Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Ralph Hultgren : Masada Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Brolga Music Publishing Company
By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Sco...(+)
By Ralph Hultgren.
Concert Band. Brolga
Music Symphonic
Repertoire. Grade 5.
Score and set of parts.
Duration 11:10. Published
by Brolga Music
Publishing Company
Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major.
Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434.
Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Slavonic Rock March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000612-010 Arranged by Davi...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000612-010
Arranged by David Well.
Set (Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000612-010. Published by
Gobelin Music
Publications
(BT.GOB-000612-010).
According to
his teachers, Pyotr
Ilyich Tchaikovsky
(1840-1893), was not
particularly gifted. His
special talents were
acknowledged only in 1865
when he had been working
for the Ministry of
Finances for some
years. In 1866 he was
appointed teacher at the
Conservatory and applied
himself to composing. His
oeuvre is fairly
extensive and many of his
compositions receive a
high ranking on the
international list of
classical music,
including his six
symphonies, solo
concertos (violin
concerto and piano
concertos), ballets (The
Nut Cracker, Swan Lake),
and his overtures (1812
and Romeo and
Juliette). In 1893
Tchaikovsky died of
Cholera after drinking a
glass of infectedwater.
His Slavonic
March is a popular
concert piece for
symphonic orchestra that
is still frequently
performed in concert
halls. David Well
arranged the theme and
created a contemporary
march in rock
style.
Tchaikovsky once said to
an unsatisfied teacher:
‘I will be a great
composer within 10 years
time.’
Volgens
zijn leraren was Pjotr
Iljitsj Tsjaikovski
(1840-1893) niet
bijzonder begaafd. Zijn
speciale talenten werden
alleen erkend in 1865,
toen hij enkele jaren had
gewerkt voor het
ministerie van
Financiën. In 1866
werd hijbenoemd tot
docent aan het
Conservatorium en legde
zich toe op het
componeren. Zijn oeuvre
is vrij uitgebreid en
veel van zijn composities
krijgen een hoge ranking
op de internationale
lijst van klassieke
muziek, met inbegrip
vanzijn zes symfonieën,
soloconcerten (viool en
piano), balletten (De
Notenkraker, Het
Zwanenmeer), en zijn
ouvertures (1812 en Romeo
en Juliette). In 1893
is Tsjaikovski gestorven
aan cholera na het
drinken van een glas van
besmetwater.
Zijn
Slavische Mars is een
populair concertwerk voor
symfonie orkest.
David Well maakte een
mooi arrangement van het
thema en creëerde een
mars in een hedendaagse
rock stijl.
Tchaikovsky zei ooittegen
een ontevreden leraar:
'Ik zal een groot
componist zijn binnen 10
jaar tijd'.
Slavonic Rock March Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000612-140 Arranged by Davi...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000612-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000612-140. Published by
Gobelin Music
Publications
(BT.GOB-000612-140).
According to
his teachers, Pyotr
Ilyich Tchaikovsky
(1840-1893), was not
particularly gifted. His
special talents were
acknowledged only in 1865
when he had been working
for the Ministry of
Finances for some
years. In 1866 he was
appointed teacher at the
Conservatory and applied
himself to composing. His
oeuvre is fairly
extensive and many of his
compositions receive a
high ranking on the
international list of
classical music,
including his six
symphonies, solo
concertos (violin
concerto and piano
concertos), ballets (The
Nut Cracker, Swan Lake),
and his overtures (1812
and Romeo and
Juliette). In 1893
Tchaikovsky died of
Cholera after drinking a
glass of infectedwater.
His Slavonic
March is a popular
concert piece for
symphonic orchestra that
is still frequently
performed in concert
halls. David Well
arranged the theme and
created a contemporary
march in rock
style.
Tchaikovsky once said to
an unsatisfied teacher:
‘I will be a great
composer within 10 years
time.’
Volgens
zijn leraren was Pjotr
Iljitsj Tsjaikovski
(1840-1893) niet
bijzonder begaafd. Zijn
speciale talenten werden
alleen erkend in 1865,
toen hij enkele jaren had
gewerkt voor het
ministerie van
Financiën. In 1866
werd hijbenoemd tot
docent aan het
Conservatorium en legde
zich toe op het
componeren. Zijn oeuvre
is vrij uitgebreid en
veel van zijn composities
krijgen een hoge ranking
op de internationale
lijst van klassieke
muziek, met inbegrip
vanzijn zes symfonieën,
soloconcerten (viool en
piano), balletten (De
Notenkraker, Het
Zwanenmeer), en zijn
ouvertures (1812 en Romeo
en Juliette). In 1893
is Tsjaikovski gestorven
aan cholera na het
drinken van een glas van
besmetwater.
Zijn
Slavische Mars is een
populair concertwerk voor
symfonie orkest.
David Well maakte een
mooi arrangement van het
thema en creëerde een
mars in een hedendaagse
rock stijl.
Tchaikovsky zei ooittegen
een ontevreden leraar:
'Ik zal een groot
componist zijn binnen 10
jaar tijd'.
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44007255 Roman Carniva...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44007255
Roman
Carnival Overture.
Composed by Hector
Berlioz. De Haske Concert
Band. Transcription.
Score Only. Composed
2007. De Haske
Publications #DHP1074278.
Published by De Haske
Publications
(HL.44007255).
Berlioz based
his sparkling overture Le
Carnaval Romain on
themesfrom his opera
Benvenuto Cellini. The
opera had been performed
a fewtimes in Paris, a
number of years before,
with little success. The
overturehowever, quickly
became very popular and
is still today a great a
crowdpleaser. The
energetic vitality of the
work - with an Italian
touch- is certainly
present in this skilfully
written transcription by
TohruTakahashi.
Hector Berlioz
(1803-1869) baseerde zijn
sprankelende ouverture
Le Carnaval Romain
- die verscheen in 1844 -
op thema's uit zijn opera
Benvenuto Cellini,
namelijk de tenoraria uit
de eerste akte en de
carnavalscene uitde
tweede akte. De opera was
een aantal jaren daarvoor
een paar keer opgevoerd
in Parijs, met weinig
succes. De ouverture werd
echter al snel bijzonder
geliefd. Een snelle
opening leidt een
langzaam deel in, waarna
een spannendallegro
volgt. De energieke
vitaliteit - met een
Italiaans tintje - spat
van het werk af, ook in
deze vakkundig geschreven
transcriptie van Tohru
Takahashi.
Die
strahlende Ouverture
Le Carnaval von
Hector Berlioz greift auf
Themen aus der einige
Jahre zuvor
uraufgefuhrten Oper
Benevenuto Cellini
zuruck. Damals war die
Ouverture erfolgreicher
als die Oper selbst und
hat - zu Recht - bis
heute nicht an
Popularitat verloren. Die
energiegeladene
Lebendigkeit dieses
Werkes mit italienischem
Flair ist in der
geschickt geschriebenen
Transkription von Tohru
Takahashi absolut
prasent.
Le
compositeur, chef
d'orchestre et critique
musical Hector Berlioz
(1803-1869) fut un des
plus grands innovateurs
et plus eminents
representants du
romantisme musical
francais.La semillante
ouverture du Carnaval
romain (1844),
reprend quelques themes
de l'opera malchanceux
Benvenuto Cellini
et notamment le duo
initial (Acte I) et la
grande scene du Carnaval
(Acte II). Lorsque
Benvenuto Cellini
fut offert au public
parisien en 1838,
l'œuvre fut
conspuee. Au bout de
quelques representations,
l'opera fut abandonne,
mais son ouverture connut
un immense succes.La
frenesie du bref passage
introductif est absorbee
par une phase lente.
L'Allegro qui
suitdechaine la liesse du
Carnaval.
L'extraordinaire vitalite
de l'œuvre
originale, coloree d'une
touche italienne, se
revele aussi dans cette
brillante transcription
pour Orchestre d'Harmonie
signee Tohru
Takahashi.
Concert Band/Harmonie - Grade 5 SKU: HL.44007254 Roman Carnival Overtu...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44007254
Roman
Carnival Overture.
Composed by Hector
Berlioz. De Haske Concert
Band. Transcription.
Score Only. Composed
2007. Hal Leonard
#1074278. Published by
Hal Leonard
(HL.44007254).
Ber
lioz based his sparkling
overture Le Carnaval
Romain on themesfrom his
opera Benvenuto Cellini.
The opera had been
performed a fewtimes in
Paris, a number of years
before, with little
success. The
overturehowever, quickly
became very popular and
is still today a great a
crowdpleaser. The
energetic vitality of the
work - with an Italian
touch- is certainly
present in this skilfully
written transcription by
TohruTakahashi.
Hector Berlioz
(1803-1869) baseerde zijn
sprankelende ouverture
Le Carnaval Romain
- die verscheen in 1844 -
op thema's uit zijn opera
Benvenuto Cellini,
namelijk de tenoraria uit
de eerste akte en de
carnavalscene uitde
tweede akte. De opera was
een aantal jaren daarvoor
een paar keer opgevoerd
in Parijs, met weinig
succes. De ouverture werd
echter al snel bijzonder
geliefd. Een snelle
opening leidt een
langzaam deel in, waarna
een spannendallegro
volgt. De energieke
vitaliteit - met een
Italiaans tintje - spat
van het werk af, ook in
deze vakkundig geschreven
transcriptie van Tohru
Takahashi.
Die
strahlende Ouverture
Le Carnaval von
Hector Berlioz greift auf
Themen aus der einige
Jahre zuvor
uraufgefuhrten Oper
Benevenuto Cellini
zuruck. Damals war die
Ouverture erfolgreicher
als die Oper selbst und
hat - zu Recht - bis
heute nicht an
Popularitat verloren. Die
energiegeladene
Lebendigkeit dieses
Werkes mit italienischem
Flair ist in der
geschickt geschriebenen
Transkription von Tohru
Takahashi absolut
prasent.
Le
compositeur, chef
d'orchestre et critique
musical Hector Berlioz
(1803-1869) fut un des
plus grands innovateurs
et plus eminents
representants du
romantisme musical
francais.La semillante
ouverture du Carnaval
romain (1844),
reprend quelques themes
de l'opera malchanceux
Benvenuto Cellini
et notamment le duo
initial (Acte I) et la
grande scene du Carnaval
(Acte II). Lorsque
Benvenuto Cellini
fut offert au public
parisien en 1838,
l'œuvre fut
conspuee. Au bout de
quelques representations,
l'opera fut abandonne,
mais son ouverture connut
un immense succes.La
frenesie du bref passage
introductif est absorbee
par une phase lente.
L'Allegro qui
suitdechaine la liesse du
Carnaval.
L'extraordinaire vitalite
de l'œuvre
originale, coloree d'une
touche italienne, se
revele aussi dans cette
brillante transcription
pour Orchestre d'Harmonie
signee Tohru
Takahashi.
The Saga of Haakon the Good Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band - Grade 4 SKU: HL.44010429 Grade 4 - Score and Parts....(+)
Concert Band - Grade 4
SKU: HL.44010429
Grade 4 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2008.
Anglo Music Press
#AMP236-010. Published by
Anglo Music Press
(HL.44010429).
The piece
traces key events in the
life of Haakon the Good,
later to become King
Haakon I (ca. 921-960),
who had been fostered by
King Athelstan of England
as part of a peace
agreement made by his
father (The Future King).
The English king brought
him up in the Christian
religion and, on the news
of his father's death,
provided him with ships
and men for an expedition
against his half-brother
Eirik Bloodaxe, who had
been proclaimed king of
Norway. On his arrival he
travelled north (The
Journey to Trondheim),
where he began to gain
the support of the
landowners by promising
to give up the rights of
taxation his father had
previously claimed.
Elrik's sons allied
themselves with the
Danes, but were
invariably defeated by
Haakon, who was
successful in everything
he undertook except in
his attempt to introduce
Christianity to the
country (The Missionary
King), which aroused an
opposition he did not
feel strong enough to
face. One of his most
famous victories was The
Battle of Rastarkalv
(near Frei) in 955. By
placing ten standards far
apart along a low ridge
(to give the impression
his army was bigger than
it actually was), he
managed to fool Eirik's
sons that they were
outnumbered (the ten
standards are represented
by ten loud chords that
begin in m. 420). The
Danes fled and were
slaughtered by Haakon's
army.
Grade 4 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2008. 64
pages. Anglo Music Press
#AMP236-140. Published by
Anglo Music Press
(HL.44010430).
The piece
traces key events in the
life of Haakon the Good,
later to become King
Haakon I (ca. 921-960),
who had been fostered by
King Athelstan of England
as part of a peace
agreement made by his
father (“The Future
King”). The English
king brought him up in
the Christian religion
and, on the news of his
father's death, provided
him with ships and men
for an expedition against
his half-brother Eirik
Bloodaxe, who had been
proclaimed king of
Norway. On his arrival he
travelled north
(“The Journey to
Trondheim”), where
he began to gain the
support of the landowners
by promising to give up
the rights of taxation
his father had previously
claimed. Elrik's sons
allied themselves with
the Danes, but were
invariably defeated by
Haakon, who was
successful in everything
he undertook except in
his attempt to introduce
Christianity to the
country (“The
Missionary King”),
which aroused an
opposition he did not
feel strong enough to
face. One of his most
famous victories was
“The Battle of
Rastarkalv” (near
Frei) in 955. By placing
ten standards far apart
along a low ridge (to
give the impression his
army was bigger than it
actually was), he managed
to fool Eirik's sons that
they were outnumbered
(the ten standards are
represented by ten loud
chords that begin in m.
420). The Danes fled and
were slaughtered by
Haakon's army.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.