| Let's Dance Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1064040-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1064040-015
Composed by Henk
Hogestein. Flexible 6
Series. Original Light
Music. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064040-015. Published by
De Haske Publications
(BT.DHP-1064040-015).
9x12 inches.
English-German-French-Dut
ch. Letâ??s Dance
takes you on an exciting
night of dancing, being
cool on the dance floor
with your designer
clothes, dancing the
night away and forgetting
about your daily worries.
Itâ??s party time on the
dance floor with this
grooving new work.
¬Letâ??s
Dance is een heel
afwisselend werk in zes
delen met de veelzeggende
titels Be Cool, Disco
Flight, Slow Motion,
Party Dream, Go on and
Dance en Born to
Dance. Een gezellig
avondje stappen tot in de
kleine uurtjeswordt
muzikaal belicht. Met
deze levendige en
hedendaagse compositie
komen zowel de muzikanten
als het publiek in een
swingende
stemming.
Partysti
mmung und Discofeeling
sind mit diesem Stück
von Henk Hogestein
garantiert. Die Titel der
sechs Sätze sprechen
für sich: Be Cool,
Disco Flight, Slow
Motion, Party Dream, Go
on and Dance und Born to
Dance. Wer kann bei
so einem Programm noch
still sitzen?
Letâ??s
Dance dâ??Henk
Hogestein est le morceau
quâ??il vous faut pour
soulever
lâ??enthousiasme du
public. Be cool, Disco
Flight, Slow Motion,
Party Dream, Go on and
Dance et Born to
Dance, six mouvements
qui bougent et groovent !
Letâ??s
Dance è il brano
ideale per animare lo
spirito del vostro
pubblico. Be Cool,
Disco Flight, Slow
Motion, Party Dream, Go
on and Dance e
Born to Dance, sei
movimenti che faranno
danzare chi vi
ascolta! $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Count It! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.015-2497-01 Composed by A. Clark. Young Concert Band. Com...(+)
Grade 2 SKU:
CL.015-2497-01
Composed by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Extra full score.
Composed 1992. C.L.
Barnhouse #015-2497-01.
Published by C.L.
Barnhouse
(CL.015-2497-01).
One of Andy
Clarks’ best! Easy
preparation with maxium
results. Complete band
arrangement with a
recorded accompaniment
designed to enhance the
performance of your young
band, not replace it.
Ideal for getting young
players excited about
band!
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Battle Hymn of the Republic Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.015-2410-00 Arranged by A. Clark. Young Concert Band. Com...(+)
Grade 1 SKU:
CL.015-2410-00
Arranged by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Score and set of parts.
Composed 1991. C.L.
Barnhouse #015-2410-00.
Published by C.L.
Barnhouse
(CL.015-2410-00).
This stirring
arrangement is sure to be
an emotional experience
for your students and
audience alike. Teaches
8th and 16th patterns and
triplets. Complete band
arrangement with a
recorded accompaniment
designed to enhance the
performance of your young
band, not replace it.
Ideal for getting young
players excited about
band!
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mama Don't Low Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.015-2477-01 Composed by A. Clark. Young Concert Band. Com...(+)
Grade 2 SKU:
CL.015-2477-01
Composed by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Extra full score.
Composed 1992. C.L.
Barnhouse #015-2477-01.
Published by C.L.
Barnhouse
(CL.015-2477-01).
The band
alternates between
singing this good natured
folk song and playing
their instruments. Each
section of the band is
featured seperately and
the Nashville styled
background will make this
a favorite for years to
come. Complete band
arrangement with a
recorded accompaniment
designed to enhance the
performance of your young
band, not replace it.
Ideal for getting young
players excited about
band!
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thumbs Up! Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-2239-01 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2 SKU:
CL.011-2239-01
Composed by Shaffer.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Extra full score.
Composed 1990. C.L.
Barnhouse #011-2239-01.
Published by C.L.
Barnhouse
(CL.011-2239-01).
This exciting
piece features the young
concert band with a
pre-recorded
accompaniment track
helping even the youngest
bands sound more
professional. Ideal for
getting young players
excited about band! This
piece can be performed
with or without the
accompaniment CD.
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Oregonsinfonie for Concert Band, Op. 67 Orchestre d'harmonie [Conducteur] Schott
Concert Band - difficult SKU: HL.49015665 Full Score. Composed by ...(+)
Concert Band - difficult
SKU: HL.49015665
Full Score.
Composed by Bertold
Hummel. This edition:
Paperback/Soft Cover.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Score.
Composed 1977. Op. 67.
104 pages. Duration 25'.
Schott Music #SHS1023.
Published by Schott Music
(HL.49015665). ISBN
9790001139786. UPC:
884088156251.
9.0x12.0x0.296
inches. Best
playability and musical
spirit - this is what
characterizes the music
of Bertold Hummel who
died in 2002, and why his
music must be part of the
repertoire of any amateur
and semi-professional
orchestra. The Oregon
Symphony occupies a
special position in his
oeuvre: it was written by
Hummel for the typically
American symphonic wind
bands, requiring almost
100 musicians, including
15 clarinets in three
groups of five alone, as
well as four piccolos and
six flutes, bass
clarinet, bassoons,
saxophones, trumpets,
horns, tubas and the
typically American
sousaphone, and five
percussionists. The work
consists of four
movements; in the rousing
finale, Hummel mixes jazz
motifs with popular
themes and even weaves
the anthem of the State
of Oregon in the final
music. For getting better
acquainted with this
music, the first movement
is also separately
available ('Symphonische
Ouverture', SHS
1001).
Picc. * 2 *
2 * Klar. in Es * 3 *
Bassklar. in B * 2
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 2 - 4 * 3 (Korn.) * 3 *
Tenorhr. in B (Bar.) * 2
- P. S. (Trgl. * 4 hg.
Beck. * Beckenp. * Tamt.
* Gong * Glock. ad lib. *
Bngs. * Schellentr. * kl.
Tr. * gr. Tr. * Holzbl. *
Tempelbl. * Ratsche *
Xyl. * Vibr) (5 Spieler)
- Kb. $76.00 - Voir plus => Acheter | | |
| Blades of Steel Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB1902FS Composed by Larry C...(+)
Concert Band Concert Band
- Grade 1 SKU:
XC.DCB1902FS Composed
by Larry Clark. Da Capo
Band Series. Concert and
Contest. Classical,
Acoustic. Score. Excelcia
Music Publishing
#DCB1902FS. Published by
Excelcia Music Publishing
(XC.DCB1902FS). UPC:
812598031218. 9 x 12
inches. Imagine, a
blade smith in Medieval
times hunched over the
forge getting the metal
for his next sword molten
hot, so that he can
hammer it into a
beautiful weapon for
knights to use. Blades of
Steel is meant to depict
this process. The Brake
Drum is used to simulate
this sound, along with
scrapes of a Gong to
emulate the sound of the
sword once completed.
This piece is aggressive
and full of thick
resonant harmonies and
bold melodies that your
student will love. Larry
Clark does it again! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blades of Steel Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB1902 Composed by Larry Cla...(+)
Concert Band Concert Band
- Grade 1 SKU:
XC.DCB1902 Composed
by Larry Clark. Da Capo
Band Series. Concert and
Contest. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#DCB1902. Published by
Excelcia Music Publishing
(XC.DCB1902). UPC:
812598031836. 9 x 12
inches. Imagine, a
blade smith in Medieval
times hunched over the
forge getting the metal
for his next sword molten
hot, so that he can
hammer it into a
beautiful weapon for
knights to use. Blades of
Steel is meant to depict
this process. The Brake
Drum is used to simulate
this sound, along with
scrapes of a Gong to
emulate the sound of the
sword once completed.
This piece is aggressive
and full of thick
resonant harmonies and
bold melodies that your
student will love. Larry
Clark does it again! $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Over There Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4):...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 3Saxes
(AAT; opt.): 4.3.3.1:
Timp.Perc(4): Str
(9-8-7-6-5 in set)
SKU: AP.36-A900490
Arranged by George M.
Cohan and ed./arr. by
William Ryden. Full
Orchestra, Conductor
Score & Parts. Nostalgia
Series. Score and
Part(s). LudwigMasters
Publications #36-A900490.
Published by
LudwigMasters
Publications
(AP.36-A900490). UPC:
659359874383.
English. George M.
Cohan (1878-1942),
getting an early start in
vaudeville with his
family act The Four
Cohans, soaked up every
facet of show business.
He acted, composed, sang,
danced, produced and
wrote plays. One of his
most celebrated songs,
OVER THERE, became
America's most beloved
patriotic anthem during
World War I. He wrote it
on April 6, 1917,
immediately upon learning
that the United States
had declared war on
Germany. Charles King
first sang it at a Red
Cross benefit concert in
New York. Enrico Caruso,
Billy Murray, and Arthur
Fields made vocal
recordings, but the most
successful, sang by Nora
Bayes, sold one and a
half million copies. This
version has been
orchestrated by William
Ryden. Instrumentation:
2+Picc.2.2.2: 3Saxes
(AAT; opt.): 4.3.3.1:
Timp.Perc(4): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Over There Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4):...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 3Saxes
(AAT; opt.): 4.3.3.1:
Timp.Perc(4): Str
(9-8-7-6-5 in set)
SKU: AP.36-A900401
Arranged by George M.
Cohan and ed./arr. by
William Ryden. Full
Orchestra, Conductor
Score. Nostalgia Series.
Score. LudwigMasters
Publications #36-A900401.
Published by
LudwigMasters
Publications
(AP.36-A900401). ISBN
9798892704175. UPC:
659359760785.
English. George M.
Cohan (1878-1942),
getting an early start in
vaudeville with his
family act The Four
Cohans, soaked up every
facet of show business.
He acted, composed, sang,
danced, produced and
wrote plays. One of his
most celebrated songs,
OVER THERE, became
America's most beloved
patriotic anthem during
World War I. He wrote it
on April 6, 1917,
immediately upon learning
that the United States
had declared war on
Germany. Charles King
first sang it at a Red
Cross benefit concert in
New York. Enrico Caruso,
Billy Murray, and Arthur
Fields made vocal
recordings, but the most
successful, sang by Nora
Bayes, sold one and a
half million copies. This
version has been
orchestrated by William
Ryden. Instrumentation:
2+Picc.2.2.2: 3Saxes
(AAT; opt.): 4.3.3.1:
Timp.Perc(4): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $15.00 - Voir plus => Acheter | | |
| Achieve Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS51F March. Composed by La...(+)
Band concert band - Grade
0.5 SKU: CF.PPS51F
March. Composed by
Larry Clark. Primer Band
(PPS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#PPS51F. Published by
Carl Fischer Music
(CF.PPS51F). ISBN
9781491152638. UPC:
680160910137. The
march style is important
to the heritage of the
modern concert band. Why
not get beginners off to
a great start by teaching
them this essential band
style as early as
possible? Achieve u
ses only the first six
notes of the Bb-major
scale and utilizes two
repeated eighth notes as
the most difficult
rhythm. It is written in
traditional march form
and style, but without
modulation in the
trio. The march
style is important
to the heritage of the
modern concert band, and
it is my opinion that
even the youngest of
students should be taught
the march style and form
as early as
possible. This march
sets out to give these
students that
opportunity. It uses only
the first six notes of
the Bb-major scale, and
the most difficult rhythm
is two repeated eighth
notes. Yet it has all of
the traditional march
form and style. The
form of this easy march
is the traditional intro,
first strain, second
strain and trio. The
only difference from more
challenge marches is that
the key does not change
to the subdominant at the
trio. Most everything
else is the same as you
would find in the
American marches of
Sousa, Fillmore or
King.The march begins
forte with a quote from
the end of the second
strain, something that is
common in many
marches. This is
followed by the first
strain at a softer
dynamic
level. Additional
voices are added on the
repeat for
variety. The second
strain has tradition
changes in dynamics,
first starting out loud,
then getting soft with
crescendos to the end of
the strain. The trio
following again in
typical fashion with the
first time being very
soft and legato. There
are some suggestions for
changing the
orchestration, but you
can use your creativity
to tailor the
instrumentation to your
musical taste. The
repeat of the trio should
then be back to a more
marcato march
style. This should
start with the last note
of the first ending in m.
70. The march then
ends with the traditional
stinger.It is my opinion
that in marches with this
form that the repeats
should not be eliminated.
By doing so, it changes
the form and makes the
march lopsided, with the
first half of the
marching being too short
compared to the trio
section.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Achieve Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS51 March. Composed by Lar...(+)
Band concert band - Grade
0.5 SKU: CF.PPS51
March. Composed by
Larry Clark. Primer Band
(PPS). Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+2+12+2 pages.
Duration 2 minutes, 8
seconds. Carl Fischer
Music #PPS51. Published
by Carl Fischer Music
(CF.PPS51). ISBN
9781491151952. UPC:
680160909452. The
march style is important
to the heritage of the
modern concert band. Why
not get beginners off to
a great start by teaching
them this essential band
style as early as
possible? Achieve u
ses only the first six
notes of the Bb-major
scale and utilizes two
repeated eighth notes as
the most difficult
rhythm. It is written in
traditional march form
and style, but without
modulation in the
trio. The march
style is important
to the heritage of the
modern concert band, and
it is my opinion that
even the youngest of
students should be taught
the march style and form
as early as
possible. This march
sets out to give these
students that
opportunity. It uses only
the first six notes of
the Bb-major scale, and
the most difficult rhythm
is two repeated eighth
notes. Yet it has all of
the traditional march
form and style. The
form of this easy march
is the traditional intro,
first strain, second
strain and trio. The
only difference from more
challenge marches is that
the key does not change
to the subdominant at the
trio. Most everything
else is the same as you
would find in the
American marches of
Sousa, Fillmore or
King.The march begins
forte with a quote from
the end of the second
strain, something that is
common in many
marches. This is
followed by the first
strain at a softer
dynamic
level. Additional
voices are added on the
repeat for
variety. The second
strain has tradition
changes in dynamics,
first starting out loud,
then getting soft with
crescendos to the end of
the strain. The trio
following again in
typical fashion with the
first time being very
soft and legato. There
are some suggestions for
changing the
orchestration, but you
can use your creativity
to tailor the
instrumentation to your
musical taste. The
repeat of the trio should
then be back to a more
marcato march
style. This should
start with the last note
of the first ending in m.
70. The march then
ends with the traditional
stinger.It is my opinion
that in marches with this
form that the repeats
should not be eliminated.
By doing so, it changes
the form and makes the
march lopsided, with the
first half of the
marching being too short
compared to the trio
section.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rock Til' Ya Drop! Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.015-2411-00 Composed by A. Clark. Young Concert Band. Com...(+)
Grade 1 SKU:
CL.015-2411-00
Composed by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Score and set of parts.
Composed 1991. C.L.
Barnhouse #015-2411-00.
Published by C.L.
Barnhouse
(CL.015-2411-00).
Rock
Til’ Ya Drop says
it all! This great piece
includes an awesome hot
contemporary rock
background accompaniment
that provides the
rhythmic excitement you
and your students will
love!
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmopolydian for Wind Band Orchestre d'harmonie Metropolis Music Publishers
Wind Band SKU: IS.WE7090EM Composed by Nico Schoeters. Ensembles - Wind B...(+)
Wind Band SKU:
IS.WE7090EM Composed
by Nico Schoeters.
Ensembles - Wind Band.
Metropolis Music
Publishers #WE7090EM.
Published by Metropolis
Music Publishers
(IS.WE7090EM). ISBN
9790365070909. Nico
Schoeters took his first
percussion lessons with
Eric Buyle in the Academy
for Music and Word in
Boom, near Antwerp, after
getting the hang of it
through private lessons
by Jozef Vervliet.
Afterwards he continued
his music studies at the
Royal Conservatory of
Antwerp, where he was
taught by Leo Ouderits,
Carlo Willems and Koen
Wilmaers. In 1998 he
graduated there with
great distinction as
Master in percussion.
After cooperating on
various projects in
Belgium and abroad as a
freelance percussionist,
Nico took up a position
as a percussionist in the
National Orchestra of
Belgium. However, despite
of all his achievements
as a percussionist, Nico
Schoeters didn’t
take his first musical
steps by playing
percussion, but by
playing the piano. His
love for the piano
remained a common thread
in his musical career.
For example, he played
numerous gigs as a
pianist with his jazz
quartet ‘Just
Friends, consisting of a
number of top musicians
who are his friends. In
addition he started
composing piano works in
2012. Cosmopolydian is my
first composition for
symphonic windband. It's
a solo piece for flute
and vibraphone which is
dedicated to Inge Smedts,
principal piccolo at the
Royal Wind Band of the
Belgian Guides. It is
written in the context of
a musical project
‘Cocktail Maison'.
This project includes a
concert on May 25th, 2017
in De Singel in Antwerp
where this work will be
premiered, a CD recording
and a concert tour. All
the pieces for this
project are new
compositions by Piet
Swerts, Jef Neve, Klaas
Coulembier, Etienne
Houben, Bart Watté,
Jan Huylebroeck, Francois
Glorieux and myself. All
the compositions are
inspired by a cocktail.
My choice is the
Cosmopolitan, but the
non-alcoholic version,
the mocktail actually.
The title Cosmopolydian
is a nod to the lydian
scale which I used as a
base for the majority of
the piece. The idea
behind the music is an
image of children
enjoying themselves,
worry-free, during the
holidays. Tired but
satisfied, they go to
sleep and have wonderful
dreams. The next day they
wake up to start a
beautiful new day.The
work is constructed in a
typical ABA form. A quick
first part:
‘sparkling
allegro', which of course
should sound very light
and playful. A slow
middle part warm adagio,
in which the beautiful
dreams become audible.
The last part is a
re-exposition of the
first part in which
eventually all the themes
merge into the final. $134.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock Til' Ya Drop! Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Grade 1.5 SKU: CL.015-2411-01 Composed by A. Clark. Young Concert Band. C...(+)
Grade 1.5 SKU:
CL.015-2411-01
Composed by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Extra full score.
Composed 1991. C.L.
Barnhouse #015-2411-01.
Published by C.L.
Barnhouse
(CL.015-2411-01).
Rock
Til’ Ya Drop says
it all! This great piece
includes an awesome hot
contemporary rock
background accompaniment
that provides the
rhythmic excitement you
and your students will
love!
About C.L.
Barnhouse Command
Performance
Plus Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band! $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santa Claus Is Comin' to Town Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2 SKU: AP.50910 Composed by John Frederick Coots. Ar...(+)
Concert Band - Grade 2
SKU: AP.50910
Composed by John
Frederick Coots. Arranged
by Michael Kamuf. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Christmas; Holiday Pops;
Winter. Score and
Part(s). Duration 2:35.
Belwin Music #00-50910.
Published by Belwin Music
(AP.50910). ISBN
9781470668747. UPC:
038081587622.
English. The big
guy is getting his groove
ON! Santa Claus Is Comin'
to Town, arranged by
Michael Kamuf, gets a
fun, fresh treatment
complete with Latin
American grooves, cool
harmony, and, of course,
some cowbell! Adding
players on the cowbell
part is a great way to
employ large percussion
sections or to feature
your faculty or staff.
Bring the house down at
your next holiday concert
with this classic.
(2:35). $70.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Resignation Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Bells, Chimes, Clarinet 1, Clarinet 2,...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Bells, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Contrabass Clarinet,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2 and more. - Grade 4
SKU: CF.SPS82F
Composed by Ed Kiefer.
Symphonic Band (SPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #SPS82F.
Published by Carl Fischer
Music (CF.SPS82F).
ISBN 9781491153277.
UPC:
680160910779. Resig
nation was
composed in memory of
one of Ed Kiefer's best
friends. Evoking the
struggle of coming to
grips with the loss of a
dear friend, the piece is
based on the hymn, My
Shepherd Will Supply My
Need. It is dramatic,
heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resignation Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Bells, Chimes, Clarinet 1, Clarinet 2,...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Bells, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Contrabass Clarinet,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2 and more. - Grade 4
SKU: CF.SPS82
Composed by Ed Kiefer.
Symphonic Band (SPS). Set
of Score and Parts. With
Standard notation.
4+4+2+4+8+8+2+1+2+2+2+2+2
+2+3+6+6+9+2+2+3+3+3+3+4+
1+1+1+1+1+16+2 pages.
Duration 2 minutes, 58
seconds. Carl Fischer
Music #SPS82. Published
by Carl Fischer Music
(CF.SPS82). ISBN
9781491152591. UPC:
680160910090. Key: Bb
major. Resignation
was composed in
memory of one of Ed
Kiefer's best friends.
Evoking the struggle of
coming to grips with the
loss of a dear friend,
the piece is based on the
hymn, My Shepherd Will
Supply My Need. It is
dramatic, heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings. $110.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On Holiday Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-3401-01 Composed by S. Watson. Young Concert Band. ...(+)
Grade 2.5 SKU:
CL.011-3401-01
Composed by S. Watson.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR336). Extra full
score. Composed 2005.
Duration 3 minutes, 53
seconds. C.L. Barnhouse
#011-3401-01. Published
by C.L. Barnhouse
(CL.011-3401-01).
Whether you're
loading up the car for a
winter holiday visit,
packing for a spring
break trip to some summer
destination, or traveling
after school lets out ,
there's an air of
excitement and
anticipation about
getting away. On Holiday,
using the continental
term for a break from
work or school, musically
depicts the free spirit
of vacation and is
appropriate for
winter/holiday or spring
concert programming.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Refining The March Style Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2 SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105). ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major. Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Baywood Overture Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.015-2406-01 Young Concert Band. Audio recording available...(+)
Grade 1 SKU:
CL.015-2406-01 Young
Concert Band. Audio
recording available
separately (item
CL.WFR324). Extra full
score. Composed 1991.
Duration 3 minutes, 24
seconds. C.L. Barnhouse
#015-2406-01. Published
by C.L. Barnhouse
(CL.015-2406-01).
James
Swearingen knows how to
make a very young group
sound terrific, and he
displays his writing
talents beautifully in
this well-crafted concert
piece for very young
bands. Students are
highly motivated by
Swearingen’s music
and you’ll have no
trouble getting them to
work hard on this
one! $4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Acclamation Orchestre d'harmonie [Conducteur] - Intermédiaire Claude T. Smith Publications
Grade 5 SKU: CL.CTS-7701-01 Composed by Claude T. Smith. Concert Band. Ex...(+)
Grade 5 SKU:
CL.CTS-7701-01
Composed by Claude T.
Smith. Concert Band.
Extra full score.
Composed 1969. Claude T.
Smith Publications
#CTS-7701-01. Published
by Claude T. Smith
Publications
(CL.CTS-7701-01).
Here is a work
that was ahead of its
time. If you are looking
for a work filled with
excitement and adventure,
then Acclamation is your
piece! Smith gets right
into it with an energetic
ostinato and a fragment
of his original theme.
The snare drumâ??s ruff
is highlighted as a
transition into a slow
section in 6/4, with one
of Smithâ??s most
luscious melodies.
English Horn is featured
with flute in the slow
section as well, but with
optional cues for alto
saxophone. Acclamation
makes its way back to
Allegro with the usual
percussion section
getting us to the
original material.
Several solos are
highlighted. Well
constructed and a piece
to be used for contest;
also one which will be
enjoyed by audiences
alike. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hiland Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS110F Composed by Harold Bennett. A...(+)
Band concert band - Grade
2 SKU: CF.YPS110F
Composed by Harold
Bennett. Arranged by
Larry Clark. SWS. Yps.
Full score. With Standard
notation. 12 pages.
Duration 2:10. Carl
Fischer Music #YPS110F.
Published by Carl Fischer
Music (CF.YPS110F).
ISBN 9780825887895.
UPC: 798408087890. 9x12
inches. The yearly
release of a Larry Clark
arrangement of a classic
Harold Bennett (aka Henry
Fillmore) young band
march has become a
tradition at Carl
Fischer. These
wonderfully tuneful
marches are great choices
for contest/festival and
for teaching the standard
American march form and
style to your students.
Larry has been a champion
for getting young bands
to play in this important
style and has
successfully brought us
another lost gem by Henry
Fillmore. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Street Parade Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
Band concert band - Grade 1.5 SKU: KJ.WB272 Composed by Charles Elledge. ...(+)
Band concert band - Grade
1.5 SKU: KJ.WB272
Composed by Charles
Elledge. Standard of
Excellence in Concert.
Score and set of parts.
Neil A. Kjos Music
Company #WB272. Published
by Neil A. Kjos Music
Company (KJ.WB272).
UPC:
8402700183. Blues
Street Parade is a lively
march with an extended
blues form and simply
syncopated rhythms set in
a march style. Students
will have fun with this
tune, even getting to
march their feet! A sure
crowd pleaser, this
selection is correlated
with Standard of
Excellence Book 2, page
5. About
Standard of Excellence in
Concert Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santa's Magical Midnight Ride Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-5055-00 Composed by Shaffer. Young Concert Band. Scor...(+)
Grade 2 SKU:
CL.024-5055-00
Composed by Shaffer.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #024-5055-00.
Published by C.L.
Barnhouse
(CL.024-5055-00).
The story tells
it all: Santa Claus is on
his way! His sleigh is
filled with gifts! The
weather is clear, perfect
for the reindeer to guide
him on his Christmas Eve
trek. Away we go! Santa
knows how to put on a
show. He’s getting
closer, above the roofs,
and as he descends,
you’ll hear the
reindeer hoofs. Toward
the chimney Santa goes,
hoping he fits…oh
no… it’s a
tight squeeze! As he
lands with a thump, but
Santa’s all right;
he never fails! After
all, he’s tough as
nails. Recovered from his
fall he leaves presents
for one and all. Then
back to the sleigh, so
much to do. Don’t
worry, he won’t
forget about you. The
stars will always be his
guide on Santa’s
Magical Midnight Ride!
Scored for maximum sound
effects within the
percussion section, this
will be the hit of any
holiday concert! $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buoyancy Orchestre d'harmonie [Conducteur et Parties séparées] Fennica Gehrman
Wind band SKU: FG.55011-537-8 Composed by Roope Maenpaa. Score and parts....(+)
Wind band SKU:
FG.55011-537-8
Composed by Roope
Maenpaa. Score and parts.
Fennica Gehrman
#55011-537-8. Published
by Fennica Gehrman
(FG.55011-537-8). ISBN
9790550115378. Buoy
ancy is a combination of
sound and aerodynamics.
Behind the title is an
idea of starting to fly,
getting up from the
ground and at the end
perhaps landing on one's
home turf. Buoyancy is
written in a manner that
it would the young
musicians both the joy of
making music, but also
the revelation of finding
new ways to produce
sounds. The work has been
composed during the
beautiful spring 2019 and
it is a mandatory work in
2020 edition of the
national wind band
championship competition,
category C (young
bands). $56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Flying Colors Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4004200 Third Movement of A Tri...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.4004200 Third
Movement of A Tribute to
Arthur Delamont.
Composed by Robert
Buckley. Closer.
MusicWorks Grade 4.
Festival. Score Only. 24
pages. Published by Hal
Leonard (HL.4004200).
UPC: 888680053321.
9x12
inches. Imagine a
band far off in the
distance marching towards
you – the music,
soft at first, becomes
louder and louder, the
red capes of the band
swaying in the wind,
getting closer and
closer. It was this image
that inspired Flying
Colors. Famed
bandmaster Arthur
Delamont always
programmed a march in his
concerts and the hallmark
of his band was their red
capes. This work starts
very softly with a
distant snare drum beat.
The trumpets enter
quietly with the melody,
and with each new melodic
entry the music grows and
intensifies to a roaring
finish. This is a fresh,
new take on a march and
is sure to please players
and audiences alike!
Duration: 3:10. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphonic Highlights from The King and I Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Stephen Bul...(+)
Composed by Oscar
Hammerstein and Richard
Rodgers. Arranged by
Stephen
Bulla. Hal Leonard
Concert
Band Series. Published by
Hal Leonard
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Happens In Band, Stays In Band! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By Andy Clark. Concert band. For concert band. Young Band. Command Series. Audio...(+)
By Andy Clark. Concert
band. For concert band.
Young Band. Command
Series. Audio recording
available separately
(item CL.WFR373). Grade
2.5. Score and set of
parts. Composed 2011.
Duration 3 minutes, 13
seconds. Published by
C.L. Barnhouse
(CL.011-4060-00
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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