Score
Only. Composed by
Josef Gabriel
Rheinberger. Arranged by
Shelley Hanson.
Windependence Apprentice
Advanced. Festival.
Softcover. 8 pages.
Boosey & Hawkes
#M051663507. Published by
Boosey & Hawkes
(HL.48023805).
UPC:
888680626457.
9.0x12.0x0.038
inches.
Written in
1873, Evening Song is one
of the best-known choral
works of Josef
Rheinberger (1839-1901),
German composer, organist
and teacher. Displaying
an exceptional lyric
quality and utilizing a
full range of dynamic
contrast, Shelley
Hanson's arrangement is
specifically designed
with flexible
instrumentation to be
performed in a variety of
ways. This piece is
equally effective whether
performed by a
traditional concert band
or by a smaller chamber
ensemble. Dur: 2:50.
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-454-140 A Suite of British...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-454-140
A
Suite of British and
Irish Folk Songs.
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2017. 32
pages. Anglo Music Press
#AMP 454-140. Published
by Anglo Music Press
(BT.AMP-454-140).
English-German-French-
Dutch.
Songs
from Across the Water
was commissioned by
Pennsylvania Symphonic
Winds - Phil Evans,
Founder and Director.
Phil Evans hails from the
UK and served for 25
years in the Band of HM
Royal Marines. Now
resident in the USA he
founded Pennsylvania
Symphonic Winds in 2008,
giving them the tag line
‘An American Band
with a British
Accent’, as he
wanted to combine the
best of both
countries’ band
traditions. With this in
mind, composer Philip
Sparke decided to create
a suite of British folk
songs, scored with an
American influence to
fulfil the philosophy of
the band’s tag
line. The three
movements, which are
played without a break,
are based on the
following folk
songs,which come from all
corners of the British
Isles: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air and
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water werd
geschreven in opdracht
van de Pennsylvania
Symphonic Winds, waarvan
Phil Evans de oprichter
en tevens de dirigent is.
Phil Evans is geboren en
getogen in het Verenigd
Koninkrijk, hij was 25
jaar lang lid van de Band
of HM Royal Marines.
Tegenwoordig woont hij in
de VS, waar hij in 2008
de Pennsylvania Symphonic
Winds oprichtte, met als
motto ‘An American
band with a British
Accent’ (Een
Amerikaans blaasorkest
met een Brits accent),
aangezien hij de
blaasmuziektradities uit
beide landen wilde
combineren. Met dit
gegeven in zijn
achterhoofd creëerde
componist Philip Sparke
een suite van Britse
folksongs, georkestreerd
met een Amerikaanse
invloedom de filosofie
achter het eerdergenoemde
motto eer aan te doen. De
drie delen, die zonder
onderbreking worden
gespeeld, zijn gebaseerd
op de volgende folksongs,
die afkomstig zijn uit
alle hoeken van de Britse
Eilanden: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air en
The Piper o’
Dundee & Men of
Harlech.
Songs from
Across the Water
wurde von den
Pennsylvania Symphonic
Winds in Auftrag gegeben,
deren Gründer und
Leiter Phil Evans ist.
Phil Evans stammt aus dem
Vereinigten Königreich
und spielte 25 Jahre lang
im Blasorchester der HM
Royal Marines. Inzwischen
lebt er in den USA und
gründete 2008 die
Pennsylvania Symphonic
Winds, denen er den
Beinamen An American band
with a British
Accent“ (Ein
amerikanisches
Blasorchester mit einem
britischen Akzent“)
gab, da er das Beste aus
der
Blasorchester-Tradition
beider Länder
miteinander vereinen
wollte. Aus diesem Grund
hat der Komponist Philip
Sparke eine Suite aus
britischen Volksliedern
komponiert, wobei
dieInstrumentierung einen
amerikanischen Einfluss
hat, um so die
Philosophie des
Orchesterbeinamens zu
verwirklichen. Die drei
Sätze, die ohne Pause
gespielt werden, basieren
auf den folgenden
Volksliedern, die aus
allen Gegenden der
britischen Inseln
stammen: The Three
Ravens & The Cruiskeen
Lawn, The Lark in
the Clear Air sowie
The Piper o’
Dundee & Men of
Harlech.
Along the Weser Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175714-140 Inspired by th...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175714-140
Inspired by the
traditional song An der
Weser. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2017. 23 pages. De Haske
Publications #DHP
1175714-140. Published by
De Haske Publications
(BT.DHP-1175714-140).
English-German-French-
Dutch.
Along the
Weser, as the title
suggests, is an homage to
the river Weser, the
beautiful waterway that
meanders through Northern
Germany. With its
exuberant rhythms and
lyrical melodic lines,
the work mirrors the
strong bond between
theinhabitants of the
region and the river
itself. The connecting
thread is the melody of
the well-known ‘An
der Weser’,
composed by Gustav
Pressel to lyrics by
Franz von Dingelstedt,
which has been
incorporated in three
different ways. The
result is acomposition
that is sure to be
enjoyed by both musicians
and audience
alike.
Along
the Weser is, zoals
de titel al doet
vermoeden, een eerbetoon
aan de rivier de Weser,
die zo prachtig door het
Noord-Duitse land
meandert. In een jeugdige
ritmiek en met lyrische
melodische lijnen
verklankt het werk de
verbondenheid diede
bewoners met hun streek
langs de rivier ervaren.
Rode draad is de melodie
van het bekende lied
‘An der
Weser’, door
Gustav Pressel
gecomponeerd op een tekst
van Franz von
Dingelstedt, die in drie
verschillende stijlen
verwerkt is. Het
resultaat iseen
compositie waar
muzikanten en publiek
alleen maar blij van
kunnen
worden.
Along
the Weser ist, wie
der Titel andeutet, eine
Hommage an den fluss
Weser, der sich
wunderschön durch
Norddeutschland
schlängelt. Das Werk
spiegelt mit jugendlichen
Rhythmen und lyrischen
Melodielinien die starke
Verbundenheit der
Einwohnerentlang des
Flusses mit ihrer Region
wider. Als verbindendes
Element dient das
bekannte Lied An der
Weser“ komponiert
von Gustav Pressel zu
einem Text von Franz von
Dingelstedt , das in drei
verschiedenen
Stilrichtungen
verarbeitet wurde.
Darausresultiert eine
Komposition, die sowohl
den Musikern als auch dem
Publikum
gefällt.
Along
the Weser, come
suggerisce il titolo,
è un omaggio al fiume
Weser, la bellissima via
d'acqua che si snoda
attraverso la Germania
settentrionale. Con i
suoi ritmi esuberanti e
le linee melodiche
liriche, l'opera
rispecchia il forte
legame tra gli abitanti
della regione e il fiume
stesso. Il filo di
collegamento è la
melodia del ben noto
‘An der
Weser’, composto
da Gustav Pressel con i
testi di Franz von
Dingelstedt, che è
stato incorporato in tre
modi diversi. Il
risultato è una
composizione che sar
sicuramente apprezzata
sia dai musicisti che dal
pubblico.
Along the Weser Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175714-010 Inspired by th...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175714-010
Inspired by the
traditional song An der
Weser. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175714-010. Published by
De Haske Publications
(BT.DHP-1175714-010).
English-German-French-
Dutch.
Along the
Weser, as the title
suggests, is an homage to
the river Weser, the
beautiful waterway that
meanders through Northern
Germany. With its
exuberant rhythms and
lyrical melodic lines,
the work mirrors the
strong bond between
theinhabitants of the
region and the river
itself. The connecting
thread is the melody of
the well-known ‘An
der Weser’,
composed by Gustav
Pressel to lyrics by
Franz von Dingelstedt,
which has been
incorporated in three
different ways. The
result is acomposition
that is sure to be
enjoyed by both musicians
and audience
alike.
Along
the Weser is, zoals
de titel al doet
vermoeden, een eerbetoon
aan de rivier de Weser,
die zo prachtig door het
Noord-Duitse land
meandert. In een jeugdige
ritmiek en met lyrische
melodische lijnen
verklankt het werk de
verbondenheid diede
bewoners met hun streek
langs de rivier ervaren.
Rode draad is de melodie
van het bekende lied
‘An der
Weser’, door
Gustav Pressel
gecomponeerd op een tekst
van Franz von
Dingelstedt, die in drie
verschillende stijlen
verwerkt is. Het
resultaat iseen
compositie waar
muzikanten en publiek
alleen maar blij van
kunnen
worden.
Along
the Weser ist, wie
der Titel andeutet, eine
Hommage an den fluss
Weser, der sich
wunderschön durch
Norddeutschland
schlängelt. Das Werk
spiegelt mit jugendlichen
Rhythmen und lyrischen
Melodielinien die starke
Verbundenheit der
Einwohnerentlang des
Flusses mit ihrer Region
wider. Als verbindendes
Element dient das
bekannte Lied An der
Weser“ komponiert
von Gustav Pressel zu
einem Text von Franz von
Dingelstedt , das in drei
verschiedenen
Stilrichtungen
verarbeitet wurde.
Darausresultiert eine
Komposition, die sowohl
den Musikern als auch dem
Publikum
gefällt.
Along
the Weser, come
suggerisce il titolo,
è un omaggio al fiume
Weser, la bellissima via
d'acqua che si snoda
attraverso la Germania
settentrionale. Con i
suoi ritmi esuberanti e
le linee melodiche
liriche, l'opera
rispecchia il forte
legame tra gli abitanti
della regione e il fiume
stesso. Il filo di
collegamento è la
melodia del ben noto
‘An der
Weser’, composto
da Gustav Pressel con i
testi di Franz von
Dingelstedt, che è
stato incorporato in tre
modi diversi. Il
risultato è una
composizione che sar
sicuramente apprezzata
sia dai musicisti che dal
pubblico.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-010
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064151-010. Published by
De Haske Publications
(BT.DHP-1064151-010).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria
durch ein’
Dornwald ging (Maria door
een doornwoud trad)
is een traditioneel Duits
kerstlied. De oudst
bekende versie is
opgetekend in het
Andernacher
Gesangbuch uit 1608.
Halverwege de negentiende
eeuw was heteen regionaal
bedevaartslied in
Thüringen en aan het
begin van de twintigste
eeuw werd het in de
huidige versie opgenomen
in het liedboek
Zupfgeigenhansl
van de Duitse
jeugdbeweging. Maria
durch ein’
Dornwald ging heeftal
vele arrangeurs ge
nspireerd tot het
schrijven van
koorbewerkingen. Michael
Bilkes verwerkte de
bekende melodie in een
sfeervol arrangement voor
harmonieorkest.
Ma
ria durch ein’
Dornwald ging ist ein
traditionelles deutsches
Adventslied, dessen
früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Kaleidoscope Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-035-140 Five Variations on...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-035-140
Five Variations on the
'Brugg Song'.
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 52 pages.
Anglo Music Press #AMP
035-140. Published by
Anglo Music Press
(BT.AMP-035-140).
Kaleidoscope is
a set of five variations
of on the ‘Brugger
Lied’ (Brugg Song)
which is the traditional
song of the town of
Brugg. The lyrics tell of
the geography, people and
traditions of this
charming and historic
town, which is situated
in the north of
Switzerland, near to the
German border, about
halfway between Basel and
Zurich.Each variation is
based on tiny extracts of
the theme, the whole
piece therefore
resembling the effect of
a kaleidoscope, which
juxtaposes small
fragments of colour in a
constantly changing
pattern.
Kaleid
oscope is een set van
vijf variaties op Das
Brugger Lied, het
traditionele lied van de
plaats Brugg. De tekst
gaat over de omgeving,
inwoners en tradities van
deze historische stad,
die is gelegen in het
noordenvan Zwitserland,
dicht bij de Duitse
grens, tussen Basel en
Zürich. De variaties
zijn gebaseerd op
minuscule samenvattingen
van de thema’s. Zo
doet het hele stuk denken
aan een caleidoscoop, die
bij de kleinste
bewegingen steedsweer
afwisselende figuren
toont.
Kaleidos
cope ist ein Set von
fünf Variationen zum
Brugger Lied, dem
traditionellen Lied der
Stadt Brugg. Der Text
erzählt von der
Landschaft, den Menschen
und den Traditionen
dieser bezaubernden
historischen, im Norden
der Schweiz gelegenen
Stadt. Die Variationen
beruhen auf winzigen
Auszügen des Themas.
So erinnert das ganze
Stück an ein
Kaleidoskop, das sich aus
kleinen Farbelementen in
wandelnden Mustern immer
wieder neu zusammensetzt.
Kalediscope è un insieme di
cinque variazioni sul
Brugger Lied, la
canzone tradizionale
della citt di Brugg. Le
parole evocano la
posizione geografica, gli
abitanti e le tradizioni
di questa ridente citt
storica situata nel nord
della svizzera, vicino
alla frontiera con la
Germania, tra Basilea e
Zurigo. Le variazioni
sono basate su brevi
estratti del tema, a
mo’ di un
caleidoscopio che
giustappone piccoli
frammenti di colori in un
motivo in costante
cambiamento.
Kaleidoscope Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-035-010 Five Variations on...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-035-010
Five Variations on the
'Brugg Song'.
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2003.
Anglo Music Press #AMP
035-010. Published by
Anglo Music Press
(BT.AMP-035-010).
Kaleidoscope is
a set of five variations
of on the ‘Brugger
Lied’ (Brugg Song)
which is the traditional
song of the town of
Brugg. The lyrics tell of
the geography, people and
traditions of this
charming and historic
town, which is situated
in the north of
Switzerland, near to the
German border, about
halfway between Basel and
Zurich.Each variation is
based on tiny extracts of
the theme, the whole
piece therefore
resembling the effect of
a kaleidoscope, which
juxtaposes small
fragments of colour in a
constantly changing
pattern.
Kaleid
oscope is een set van
vijf variaties op Das
Brugger Lied, het
traditionele lied van de
plaats Brugg. De tekst
gaat over de omgeving,
inwoners en tradities van
deze historische stad,
die is gelegen in het
noordenvan Zwitserland,
dicht bij de Duitse
grens, tussen Basel en
Zürich. De variaties
zijn gebaseerd op
minuscule samenvattingen
van de thema’s. Zo
doet het hele stuk denken
aan een caleidoscoop, die
bij de kleinste
bewegingen steedsweer
afwisselende figuren
toont.
Kaleidos
cope ist ein Set von
fünf Variationen zum
Brugger Lied, dem
traditionellen Lied der
Stadt Brugg. Der Text
erzählt von der
Landschaft, den Menschen
und den Traditionen
dieser bezaubernden
historischen, im Norden
der Schweiz gelegenen
Stadt. Die Variationen
beruhen auf winzigen
Auszügen des Themas.
So erinnert das ganze
Stück an ein
Kaleidoskop, das sich aus
kleinen Farbelementen in
wandelnden Mustern immer
wieder neu zusammensetzt.
Kalediscope è un insieme di
cinque variazioni sul
Brugger Lied, la
canzone tradizionale
della citt di Brugg. Le
parole evocano la
posizione geografica, gli
abitanti e le tradizioni
di questa ridente citt
storica situata nel nord
della svizzera, vicino
alla frontiera con la
Germania, tra Basilea e
Zurigo. Le variazioni
sono basate su brevi
estratti del tema, a
mo’ di un
caleidoscopio che
giustappone piccoli
frammenti di colori in un
motivo in costante
cambiamento.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 0.5 SKU: HL.44011614 Co...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 0.5
SKU: HL.44011614
Composed by Traditional.
Arranged by Jan de Haan.
De Haske Concert Band.
Opening Pieces. Score
Only. Composed 1997. De
Haske Publications
#971016. Published by De
Haske Publications
(HL.44011614).
UPC:
884088895020.
The
German Christmas song Von
Himmel hoch, O Englein
kommt is one of the
oldest known German
carols, with the earliest
versions, also known as
Susani, going back to the
14th century. This
exceptional arrangement
by Jan de Haan works
extremely well for brass
band and will make an
ideal work for any
Christmas concert.
The German
Christmas song Von Himmel
hoch, O Englein kommt is
one of the oldest known
German carols, with the
earliest versions, also
known as Susani, going
back to the 14th century.
This exceptional
arrangement by Jan de
Haan works extremely well
for brass band and will
make an ideal work for
any Christmas concert.
Jan de Haan nahm
sich fur seine
Bearbeitung von Vom
Himmel hoch, o Englein
kommt die Version aus
dem Colner Gesangbuch von
1623 zur Vorlage. Dieses
besondere Arrangement des
alten, beliebten
Weihnachtsliedes schrieb
er in vierstimmigen
Satzen, wodurch es fur
alle Spielstarken
geeignet ist.
Band concert band - Grade 2 SKU: CF.YPS202 Composed by Traditional German...(+)
Band concert band - Grade
2
SKU: CF.YPS202
Composed by Traditional
German Carol. Arranged by
Gene Milford. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+1+1+2+16+4+4+2+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #YPS202. Published
by Carl Fischer Music
(CF.YPS202).
ISBN
9781491152225. UPC:
680160909728. Key: Bb
major.
Everyone
loves a parade, including
Old Saint Nick, whether
it is at the North Pole
or marching down Main
Street. Santa On Parade
includes three
traditional Christmas
songs in march style
(Jolly Old St. Nicholas,
Good King Wenceslas and
O, Christmas Tree) and
brief quotations from
four famous marches (High
School
Cadets, The Thunder
er, National
Emblem, and Stars
and Stripes Forever).Â
This crowd favorite is an
excellent choice for any
holiday
concert!. Everyone
loves a parade including
“Old Saint
Nick,†whether it
is at the North Pole or
marching down Main
Street. Santa’s
parade includes three
traditional songs in
march style:Â Jolly Old
St. Nicholas, Good King
Wenceslas and O,
Christmas Tree. There are
also brief quotations
from four famous marches
High School Cadets, The
Thunderer, National
Emblem, and Stars and
Stripes Forever.
Santa On Parade Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS202F Composed by Traditional Germa...(+)
Band concert band - Grade
2
SKU: CF.YPS202F
Composed by Traditional
German Carol. Arranged by
Gene Milford. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS202F. Published by
Carl Fischer Music
(CF.YPS202F).
ISBN
9781491152904. UPC:
680160910403.
Every
one loves a parade,
including Old Saint Nick,
whether it is at the
North Pole or marching
down Main Street. Santa
On Parade includes
three traditional
Christmas songs in march
style (Jolly Old St.
Nicholas, Good King
Wenceslas and O,
Christmas Tree) and
brief quotations from
four famous marches (High
School
Cadets, The Thunder
er, National
Emblem, and Stars
and Stripes Forever).Â
This crowd favorite is an
excellent choice for any
holiday
concert!. Everyone
loves a parade including
“Old Saint
Nick,†whether it
is at the North Pole or
marching down Main
Street. Santa’s
parade includes three
traditional songs in
march style:Â Jolly Old
St. Nicholas, Good King
Wenceslas and O,
Christmas Tree. There are
also brief quotations
from four famous marches
High School Cadets, The
Thunderer, National
Emblem, and Stars and
Stripes Forever.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Softcover. Composed 2015.
Anglo Music Press
#AMP443140. Published by
Anglo Music Press
(HL.44012759).
Reflections
on an Old Japanese Folk
Song is based on the
tune Suiryo-Bushi,
which comes from the
shamisen tradition and
opens with two
contrasting statements of
the melody followed by
several variations each
in an own style based
uponthe same tune, or
sometimes only fragments
of it. In one of the
variants, the pentatonic
scale is used. The final
section is in the form of
a scherzo, which
eventually forms the
accompaniment to a final
presentation of the folk
tune.
Reflectio
ns on an Old Japanese
Folk Song is
gebaseerd op het liedje
Suiryo-Bushi, dat
afkomstig is uit de
shamisen-traditie en
opent met twee
contrasterende statements
van de betreffende
melodie, gevolgd door
verschillende
variatieshierop, in
diverse stijlen, steeds
gebaseerd op hetzelfde
liedje of fragmenten
eruit. In een van de
variaties wordt de
pentatonische toonladder
gebruikt. Het
slotgedeelte begint met
een scherzo, dat
uiteindelijk de
begeleiding vormt van een
laatsteuiteenzetting van
het
volksliedje.
Das
Stuck Reflections on
an Old Japanese Folk
Song basiert auf der
Melodie des Volksliedes
Suiryo-Bushi, das
in der Tradition des
japanischen
Saiteninstruments
Schamisen steht. Es
beginnt mit zwei
gegensatzlichen
Darstellungen derMelodie,
gefolgt von verschiedenen
Variationen: jede in
einem eigenen Stil, aber
alle auf der gleichen
Melodie oder auf
Fragmenten der Melodie
beruhend. In einer
Variation wird auch die
pentatonische Tonleiter
verwendet. Im
Scherzo,
demSchlussteil des
Stuckes, erklingt das
Volkslied schliesslich
zum letzten
Mal.
Reflection
s on an Old Japanese Folk
Song est base sur la
melodie
Suiryo-Bushi, qui
est issue de la tradition
de shamisen. L'oeuvre
commence par deux
versions differentes de
la melodie, suivies par
plusieurs variations sur
le theme enentier ou en
partie, chacune dans son
propre style. La section
finale est dans la forme
d'un scherzo, qui
prend le role
d'accompagnement a la
fin, lors de la derniere
presentation du theme
folklorique.
Re
flections on an Old
Japanese Folk Song,
basata su un motivo di
Suiryo-Bushi,
originariamente concepito
per shamisen, strumento a
corde tipico della
tradizione musicale
giapponese. La struttura
del brano e del tutto
peculiare, basata
sulladalla reiterazione
melodica di un tema o
frammenti di esso, con
l'inserimento di brevi
variazioni. In una delle
varianti, e usata la
scala pentatonica. La
sezione finale e nella
forma dello scherzo.
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1001910-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1001910-015
Composed by Traditional.
Arranged by Jacob De
Haan. Christmas
Collection. Christmas.
Set (Score & Parts).
Composed 2000. De Haske
Publications #DHP
1001910-015. Published by
De Haske Publications
(BT.DHP-1001910-015).
Jacob de Haan
arranged four Christmas
carols in the suite
Four Shepherd
Songs. In the
four-part
instrumentation, creating
the possibility to play
the piece with a large
number of varied
strengths, he
successively arranged
Als ich bei meinen
Schafen wacht, Inmitten
der Nacht, Kommet ihr
Hirten, and Ihr
Hirten, erwacht. The
arrangement was
skillfully replenished
with suitable percussion
instruments. All of the
carols can be performed
with a choir (German
text). Four Shepherd
Songs beautifully
enriches the Christmas
repertoire.
Jacob
de Haan bewerkte vier
kerstliederen in de suite
Four Shepherd
Songs. In een
vierstemmige
instrumentatie, die de
mogelijkheid biedt om het
werk met een groot scala
aan gevarieerde
bezettingen te spelen,
bewerkte hij
achtereenvolgens:Als
ich bei meinen Schafen
wacht, Inmitten der
Nacht, Kommet ihr
Hirten en Ihr
Hirten, erwacht. De
vierstemmige
instrumentatie werd
vakkundig aangvuld met
gepast slagwerk.
Daarnaast kunnen alle
liederenmet koor (Duitse
tekst) uitgevoerd worden.
De Four Shepherd
Songs vormen hierdoor
een verrijking van het
kerstrepertoire.
J
acob de Haan hat vier
Weihnachtslieder
bearbeitet und zu der
Suite Four Shepherd
Songs (Vier
Hirtenlieder)
zusammengefügt. Die
vierstimmige Bearbeitung,
die eine Aufführung
mit vielen und
unterschiedlich großen
Besetzungen erlaubt,
wurde mit Schlagzeug
effektvoll angereichert.
Alle vier Lieder
können zudem mit einem
Chor (deutscher Text)
aufgeführt werden uns
sind somit eine echte
Bereicherung des
weihnachtlichen
Repertoires.
Nell
a suite Four Shepherd
Songs (Quattro canti di
pastori), Jacob de Haan
ha arrangiato per banda
quattro canti natalizi
tedeschi, Als ich bei
meinen Schafen wacht,
Inmitten der Nacht,
Kommet Ihr Hirten e
Ihr Hirten,
erwacht, con la
possibilit di eseguirli
con una qualsiasi
strumentazione variabile.
La strumentazione a
quattro parti è stata
arrangiata abilmente e
completata con le
percussioni. Inoltre,
tutti i canti possono
essere eseguiti assieme
ad un coro (con testo in
lingua tedesca). Four
Shepherd Songs è
senza dubbio un valido
arricchimento del
repertorio natalizio.
Hunting Scenes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-010
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135460-010. Published by
De Haske Publications
(BT.DHP-1135460-010).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Hunting Scenes Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-140
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 32 pages. De Haske
Publications #DHP
1135460-140. Published by
De Haske Publications
(BT.DHP-1135460-140).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Folk Songs From Somerset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4908-00 From English Folk Song Suite, Mvt 3. C...(+)
Grade 3
SKU:
CL.026-4908-00
From English Folk Song
Suite, Mvt 3.
Composed by Ralph Vaughan
Williams. Arranged by
Huckeby. Concert Band.
Score and set of parts.
C.L. Barnhouse
#026-4908-00. Published
by C.L. Barnhouse
(CL.026-4908-00).
Folk Songs From
Somerset, the third
movement from Ralph
Vaughan Williams’
English Folk Song Suite
is a classic march
incorporating four
traditional folk songs:
Blow Away The Morning
Dew, High Germany, The
Tree So High and John
Barley’s Corn.
Using both 2/4 and 6/8
meters, Vaughan Williams
has created a unique
educational opportunity
for ensembles to contrast
duple and compound meter.
Creatively adapted for
the Build-A-Band series
by master
composer/arranger, Ed
Huckeby, this masterful
work is now available for
ensembles with unusual or
limited instrumentation.
Your students and
audiences will love this
English band classic!
Grade 3 SKU: CL.026-4908-01 From English Folk Song Suite, Mvt 3. C...(+)
Grade 3
SKU:
CL.026-4908-01
From English Folk Song
Suite, Mvt 3.
Composed by Ralph Vaughan
Williams. Arranged by
Huckeby. Concert Band.
Extra full score. C.L.
Barnhouse #026-4908-01.
Published by C.L.
Barnhouse
(CL.026-4908-01).
Folk Songs From
Somerset, the third
movement from Ralph
Vaughan Williams’
English Folk Song Suite
is a classic march
incorporating four
traditional folk songs:
Blow Away The Morning
Dew, High Germany, The
Tree So High and John
Barley’s Corn.
Using both 2/4 and 6/8
meters, Vaughan Williams
has created a unique
educational opportunity
for ensembles to contrast
duple and compound meter.
Creatively adapted for
the Build-A-Band series
by master
composer/arranger, Ed
Huckeby, this masterful
work is now available for
ensembles with unusual or
limited instrumentation.
Your students and
audiences will love this
English band classic!
Concert Band/Harmonie/Fanfare Band/Brass Band - easy SKU: BT.DHP-0971016-216<...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - easy
SKU:
BT.DHP-0971016-216
Composed by Traditional.
Arranged by Jan de Haan.
Musica Sacra. Opening
Pieces. Score Only.
Composed 1997. De Haske
Publications #DHP
0971016-216. Published by
De Haske Publications
(BT.DHP-0971016-216).
The German
Christmas song Von Himmel
hoch, O Englein kommt is
one of the oldest known
German carols, with the
earliest versions, also
known as Susani, going
back to the 14th century.
This exceptional
arrangement by Jan de
Haan works extremely well
for brass band and will
make an ideal work for
any Christmas concert.
Jan de Haan nahm
sich für seine
Bearbeitung von Vom
Himmel hoch, o Englein
kommt die Version aus
dem Cölner Gesangbuch
von 1623 zur Vorlage.
Dieses besondere
Arrangement des alten,
beliebten
Weihnachtsliedes schrieb
er in vierstimmigen
Sätzen, wodurch es
für alle
Spielstärken geeignet
ist.
O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
Concert Band (Score and Parts) - Grade 5 SKU: HL.44012758 Composed by Phi...(+)
Concert Band (Score and
Parts) - Grade 5
SKU:
HL.44012758
Composed
by Philip Sparke. Anglo
Music Concert Band. Folk,
Japanese. Softcover.
Composed 2015. De Haske
Publications #AMP443010.
Published by De Haske
Publications
(HL.44012758).
To hear a
recording of this piece,
please visit the Hal
Leonard MGB Concert Band
page at
https://www.youtube.com/c
hannel/UCeHzOLTDBDG2pZX6f
YtaxSw
Based on
the traditional Japanese
tune
â??Suiryo-Bushi,â?
Reflections on an Old
Japanese Folk Song
opens with two
contrasting statements of
the melody - first
sparsely presented by the
woodwinds and then in a
harmonized version played
by the full band. This is
followed by a lively
section based on
pentatonic melodies that
characterize the folk
tune. The following
slower variation first
centers around a
plaintive English horn
melody made up of
sections of the original
tune, and later presents
the opening phrases of
â??Suiryo-Bushiâ?
against an intensely
florid accompaniment. The
final section is in the
form of a scherzo that
eventually forms the
accompaniment to a final
presentation of the folk
tune. Duration: 8:30.
You Raise Me Up Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-140-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-140-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2011. 20 pages.
Music Sales #1891-12-140
MS. Published by Music
Sales
(BT.1891-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story nannte,
nach der Melodie des
irischen Traditionals
Danny Boy und bat
den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
You Raise Me Up Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-010-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-010-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Set (Score &
Parts). Composed 2011.
Music Sales #1891-12-010
MS. Published by Music
Sales
(BT.1891-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story
nannte, nach der
Melodie des irischen
Traditionals Danny Boy
und bat den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
Arranged by Wil van der
Beek. Great Classics.
Classical. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196069-010. Published by
De Haske Publications
(BT.DHP-1196069-010).
English-German-French-
Dutch.
To create
the musical material of
this medley, the arranger
drew upon the rich
arsenal of Russian folk
songs and dances.
Familiar traditional
tunes have been combined
with less well-known, but
certainly no less
interesting
manifestations of folk
music. In this attractive
arrangement the following
melodies are featured:
The Volga Boatmen
Song, The Jolly
Chap, The Red
Sarafan, The
Forest Glade, The
Nightingale and the
Gopak.
Voor
de keuze van het muzikale
materiaal waaruit deze
medley is samengesteld,
is geput uit het rijke
arsenaal van Russische
volksliederen en -dansen.
Bekende traditionals zijn
hierbij gecombineerd met
onbekendere, maar zeker
niet minder interessante
uitingen van volksmuziek.
In dit aantrekkelijke
arrangement komen de
volgende melodieën aan
bod: The Volga Boatmen
Song (Lied van de
Wolgaslepers), The
Jolly Chap (De
vrolijke jongen), The
Red Sarafan (De rode
sarafaan), The Forest
Glade (De open plek
in het bos), The
Nightingale (De
nachtegaal) en de
Gopak.
Der
Arrangeur hat bei der
Auswahl der Stücke
für dieses Medley auf
das reiche Angebot an
russischen Volksliedern
und Tänzen
zurückgegriffen.
Bekannte traditionelle
Stücke wurden mit
nicht so bekannten, aber
sicherlich nicht weniger
interessanten
Meilensteinen der
Volksmusik kombiniert.
Dieses reizvolle
Arrangement beinhaltet
folgende Melodien: The
Volga Boatmen Song,
The Jolly Chap,
The Red Sarafan,
The Forest Glade,
The Nightingale
und
Gopak.
Arranged by Wil van der
Beek. Great Classics.
Classical. Score Only.
Composed 2019. 24 pages.
De Haske Publications
#DHP 1196069-140.
Published by De Haske
Publications
(BT.DHP-1196069-140).
English-German-French-
Dutch.
To create
the musical material of
this medley, the arranger
drew upon the rich
arsenal of Russian folk
songs and dances.
Familiar traditional
tunes have been combined
with less well-known, but
certainly no less
interesting
manifestations of folk
music. In this attractive
arrangement the following
melodies are featured:
The Volga Boatmen
Song, The Jolly
Chap, The Red
Sarafan, The
Forest Glade, The
Nightingale and the
Gopak.
Voor
de keuze van het muzikale
materiaal waaruit deze
medley is samengesteld,
is geput uit het rijke
arsenaal van Russische
volksliederen en -dansen.
Bekende traditionals zijn
hierbij gecombineerd met
onbekendere, maar zeker
niet minder interessante
uitingen van volksmuziek.
In dit aantrekkelijke
arrangement komen de
volgende melodieën aan
bod: The Volga Boatmen
Song (Lied van de
Wolgaslepers), The
Jolly Chap (De
vrolijke jongen), The
Red Sarafan (De rode
sarafaan), The Forest
Glade (De open plek
in het bos), The
Nightingale (De
nachtegaal) en de
Gopak.
Der
Arrangeur hat bei der
Auswahl der Stücke
für dieses Medley auf
das reiche Angebot an
russischen Volksliedern
und Tänzen
zurückgegriffen.
Bekannte traditionelle
Stücke wurden mit
nicht so bekannten, aber
sicherlich nicht weniger
interessanten
Meilensteinen der
Volksmusik kombiniert.
Dieses reizvolle
Arrangement beinhaltet
folgende Melodien: The
Volga Boatmen Song,
The Jolly Chap,
The Red Sarafan,
The Forest Glade,
The Nightingale
und
Gopak.