Everything I do Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0920357-015 (...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0920357-015
(I do it for you).
Arranged by Ron Sebregts.
De Haske Pop Collection.
Pop & Rock. Set (Score &
Parts). Composed 1992. De
Haske Publications #DHP
0920357-015. Published by
De Haske Publications
(BT.DHP-0920357-015).
The 1991 pop
hit by Bryan Adams makes
a spectacular band
feature with its rich
harmonies and expansive
melodies. Ideal for
Valentine's Day concerts,
graduation or a special
dedication any time of
the year!
Der
romantische Pophit von
Bryan Adams aus dem Jahr
1991 ist ein Klassiker,
der sich bestens für
Hochzeiten, den
Valentinstag oder andere
festliche Ereignisse
eignet.
By John Williams. Arranged by Paul Cook. Music by John Williams / arr. Paul Cook...(+)
By John Williams.
Arranged by Paul Cook.
Music by John Williams /
arr. Paul Cook. Concert
Band. Pop Beginning Band.
Level: grade I. Conductor
Score. Published by
Alfred Publishing.
Everything I do Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0920357-215 (...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0920357-215
(I do it for you).
Arranged by Ron Sebregts.
De Haske Pop Collection.
Pop and Rock. Score Only.
Composed 1992. De Haske
Publications #DHP
0920357-215. Published by
De Haske Publications
(BT.DHP-0920357-215).
Der romantische
Pophit von Bryan Adams
aus dem Jahr 1991 ist ein
Klassiker, der sich
bestens für
Hochzeiten, den
Valentinstag oder andere
festliche Ereignisse
eignet.
The Doors on Tour Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Featuring: Light My Fire / People Are Strange / Hello, I Love You. Compos...(+)
Featuring: Light My
Fire / People Are Strange
/ Hello, I Love You.
Composed by The Doors.
Arranged by Patrick
Roszell. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Rock. Score. 32
pages. Duration 4:45.
Alfred Music #00-43142S.
Published by Alfred Music
(AP.43142S).
The Doors on Tour Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Light My Fire / People Are Strange / Hello, I Love You). Compose...(+)
(Featuring: Light My Fire
/
People Are Strange /
Hello,
I Love You). Composed by
The
Doors. Arranged by
Patrick
Roszell. Concert Band.
Concert Band; Part(s);
Score. Pop Concert Band.
Form: Medley. Rock. Grade
3.
Published by Alfred Music
Condensed Score. By PDQ Bach. Arranged by Professor Peter Schickele. Concert ban...(+)
Condensed Score. By PDQ
Bach. Arranged by
Professor Peter
Schickele. Concert
band/stage band.
Condensed Score. S 1000.
Duration 13:00. Published
by Theodore Presser
Company.
Concert Band (Score) - Grade 4 SKU: HL.4003188 Composed by Richard L. Sau...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4003188
Composed
by Richard L. Saucedo.
MusicWorks Grade 4. 16
pages. Published by Hal
Leonard (HL.4003188).
UPC: 884088655686.
9.0x12.0x0.083
inches.
On a Sunday
afternoon in May of 2011
tornados devastated the
city of Joplin, Missouri.
In Perfect Silence, I
Often Gaze at the New
Stars is intended as a
musical tribute to those
who lost their lives that
day and to those heroes
who gave everything they
could to help others. The
music is a beautiful
blending of sounds and
moods, and carries with
it a full range of
emotions from reflective
quiet moments to the
massive outpouring from
the entire ensemble. An
evocative and moving work
for band that will
resonate with both
performers and listeners.
Dur: 3:50.
Concert Band - Grade 2.5 SKU: FJ.B1882 Composed by Brian Balmages. Concer...(+)
Concert Band - Grade 2.5
SKU: FJ.B1882
Composed by Brian
Balmages. Concert Band.
FJH Young Band. Score and
Part(s). The FJH Music
Company Inc #98-B1882.
Published by The FJH
Music Company Inc
(FJ.B1882).
English.
Who
will be better because of
what I do today? These
words inspire the opening
chorale and the joyous
celebration that follows.
A powerful reminder of
how each of us can affect
positive change in the
people and world around
us, the music eventually
erupts in a euphoria of
sound, almost akin to a
pop music concert. As
quickly as this comes,
the chorale returns once
more, leaving everyone
with a sense of
peace.
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band - Grade 2.5 SKU: FJ.B1882S Composed by Brian Balmages. Conce...(+)
Concert Band - Grade 2.5
SKU: FJ.B1882S
Composed by Brian
Balmages. Concert Band.
FJH Young Band. Score.
The FJH Music Company Inc
#98-B1882S. Published by
The FJH Music Company Inc
(FJ.B1882S).
English.
Who
will be better because of
what I do today? These
words inspire the opening
chorale and the joyous
celebration that follows.
A powerful reminder of
how each of us can affect
positive change in the
people and world around
us, the music eventually
erupts in a euphoria of
sound, almost akin to a
pop music concert. As
quickly as this comes,
the chorale returns once
more, leaving everyone
with a sense of
peace.
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Brass Band - Grade 2 SKU: HL.44001782 (I do it for you). Arranged ...(+)
Brass Band - Grade 2
SKU: HL.44001782
(I do it for you).
Arranged by Ron Sebregts.
De Haske Concert Band.
Pop & Rock. Score Only.
Composed 1992. De Haske
Publications #920357.
Published by De Haske
Publications
(HL.44001782).
UPC:
073999017823. 6.75x10.5
inches.
Der
romantische Pophit von
Bryan Adams aus dem Jahr
1991 ist ein Klassiker,
der sich bestens fur
Hochzeiten, den
Valentinstag oder andere
festliche Ereignisse
eignet.
Condensed Score Winds - advanced SKU: HL.49012043 Suite for Concert Ba...(+)
Condensed Score Winds -
advanced
SKU:
HL.49012043
Suite
for Concert Band -
Condensed Score.
Composed by Hans Werner
Henze. Arranged by
Norbert Studnitzky. This
edition: Saddle
stitching. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Condensed
Score. 36 pages. Duration
11'. Schott Music #SHS
1005-10. Published by
Schott Music
(HL.49012043).
ISBN
9790001100762. UPC:
073999252873.
8.25x11.75x0.108
inches.
Hans Werner
Henze, adhering to his
intentions as a composer
and teacher, had already
made provision for
participation by a
,banda' of amateur
musicians in the original
version of his
arrangement of Giovanni
Paisiello's Don Chisiotte
(1769) which was given
its first performance in
1976 at the first
Cantiere Internazionale
d'Arte in Montepulciano.
The movements contained
in the opera were
combined in a suite.
Norbert Studnitzky has
arranged the pieces for
wind band in the
orchestration which is
internationally
recognized. It is
sonorous, freshly
conceived old music for
bands at lower advanced
level.
Picc. * 2 *
1 * Engl. Hr. (ad lib.) *
Es-Klar. * 3 * Altklar.
(ad lib.) * Bassklar. * 2
Altsax. * Tenorsax. *
Baritonsax. (ad lib.) *
Fg. - 4 * 3 * 2 Flhr. *
Tenorflhr. * 3 * 2 *
Bombardon - P. S. (Trgl.
* hg. Beck. * Beckenpaar
* kl. Tr. * gr. Tr.) (3
Spieler).
(For Concert Band - Full Score and Parts). By Traditional. Arranged by Philip Go...(+)
(For Concert Band - Full
Score and Parts). By
Traditional. Arranged by
Philip Gordon. Concert
Band. For Piccolo, Flute,
Oboe, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone Score
and Parts
Composed
by Donald Erb. Score and
Set of Parts. With
Standard notation. 104
pages. Theodore Presser
Company #145-40013.
Published by Theodore
Presser Company
(PR.145400130).
Composed
by Donald Erb. Full
Score. With Standard
notation. 36 pages.
Theodore Presser Company
#145-40013F. Published by
Theodore Presser Company
(PR.14540013F).
By Tia Sillers, Mark D. Sanders. Arranged by Richard L. Saucedo. Discovery Conce...(+)
By Tia Sillers, Mark D.
Sanders. Arranged by
Richard L. Saucedo.
Discovery Concert Band
Plus. Grade 2. Score and
full set of parts.
Published by Hal Leonard.
By Stephen Foster. Arranged by Donald Hunsberger. By Stephen Foster / arr. Donal...(+)
By Stephen Foster.
Arranged by Donald
Hunsberger. By Stephen
Foster / arr. Donald
Hunsberger. For Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Level: Medium
Advanced (grade VI).
Conductor Score and
Parts. 168 pages.
Published by Alfred
Publishing.
The Doors in Concert Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Performed by The Doors. Arranged by Paul Murtha. (Score and Parts). Score and f...(+)
Performed by The Doors.
Arranged by Paul Murtha.
(Score and Parts). Score
and full set of parts.
Young Band (Concert
Band). Grade 3. Size 9x12
inches. Published by Hal
Leonard.
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone , Bass Clarinet, Bass...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone ,
Bass Clarinet, Bassoon I,
Bassoon II, Clarinet I,
Clarinet II, Clarinet
III, Contra Bassoon,
Contrabass Clarinet,
English Horn, Flute I,
Flute II, Oboe I, Oboe
II, Piccolo, Soprano
Saxophone, Tenor
Saxophone
SKU:
PR.14540024F
For
Band. Composed by
Ellen Taaffe Zwilich.
Classical. Full Score.
With Standard notation.
Composed 1988. Duration
18 minutes. Theodore
Presser Company
#145-40024F. Published by
Theodore Presser Company
(PR.14540024F).
UPC:
680160031887.
Ellen
Taaffe Zwilich’s
first work for band,
CEREMONIES was
commissioned by Florida
State University.
Exquisitely scored in the
wind symphony tradition,
CEREMONIES is an
18-minute work in three
movements: Maestoso,
Elegy, and Allegro
Vivo.
Video Games Live -- Part I Orchestre d\'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Marty O\'donnell, Michael Salvatori, Christopher Tin, And Yoko Shimamura. Arr...(+)
By Marty O\'donnell,
Michael Salvatori,
Christopher Tin, And Yoko
Shimamura. Arranged by
Ralph Ford. For Concert
Band. Concert Band. Pop
Concert Band. Video Game.
Level: 3 (Medium Easy)
(grade 3). Conductor
Score and Parts. 272
pages. Published by
Alfred Publishing.
By Marty O\'donnell, Michael Salvatori, Christopher Tin, And Yoko Shimamura. Arr...(+)
By Marty O\'donnell,
Michael Salvatori,
Christopher Tin, And Yoko
Shimamura. Arranged by
Ralph Ford. For Concert
Band. Concert Band. Pop
Concert Band. Video Game.
Level: 3 (Medium Easy)
(grade 3). Conductor
Score. 48 pages.
Published by Alfred
Publishing.
I'm Seventeen Come Sunday Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Belwin
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. Concert B...(+)
By Percy Aldridge
Grainger (1882-1961).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band. Belwin
Symphonic Band. 20th
Century. Grade 4.
Conductor Score and
Parts. 252 pages.
Duration 2:31. Published
by Belwin Publishing
The Quest (Symphony No. 3, 'Don Quixote,' Mvt. I) by Robert W. Smith. Concert ba...(+)
The Quest (Symphony No.
3, 'Don Quixote,' Mvt. I)
by Robert W. Smith.
Concert band. Opus III
Series. Audio recording
available separately
(item CL.WFR356). Medium
advanced. Score and set
of parts. Composed 2008.
Duration 7 minutes, 1
second. Published by C.L.
Barnhouse
All I Ask Of You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1033362-010 From The Pha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1033362-010
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Festive and
Solemn Music. Set (Score
and Parts). Composed
2003. De Haske
Publications #DHP
1033362-010. Published by
De Haske Publications
(BT.DHP-1033362-010).
Andrew Lloyd
Webber was born in
London, England in 1948
and has become probably
the most well respected
of all composers of
musicals, with many of
his works being household
names. All I Ask of You
is one of the main songs
from his award winning
musical Phantom of the
Opera.
Andrew
Lloyd Webber komponierte
die Musik zu einer Reihe
weltberühmter
Musicals. All I Ask Of
You ist ein Lied aus
dem Phantom der
Oper, dem Musical,
das auf die längste
Spielzeit von allen am
Broadway zurückblicken
kann. All I Ask of
You wurde aus gutem
Grund von zahlreichen
bekannten Stars gesungen
und mehrfach bearbeitet -
es spricht einfach jedes
Publikum unmittelbar an.
Peter Kleine Schaars
schrieb diese
gefühlvolle
Bearbeitung für
Blasorchester.
Bryan Adams Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1221-05-140-MS The Best of Me<...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1221-05-140-MS
The Best of Me.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Score
Only. Composed 2005. 40
pages. Music Sales
#1221-05-140 MS.
Published by Music Sales
(BT.1221-05-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Bryan Adams is
one of the most
successful rock singers
of modern times with his
raspy voice and his
ability to sing rock
songs as skilfully as
expressive ballads
contributed to his fame.
Wolfgang Wössner, a
great fan of Bryan Adams,
has made a selection of
the most appealing and
successful songs by the
Canadian singer and
arranged them to form a
medley for concert band.
The medley includes the
following titles:
Everything I Do, I Do it
for You from the movie
Robin Hood, The Best of
Me, Please Forgive Me and
Summer of ’69.
This mixture of ballads
and rock songs will
ensure everyone will
leave your concert
humming one of their
favourite Bryan Adams
hits.
De Canadese
rockzanger Bryan Adams is
vooral bekend om zijn
rauwe stemgeluid en zijn
talent om zowel stevige
rock als gevoelige
ballads te brengen.
Wolfgang Wössner, een
grote fan van Bryan
Adams, maakte een keuze
uit de beste songsen
verwerkte ze in een
grootse medley voor
harmonieorkest, met de
nadruk op de mix van
ballads en rocksongs. Met
Everything I Do, I Do
it for You, The Best of
Me, Please Forgive Me
en Summer of
’69.
Br
yan Adams zählt zu den
erfolgreichsten
Rocksängern unserer
Zeit. Vor allem seine
raue Stimme und sein
Talent sowohl harte
Rocksongs als auch
gefühlvolle Balladen
gleichermaßen gekonnt
zu interpretieren,
machten ihn so berühmt
und beliebt. Wolfgang
Wössner, ein großer
Fan von Bryan Adams, hat
die schönsten und
erfolgreichsten Songs des
Kanadiers ausgesucht und
in einem großen Medley
für Blasorchester
arrangiert. Eine
gelungene Mischung aus
Balladen und
Rocksongs!
Nato
nel 1959 in Canada, Bryan
Adams è uno dei
cantanti rock più
famosi dei nostri tempi.
La sua voce rauca,
accompagnata al talento
di interpretare heavy
rock accanto ad
espressive ballate, ha
contribuito alla sua
fama. Wolfgang
Wössner, grande fan di
Bryan Adams, ha
selezionato alcune delle
più belle canzoni
dell’artista
canadese arrangiandole
per banda. Questo medley
include i titoli
seguenti: Everything I
do, I Do it for You dal
film Robin Hood, The Best
of Me, Please Forgive Me
e Summer of
’69.
Bryan Adams Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1221-05-010-MS The Best of Me<...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1221-05-010-MS
The Best of Me.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2005. Music Sales
#1221-05-010 MS.
Published by Music Sales
(BT.1221-05-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Bryan Adams is
one of the most
successful rock singers
of modern times with his
raspy voice and his
ability to sing rock
songs as skilfully as
expressive ballads
contributed to his fame.
Wolfgang Wössner, a
great fan of Bryan Adams,
has made a selection of
the most appealing and
successful songs by the
Canadian singer and
arranged them to form a
medley for concert band.
The medley includes the
following titles:
Everything I Do, I Do it
for You from the movie
Robin Hood, The Best of
Me, Please Forgive Me and
Summer of ’69.
This mixture of ballads
and rock songs will
ensure everyone will
leave your concert
humming one of their
favourite Bryan Adams
hits.
De Canadese
rockzanger Bryan Adams is
vooral bekend om zijn
rauwe stemgeluid en zijn
talent om zowel stevige
rock als gevoelige
ballads te brengen.
Wolfgang Wössner, een
grote fan van Bryan
Adams, maakte een keuze
uit de beste songsen
verwerkte ze in een
grootse medley voor
harmonieorkest, met de
nadruk op de mix van
ballads en rocksongs. Met
Everything I Do, I Do
it for You, The Best of
Me, Please Forgive Me
en Summer of
’69.
Br
yan Adams zählt zu den
erfolgreichsten
Rocksängern unserer
Zeit. Vor allem seine
raue Stimme und sein
Talent sowohl harte
Rocksongs als auch
gefühlvolle Balladen
gleichermaßen gekonnt
zu interpretieren,
machten ihn so berühmt
und beliebt. Wolfgang
Wössner, ein großer
Fan von Bryan Adams, hat
die schönsten und
erfolgreichsten Songs des
Kanadiers ausgesucht und
in einem großen Medley
für Blasorchester
arrangiert. Eine
gelungene Mischung aus
Balladen und
Rocksongs!
Nato
nel 1959 in Canada, Bryan
Adams è uno dei
cantanti rock più
famosi dei nostri tempi.
La sua voce rauca,
accompagnata al talento
di interpretare heavy
rock accanto ad
espressive ballate, ha
contribuito alla sua
fama. Wolfgang
Wössner, grande fan di
Bryan Adams, ha
selezionato alcune delle
più belle canzoni
dell’artista
canadese arrangiandole
per banda. Questo medley
include i titoli
seguenti: Everything I
do, I Do it for You dal
film Robin Hood, The Best
of Me, Please Forgive Me
e Summer of
’69.
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
