Benjamin Godard : Valse Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Baton Music
By Benjamin Godard (1849-1895). Arranged by Egbert van Groningen. For flute and ...(+)
By Benjamin Godard
(1849-1895). Arranged by
Egbert van Groningen. For
flute and concert band.
Baton Music Instrumental
Series. From the Suite de
Trois Morceaux. Grade 4.
Full score and parts.
Duration 4:00. Published
by Baton Music
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-140 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-140
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Score Only. Composed
2004. De Haske
Publications #DHP
1043752-140. Published by
De Haske Publications
(BT.DHP-1043752-140).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043752-010 Composed by Modes...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043752-010
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-010. Published by
De Haske Publications
(BT.DHP-1043752-010).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Concert Band - Grade 5 SKU: BT.DHP-1043752-040 Composed by Modest Petrovi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1043752-040
Composed by Modest
Petrovich Mussorgsky.
Arranged by Tohru
Takahashi. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043752-040. Published by
De Haske Publications
(BT.DHP-1043752-040).
English-German-French-
Dutch.
Composer
Modest Moussorgsky
(1839-1881) came from the
prosperous environment of
Russian nobility. In
1865, after his
officer’s
education, he joined the
guard’s regiment
in St. Petersburg. Here
he met a number of
well-known
colleague-composers,
including Balakirev, Cui,
Rimsky- Korsakov and
Borodin. They strived to
develop a
“classical
style†of composing
while at the same time
retaining a strong
Russian influence. His
opera Boris Godunov tells
the tale of Boris, who
with the support of the
people, declared himself
Tsar, but totally fell
short of the role. The
opera became popular in
the re-orchestrated
version produced by
Rimsky-Korsakov in 1896.
Tohru Takahashi has
usedthe beautiful musical
themes of this opera in
Selections from Boris
Godunov - a captivating
work for concert band.
Moussorgskyâ€
s opera Boris
Godunov - gebaseerd
op het gelijknamige drama
van Aleksandr Pushkin
(waarin Boris Godunov
zichzelf met steun van
het volk uitroept tot
tsaar, maar in deze rol
compleet tekortschiet) -
werd populairin de
bewerking die
Rimsky-Korsakov in 1896
maakte. De
oorspronkelijke partituur
van Moussorgsky staat
echter vol originele
vondsten en
vooruitstrevende
harmonische, melodische
en instrumentale details.
Tohru Takahashi
gebruiktede prachtige
muzikale thematiek van
deze opera in
Selections from Boris
Godunov - een boeiend
werk voor
harmonieorkest.
Se
in Meisterwerk, die Oper
Boris Godunow,
schrieb Mussorgski auf
der Grundlage des
gleichnamigen Dramas von
Alexander Puschkin. In
diesem Stück
erklärt sich Boris
Godunow mit
Unterstützung des
Volkes selbst zum Zaren,
versagt aber kläglich
in dieser Rolle. Das Werk
ist voll von
einzigartigen Ideen und
damals sehr innovativen
harmonischen, melodischen
und instrumentalen
Details. Tohru Takahashi
verwendete in
Selections from Boris
Godunov die
wunderschönen
musikalischen Themen der
Oper - ein bezauberndes
Werk für
Blasorchester.
Compositore
essenzialmente
autodidatta, Modest
Mussorgski (1839-1881)
discende da una famiglia
agiata della nobilt
russa. Il suo capolavoro
lirico, Boris Godunov, si
basa sulla tragedia di
Alexander Puschkin, nella
quale Boris Godunov,
proclamatosi zar e
sostenuto dal popolo,
fallisce nel suo ruolo.
Nel 1896, l’opera
conosce il successo in
una versione ritoccata da
Rimski Korsakov. La
versione originale di
Mussorgski contiene idee
uniche, dettagli
armonici, melodici e
strumenti innovativi. Per
trascrivere questo brano
per banda, Tohru
Takahashi ha raccolto i
superlativi temi musicali
dell’opera.
Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0960683-010 Composed by Serge...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0960683-010
Composed by Sergei
Prokofiev. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960683-010. Published by
De Haske Publications
(BT.DHP-0960683-010).
The Russian
ballet director Sergei
Diaghilev commissioned
many composers to write
music for the theatre.
This was what caused
Serge Prokofiev to
compose the four part
Scytische Suite (also
known as Ala and Lolli)
in 1916, from which The
Enemy God and the Dance
of the Spirits can be
heard on this CD. This
suite is one of
Prokofiev's first works,
and received negative
criticism following its
first performance on
account of its being
uncivilised. Prokofiev
himself wrote after this
first performance . . .
The timpani player beat
the skin of the timpani
to tatters, and the whole
orchestra voiced a
protest. A cellist
complained that he only
put up with the violence,
createdby the blaring
brass, on account of his
sick wife and three
children . . ..
Valse Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Baton Music
By Benjamin Godard (1849-1895). Arranged by Egbert van Groningen. For flute and ...(+)
By Benjamin Godard
(1849-1895). Arranged by
Egbert van Groningen. For
flute and concert band.
Baton Music Instrumental
Series. From the Suite de
Trois Morceaux. Grade 4.
Score. Duration 4:00.
Published by Baton Music
Concert band - Grade 3 SKU: CL.012-4402-75 Composed by Taneyev. Arranged ...(+)
Concert band - Grade 3
SKU:
CL.012-4402-75
Composed by Taneyev.
Arranged by Glover.
Concert Band. Gems of the
Concert Band Series.
Audio recording available
separately (item
CL.WFR384). Oversized,
spiral-bound score.
Composed 2015. Duration 4
minutes, 32 seconds. Opus
III Wind Orchestra
Publications
#012-4402-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4402-75).
This solemn and
remarkable composition
from Sergius Taneiev,
transcribed by Andrew
Glover, is an exceptional
tour de force for concert
band. Stylistically
reflective of Russian
nationalism of the late
1800s, and exploring the
full sonorities of the
band, this work provides
both the opportunity for
delicate, lyrical
performance as well as a
robust climax. Intense at
times, while reflective
at others, Temple of the
Gods offers a unique
performance opportunity
for mature bands.
Exceptional!
About Gems of
the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
Concert band - Grade 3 SKU: CL.012-4402-01 Composed by Taneyev. Arranged ...(+)
Concert band - Grade 3
SKU:
CL.012-4402-01
Composed by Taneyev.
Arranged by Glover.
Concert Band. Gems of the
Concert Band Series.
Audio recording available
separately (item
CL.WFR384). Extra full
score. Composed 2015.
Duration 4 minutes, 32
seconds. Opus III Wind
Orchestra Publications
#012-4402-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4402-01).
This solemn and
remarkable composition
from Sergius Taneiev,
transcribed by Andrew
Glover, is an exceptional
tour de force for concert
band. Stylistically
reflective of Russian
nationalism of the late
1800s, and exploring the
full sonorities of the
band, this work provides
both the opportunity for
delicate, lyrical
performance as well as a
robust climax. Intense at
times, while reflective
at others, Temple of the
Gods offers a unique
performance opportunity
for mature bands.
Exceptional!
About Gems of
the Concert
Band
A
series of transcriptions
and other works in
varying styles,
representative of the
programming of the Great
American Classic Concert
Band era of a century
ago, as exemplified by
John Phillip Sousa, Edwin
Franko Goldman, Karl L.
King, and Leonard B.
Smith
Concert Band - Grade 5 SKU: BT.DHP-0960683-040 Composed by Sergei Prokofi...(+)
Concert Band - Grade 5
SKU:
BT.DHP-0960683-040
Composed by Sergei
Prokofiev. The Great
Classics. Concert Piece.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960683-040. Published by
De Haske Publications
(BT.DHP-0960683-040).
The Russian
ballet director Sergei
Diaghilev commissioned
many composers to write
music for the theatre.
This was what caused
Serge Prokofiev to
compose the four part
Scytische Suite (also
known as Ala and Lolli)
in 1916, from which The
Enemy God and the Dance
of the Spirits can be
heard on this CD. This
suite is one of
Prokofiev's first works,
and received negative
criticism following its
first performance on
account of its being
uncivilised. Prokofiev
himself wrote after this
first performance . . .
The timpani player beat
the skin of the timpani
to tatters, and the whole
orchestra voiced a
protest. A cellist
complained that he only
put up with the violence,
createdby the blaring
brass, on account of his
sick wife and three
children . . ..
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0960683-140 Composed by Serge...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0960683-140
Composed by Sergei
Prokofiev. The Great
Classics. Concert Piece.
Score Only. Composed
1996. De Haske
Publications #DHP
0960683-140. Published by
De Haske Publications
(BT.DHP-0960683-140).
Grade 4 - Score
Only. Arranged by
James Curnow. Curnow
Music Concert Band.
Christmas, Holiday. 24
pages. Published by
Curnow Music
(HL.44007692).
UPC:
884088310486. 9x12
inches.
What a
great energetic way to
open your Christmas
concert and bring focus
to the joyful sounds of
the season! Themes from
Spain, Czechoslovakia,
Poland, England and
France lead us on a
delightful Christmas
tour, and James Curnow's
outstanding orchestration
technique ensures that
all the musicians have
rewarding parts to play.
You'll enjoy the melodic
twists and turns as the
consistent unifying tempo
charges implacably toward
the exciting finale.
(Grade 4).
Grade 1 - Score
Only. Arranged by
James Curnow. Curnow
Music Concert Band.
Christmas. 24 pages.
Published by Curnow Music
(HL.44010621).
UPC:
884088498146. 9x12
inches.
James
Curnow's grade 1 holiday
arrangement is an
energetic exploration of
four great carols. Nice
counterpoint and
stylistic subtleties help
your band reach for a
higher level of
performance. Staccato,
full value, detached,
accented, slurred; it's
all here. There is SO
much you can teach your
band in this arrangement!
Plus, it can also be used
as an audience
sing-along.
Outstanding!
Love in the Garden Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084548-010 From Boris God...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084548-010
From Boris
Godunov. Composed by
Modest Petrovich
Mussorgsky. Arranged by
Wil van der Beek. Great
Classics. Classical. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1084548-010. Published by
De Haske Publications
(BT.DHP-1084548-010).
9x12 inches.
English-German-French-Dut
ch.
The most
important work by the
Russian composer Modest
Moussorgsky (1839-1881)
is undoubtedly his
masterly opera Boris
Godunov. A number of
years after the
composer’s death,
this opera was
re-orchestrated by
Rimsky-Korsakov, with his
romantic version being
quiet different from the
original score by
Moussorgsky. ‘Love
in the Garden’ is
a lovely quiet moment
from the opera, a
beautiful duet between
Marina and Dmitri. Add a
little romance to any
concert with this
attractive arrangement
for concert
band.
Het
belangrijkste werk van de
Russische componist
Modest Mussorgsky
(1839-1881) is
ongetwijfeld zijn
magistrale opera Boris
Godunov. Een aantal
jaren na de dood van de
componist werd deze opera
door Rimsky-Korsakov
bewerkten opnieuw
georkestreerd, zijn
romantische versie week
behoorlijk af van de
originele partituur van
Moussorgsky. Love in
the Garden vormt in
de opera een rustpunt,
het is een prachtig duet
tussen Marina en Dmitri
(ook wel Grigorigenaamd).
Wil van der Beek maakte
er een fraai arrangement
van voor
harmonieorkest.
Da
s bedeutendste Werk von
Modest Mussorgski ist
zweifellos seine Oper
Boris Godunov.
Einige Jahre nach
Mussorgskis Tod wurde die
Oper von seinem Kollegen
Rimski-Korsakow neu
orchestriert. Aus seiner
romantischen Version, die
ziemlich von der
Originalpartitur
abweicht, nahm sich Wil
van der Beek das
zärtliche Duett von
Marina und Dmitri/Grigori
in der Gartenszene vor
und bearbeitete es
geschickt für
Blasorchester.
Love in the Garden Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084548-140 From Boris God...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084548-140
From Boris
Godunov. Composed by
Modest Petrovich
Mussorgsky. Arranged by
Wil van der Beek. Great
Classics. Classical.
Score Only. Composed
2008. 12 pages. De Haske
Publications #DHP
1084548-140. Published by
De Haske Publications
(BT.DHP-1084548-140).
9x12 inches.
English-German-French-Dut
ch.
Het
belangrijkste werk van de
Russische componist
Modest Mussorgsky
(1839-1881) is
ongetwijfeld zijn
magistrale opera Boris
Godunov. Een aantal
jaren na de dood van de
componist werd deze opera
door Rimsky-Korsakov
bewerkten opnieuw
georkestreerd, zijn
romantische versie week
behoorlijk af van de
originele partituur van
Moussorgsky. Love in
the Garden vormt in
de opera een rustpunt,
het is een prachtig duet
tussen Marina en Dmitri
(ook wel Grigorigenaamd).
Wil van der Beek maakte
er een fraai arrangement
van voor
harmonieorkest.
Da
s bedeutendste Werk von
Modest Mussorgski ist
zweifellos seine Oper
Boris Godunov.
Einige Jahre nach
Mussorgskis Tod wurde die
Oper von seinem Kollegen
Rimski-Korsakow neu
orchestriert. Aus seiner
romantischen Version, die
ziemlich von der
Originalpartitur
abweicht, nahm sich Wil
van der Beek das
zärtliche Duett von
Marina und Dmitri/Grigori
in der Gartenszenevor und
bearbeitete es geschickt
für Blasorchester.
Characteristic
Intermezzo. Composed
by Albert Ketèlbey.
Great Classics.
Transcription. Set (Score
& Parts). Composed 2008.
Music Sales #1515-08-010
MS. Published by Music
Sales
(BT.1515-08-010-MS).
9x12 inches.
English-German-French-Dut
ch.
De Engelse
componist, dirigent en
pianist Albert W.
Ketèlbey (1875-1959)
werd vooral bekend met
zijn kleurrijke
instrumentaties die waren
gebaseerd op oosterse
muziek. In a Monastery
Garden,
waarschijnlijk het
bekendste werkvan
Ketèlbey, gecomponeerd
in 1915, is een kort
symfonisch gedicht. In
dit arrangement voor
harmonieorkest van Tohru
Takahashi komt de sfeer
van het oorspronkelijke
werk uitstekend tot zijn
recht.
Der
englische Komponist,
Dirigent und Pianist
Albert W. Ketèlbey
(1875-1959) machte sich
besonders durch seine
farbigen
Instrumentierungen, die
auf orientalischer Musik
basierten, einen Namen.
In a Monastery
Garden, Ketèlbeys
wohl bekanntestes Werk,
gehört zu einer Reihe
kurzer Tongedichte aus
dem Jahre 1915. Diese
Transkription von Tohru
Takahashi wird der
Atmosphäre des
Originals voll und ganz
gerecht.
Pre-Pop Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1.5 SKU: BT.DHP-1012634...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade
1.5
SKU:
BT.DHP-1012634-216
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music.
Score Only. Composed
2001. De Haske
Publications #DHP
1012634-216. Published by
De Haske Publications
(BT.DHP-1012634-216).
Pre-Pop is has
is a five-movement work
composed for beginner
bands and can be played
with a minimum of four
players (+ percussion).
It is of course also
suitable for a full
beginner band. The five
contrasting movements are
titled: March of the
Planets, Lonely Stranger,
Pagode, Lost in the World
and Hot Pepper Boogie.
Your players are certain
to enjoy playing this
work of great contrasts.
Pre-Pop
ist ein attraktives
fünfsätziges Werk,
das sich für
Anfängerorchester
unterschiedlicher
Besetzungen eignet. Auf
einen modern klingenden
‚Astronauten-Marsch
’ mit viel
Schlagzeug folgt eine
langsame Ballade, in der
die Einsamkeit der
unbekannten Welt
musikalisch spürbar
wird. Mit Pagode
schließt sich ein
ruhiger Satz mit
orientalischem Einschlag
an, bevor der langsame
Walzer Lost in the
Wind dem Publikum
erlaubt, seinen Gedanken
freien Lauf zu lassen.
Den Schluss dieser
leichten,
abwechslungsreichen,
abwechslungsreich
Komposition macht ein
schwung- und
temperamentvoller
Klassiker: der
Boogie-Woogie.
Pre-Pop Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1012634-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1012634-015
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012634-015. Published by
De Haske Publications
(BT.DHP-1012634-015).
Pre-Pop is has
is a five-movement work
composed for beginner
bands and can be played
with a minimum of four
players (+ percussion).
It is of course also
suitable for a full
beginner band. The five
contrasting movements are
titled: March of the
Planets, Lonely Stranger,
Pagode, Lost in the World
and Hot Pepper Boogie.
Your players are certain
to enjoy playing this
work of great contrasts.
Pre-Pop
ist ein attraktives
fünfsätziges Werk,
das sich für
Anfängerorchester
unterschiedlicher
Besetzungen eignet. Auf
einen modern klingenden
‚Astronauten-Marsch
’ mit viel
Schlagzeug folgt eine
langsame Ballade, in der
die Einsamkeit der
unbekannten Welt
musikalisch spürbar
wird. Mit Pagode
schließt sich ein
ruhiger Satz mit
orientalischem Einschlag
an, bevor der langsame
Walzer Lost in the
Wind dem Publikum
erlaubt, seinen Gedanken
freien Lauf zu lassen.
Den Schluss dieser
leichten,
abwechslungsreichen,
abwechslungsreich
Komposition macht ein
schwung- und
temperamentvoller
Klassiker: der
Boogie-Woogie.
Clarinet Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145403-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1145403-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145403-010. Published by
De Haske Publications
(BT.DHP-1145403-010).
English-German-French-
Dutch.
The
Clarinet Concerto
is the highpoint of
Satoshi Yagisawa’s
‘Concerto
Series’, which
also includes Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto and
Saxophone Concertino,
as well asConcertino
for Solo Percussion and
Wind Orchestra.
Yagisawa’s
characteristic theme in
the second movement
enjoys great popularity
and is therefore often
performed separately as
Intermezzo.
Het
Clarinet Concerto
vormt het hoogtepunt van
Satoshi Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto,
Saxophone
Concertino
enConcertino for Solo
Percussion and Wind
Orchestra deel van
uitmaken. Met name
Yagisawa’s
karakteristieke thema uit
het tweede deel is
populair. Daarom wordt
dat vaak als afzonderlijk
stuk uitgevoerd, onder de
titel
Das
Clarinet Concerto
bildet den Höhepunkt
der Concerto-Reihe“
von Satoshi Yagisawa, zu
welcher außerdem
folgende seiner Werke
zählen: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto,
SaxophoneConcertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.
Yagisawas
charakteristisches Thema
im zweiten Satz erfreut
sich besonderer
Beliebtheit und wird
daher als
Intermezzo oft
einzeln
aufgeführt.
Il Clarinet
Concerto fa parte
della Concert
Series“ di Satoshi
Yagisawa, che include le
seguenti opere: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino e anche
Concertino forSolo
Percussion and Wind
Orchestra. Il tema
caratteristico di
Yagisawa nel secondo
movimento gode di una
popolarit speciale e
viene quindi spesso
eseguito da solo come
intermezzo.
Concert Band/Harmonie/Fanfare Band/Brass Band SKU: BT.DHP-1053885-170 ...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band
SKU:
BT.DHP-1053885-170
Lift Up Your Heads, Ye
Gates. Arranged by
Robert van Beringen.
Musica Sacra. Festive and
Solemn Music. Score Only.
Composed 2005. 16 pages.
De Haske Publications
#DHP 1053885-170.
Published by De Haske
Publications
(BT.DHP-1053885-170).
9x12 inches.
English-German-French-Dut
ch.
The numerous,
mostly religious works of
the Bohemian composer
Andreas Hammerschmidt are
composed with great
craftmanship, and sound
full and catchy. They
were composed for 17th
century village churches,
in which they were sung
by the
congregation—and
they are still familiar
and popular today. Robert
van Beringen took the
advent hymn Lift Up
Your Heads, Ye Gates
and created this
beautiful arrangement.
De talrijke,
overwegend religieuze
composities van de
Boheemse componist
Andreas Hammerschmidt
zijn solide gecomponeerd,
klinken vol en liggen
goed in het gehoor. Deze
eenvoudige werken werden
in de zeventiende eeuw
vooral voor dekerkkoren
gecomponeerd. Zo zijn ze
tot op de dag van vandaag
bekend en populair
gebleven. Robert van
Beringen koos de titel
Machet die Tore
weit om het te bewerken
voor harmonie- en
fanfareorkest.
Die
zahlreichen, vorwiegend
geistlichen Kompositionen
des böhmischen
Komponisten Andreas
Hammerschmidt sind
handwerklich solide
komponiert, voll klingend
und eingängig. Sie
wurden im 17. Jahrhundert
vor allem für
Dorfkirchen komponiert,
wo sie von Laienchören
gesungen wurden und so
bis heute sich großer
Verbreitung und
Beliebtheit erfreuen.
Robert van Beringen nahm
sich des
vorweihnachtlichen Titels
Machet die Tore
weit an und schuf
daraus dieses
wunderschöne
Arrangement.
I
numerosi mottetti,
concerti sacri e pezzi
religiosi del compositore
organista barocco ceco
Andreas Hammerschmidt,
sono risolutamente
sonori, melodiosi e
coinvolgenti,
caratterizzati da una
struttura tradizionale
del XVI secolo fino a
elementi della nuova
musica italiana. Numerose
sue composizioni sono
cantate ancora oggi e
godono di grande
popolarit . Robert van
Beringen propone un
arrangiamento del salmo
24, Machet die Tore
weit.
Paris Montmartre Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053905-140 Arranged by Toshi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053905-140
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2005. 36 pages. De Haske
Publications #DHP
1053905-140. Published by
De Haske Publications
(BT.DHP-1053905-140).
9x12 inches.
English-German-French-Dut
ch.
This is a
beautiful medley of
famous French chansons
arranged for concert band
by Toshio Mashima. It
contains the following
titles: Sous le Ciel de
Paris, Moulin Rouge, La
Vie en Rose, Les Feuilles
Mortes (also known as
Autumn Leaves) and
C’est si Bon. Add
a bit of French
sophistication to any
concert with this great
new publication.
Een prachtige
medley van beroemde
Franse chansons in een
arrangement voor
harmonieorkest van de
hand van Toshio Mashima.
Bevat de volgende titels:
Sous le ciel de Paris,
Moulin Rouge, La vie en
rose, Les feuilles mortes
(ook wel bekendals Autumn
Leaves) en C’est
si bon.
Der
Japaner Toshio Mashima
ließ sich vom
unwiderstehlichen Genre
des französischen
Chansons bezaubern und zu
diesem entzückenden
Medley inspirieren.
Schwelgen Sie mit!
Collina
sacra e poggio politico
di Enrico IV, Montmartre
ha saputo preservare la
propria identit culturale
ed artistica accogliendo
i più grandi movimenti
dei pittori dei secoli
XIX e XX. Quando si evoca
Montmartre, si pensa ad
un luogo che vive 24 ore
al giorno, si pensa al
sogno, alla
spensieratezza e a
godersi la vita ogni
giorno. Toshio Mashima ha
raccolto cinque melodie
emblematiche di
Montmartre in un
arrangiamento.
Paris Montmartre Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053905-010 Arranged by Toshi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053905-010
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053905-010. Published by
De Haske Publications
(BT.DHP-1053905-010).
9x12 inches.
English-German-French-Dut
ch.
This is a
beautiful medley of
famous French chansons
arranged for concert band
by Toshio Mashima. It
contains the following
titles: Sous le Ciel de
Paris, Moulin Rouge, La
Vie en Rose, Les Feuilles
Mortes (also known as
Autumn Leaves) and
C’est si Bon. Add
a bit of French
sophistication to any
concert with this great
new publication.
Een prachtige
medley van beroemde
Franse chansons in een
arrangement voor
harmonieorkest van de
hand van Toshio Mashima.
Bevat de volgende titels:
Sous le ciel de Paris,
Moulin Rouge, La vie en
rose, Les feuilles
mortes (ookwel bekend
als Autumn Leaves)
en C’est si
bon.
Der
Japaner Toshio Mashima
ließ sich vom
unwiderstehlichen Genre
des französischen
Chansons bezaubern und zu
diesem entzückenden
Medley inspirieren.
Schwelgen Sie mit!
Collina
sacra e poggio politico
di Enrico IV, Montmartre
ha saputo preservare la
propria identit culturale
ed artistica accogliendo
i più grandi movimenti
dei pittori dei secoli
XIX e XX. Quando si evoca
Montmartre, si pensa ad
un luogo che vive 24 ore
al giorno, si pensa al
sogno, alla
spensieratezza e a
godersi la vita ogni
giorno. Toshio Mashima ha
raccolto cinque melodie
emblematiche di
Montmartre in un
arrangiamento.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074335-010 What God doe...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1074335-010
What God does, is well
done. Composed by
Severius Gastorius.
Arranged by Roland
Kernen. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2007. De Haske
Publications #DHP
1074335-010. Published by
De Haske Publications
(BT.DHP-1074335-010).
9x12 inches.
English-German-French-Dut
ch.
Roland Kernen
has succeeded in creating
a breathtaking
arrangementof the
well-known and popular
chorale Was Gott tut, das
ist wohlgetan.The song by
Severius Gastorius, a
cantor and composer in
the Germantown of Jena in
the 17th century, was
inspired by the
well-knowncomposers of
the time including
Pachelbel, Telemann and
JohannSebastian Bach. A
truly moving chorale
which will make a great
tranquilinterlude to any
concert.
De tekst
van het koraal Was
Gott tut, das ist
wohlgetan werd in
1674 geschreven door
Samuel Rodigast, die
werkte aan de
filosofische faculteit te
Jena en van wie geen
verdere dichtwerken
bekend zijn. Hij schreef
het gedichtvoor zijn
zieke vriend Severus
Gastorius, de
universiteitscantor, die
het vervolgens op muziek
zette. Het koraal werd al
snel opgenomen in
kerkelijke liedboeken en
het werd gebruikt door
zowel Bach als
Pachelbel.
Roland
Kernen schuf eine
gelungene Bearbeitung des
allseits bekannten und
beliebten Chorals Was
Gott tut, das ist
wohlgetan. Das Lied
von Severius Gastorius,
einem Kantor und
Komponisten in Jena im
17. Jahrhundert,
inspirierte bereits
große Komponisten wie
Pachelbel, Telemann und
Johann Sebastian Bach,
die die ergreifende
Melodie in ihren Werken
verarbeiteten.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1074335-140 What God doe...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1074335-140
What God does, is well
done. Composed by
Severius Gastorius.
Arranged by Roland
Kernen. Musica Sacra.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. De Haske
Publications #DHP
1074335-140. Published by
De Haske Publications
(BT.DHP-1074335-140).
9x12 inches.
English-German-French-Dut
ch.
Roland Kernen
has succeeded in creating
a breathtaking
arrangementof the
well-known and popular
chorale Was Gott tut, das
ist wohlgetan.The song by
Severius Gastorius, a
cantor and composer in
the Germantown of Jena in
the 17th century, was
inspired by the
well-knowncomposers of
the time including
Pachelbel, Telemann and
JohannSebastian Bach. A
truly moving chorale
which will make a great
tranquilinterlude to any
concert.
Roland
Kernen schuf eine
gelungene Bearbeitung des
allseits bekannten und
beliebten Chorals Was
Gott tut, das ist
wohlgetan. Das Lied
von Severius Gastorius,
einem Kantor und
Komponisten in Jena im
17. Jahrhundert,
inspirierte bereits
große Komponisten wie
Pachelbel, Telemann und
Johann Sebastian Bach,
die die ergreifende
Melodie in ihren Werken
verarbeiteten.
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS221F.
Published by Carl Fischer
Music (CF.CPS221F).
ISBN 9781491153154.
UPC:
680160910656.
The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted.
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+8+2+4+
10+24+4 pages. Duration
4:44. Carl Fischer Music
#CPS221. Published by
Carl Fischer Music
(CF.CPS221).
ISBN
9781491152478. UPC:
680160909971.
The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted.