Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204).
ISBN
9781491152249. UPC:
680160909742. Key: D
minor.
Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Band Rocks! Orchestre d'harmonie - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.023-4367-01 Composed by Huckeby. Young Con...(+)
Concert band - Grade 1
SKU:
CL.023-4367-01
Composed by Huckeby.
Young Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR386). Extra full
score. Composed 2015.
Duration 1 minute, 44
seconds. C.L. Barnhouse
#023-4367-01. Published
by C.L. Barnhouse
(CL.023-4367-01).
The percussion
section - and your entire
band - will love the
driving and infectious
rhythms of Band Rocks! A
perfect selection for
that first spring concert
or recruiting
performances to show how
much fun band is! With
limited ranges and
difficulty but maximum
appeal, Band Rocks! will
be a sure hit with your
young musicians and
audiences alike.
Give Me Five Orchestre d'harmonie Excelcia Music Publishing
Concert Band - Grade 0.5 SKU: XC.PCB2002FS Composed by Peter Sciaino. Pre...(+)
Concert Band - Grade 0.5
SKU: XC.PCB2002FS
Composed by Peter
Sciaino. Prelude Band
Series. Lighter
Selections. Lighter
selections. Score.
Excelcia Music Publishing
#PCB2002FS. Published by
Excelcia Music Publishing
(XC.PCB2002FS).
UPC:
812598032970. 9 x 12
inches.
We all know
that band is a group
effort! Show your partner
how much you appreciate
their hard work with this
great work for the
beginning band. Using
only the first 6 notes of
the Bb scale, this piece
is perfect for
introducing the quarter
note rest in a musically
satisfying way.
Band Rocks! Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Composed by Ed Huckeby. For concert band. Young Band. Sound Foundations. Grade 1...(+)
Composed by Ed Huckeby.
For concert band. Young
Band. Sound Foundations.
Grade 1. Score and parts.
Duration 1 minute, 44
seconds. Published by
C.L. Barnhouse
Give Me Five Orchestre d'harmonie Excelcia Music Publishing
Concert Band Concert Band - Grade 0.5 SKU: XC.PCB2002 Composed by Peter S...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
XC.PCB2002
Composed
by Peter Sciaino. Prelude
Band Series. Lighter
Selections. Lighter
selections. Set of parts.
Excelcia Music Publishing
#PCB2002. Published by
Excelcia Music Publishing
(XC.PCB2002).
UPC:
812598032918. 9 x 12
inches.
We all know
that band is a group
effort! Show your partner
how much you appreciate
their hard work with this
great work for the
beginning band. Using
only the first 6 notes of
the Bb scale, this piece
is perfect for
introducing the quarter
note rest in a musically
satisfying way.
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Intuition Orchestre d'harmonie Excelcia Music Publishing
Concert Band Concert Band - Grade 0.5 SKU: XC.PCB1902FS March. Com...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
XC.PCB1902FS
March. Composed by
Larry Clark. Prelude Band
Series. Concert Marches.
Score. Excelcia Music
Publishing #PCB1902FS.
Published by Excelcia
Music Publishing
(XC.PCB1902FS).
UPC:
812598031164. 9 x 12
inches.
Intuition
is a march for the
youngest of students that
uses only the first six
notes of the Bb scale and
the most difficult rhythm
is two repeated
eighth-notes. Even with
limited technical
demands, you won’t
believe how much this
sounds like a more
involved march. It has
all of the hallmarks of
an American march in form
with three strains with
different melodic
material. The only
difference is there is no
modulation at the trio.
It is a perfect vehicle
to introduce this
important form to
beginning students, and
its exceptionally tuneful
as well!
Concert Band Concert Band - Grade 1 SKU: XC.DCB1903 Composed by Sean O'Lo...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB1903
Composed
by Sean O'Loughlin. Da
Capo Band Series. Concert
and Contest. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#DCB1903. Published by
Excelcia Music Publishing
(XC.DCB1903).
UPC:
812598031843. 9 x 12
inches.
Passacaglia
Variants is inspired by
J.S. Bach’s iconic
Passacaglia and Fugue in
C minor, BWV 582.
Composer Sean
O’Loughlin brings
a wealth of experience to
the table. Young
musicians will love the
fresh take on an older
style, and directors will
love how much there is to
teach in this piece.
Pre 1 SKU: CL.023-4942-00 Composed by Webb. Young Concert Band. Score and...(+)
Pre 1
SKU:
CL.023-4942-00
Composed by Webb. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #023-4942-00.
Published by C.L.
Barnhouse
(CL.023-4942-00).
Ascension of
the Emperor is a terrific
opener for your beginning
band’s very first
concert! Only the first
six notes learned in band
instruction are used, and
because there are no
rhythms faster than
quarter notes for the
winds (and eighth notes
for percussion,) this
piece bolsters confidence
right away, yet
challenges them to keep
learning. The crowd is
sure to sit up and take
notice of how much
they’ve grown in
just a few short
months!
Concert Band Concert Band - Grade 1 SKU: XC.DCB1903FS Composed by Sean O'...(+)
Concert Band Concert Band
- Grade 1
SKU:
XC.DCB1903FS
Composed
by Sean O'Loughlin. Da
Capo Band Series. Concert
and Contest. Classical,
Acoustic. Score. Excelcia
Music Publishing
#DCB1903FS. Published by
Excelcia Music Publishing
(XC.DCB1903FS).
UPC:
812598031225. 9 x 12
inches.
Passacaglia
Variants is inspired by
J.S. Bach’s iconic
Passacaglia and Fugue in
C minor, BWV 582.
Composer Sean
O’Loughlin brings
a wealth of experience to
the table. Young
musicians will love the
fresh take on an older
style, and directors will
love how much there is to
teach in this piece.
Intuition Orchestre d'harmonie Excelcia Music Publishing
Concert Band Concert Band - Grade 0.5 SKU: XC.PCB1902 March. Compo...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
XC.PCB1902
March. Composed by
Larry Clark. Prelude Band
Series. Concert Marches.
Set of parts. Excelcia
Music Publishing
#PCB1902. Published by
Excelcia Music Publishing
(XC.PCB1902).
UPC:
812598031782. 9 x 12
inches.
Intuition
is a march for the
youngest of students that
uses only the first six
notes of the Bb scale and
the most difficult rhythm
is two repeated
eighth-notes. Even with
limited technical
demands, you won’t
believe how much this
sounds like a more
involved march. It has
all of the hallmarks of
an American march in form
with three strains with
different melodic
material. The only
difference is there is no
modulation at the trio.
It is a perfect vehicle
to introduce this
important form to
beginning students, and
its exceptionally tuneful
as well!
Pre 1 SKU: CL.023-4942-01 Composed by Webb. Young Concert Band. Extra ful...(+)
Pre 1
SKU:
CL.023-4942-01
Composed by Webb. Young
Concert Band. Extra full
score. C.L. Barnhouse
#023-4942-01. Published
by C.L. Barnhouse
(CL.023-4942-01).
Ascension of
the Emperor is a terrific
opener for your beginning
band’s very first
concert! Only the first
six notes learned in band
instruction are used, and
because there are no
rhythms faster than
quarter notes for the
winds (and eighth notes
for percussion,) this
piece bolsters confidence
right away, yet
challenges them to keep
learning. The crowd is
sure to sit up and take
notice of how much
they’ve grown in
just a few short
months!
Eternal Friendship Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216344-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216344-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Hymns & Chorals. Set
(Score & Parts). Composed
2021. De Haske
Publications #DHP
1216344-010. Published by
De Haske Publications
(BT.DHP-1216344-010).
English-German-French-
Dutch.
This work is
a close-up of the
encounters and
relationships of trust
between people, following
the idea that friendship
lasts forever.â€
After the passing of
Satoshi Yagisawa’s
close friend and work
partner, Tsutomu Murata,
a designer of Neo Create
in August 2020, the
composer began work on
this piece. Murata
performed music for
audiences primarily as a
leader and conductor of
Kurume City Brass, a
group which is active in
Fukuoka Prefecture in
Japan. Eternal
Frienship depicts a
five-minute chorale which
explores “how music
can convey that a close
friend is indispensable
to you, more broadly,
everyone to
someone,†much like
how Murata conveyed the
appeal of music to his
audiences. Under the
direction of the composer
himself, the work had its
world premiere and was
recorded with the Kobe
College Wind Orchestra.
Dit werk werpt
een blik op fijne
ontmoetingen en
vertrouwelijke relaties
tussen mensen en gaat uit
van het idee dat
vriendschap voor altijd
is. Nadat
Yagisawa’s goede
vriend en collega Tsutomu
Murata, een van de
ontwerpers van Neo
Create, in augustus 2020
overleed, begon hij aan
deze compositie te
werken. Murata musiceerde
vooral als muzikaal
leider en dirigent van
Kurume City Brass, een
ensemble dat actief is in
de Japanse prefectuur
Fukuoka. Eternal
Frienship is een vijf
minuten durend koraal
waarin wordt verkend hoe
muziek kan verklanken dat
een goede vriendschap
onmisbaar voor je is en
hoe dit principe in
bredere zin voor alle
mensen geldt. Op een
vergelijkbare manier wist
Murata de betekenis van
muziek op zijn publiek
over te brengen. Het werk
is onder leiding van de
componist zelf in
première gebracht en
werd opgenomen door het
Kobe College Wind
Orchestra.
Dieses
Werk betrachtet
Begegnungen und
Vertrauensbeziehungen
zwischen Menschen, die
überzeugt davon sind,
dass Freundschaft ewig
hält“. Nach dem
Tod von Satoshi Yagisawas
engem Freund und Kollegen
Tsutomu Murata, einem
Designer von Neo Create,
im August 2020 begann der
Komponist mit der Arbeit
an diesem Stück.
Murata trat
hauptsächlich als
Leiter und Dirigent von
Kurume City Brass, einem
Blasorchester in der
Präfektur Fukuoka in
Japan, in Erscheinung.
Eternal Frienship
besteht aus einem
fünfminütigen
Choral, der beschreibt,
wie Musik verdeutlichen
kann, dass ein enger
Freund für jeden
unverzichtbar ist“
eben genauso, wie auch
Murata seinem Publikum
die Anziehungskraft der
Musik vermittelt hat. Das
Werk wurde unter der
Leitung des Komponisten
mit dem Kobe College Wind
Orchestra uraufgeführt
und aufgenommen.
Eternal Friendship Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216344-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216344-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2021. 15
pages. De Haske
Publications #DHP
1216344-140. Published by
De Haske Publications
(BT.DHP-1216344-140).
English-German-French-
Dutch.
This work is
a close-up of the
encounters and
relationships of trust
between people, following
the idea that friendship
lasts forever.â€
After the passing of
Satoshi Yagisawa’s
close friend and work
partner, Tsutomu Murata,
a designer of Neo Create
in August 2020, the
composer began work on
this piece. Murata
performed music for
audiences primarily as a
leader and conductor of
Kurume City Brass, a
group which is active in
Fukuoka Prefecture in
Japan. Eternal
Frienship depicts a
five-minute chorale which
explores “how music
can convey that a close
friend is indispensable
to you, more broadly,
everyone to
someone,†much like
how Murata conveyed the
appeal of music to his
audiences. Under the
direction of the composer
himself, the work had its
world premiere and was
recorded with the Kobe
College Wind Orchestra.
Dit werk werpt
een blik op fijne
ontmoetingen en
vertrouwelijke relaties
tussen mensen en gaat uit
van het idee dat
vriendschap voor altijd
is. Nadat
Yagisawa’s goede
vriend en collega Tsutomu
Murata, een van de
ontwerpers van Neo
Create, in augustus 2020
overleed, begon hij aan
deze compositie te
werken. Murata musiceerde
vooral als muzikaal
leider en dirigent van
Kurume City Brass, een
ensemble dat actief is in
de Japanse prefectuur
Fukuoka. Eternal
Frienship is een vijf
minuten durend koraal
waarin wordt verkend hoe
muziek kan verklanken dat
een goede vriendschap
onmisbaar voor je is en
hoe dit principe in
bredere zin voor alle
mensen geldt. Op een
vergelijkbare manier wist
Murata de betekenis van
muziek op zijn publiek
over te brengen. Het werk
is onder leiding van de
componist zelf in
première gebracht en
werd opgenomen door het
Kobe College Wind
Orchestra.
Dieses
Werk betrachtet
Begegnungen und
Vertrauensbeziehungen
zwischen Menschen, die
überzeugt davon sind,
dass Freundschaft ewig
hält“. Nach dem
Tod von Satoshi Yagisawas
engem Freund und Kollegen
Tsutomu Murata, einem
Designer von Neo Create,
im August 2020 begann der
Komponist mit der Arbeit
an diesem Stück.
Murata trat
hauptsächlich als
Leiter und Dirigent von
Kurume City Brass, einem
Blasorchester in der
Präfektur Fukuoka in
Japan, in Erscheinung.
Eternal Frienship
besteht aus einem
fünfminütigen
Choral, der beschreibt,
wie Musik verdeutlichen
kann, dass ein enger
Freund für jeden
unverzichtbar ist“
eben genauso, wie auch
Murata seinem Publikum
die Anziehungskraft der
Musik vermittelt hat. Das
Werk wurde unter der
Leitung des Komponisten
mit dem Kobe College Wind
Orchestra uraufgeführt
und aufgenommen.
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2
SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
Marching Blues Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053844-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053844-140
Composed by Hayato
Hirose. Applause Series.
March. Score Only.
Composed 2005. 40 pages.
De Haske Publications
#DHP 1053844-140.
Published by De Haske
Publications
(BT.DHP-1053844-140).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
Ma
rching Blues wurde in
einem Blues- und
Swing-Jazz- Stil
geschrieben, der gut zur
Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu
vielen Anlässen jungen
wie älteren Spielern
und Zuhörern
Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Marching Blues Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053844-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053844-010
Composed by Hayato
Hirose. Applause Series.
March. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053844-010. Published by
De Haske Publications
(BT.DHP-1053844-010).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
Ma
rching Blues wurde in
einem Blues- und
Swing-Jazz- Stil
geschrieben, der gut zur
Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu
vielen Anlässen jungen
wie älteren Spielern
und Zuhörern
Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Marching Blues Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1053844-040 Composed by Hayato Hirose....(+)
Concert Band - Grade 3
SKU:
BT.DHP-1053844-040
Composed by Hayato
Hirose. Applause Series.
March. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053844-040. Published by
De Haske Publications
(BT.DHP-1053844-040).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
March
ing Blues wurde in einem
Blues- und Swing-Jazz-
Stil geschrieben, der gut
zur Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu vielen
Anlässen jungen wie
älteren Spielern und
Zuhörern Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Flame and Glory Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1135413-140 Vatra I Slava<...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1135413-140
Vatra I Slava.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2013. 24
pages. De Haske
Publications #DHP
1135413-140. Published by
De Haske Publications
(BT.DHP-1135413-140).
9x12 inches.
English-German-French-Dut
ch.
This opening
piece was commissioned by
a youth orchestra, which
explains why it has such
a lot of dynamism, energy
and optimism. However, it
begins in a stately and
noble fashion, in the
lower range of the wind
orchestra. Soon the
rhythmical drive takes
over, imbuing this piece
with a vibrant and
energetic character. Some
lovely melodic lines and
themes are also
integrated within this
fast section. Wind music
in Croatia is developing
apace as more and more
ensembles are excited by
the next generation of
composers finding so much
success worldwide. For
this reason, the
Vatroslav Lisinski Music
School commissioned this
short but effective piece
from Jan Van der Roost.
The premièretook place
in Zagreb on April 24
2013, conducted by Mario
Komazin.
Dit
openingswerk is
geschreven in opdracht
van een jeugdorkest, wat
verklaart waarom het
zoveel dynamiek, energie
en optimisme ademt. Het
begint echter op
plechtige en statige
wijze - in het lage
blazersregister. Al snel
krijgt de muziek een
steeds ritmischer
karakter en wordt ze
levendiger en vitaler van
sfeer. In dit snelle
gedeelte zijn ook
verschillende mooie
melodielijnen en
thema’s verwerkt.
Het genre blaasmuziek is
in Kroatië sterk in
opkomst, en meer en meer
ensembles zijn
enthousiast over de
volgende generatie jonge
musici die wereldwijd
zoveel succes hebben.
Tegen die achtergrond
heeft de Vatroslav
Lisinski Music School de
Belgische componist Jan
Van der Roost verzochtdit
korte maar effectvolle
werk te schrijven. De
première vond op 24
april 2013 plaats in
Zagreb, onder leiding van
dirigent Mario Komazin.
Dieses
Eröffnungswerk wurde
im Auftrag eines
Jugendblasorchesters
geschrieben, was
erklärt, warum es so
viel Dynamik, Energie und
Optimismus ausstrahlt. Es
beginnt jedoch feierlich
und würdevoll - in den
tiefen Bläsern. Schon
bald wird der Charakter
der Musik immer
rhythmischer und
lebendiger und die
Stimmung wechselt ins
Lebhafte. In diesem
schnellen Teil sind auch
verschiedene schöne
Melodielinien und Themen
verarbeitet. Das Genre
Blasmusik ist in Kroatien
stark im Kommen und immer
mehr Ensembles zeigen
sich begeistert von der
jungen
Komponistengeneration,
die weltweit so
erfolgreich ist. Vor
diesem Hintergrund bat
die Vatroslav Lisinski
Musikschule den
belgischenKomponisten Jan
Van der Roost, dieses
kurze, aber wirkungsvolle
Werk zu schreiben. Die
Premiere fand am 24.
April 2013 in Zagreb
unter der Leitung von
Dirigent Mario Komazin
statt.
Music Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1135451-015 A...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1135451-015
As performed by John
Miles. Composed by
John Miles. Arranged by
Roland Kernen. De Haske
Easy Band Series. Pop &
Rock. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135451-015. Published by
De Haske Publications
(BT.DHP-1135451-015).
9x12 inches.
English-German-French-Dut
ch.
In his most
famous number,
Music, an ode to
music, John Miles managed
to pack in lots of
diff_x001E_erent musical
aspects and elements:
rhythmically from slow to
fast; dynamically from
quiet to loud; and in the
instrumentation between
strings and rock band, he
shows just what goes to
make a piece of music and
why it is that he loves
this art form so much.
This arrangement for a
10-part variable ensemble
allows even musicians who
don’t have huge
amounts of experience to
discover and show their
own passion for
music.
Met deze
wereldberoemde hit wilde
John Miles een ode aan de
muziek brengen door alle
aspecten van deze
kunstvorm aan bod te
laten komen. Van een
mooie, langzame ballade
tot een stevig ritmisch
rock-gedeelte, grote
dynamische contrasten en
een instrumentatie die
klein en compact is en
even later een bijna
symfonische dimensie
krijgt. Dit arrangement
voor tienstemmig
variabele bezetting is
ideaal om de passie voor
muziek bij uw beginnende
musici los te
weken!
In seinem
wohl bekanntesten Titel
Music, einer Ode
an die Musik, packte John
Miles viele verschiedene
musikalische Aspekte und
Elemente: Rhythmisch von
langsam bis schnell,
dynamisch von leise bis
laut und in der
Instrumentierung zwischen
Streichern und Rockband
wechselnd, zeigte er in
einem Titel, was Musik
alles sein kann und damit
auch, warum er diese
Kunst so liebt. Dieses
Arrangement für
eine zehnstimmig variable
Besetzung erlaubt auch
schon weniger erfahrenen
Musikern, ihre Liebe zur
Musik zu entdecken und zu
entfalten.
Con
Music, un vero
omaggio alla musica e
sicuramente il suo titolo
più famoso, John Miles
tratta diversi aspetti ed
elementi musicali con
cambi di ritmi e
dinamiche. Con variazioni
di tempo repentine e un
sapiente mix di
strumentazione per archi
e musica rock, John Miles
ha mostrato cosa la
musica può
rappresentare e perchè
la ama così tanto.
Questo arrangiamento per
strumentazione variabile
a dieci voci consente
anche ai musicisti poco
esperti di scoprire la
magia di fare musica.
Music Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1135451-215 A...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1135451-215
As performed by John
Miles. Composed by
John Miles. Arranged by
Roland Kernen. De Haske
Easy Band Series. Pop &
Rock. Score Only.
Composed 2013. 24 pages.
De Haske Publications
#DHP 1135451-215.
Published by De Haske
Publications
(BT.DHP-1135451-215).
9x12 inches.
English-German-French-Dut
ch.
In his most
famous number,
Music, an ode to
music, John Miles managed
to pack in lots of
diff_x001E_erent musical
aspects and elements:
rhythmically from slow to
fast; dynamically from
quiet to loud; and in the
instrumentation between
strings and rock band, he
shows just what goes to
make a piece of music and
why it is that he loves
this art form so much.
This arrangement for a
10-part variable ensemble
allows even musicians who
don’t have huge
amounts of experience to
discover and show their
own passion for
music.
Met deze
wereldberoemde hit wilde
John Miles een ode aan de
muziek brengen door alle
aspecten van deze
kunstvorm aan bod te
laten komen. Van een
mooie, langzame ballade
tot een stevig ritmisch
rock-gedeelte, grote
dynamische contrasten en
een instrumentatie die
klein en compact is en
even later een bijna
symfonische dimensie
krijgt. Dit arrangement
voor tienstemmig
variabele bezetting is
ideaal om de passie voor
muziek bij uw beginnende
musici los te
weken!
In seinem
wohl bekanntesten Titel
Music, einer Ode
an die Musik, packte John
Miles viele verschiedene
musikalische Aspekte und
Elemente: Rhythmisch von
langsam bis schnell,
dynamisch von leise bis
laut und in der
Instrumentierung zwischen
Streichern und Rockband
wechselnd, zeigte er in
einem Titel, was Musik
alles sein kann und damit
auch, warum er diese
Kunst so liebt. Dieses
Arrangement für
eine zehnstimmig variable
Besetzung erlaubt auch
schon weniger erfahrenen
Musikern, ihre Liebe zur
Musik zu entdecken und zu
entfalten.
Con
Music, un vero
omaggio alla musica e
sicuramente il suo titolo
più famoso, John Miles
tratta diversi aspetti ed
elementi musicali con
cambi di ritmi e
dinamiche. Con variazioni
di tempo repentine e un
sapiente mix di
strumentazione per archi
e musica rock, John Miles
ha mostrato cosa la
musica può
rappresentare e perchè
la ama così tanto.
Questo arrangiamento per
strumentazione variabile
a dieci voci consente
anche ai musicisti poco
esperti di scoprire la
magia di fare musica.
The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151).
ISBN
9781491152119. UPC:
680160909612.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Grade 2 SKU: CL.024-5055-00 Composed by Shaffer. Young Concert Band. Scor...(+)
Grade 2
SKU:
CL.024-5055-00
Composed by Shaffer.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #024-5055-00.
Published by C.L.
Barnhouse
(CL.024-5055-00).
The story tells
it all: Santa Claus is on
his way! His sleigh is
filled with gifts! The
weather is clear, perfect
for the reindeer to guide
him on his Christmas Eve
trek. Away we go! Santa
knows how to put on a
show. He’s getting
closer, above the roofs,
and as he descends,
you’ll hear the
reindeer hoofs. Toward
the chimney Santa goes,
hoping he fits…oh
no… it’s a
tight squeeze! As he
lands with a thump, but
Santa’s all right;
he never fails! After
all, he’s tough as
nails. Recovered from his
fall he leaves presents
for one and all. Then
back to the sleigh, so
much to do. Don’t
worry, he won’t
forget about you. The
stars will always be his
guide on Santa’s
Magical Midnight Ride!
Scored for maximum sound
effects within the
percussion section, this
will be the hit of any
holiday concert!
Grade 2 SKU: CL.024-5055-01 Composed by Shaffer. Young Concert Band. Extr...(+)
Grade 2
SKU:
CL.024-5055-01
Composed by Shaffer.
Young Concert Band. Extra
score. C.L. Barnhouse
#024-5055-01. Published
by C.L. Barnhouse
(CL.024-5055-01).
The story tells
it all: Santa Claus is on
his way! His sleigh is
filled with gifts! The
weather is clear, perfect
for the reindeer to guide
him on his Christmas Eve
trek. Away we go! Santa
knows how to put on a
show. He’s getting
closer, above the roofs,
and as he descends,
you’ll hear the
reindeer hoofs. Toward
the chimney Santa goes,
hoping he fits…oh
no… it’s a
tight squeeze! As he
lands with a thump, but
Santa’s all right;
he never fails! After
all, he’s tough as
nails. Recovered from his
fall he leaves presents
for one and all. Then
back to the sleigh, so
much to do. Don’t
worry, he won’t
forget about you. The
stars will always be his
guide on Santa’s
Magical Midnight Ride!
Scored for maximum sound
effects within the
percussion section, this
will be the hit of any
holiday concert!
Concert Band/Harmonie and Percussion Solo - Grade 2 SKU: BT.CMP-0618-02-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 2
SKU:
BT.CMP-0618-02-140
Percussion Section
Feature. Composed by
James Curnow. Soloworks
Series. Original Light
Music. Score Only.
Composed 2002. 20 pages.
Curnow Music #CMP
0618-02-140. Published by
Curnow Music
(BT.CMP-0618-02-140).
A vibrant and
attentive percussion
section is crucial to the
success of any concert
band. However, they play
a supporting role so much
of the time that it can
be difficult to keep your
best players excited
about their music. Oneof
the best ways to beat
that problem is to
program an occasional
feature piece. James
Curnow's BLOCKBUSTER
PERCUSSION is just the
arrangement you need when
it's time to let the
percussion section show
off a bit. Bold,
excitingthemes and a
well-crafted rhythmic
modal concept keep the
parts interesting for all
the players in the band -
and audiences love the
energy that only the
percussion section can
deliver! Give everyone a
treat by
programmingBLOCKBUSTER
PERCUSSION.
Concert Band/Harmonie and Percussion Solo - Grade 2 SKU: BT.CMP-0618-02-010(+)
Concert Band/Harmonie and
Percussion Solo - Grade 2
SKU:
BT.CMP-0618-02-010
Percussion Section
Feature. Composed by
James Curnow. Soloworks
Series. Original Light
Music. Set (Score &
Parts). Composed 2002.
Curnow Music #CMP
0618-02-010. Published by
Curnow Music
(BT.CMP-0618-02-010).
A vibrant and
attentive Percussion
section is crucial to the
success of any concert
band. However, the
Percussionists play a
supporting role so much
of the time that it can
be difficult to keep your
best players excited
about their music. One of
the best ways to beat
that problem is to
program an occasional
feature piece.James
Curnow’s
BLOCKBUSTER PERCUSSION is
just the arrangement you
need when it’s
time to let the
Percussion section
“show off†a
bit. Bold, exciting
themes and a well-crafted
rhythmic modal concept
keep the parts
interesting for all the
players in the band. AND,
audiences love the energy
that only the Percussion
section can deliver! Give
everyone a treatby
programming BLOCKBUSTER
PERCUSSION soon!