| Suite from Water Music Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score) - Grade 2 SKU: HL.4004273 Composed by George Frideri...(+)
Concert Band (Score) -
Grade 2 SKU:
HL.4004273 Composed
by George Frideric
Handel. Arranged by
Johnnie Vinson.
MusicWorks Grade 2.
Classical. 24 pages.
Published by Hal Leonard
(HL.4004273). UPC:
888680067106. 9x12
inches. The music
of Handel is considered
the culmination of the
Baroque period of music
history, and his Water
Music (1717) has
endured in popularity for
nearly 300 years!
Performed from a barge
traveling on the River
Thames, King George I is
said to have liked the
music so much that he
ordered it repeated
several times. Originally
three suites each
consisting of multiple
movements, Johnnie Vinson
has skillfully adapted
this arrangement for
young players using
“Alla
Hornpipe” from the
Suite in D Major,
and the “Air”
and “Allegro”
from the Suite in F
Major. Duration:
4:20. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Movements from Water Music Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(I. Fanfare, II. Hornpipe, III. Finale). Composed by George Frideric Handel (168...(+)
(I. Fanfare, II.
Hornpipe, III. Finale).
Composed by George
Frideric Handel
(1685-1759). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Masterworks;
Part(s); Score;
SmartMusic. Belwin
Beginning Band. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 1. 132 pages.
Published by Belwin Music
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hornpipe from Water Music Suite (full set) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By George Frideric Handel (1685-1759). Arranged by Scott Stanton. For concert ba...(+)
By George Frideric Handel
(1685-1759). Arranged by
Scott Stanton. For
concert band.
Build-a-Band series.
Grade 3. Score and set of
parts. Published by C.L.
Barnhouse
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Water Music Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
(Overture and Hornpipe). By George Frideric Handel (1685-1759). Arranged by Robe...(+)
(Overture and Hornpipe).
By George Frideric Handel
(1685-1759). Arranged by
Robert Longfield. For
concert band. Concert
Band. Classics.
Transcription. Grade 3.5.
Score and set of parts.
Composed 1997. Duration 5
minutes, 16 seconds.
Published by C.L.
Barnhouse
$68.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Movements from Water Music Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.42141S I. Fanfare, II. Hornpipe, III. F...(+)
Concert Band - Grade 1
SKU: AP.42141S
I. Fanfare, II.
Hornpipe, III.
Finale. Composed by
George Frideric Handel.
Arranged by Douglas E.
Wagner. Concert Band;
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. Form:
Transcription. Baroque;
Masterwork Arrangement.
Score. 16 pages. Duration
2:15. Belwin Music
#00-42141S. Published by
Belwin Music (AP.42141S).
UPC: 038081479248.
English. Three
brief movements from
Handel's most famous and
most frequently performed
work have been set in
B-flat for your beginners
without the need for
accidentals. It is a joy
to be able to offer
first-hand sections of
this revered classic
(2:15) This title is
available in MakeMusic
Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| H2Overture Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-2700-01 Composed by J. Williams. Young Concert Band...(+)
Grade 2.5 SKU:
CL.011-2700-01
Composed by J. Williams.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR130). Extra full
score. Composed 1995.
Duration 2 minutes, 24
seconds. C.L. Barnhouse
#011-2700-01. Published
by C.L. Barnhouse
(CL.011-2700-01).
A clever
novelty number that is
made up of over 20 well
known tunes whose titles
include an association
with water. Includes
excerpts from: Water
Music Suite, Swan Lake,
Sailor’s Hornpipe,
Swanee River, Down by the
Riverside and many, many
more. All skillfully
arranged to create a
unique and appealing
piece that is sure to
entertain audiences
wherever it is
performed.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hornpipe from the Water Music Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4134-01 Composed by George Frideric Ha...(+)
Concert band - Grade 3
SKU:
CL.026-4134-01
Composed by George
Frideric Handel. Arranged
by Stanton. Concert Band.
Build-A-Band. Extra full
score. Composed 2012.
C.L. Barnhouse
#026-4134-01. Published
by C.L. Barnhouse
(CL.026-4134-01).
One of the most
memorable themes in all
of classical music
history is captured in
Scott Stanton's new
arrangement for the
Build-A-Band Series. Will
sound great with very
small group and unusual
instrumentations and
includes optional guitar,
piano and percussion
parts which can further
enhance the sound.
Wonderful music!
About
Build-A-Band
Series The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.) $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Water Music, Suite From Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
By The Canadian Brass. Composed by George Frideric Handel. Arranged by Calvin Cu...(+)
By The Canadian Brass.
Composed by George
Frideric Handel. Arranged
by Calvin Custer. Score
and full set of parts.
Canadian Brass Concert
Band. Published by Hal
Leonard.
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Upriver Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU:
PR.465000130 For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130). ISBN
9781598064070. UPC:
680160600144. 9x12
inches. Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Upriver Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band SKU:
PR.46500013L For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L). UPC:
680160600151. 11 x 14
inches. I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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