
sottolinea il carattere
cosmopolita della regione
che nel corso della
guerra franco-prussiana
costrinse i francesi a
cederla al neo-nato
impero tedesco, ma che fu
restituita alla Francia
dopo la prima guerra
mondiale a seguito del
trattato di Versailles.
Il brano propone un tema
basato sulla melodia
dell’inno
nazionale tedesco come
anche, con un ritmo
rapido, sule note della
Marsigliese. Segue un
motivo fondato sulle
prime note
dell’inno
nazionale
lussemburghese.
Lorraine Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115059-010 Tone Poem for ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115059-010
Tone Poem for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1115059-010. Published by
De Haske Publications
(BT.DHP-1115059-010).
9x12 inches.
English-German-French-Dut
ch.
This moving
symphonic poem is about
the French region of
Lorraine. Since the time
of the Roman Empire,
Lorraine has been ruled
by either Germany or
France with wars
redrawing national
boundaries many times
over the years. While its
history has been bloody,
folk music from the
region breaks up the
tension in the piece and
offers many uplifting
moments. An optimistic
conclusion features a
mixture of music from the
three countries Lorraine
sits between: Luxembourg,
Germany and
France.
Dit
ontroerende symfonische
gedicht gaat over
Lotharingen, een gebied
aan de oostkant van
Frankrijk. De muzikale
verklanking begint in de
tijd van het Heilige
Roomse Rijk. Een tijd
waarin het land wordt
geteisterd door vele
oorlogen.Een tijd ook
waarin het land nu eens
bij Duitsland, dan weer
bij Frankrijk hoort.
Vrolijke elementen zijn
er echter ook:
volksmuziek uit
Lotharingen en ook een
verzoenend slot dat met
toespelingen op het
volkslied het
drielandenpuntvan
Frankrijk, Duitsland en
Luxemburg
belicht.
Dieses
bewegende symphonische
Gedicht handelt von der
Region Lothringen in
Frankreich. Beginnend mit
der Zeit des heiligen
Römischen Reiches,
über diverse
Kriege, die im Land
wüteten und Wechsel
zwischen deutscher und
französischer
Staatszugehörigkeit
wird die Geschichte
musikalisch
nacherzählt. Für
fröhliche Elemente
sorgen Anklänge der
lothringischen Volksmusik
und der versöhnliche
Schluss, der mittels
Anspielungen auf die
Nationalhymne auf das
Dreiländereck“
Frankreich, Deutschland
und Luxemburg
anspielt.
La Lorena
è l’unica
regione francese che
condivide i confini con
altre tre nazioni:
Belgio, Lussemburgo e
Germania. Questo brano
sottolinea il carattere
cosmopolita della regione
che nel corso della
guerra franco-prussiana
costrinse i francesi a
cederla al neo-nato
impero tedesco, ma che fu
restituita alla Francia
dopo la prima guerra
mondiale a seguito del
trattato di Versailles.
Il brano propone un tema
basato sulla melodia
dell’inno
nazionale tedesco come
anche, con un ritmo
rapido, sule note della
Marsigliese. Segue un
motivo fondato sulle
prime note
dell’inno
nazionale
lussemburghese.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094718-140 Les Anges dans...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094718-140
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Concert Piece. Score
Only. Composed 2009. 20
pages. De Haske
Publications #DHP
1094718-140. Published by
De Haske Publications
(BT.DHP-1094718-140).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094718-010 Les Anges dans...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094718-010
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094718-010. Published by
De Haske Publications
(BT.DHP-1094718-010).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Odilia Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-140
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Score Only.
Composed 2013. 18 pages.
De Haske Publications
#DHP 1135395-140.
Published by De Haske
Publications
(BT.DHP-1135395-140).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
Odilia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-010
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135395-010. Published by
De Haske Publications
(BT.DHP-1135395-010).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
The Butterfly That Stamped Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-010
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084447-010. Published by
De Haske Publications
(BT.DHP-1084447-010).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-140
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084447-140. Published by
De Haske Publications
(BT.DHP-1084447-140).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Arranged by Michael Story. Traditional. For Concert Band. Concert Band. Belwin Y...(+)
Arranged by Michael
Story. Traditional. For
Concert Band. Concert
Band. Belwin Young Band.
Level: Easy (grade II).
Conductor Score. 24
pages. Published by
Alfred Publishing.
Arranged by Michael Story. Traditional. For Concert Band. Concert Band. Belwin Y...(+)
Arranged by Michael
Story. Traditional. For
Concert Band. Concert
Band. Belwin Young Band.
Multicultural. Level: 2
(Easy) (grade 2).
Conductor Score and
Parts. 358 pages.
Published by Alfred
Publishing.
Composed by Norman Dello Joio (1913-). Hal Leonard Concert Band Series. Concert....(+)
Composed by Norman Dello
Joio (1913-). Hal Leonard
Concert Band Series.
Concert. 40 pages. Edward
B. Marks Music #MCB113A.
Published by Edward B.
Marks Music (HL.6982).
Concert Band - Grade 4 SKU: ML.013761080 Composed by Guillaume Détrez. F...(+)
Concert Band - Grade 4
SKU: ML.013761080
Composed by Guillaume
Détrez. Full set.
Molenaar Edition
#013761080. Published by
Molenaar Edition
(ML.013761080).
Available from
July
2024
Combining art
and sport, the muscle
with the spirit as Pierre
de Coubertin said, is one
of the foundations of
Olympism. For the Paris
2024 Games, art and sport
will interact and enrich
each other. To ensure
that the Games are open,
participatory, unifying
and inclusive, Paris 2024
is encouraging everyone -
artists, companies,
associations, local
authorities, sports
clubs, etc. - to play a
part in the cultural
programming of the Games.
It is against this
backdrop that the
Confédération Musicale
de France in Hauts de
France has commissioned a
piece from composer
Guillaume
Détrez.
Available
from July 2024
De
combinatie van kunst en
sport, de spier met de
geest zoals Pierre de
Coubertin zei, is een van
de fundamenten van het
Olympisme. Voor de Spelen
van Parijs 2024 zullen
kunst en sport op elkaar
inwerken en elkaar
verrijken. Om ervoor te
zorgen dat de Spelen
open, participatief,
verenigend en inclusief
zijn, moedigt Parijs 2024
iedereen aan -
kunstenaars, bedrijven,
verenigingen, lokale
overheden, sportclubs,
enz. - om een rol te
spelen in de culturele
programmering van de
Spelen. Tegen deze
achtergrond heeft de
Confédération Musicale
de France in Hauts de
France opdracht gegeven
voor een stuk van
componist Guillaume
Détrez.
Available
from July
2024
Associer
l'art et le sport, le
muscle à l'esprit comme
le disait Pierre de
Coubertin, est l'un des
fondements de
l'Olympisme. Pour les
Jeux deParis 2024, l'art
et le sport interagiront
et s'enrichiront
mutuellement. Pour que
les Jeux soient ouverts,
participatifs,
fédérateurs et
inclusifs,Paris 2024
encourage chacun -
artistes, entreprises,
associations,
collectivités locales,
clubs sportifs, etc. - à
s'impliquer dans
laprogrammation
culturelle des Jeux.
C'est dans ce contexte
que la Confédération
Musicale de France de la
région Hauts de France a
commandé une oeuvre au
compositeur Guillaume
Détrez.
Available
from July 2024
Die
Verbindung von Kunst und
Sport, der Muskel mit dem
Geist, wie Pierre de
Coubertin sagte, ist eine
der Grundlagen des
Olympismus. Bei den
Spielen von Paris 2024
werden Kunst und Sport
zusammenwirken und sich
gegenseitig bereichern.
Damit die Spiele offen,
partizipativ, verbindend
und integrativ sind,
fordert Paris 2024 alle
auf - Künstler,
Unternehmen, Verbände,
lokale Behörden,
Sportvereine usw. - dazu
auf, sich an der
kulturellen Gestaltung
der Spiele zu beteiligen.
Vor diesem Hintergrund
hat die Confédération
Musicale de France in
Hauts de France ein
Stück bei dem
Komponisten Guillaume
Détrez in Auftrag
gegeben.
Les Toréadors Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064132-010 From Carmen(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064132-010
From Carmen.
Composed by Georges
Bizet. The Great
Classics. Transcription.
Set (Score and Parts).
Composed 2006. De Haske
Publications #DHP
1064132-010. Published by
De Haske Publications
(BT.DHP-1064132-010).
Rosa Gallica Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206227-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206227-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2020. 29 pages.
De Haske Publications
#DHP 1206227-140.
Published by De Haske
Publications
(BT.DHP-1206227-140).
English-German-French-
Dutch.
Rosa
Gallica has been
written to commemorate
the centenary of the
First World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa
Gallica (French
rose), the composer
wishes to emphasize the
poetic image of the rose.
The stem represents the
years gone by such as
those taken up by the
First World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty and symbolises
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
anddramatic new work by
Jacob de Haan.
Rosa
Gallica is geschreven
ter gelegenheid van de
honderdjarige herdenking
van de Eerste
Wereldoorlog. Het werk
gaat met name over
Frankrijk, waar een groot
deel van de strijd zich
afspeelde. Met de titel
Rosa Gallica
(Franse roos) wilde de
componist de poëtische
symboliek van de roos
benadrukken. De stengel
staat voor het
verstrijken van de jaren,
een dramatische periode
die de Eerste
Wereldoorlog besloeg. De
doornen verwijzen naar de
oorlogen, conflicten en
de pijn van slachtoffers.
De bloem van de roos
vormt het beeld van
schoonheid en
symboliseert het
openstaan voor een
vreedzame wereld. De
compositie presenteert
het Frankrijk van eind
19e eeuw, geeftdaarna een
belangrijke rol in het
hart van de Eerste
Wereldoorlog weer tot de
jaren nadien. Een
spectaculair en
dramatisch nieuw werk van
Jacob de Haan.
Rosa
Gallica wurde zum
Gedenken an den
hundertsten Jahrestag des
Ersten Weltkriegs
geschrieben. In diesem
Werk steht Frankreich im
Mittelpunkt, da ein
Großteil der Kämpfe
dort stattfand. Mit dem
Titel Rosa Gallica
(Französische
Rose“) möchte
der Komponist das
poetische Bild einer Rose
hervorheben. Der Stamm
steht für die
vergangenen Jahre wie sie
der Erste Weltkrieg mit
sich brachte und die
Dornen verweisen auf den
Konflikt und den Schmerz,
den die Opfer erdulden
mussten. Die Rose selbst
steht für die
Schönheit und
symbolisiert die
Möglichkeit einer
friedlichen Welt. Das
Stück beschreibt
Frankreich vom Ende des
19. Jahrhunderts über
seine Rolle im Zentrumdes
Ersten Weltkriegs bis in
die Zeiten danach. Dies
ist ein großartiges
und dramatisches neues
Werk von Jacob de Haan.
Rosa Gallica Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206227-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206227-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2020. De
Haske Publications #DHP
1206227-010. Published by
De Haske Publications
(BT.DHP-1206227-010).
English-German-French-
Dutch.
Rosa
Gallica has been
written to commemorate
the centenary of the
First World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa
Gallica (French
rose), the composer
wishes to emphasize the
poetic image of the rose.
The stem represents the
years gone by such as
those taken up by the
First World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty and symbolises
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
anddramatic new work by
Jacob de Haan.
Rosa
Gallica is geschreven
ter gelegenheid van de
honderdjarige herdenking
van de Eerste
Wereldoorlog. Het werk
gaat met name over
Frankrijk, waar een groot
deel van de strijd zich
afspeelde. Met de titel
Rosa Gallica
(Franse roos) wilde de
componist de poëtische
symboliek van de roos
benadrukken. De stengel
staat voor het
verstrijken van de jaren,
een dramatische periode
die de Eerste
Wereldoorlog besloeg. De
doornen verwijzen naar de
oorlogen, conflicten en
de pijn van slachtoffers.
De bloem van de roos
vormt het beeld van
schoonheid en
symboliseert het
openstaan voor een
vreedzame wereld. De
compositie presenteert
het Frankrijk van eind
19e eeuw, geeftdaarna een
belangrijke rol in het
hart van de Eerste
Wereldoorlog weer tot de
jaren nadien. Een
spectaculair en
dramatisch nieuw werk van
Jacob de Haan.
Rosa
Gallica wurde zum
Gedenken an den
hundertsten Jahrestag des
Ersten Weltkriegs
geschrieben. In diesem
Werk steht Frankreich im
Mittelpunkt, da ein
Großteil der Kämpfe
dort stattfand. Mit dem
Titel Rosa Gallica
(Französische
Rose“) möchte
der Komponist das
poetische Bild einer Rose
hervorheben. Der Stamm
steht für die
vergangenen Jahre wie sie
der Erste Weltkrieg mit
sich brachte und die
Dornen verweisen auf den
Konflikt und den Schmerz,
den die Opfer erdulden
mussten. Die Rose selbst
steht für die
Schönheit und
symbolisiert die
Möglichkeit einer
friedlichen Welt. Das
Stück beschreibt
Frankreich vom Ende des
19. Jahrhunderts über
seine Rolle im Zentrumdes
Ersten Weltkriegs bis in
die Zeiten danach. Dies
ist ein großartiges
und dramatisches neues
Werk von Jacob de Haan.
Children's Oak Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165745-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165745-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Hymns and Chorals. Set
(Score and Parts).
Composed 2016. De Haske
Publications #DHP
1165745-010. Published by
De Haske Publications
(BT.DHP-1165745-010).
English-German-French-
Dutch.
Children
??s Oak was
commissioned by the wind
band from Beauquesne,
France. This solemn work
pays homage to a city
particularly affected by
the two World Wars and is
inspired by the knowledge
that the city of
Beauquesne needed to
recover from these
terrible episodes in its
history. The title has
its origin in the roots
of the word
â??Beauquesneâ?, the
beautiful oak tree. It is
a beautiful slow piece
for your concert, or as a
resource to work on
phrasing and intonation,
or alternatively as a
warm up
piece.
Children
â??s Oak is
geschreven in opdracht
van het blaasorkest van
het Franse Beauquesne.
Dit plechtige werk is een
eerbetoon aan een plaats
die in de beide
wereldoorlogen zwaar is
getroffen. Het is ge
nspireerd op de gedachte
dat de gemeente
Beauquesne zich moest
herstellen na deze
verschrikkelijke periodes
uit haar geschiedenis. De
titel is gebaseerd op het
woord â??beauquesneâ??:
de mooie eikenboom. Het
is een fraai langzaam
stuk voor uw volgende
concert dat tevens
geschikt is om te werken
aan frasering en
intonatie. Ook is het
prima muziek voor een
warming-up.
Children's Oak Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165745-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165745-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2016. 16
pages. De Haske
Publications #DHP
1165745-140. Published by
De Haske Publications
(BT.DHP-1165745-140).
English-German-French-
Dutch.
Children
€™s Oak was
commissioned by the wind
band from Beauquesne,
France. This solemn work
pays homage to a city
particularly affected by
the two World Wars and is
inspired by the knowledge
that the city of
Beauquesne needed to
recover from these
terrible episodes in its
history. The title has
its origin in the roots
of the word
“Beauquesneâ€,
the beautiful oak tree.
It is a beautiful slow
piece for your concert,
or as a resource to work
on phrasing and
intonation, or
alternatively as a warm
up
piece.
Children
’s Oak is
geschreven in opdracht
van het blaasorkest van
het Franse Beauquesne.
Dit plechtige werk is een
eerbetoon aan een plaats
die in de beide
wereldoorlogen zwaar is
getroffen. Het is ge
nspireerd op de gedachte
dat de gemeente
Beauquesne zich moest
herstellen na deze
verschrikkelijke periodes
uit haar geschiedenis. De
titel is gebaseerd op het
woord
‘beauquesne’
: de mooie eikenboom. Het
is een fraai langzaam
stuk voor uw volgende
concert dat tevens
geschikt is om te werken
aan frasering en
intonatie. Ook is het
prima muziek voor een
warming-up.
Golden Peak Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden Peak Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
The Fellowship Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1185861-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185861-010. Published by
De Haske Publications
(BT.DHP-1185861-010).
English-German-French-
Dutch.
‘The
Fellowship’ is a
musical homage to
friendship and
camaraderie, symbolised
in two alternating,
complementary themes. The
themes are based on
popular songs from two
sister municipalities,
one lying in Normandy
(France), and the other
in Rheinland-Pfalz
(Rhineland-Palatinate,
Germany). Through the
merging of their songs in
this composition, their
bond of friendship is
sealed for eternity.
The
Fellowship staat voor
vriendschap en
kameraadschap. Deze
symboliek komt tot uiting
in twee thema’s,
die elkaar afwisselen en
elkaar aanvullen. Het ene
thema is gebaseerd op een
Frans lied, het andere op
een Duits lied. Beide
zijn populaire liederen
uit twee
partnergemeenten, waarvan
de ene in Normandië
(Frankrijk) ligt, en de
andere in Rheinland-Pfalz
(Duitsland). Door de
samensmelting van hun
liederen in deze
compositie wordt hun
vriendschapsband voor
altijd
beklonken.
The
Fellowship ist eine
musikalische Hommage auf
die Freundschaft und
Kameradschaft. Diese
Symbolik wird durch zwei
Themen dargestellt, die
sich abwechseln und
gegenseitig ergänzen.
Die beiden Themen
basieren auf zwei Liedern
aus einer deutschen Stadt
und aus einer
französischen
Partnerstadt. Das
Verschmelzen der beiden
Lieder in dieser
Komposition symbolisiert
ihre immerwährende
Freundschaft.
The
Fellowship
(L’amicizia) è
un omaggio musicale
all'amicizia,
simboleggiata da due temi
che si alternano e si
completano a vicenda. Un
tema è basato su una
canzone popolare
francesee una tedesca di
due comuni gemellati,
situati in Normandia
(Francia) e a
Rheinland-Pfalz
(Renania-Palatinato,
Germania). Attraverso la
fusione delle due
canzoni, il legame di
amicizia è stretto per
l'eternit .
The Fellowship Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1185861-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Score
Only. Composed 2018. 12
pages. De Haske
Publications #DHP
1185861-140. Published by
De Haske Publications
(BT.DHP-1185861-140).
English-German-French-
Dutch.
‘The
Fellowship’ is a
musical homage to
friendship and
camaraderie, symbolised
in two alternating,
complementary themes. The
themes are based on
popular songs from two
sister municipalities,
one lying in Normandy
(France), and the other
in Rheinland-Pfalz
(Rhineland-Palatinate,
Germany). Through the
merging of their songs in
this composition, their
bond of friendship is
sealed for eternity.
The
Fellowship staat voor
vriendschap en
kameraadschap. Deze
symboliek komt tot uiting
in twee thema’s,
die elkaar afwisselen en
elkaar aanvullen. Het ene
thema is gebaseerd op een
Frans lied, het andere op
een Duits lied. Beide
zijn populaire liederen
uit twee
partnergemeenten, waarvan
de ene in Normandië
(Frankrijk) ligt, en de
andere in Rheinland-Pfalz
(Duitsland). Door de
samensmelting van hun
liederen in deze
compositie wordt hun
vriendschapsband voor
altijd
beklonken.
The
Fellowship ist eine
musikalische Hommage auf
die Freundschaft und
Kameradschaft. Diese
Symbolik wird durch zwei
Themen dargestellt, die
sich abwechseln und
gegenseitig ergänzen.
Die beiden Themen
basieren auf zwei Liedern
aus einer deutschen Stadt
und aus einer
französischen
Partnerstadt. Das
Verschmelzen der beiden
Lieder in dieser
Komposition symbolisiert
ihre immerwährende
Freundschaft.
The
Fellowship
(L’amicizia) è
un omaggio musicale
all'amicizia,
simboleggiata da due temi
che si alternano e si
completano a vicenda. Un
tema è basato su una
canzone popolare
francesee una tedesca di
due comuni gemellati,
situati in Normandia
(Francia) e a
Rheinland-Pfalz
(Renania-Palatinato,
Germania). Attraverso la
fusione delle due
canzoni, il legame di
amicizia è stretto per
l'eternit .
Vilja-Lied Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053872-010 Lied vom Wal...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053872-010
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053872-010. Published by
De Haske Publications
(BT.DHP-1053872-010).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry Widow
which became an instant
worldwide success. The
libretto of this operetta
provides a succession of
intimate arias and duets
with festive ensembles.
The Vilja-Lied is one of
these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.
Vilja-Lied Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053872-140 Lied vom Wal...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053872-140
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Score Only.
Composed 2005. 12 pages.
De Haske Publications
#DHP 1053872-140.
Published by De Haske
Publications
(BT.DHP-1053872-140).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry Widow
which became an instant
worldwide success. The
libretto of this operetta
provides a succession of
intimate arias and duets
with festive ensembles.
The Vilja-Lied is one of
these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.