| Tartan Tapestries Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225 Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225). ISBN
9781491152515. UPC:
680160910014. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 2 Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tartan Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals, Double
Bass, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS225F Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F). ISBN
9781491153192. UPC:
680160910694. Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465. A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Live On Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU: CF.YPS212
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor. Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204). ISBN
9781491152249. UPC:
680160909742. Key: D
minor. Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Live On Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS212F
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496. Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| With Wind and Water Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 4 SKU:
CF.SPS80 Composed by
Brant Karrick. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
8+8+4+4+8+16+16+4+4+4+4+4
+4+4+6+12+12+4+4+6+6+6+6+
8+6+2+4+14+36+4 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #SPS80. Published
by Carl Fischer Music
(CF.SPS80). ISBN
9781491152577. UPC:
680160910076. Key: Bb
major. With Wind
and Water is a musical
portrayal of an adventure
on the high seas during
the sailing age. It was
during the 16th to the
mid-19th century where
large sailing vessels
dominated global
exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F). ISBN
9781491152928. UPC:
680160910427. Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| With Wind and Water Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 4 SKU:
CF.SPS80F Composed by
Brant Karrick. Symphonic
Band (SPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #SPS80F. Published
by Carl Fischer Music
(CF.SPS80F). ISBN
9781491153253. UPC:
680160910755. With
Wind and Water is a
musical portrayal of an
adventure on the high
seas during the sailing
age. It was during the
16th to the mid-19th
century where large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Green Flash Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Orchestra Concert Band SKU: PR.416414460 For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.416414460
For Orchestra.
Composed by Roger Zare.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2006.
36 pages. Duration 9:30.
Theodore Presser Company
#416-41446. Published by
Theodore Presser Company
(PR.416414460). ISBN
9781598064766. UPC:
680160610631. 9x12
inches. Roger Zare
is living every young
composer's dream. At a
tender age, he has
already been lauded by
the best, and his
compositions continue to
earn awards. Green Flash,
his first publication
with Theodore Presser
Company, was written in
2007 for the USC Thornton
Symphony, received a BMI
Student Composer award in
2007, was chosen to be
read at the 2008 American
Composers Orchestra
Underwood New Music
Readings, won the ASCAP
Rudolf Nissim Prize in
2009, and has now won the
2012 Symphony in C Young
Composers' Competition.
For more about Green
Flash and a YouTube video
of the premiere
performance, see the
composer's website
(www.rogerzare.com/greenf
lash.htm). A
“green flashâ€
is a rare atmospheric
phenomenon that occurs as
a sunset reaches its end.
If conditions are just
right, then a spark of
green will hover on the
horizon for a fleeting
moment as the sun
disappears. I first
witnessed this subtle
effect in Florida in
2005. Seeing the mythical
event for the first time
inspiredthis composition.
Green Flash is a musical
journey from daybreak to
sunset. It focuses on the
manipulation of colors
and textures throughout
its five sections. The
musical events are
designed to paint a
picture of various scenes
during the day. The piece
begins with the heartbeat
of the world emerging
from the silentdarkness
of the night. As night
transitions to dawn,
waves of color propagate
from the repeating low C,
building up through the
harmonic series to become
the vibrant colors of
sunrise. Eventually all
twelve notes of the
chromatic scale are
sounding together.
Abruptly, a morning fog
engulfs the scene. Out of
the mist rises the only
melodic theme in the
work, played by a solo
English horn, and later
taken up by other solo
winds. Once the fog
dissipates, the sky fills
with the playful dance of
wispy cirrus clouds. A
rainbow-like halo
surrounds the sun, adding
a burst of color to the
scene. This carefree,
optimistic cloud dance is
invaded by a menacing
front of cumulonimbus
clouds. A storm rages at
a frantic pace, but in
its dying breath yields
the most glorious of
sunsets. Only as the last
glint of sunlight
disappears below the
horizon, a faint sparkle
of green lingers in the
atmosphere. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Morris Dance Tunes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
By Gustav Holst (1874-1934). Arranged by Douglas E. Wagner. Concert Band. Concer...(+)
By Gustav Holst
(1874-1934). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Masterworks;
Part(s); Score;
SmartMusic. Belwin
Concert Band. Form:
Dance. 20th Century;
Masterwork Arrangement;
Romantic. Grade 3. 226
pages. Published by
Belwin Publishing
$70.00 $66.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| At Sunrise Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4167-75 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4167-75
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR378 & CL.WFR387).
Oversized, spiral-bound
score. Composed 2013.
Duration 3 minutes, 35
seconds. Opus III Wind
Orchestra Publications
#012-4167-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4167-75).
Inspired by a
sunrise over the water in
the composer's home state
of Florida, At Sunrise
includes a beautiful and
memorable melody moving
amid changing textures
and harmonies, leading to
a magnificent full
ensemble. It begins
gently, with a
transparent quality to
portray the first signs
of light. Breathtaking
colors then unfold with
the rich, lyric sounds
presented here with
uncommon sensitivity,
leading to a dramatic
final climax. From here,
the work subsides, ending
as it began, leaving a
spell not soon forgotten.
Ideal for concert and
festival use, this is
lyric music of the
highest quality! $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sunscapes Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4571-75 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4571-75
Composed by Wilson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 4
minutes, 49 seconds. Opus
III Wind Orchestra
Publications
#012-4571-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4571-75).
This exciting
work depicts the lively
and sunny nature of the
state of Florida. Opening
with a brilliant and
majestic section
highlighting the state's
bright and vibrant
culture, a flowing melody
follows, representing the
calming winds and
consistent breeze of the
state. Dance is a large
part of Florida's
culture, especially in
its southern region, and
the 7/8 rhythm captures
an Afro-Latin style dance
movement. The
chorale/hymn section is
based on the Florida
Song, which is a
traditional school song
of many schools,
including Florida A&M in
Tallahassee. The work
then recapitulates and
moves toward a driving
and joyful conclusion. An
excellent
contest/festival
work! $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sunscapes Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4571-01 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4571-01
Composed by Wilson.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Extra full
score. Composed 2017.
Duration 4 minutes, 49
seconds. Opus III Wind
Orchestra Publications
#012-4571-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4571-01).
This exciting
work depicts the lively
and sunny nature of the
state of Florida. Opening
with a brilliant and
majestic section
highlighting the
state’s bright and
vibrant culture, a
flowing melody follows,
representing the calming
winds and consistent
breeze of the state.
Dance is a large part of
Florida’s culture,
especially in its
southern region, and the
7/8 rhythm captures an
Afro-Latin style dance
movement. The
chorale/hymn section is
based on the Florida
Song, which is a
traditional school song
of many schools,
including Florida A&M in
Tallahassee. The work
then recapitulates and
moves toward a driving
and joyful conclusion. An
excellent
contest/festival
work! $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deep in the Jungle Orchestre d'harmonie - Débutant Curnow Music
Grade 1.5 - Score and Parts. Arranged by Nathan Farrell. Curnow Concert Band Ful...(+)
Grade 1.5 - Score and
Parts. Arranged by Nathan
Farrell. Curnow Concert
Band Full Set. Size 9x12
inches. Published by
Curnow Music.
$42.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Diadema Orchestre d'harmonie [Conducteur et Parties séparées] Imagine Music
Composed by Gary Gazlay. Score and Parts. Imagine Music Publishing #CBW231. Pu...(+)
Composed by Gary Gazlay.
Score
and Parts. Imagine Music
Publishing #CBW231.
Published
by Imagine Music
Publishing
$65.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Stormchasers Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Tit...(+)
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: March. Part(s);
Score. 258 pages.
Duration 2:00. Alfred
Music #00-37826.
Published by Alfred Music
(AP.37826).
$78.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nightflight Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3773-75 Scenes of a City from Above. Concert B...(+)
Grade 4 SKU:
CL.012-3773-75
Scenes of a City from
Above. Concert Band.
Opus III Series. Audio
recording available
separately (item
CL.WFR357). Oversized,
spiral-bound score.
Composed 2008. Duration 6
minutes, 35 seconds. Opus
III Wind Orchestra
Publications
#012-3773-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3773-75).
While traveling
by air, the composer was
able to view three
distinctive scenes of the
city of Miami, Florida
that are all musically
portrayed in this
significant and creative
new work. High energy,
driving tempos, memorable
themes, Latin percussion
and contemporary
harmonies all combine to
create a remarkable and
exciting three movement
suite. This wonderful
composition is destined
to become a standard in
the repertoire of wind
band literature. A superb
choice for concert or
festival! $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alligator Alley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire American Composers Forum
Bandquest Series Grade 3. By Michael Daugherty. Score and full set of parts. Ame...(+)
Bandquest Series Grade 3.
By Michael Daugherty.
Score and full set of
parts. American Composers
Forum Concert Band.
CD-ROM only. Size 9x12
inches. Published by
American Composers Forum.
(8)$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Coastal Storm Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.49143 Composed by Victor Lopez. Concert Ba...(+)
Concert Band - Grade 1
SKU: AP.49143
Composed by Victor Lopez.
Concert Band; Performance
Music Ensemble. Belwin
Beginning Band.
Programmatic. Score and
Part(s). 85 pages.
Duration 1:40. Belwin
Music #00-49143.
Published by Belwin Music
(AP.49143). ISBN
9781470646509. UPC:
038081564807.
English. Victor
López's South Florida
home was the inspiration
for Coastal Storm.
Consider this high-energy
original composition that
captures the essence of a
coastal storm. Feel the
intensity throughout this
fun and exciting work.
Guaranteed to be a winner
at your first beginning
band concert, it's easy
to both teach and learn.
9=(1:40). $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Coastal Storm Orchestre d'harmonie [Conducteur] - Débutant Belwin
Concert Band - Grade 1 SKU: AP.49143S Composed by Victor Lopez. Concert B...(+)
Concert Band - Grade 1
SKU: AP.49143S
Composed by Victor Lopez.
Concert Band; Performance
Music Ensemble. Belwin
Beginning Band. Score. 16
pages. Duration 1:40.
Belwin Music #00-49143S.
Published by Belwin Music
(AP.49143S). ISBN
9781470646516. UPC:
038081564814.
English. Victor
López's South Florida
home was the inspiration
for Coastal Storm.
Consider this high-energy
original composition that
captures the essence of a
coastal storm. Feel the
intensity throughout this
fun and exciting work.
Guaranteed to be a winner
at your first beginning
band concert, it's easy
to both teach and learn.
9=(1:40). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Iberian Escapades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert Sheldon. Concert Band. Concert Band. Alfred Concert Band. Grade 4. Con...(+)
By Robert Sheldon.
Concert Band. Concert
Band. Alfred Concert
Band. Grade 4. Conductor
Score and Parts. 288
pages
$90.00 $85.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Iberian Escapades (score only) Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
By Robert Sheldon. Concert Band. For Concert Band. Concert Band. Alfred Concert ...(+)
By Robert Sheldon.
Concert Band. For Concert
Band. Concert Band.
Alfred Concert Band. 4
(Medium Difficult) (grade
4). Score. 28 pages.
Published by Alfred Music
Publishing
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Spirit of an Eagle (full set) Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Larry Clark. For concert band (part 1 - flute, clarinet in Bb / trum...(+)
Composed by Larry Clark.
For concert band (part 1
- flute, clarinet in Bb /
trumpet in Bb, violin,
part 2 - clarinet in Bb /
trumpet in Bb, alto
saxophone in Eb, oboe /
violin, part 3 - clarinet
in Bb / tenor saxophone
in Bb, alto saxophone in
Eb, horn in F, violin,
viola, part 4 - tenor
saxophone). Flexible Band
Series. Score and parts.
Duration 3 minutes, 56
seconds. Published by
Carl Fischer
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deep in the Jungle Orchestre d'harmonie - Débutant Curnow Music
Grade 1.5 - Score Only. Arranged by Nathan Farrell. (Score). Curnow Concert Ban...(+)
Grade 1.5 - Score Only.
Arranged by Nathan
Farrell. (Score). Curnow
Concert Band Full Set. 24
pages. Published by
Curnow Music.
$8.50 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Stormchasers Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 4 SKU: AP.37826S Composed by Robert Sheldon. Concert...(+)
Concert Band - Grade 4
SKU: AP.37826S
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: March. Score. 20
pages. Alfred Music
#00-37826S. Published by
Alfred Music (AP.37826S).
UPC: 038081429793.
English. Commission
ed by and written for the
Dixon (IL) Municipal
Band, The Stormchasers is
a march in the style of a
circus screamer,
featuring fanfares,
flourishes and tuneful
melodies, all played at a
very aggressive tempo.
Having been raised in
Florida and attending the
University of Miami, the
composer's nod to Uncle
Henry is sure to bring a
smile to anyone who is a
lover of those great
Fillmore marches. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sunscapes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Composed by Chandler Wilson. Concert Festival. Concert Band Series. Score and pa...(+)
Composed by Chandler
Wilson. Concert Festival.
Concert Band Series.
Score and parts. Duration
0:04:49. Published by
C.L. Barnhouse
(CL.012-4571-00).
$84.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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