(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115

Composed by Matthew R. Putnam. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+2+1 +2+5+16+2 pages. Duration 2 minutes, 22 seconds. Carl Fischer Music #BPS115. Published by Carl Fischer Music (CF.BPS115).

ISBN 9781491152010. UPC: 680160909513.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115F

Composed by Matthew R. Putnam. Beginning Band (BPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS115F. Published by Carl Fischer Music (CF.BPS115F).

ISBN 9781491152690. UPC: 680160910199.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR356). Oversized spiral-bound score. Composed 2008. Duration 4 minutes, 33 seconds. Published by Opus III Wind Orchestra Publications

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR356). Score and set of parts. Composed 2008. Duration 4 minutes, 33 seconds. Published by Opus III Wind Orchestra Publications

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR356). Extra full score. Composed 2008. Duration 4 minutes, 33 seconds. Published by Opus III Wind Orchestra Publications

Concert Band - Grade 4

SKU: ML.013771070

Composed by Lionel Beltrán-Cecilia. Full set. Molenaar Edition #013771070. Published by Molenaar Edition (ML.013771070).

BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[…In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site…]

BAIA is een symfonische episode geïnspireerd door de ondergedompelde Italiaanse stad. Door middel van melodieën en geluidseffecten wil de auteurhet publiek mee te nemen naar verschillende momenten en biedt een aquatisch perspectief vanuit de ogen van een rusteloze enavontuurlijke vis. Deze muzikale reis leidt naar de verkenning van de stad Baia en haar archeologische rijkdom die bewaard is geblevenonder de zeebodem, zelfs door de tijd heen.[In zijn tijd was Baia een oude Romeinse stad die floreerde in de 1e en 2e eeuw na Christus. Het was een luxueuzebestemming en een belangrijk politiek en sociaal centrum in het Romeinse Rijk. Bekend om zijn thermale baden, indrukwekkendearchitectuu r en de prachtige natuurlijke omgeving, werd de stad een populair toevluchtsoord voor de Romeinse society, waaronder keizers,edelen en kunstenaars. In de loop der eeuwen werd Baia echter beïnvloed door vulkanische activiteit en veranderingen in de kustlijn, wat resulteerde ineen groot deel van de stad onder water kwam te staan. Vandaag de dag liggen de overblijfselen van Baia onder het water van de Golf,waardoor het een fascinerende onderwater archeologische vindplaats is geworden...]…

BA IA est un épisode symphonique inspiré par la ville italienne submergée. À travers ses mélodies et ses effets sonores, l'auteur cherche à transporter le public à différents moments.l'auteur vise à transporter le public dans différents moments, offrant une perspective aquatique à travers les yeux d'un poisson agité et aventureux.d'un poisson agité et aventureux. Ce voyage musical conduit à l'exploration de la ville de Baia et de sa richesse archéologique préservée sous les profondeurs marines.sous les profondeurs marines, même à travers le temps.[...En son temps, Baia était une ancienne ville romaine qui a prospéré au cours des 1er et 2e siècles de notre ère. C'était une destination luxueusedestination luxueuse et un centre politique et social important dans l'Empire romain. Réputée pour ses thermes, son architecturearchitecture impressionnante et son magnifique environnement naturel, la ville devint un lieu de retraite populaire pour la haute société romaine, y compris les empereurs, les nobles et les artistes,empereurs, nobles et artistes. Cependant, au fil des siècles, Baia a été affectée par l'activité volcanique et les modifications du littoral.une grande partie de la ville a été submergée sous l'eau. Aujourd'hui, les vestiges de Baia reposent sous les eaux du golfe,ce qui en fait un site archéologique sous-marin fascinant...]

BAIA ist eine symphonische Episode, die von der versunkenen italienischen Stadt inspiriert ist. Mit seinen Melodien und Klangeffekten will der Autorder Autor das Publikum in verschiedene Momente versetzen, indem er eine aquatische Perspektive aus den Augen eines rastlosen undabenteuerlichen Fisches. Diese musikalische Reise führt zur Erkundung der Stadt Baia und ihres archäologischen Reichtums, derunter den Meerestiefen bewahrt hat, sogar über die Zeit hinweg.[...Baia war eine antike römische Stadt, die im 1. und 2. Jahrhundert n. Chr. florierte. Sie war ein luxuriösesund ein bedeutendes politisches und soziales Zentrum im Römischen Reich. Berühmt für seine Thermalbäder, seine beeindruckendeArchitektur und die schöne natürliche Umgebung bekannt, wurde die Stadt zu einem beliebten Rückzugsort für die römische High Society, darunter Kaiser, Adlige und Künstler,Adlige und Künstler. Im Laufe der Jahrhunderte wurde Baia jedoch durch vulkanische Aktivitäten und Veränderungen der Küstenlinie beeinträchtigt, was dazu führte, dassein großer Teil der Stadt unter Wasser gesetzt wurde. Heute liegen die Überreste von Baia unter dem Wasser des Golfs,und machen sie zu einer faszinierenden archäologischen Unterwasserstätte...].

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-001009-140

Composed by Rob Goorhuis. Score Only. 24 pages. Gobelin Music Publications #GOB 001009-140. Published by Gobelin Music Publications (BT.GOB-001009-140).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-001009-010

Composed by Rob Goorhuis. Set (Score & Parts). 7 pages. Gobelin Music Publications #GOB 001009-010. Published by Gobelin Music Publications (BT.GOB-001009-010).

The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord.
The fever tree is a controversial legend about St. Willibrord (658-739).
The daughter of a pagan chieftain of Hoemannen that made the area around
Heumen unsafe, was seriously ill. They feared for her life.
The chief of the gang turned to predatory Willibrord, who same time in this region led mission.
Willibrord commanded theman to repent and a headband of the girl
to a certain special tree to hang.
The desperate captain obeyed, and his daughter was a miraculous heal.
Then came the anger of the Hoemannen against their leader, who in their
eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally.
The daughter remained behind in great sorrow, comforted by Willibrord.

The composition has the following scenes:
- Andante moderato - the calling of Willibrord
- Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent
- Vivace - Hoemannen terrorize the inhabitants of the area Heumen
- Andante - the healing of the sick girl and the conversion of the centurion
- Inquieto - the revenge of the Hoemannen
- Adagio - elegy on the death of the chief

De compositie 'The Fever Tree' (De koortsboom) werd in 2008 geschreven in opdracht van de Muziekbond Midden- en Oost Nederland St.Willibrord, als geschenk aan al haar leden bij gelegenheid van de vorming van één landelijke muziekorganisatieen de opheffing van de muziekbond voor Midden- en Oost Nederland St.Willibrord.

De koortsboom is een omstreden legende rond St. Willibrord (658-739).
De dochter van de heidense hoofdman van de Hoemannen, diehet gebied rond Heumen onveilig maakten, was ernstig ziek. Men vreesde voor haar leven. De hoofdman van de roofzuchtige bende wende zich tot Willibrord, die in dezelfde tijd in deze streek missioneerde. Willibrord gebood deman zich te bekeren én een hoofdband van het meisje aan een bepaalde, bijzondere boom te hangen. De radeloze hoofdman gehoorzaamde en zijn dochter werd op wonderbaarlijke wijze genezen. Toen keerde de woede van de Hoemannen zichtegen hun leider, die in hun ogen verraad had gepleegd aan de groep door zich te bekeren. Ze vergrepen zich aan hem en vermoordden hem op gruwelijke wijze. De dochter bleef in grote droefheid achter, getroost door Willibrord.

De compositie kent de volgende tableaus:

- Andante moderato - de roeping van Willibrord
- Allegro moderato - Willibrord trekt door het Brabantse land en tracht de bevolking te bekeren
- Vivace - deHoemannen terroriseren de inwoners van het gebied rond Heumen
- Andante - de genezing van het zieke meisje en de bekering van de hoofdman
- Inquieto - de wraak van de Hoemannen
- Adagio - treurzang over de doodvan de hoofdman.

Concert Band - Grade 3

SKU: HL.44011009

Brass Band - Score Only. Composed by J. W. Callcott. Arranged by Philip Sparke. Anglo Music Concert Band. Score Only. Composed 2011. Anglo Music Press #AMP320130. Published by Anglo Music Press (HL.44011009).

UPC: 884088637699. 9x12 inches. English-German-French-Dut ch.

The lyrics to Drink to Me Only with Thine Eyes can be traced to English poet Ben Jonson, a contemporary of Shakespeare. The melody's origin, on the other hand, is not certain. In this three- movement arrangement, Philip Sparke provides the soloist with plenty of substance while respecting the beautiful simplicity of the original tune.

Vooral bij jonge musici is dit oude Engelse lied van onbekende herkomst buitengewoon populair. Met zijn arrangement voor trompet en blaasorkest dat uit drie coupletten bestaat werkte Philip Sparke de solomelodie iets uit. De eenvoudigeschoonheid van het origineel verloor hij daarbij echter niet uit het oog.

Dieses alte englische Lied nicht ganz geklarter Herkunft erfreut sich besonders bei jungen Musikern grosser Beliebtheit. In seinem dreistrophigen Arrangement für Trompete und Blasorchester arbeitete Philip Sparke die Melodie für den Solisten etwas aus, immer jedoch mit Rücksicht auf die schlichte Schonheit des Originals.

La chanson anglaise Drink to me Only with Thine Eyes a connu un vif succes des deux cotes de l'Atlantique pendant plus de deux siecles. Elle est particulierement appreciee par les jeunes musiciens. L'arrangement de Philip Sparke propose au trompettiste soliste une structure plus elaboree, tout en restant fidele a la delicate simplicite de la version originale.

Questa antica canzone inglese, di origini non ben definite, e particolarmente apprezzata dai giovani musicisti. In questo arrangiamento per tromba e banda, composto da tre strofe, Philip Sparke elabora la parte solista rimanendo pero fedele alla sobria bellezza dell'originale.

Brass Band - Grade 3

SKU: HL.44011008

Brass Band - Score and Parts. Composed by J. W. Callcott. Arranged by Philip Sparke. Anglo Music Concert Band. Set (Score & Parts). Composed 2011. Anglo Music Press #AMP320030. Published by Anglo Music Press (HL.44011008).

UPC: 884088637682. 9x12 inches. English-German-French-Dut ch.

The lyrics to Drink to Me Only with Thine Eyes can be traced to English poet Ben Jonson, a contemporary of Shakespeare. The melody's origin, on the other hand, is not certain. In this three- movement arrangement, Philip Sparke provides the soloist with plenty of substance while respecting the beautiful simplicity of the original tune.

Vooral bij jonge musici is dit oude Engelse lied van onbekende herkomst buitengewoon populair. Met zijn arrangement voor trompet en blaasorkest dat uit drie coupletten bestaat werkte Philip Sparke de solomelodie iets uit. De eenvoudigeschoonheid van het origineel verloor hij daarbij echter niet uit het oog.

Dieses alte englische Lied nicht ganz geklarter Herkunft erfreut sich besonders bei jungen Musikern grosser Beliebtheit. In seinem dreistrophigen Arrangement für Trompete und Blasorchester arbeitete Philip Sparke die Melodie für den Solisten etwas aus, immer jedoch mit Rücksicht auf die schlichte Schonheit des Originals.

La chanson anglaise Drink to me Only with Thine Eyes a connu un vif succes des deux cotes de l'Atlantique pendant plus de deux siecles. Elle est particulierement appreciee par les jeunes musiciens. L'arrangement de Philip Sparke propose au trompettiste soliste une structure plus elaboree, tout en restant fidele a la delicate simplicite de la version originale.

Questa antica canzone inglese, di origini non ben definite, e particolarmente apprezzata dai giovani musicisti. In questo arrangiamento per tromba e banda, composto da tre strofe, Philip Sparke elabora la parte solista rimanendo pero fedele alla sobria bellezza dell'originale.

(Featuring: Gimme Some Lovin / It Don't Mean a Thing (If It Ain't Got That Swing) / Theme from Ice Castles (Through the Eyes of Love) / Any Way You Want It). Arranged by Michael Story. Concert Band. Concert Band; Score. Pop Beginning Band. Pop. Grade 1. 32 pages. Published by Alfred Music

(Featuring: Gimme Some Lovin / It Don't Mean a Thing (If It Ain't Got That Swing) / Theme from Ice Castles (Through the Eyes of Love) / Any Way You Want It). Arranged by Michael Story. Concert Band. Concert Band; Part(s); Score. Pop Beginning Band. Pop. Grade 1. 284 pages. Published by Alfred Music

Concert Band/Harmonie - Grade 3

SKU: BT.1942-12-140-MS

Composed by Hoagy Carmichael, J. Goodwin, L. Shay, and M. Fisher. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2013. 28 pages. Music Sales #1942-12-140 MS. Published by Music Sales (BT.1942-12-140-MS).

9x12 inches. English-German-French-Dut ch.

Even 40 years after his death, Louis Armstrong remains one of the most popular jazz trumpeters and singers of all time. In Louis Armstrong Medley, Naohiro Iwai has beautifully arranged Armstrong’s unmistakable version of the Russian folk song, Dark Eyes (1954). This is then followed by two of his greatest hits: the jazz standard, Georgia on My Mind (1930), which features a tenor saxophone solo, and When You’re Smiling (1929).

Veertig jaar na zijn dood is Louis Armstrong nog steeds de bekendste jazztrompettist en -zanger ooit. Voor deze medley gebruikte Naohiro Iwai Dark Eyes, een van oorsprong Russisch volksliedje waaraan Armstrong in 1954 zijngeheel eigen touchgaf. Daarna volgen twee van zijn grootste hits uit jongere jaren: de jazzstandaard Georgia on My Mind uit 1930, die hier een solo voor de tenorsaxofoon bevat, en When You’re Smiling uit 1929.

Louis Armstrong ist auch 40 Jahre nach seinem Tod einer der bekanntesten Jazztrompeter und -sänger. Naohiro Iwai verwendete in seinem Medley Dark Eyes , ein ursprünglich russisches Volkslied, das Armstrong sich 1954 mit einer unverwechselbaren Version zu eigen machte. Danach folgen mit dem Jazzstandard Georgia on My Mind von 1930, der hier ein Tenorsaxophonsolo enthält, und When You’re Smiling von 1929 zwei seiner größten Hits aus jüngeren Jahren.

Décé dé il y a plus de 40 ans, Louis Armstrong est resté le trompettiste et jazz man le plus connu au monde. Naohiro Iwai a associé dans son medley plusieurs grands succès de ce musicien hors pair. La chanson Ochi Chernye (Les Yeux noirs) appartient au patrimoine commun des folklores russe, juif et tzigane. En 1954, cette valse devient un standard de jazz gr ce Louis Armstrong. Laissez-vous ensuite porter par la célèbre chanson Georgia on My Mind , où l’on pourra entendre un chaleureux solo de saxophone ténor. When You’re Smiling vient clore cet époustouflant medley.

Louis Armstrong è uno dei più famosi trombettisti jazz del mondo. Naohiro Iwai ha raccolto nel suo medley alcuni grandi successi di questo artista unico nel suo genere. La canzone Ochi Chernye appartiene al patrimonio della musica folk russa. Nel 1954, questa canzone diviene uno standard del jazz grazie a Louis Armstrong. La splendida Georgia on My Mind, con un caldo assolo di sax tenore fa anch’essa parte di questo medley, così come When You’re Smiling.

Concert Band/Harmonie - Grade 3

SKU: BT.1942-12-010-MS

Composed by Hoagy Carmichael, J. Goodwin, L. Shay, and M. Fisher. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Set (Score & Parts). Composed 2013. Music Sales #1942-12-010 MS. Published by Music Sales (BT.1942-12-010-MS).

9x12 inches. English-German-French-Dut ch.

Even 40 years after his death, Louis Armstrong remains one of the most popular jazz trumpeters and singers of all time. In Louis Armstrong Medley, Naohiro Iwai has beautifully arranged Armstrong’s unmistakable version of the Russian folk song, Dark Eyes (1954). This is then followed by two of his greatest hits: the jazz standard, Georgia on My Mind (1930), which features a tenor saxophone solo, and When You’re Smiling (1929).

Veertig jaar na zijn dood is Louis Armstrong nog steeds de bekendste jazztrompettist en -zanger ooit. Voor deze medley gebruikte Naohiro Iwai Dark Eyes, een van oorsprong Russisch volksliedje waaraan Armstrong in 1954 zijngeheel eigen touchgaf. Daarna volgen twee van zijn grootste hits uit jongere jaren: de jazzstandaard Georgia on My Mind uit 1930, die hier een solo voor de tenorsaxofoon bevat, en When You’re Smiling uit 1929.

Louis Armstrong ist auch 40 Jahre nach seinem Tod einer der bekanntesten Jazztrompeter und -sänger. Naohiro Iwai verwendete in seinem Medley Dark Eyes , ein ursprünglich russisches Volkslied, das Armstrong sich 1954 mit einer unverwechselbaren Version zu eigen machte. Danach folgen mit dem Jazzstandard Georgia on My Mind von 1930, der hier ein Tenorsaxophonsolo enthält, und When You’re Smiling von 1929 zwei seiner größten Hits aus jüngeren Jahren.

Décé dé il y a plus de 40 ans, Louis Armstrong est resté le trompettiste et jazz man le plus connu au monde. Naohiro Iwai a associé dans son medley plusieurs grands succès de ce musicien hors pair. La chanson Ochi Chernye (Les Yeux noirs) appartient au patrimoine commun des folklores russe, juif et tzigane. En 1954, cette valse devient un standard de jazz gr ce Louis Armstrong. Laissez-vous ensuite porter par la célèbre chanson Georgia on My Mind , où l’on pourra entendre un chaleureux solo de saxophone ténor. When You’re Smiling vient clore cet époustouflant medley.

Louis Armstrong è uno dei più famosi trombettisti jazz del mondo. Naohiro Iwai ha raccolto nel suo medley alcuni grandi successi di questo artista unico nel suo genere. La canzone Ochi Chernye appartiene al patrimonio della musica folk russa. Nel 1954, questa canzone diviene uno standard del jazz grazie a Louis Armstrong. La splendida Georgia on My Mind, con un caldo assolo di sax tenore fa anch’essa parte di questo medley, così come When You’re Smiling.

Concert Band

SKU: AP.36-50105073

Arranged by Henry Fillmore and ed./arr. by Col. Arnald Gabriel. Concert Band. Col. Arnald Gabriel Series. Score. LudwigMasters Publications #36-50105073. Published by LudwigMasters Publications (AP.36-50105073).

ISBN 9781621561194. UPC: 659359520808. English.

There's never been another screamer quite like it! Fillmore's venerable warhorse has been given a thorough looking over by one of the foremost band conductors of our time. Drawing on his years of experience with the United States Air Force Band, Colonel Gabriel has meticulously edited this formidable march for the modern band. Rolling Thunder has long been an admired and often performed work in the symphonic band repertoire. Composed by (James) Henry Fillmore in 1916, this march was a favorite of conductor Merle Evans and the Ringling Brothers and Barnum and Bailey Circus. The work is dedicated to Ed Hicker, who as far as the little documentation shows, was an actor and musician in the Cincinnati, Ohio area and who may have performed with Fillmore in the many pit orchestra engagements of his youth. Rolling Thunder is unique within the march oeuvre, in that its softest dynamic marking is forte! In later printings, Fillmore added the subtitle A Trombone Ace, perhaps a tip of the hat to his own instrument and that the trombones and other bass instruments are playing to the fore from beginning to end. Fillmore also indicates that the march should be played Furioso. So sit back, close your eyes and enjoy the exciting, death defying sounds of the circus as only Henry Fillmore (our Uncle Henry) can do.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Trombone & Band

SKU: SU.32040020

For Trombone & Band. Composed by Amy Riebs Mills. Brass, Trombone, Concert Band/Wind Ensemble. Full Score. Subito Music Corporation #32040020. Published by Subito Music Corporation (SU.32040020).

Solo Trombone, Band parts - picc, 2fls, 2 obs, EH, 2bsns, 3 cls, bcl, 2asx, tsx, bsx, 4 hns, 3 tpts, 3 tbns, euph, tba, timp, 3 perc Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Band 5 (Advanced) See also Red Dragonfly, Sonata for Trombone and Piano for the version with piano accompaniment. See composer website for audio sample. Performance materials available on rental only:.

By Brian Balmages. For concert band. FJH Young Band. Full set (score and parts). Score only also available: B1155S. Grade 2.5. Score and set of parts. Composed 2003. Published by The FJH Music Company Inc

Grade 3 - Score and Parts. Composed by J. W. Callcott. Arranged by Philip Sparke. Anglo Music Concert Band. Set (Score and Parts). Composed 2011. Anglo Music Press #AMP320010. Published by Anglo Music Press

Concert Band - Grade 3

SKU: HL.44011007

Grade 3 - Score Only. Composed by J. W. Callcott. Arranged by Philip Sparke. Anglo Music Concert Band. Score Only. Composed 2011. 18 pages. Anglo Music Press #AMP320140. Published by Anglo Music Press (HL.44011007).

UPC: 884088637675. 9x12 inches. English-German-French-Dut ch.

This English song has remained popular on both sides of the Atlantic for over two hundred years. The lyrics are by the English dramatist and poet Ben Jonson (1572-1637), a rival of Shakespeare's, appearing in his first folio of published poems in 1616. The nature of the melody has made it a favorite among young players, but in this 3-verse arrangement for trumpet, Philip Sparke has provided the soloist with something a little more elaborate, while respecting the simple beauty of the original.

Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Published by Hal Leonard

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981143-140

Composed by Elton John. Arranged by Don Campbell. De Haske Pop Collection. Pop and Rock. Score Only. Composed 1998. De Haske Publications #DHP 0981143-140. Published by De Haske Publications (BT.DHP-0981143-140).

The songs of Elton John have been in the charts for over thirty years. This medley combines three instantly recognisable melodies: Nikita, Blue Eyes and Donâ??t Go Breaking My Heart. This work will prove a favourite with both players and audience.

De excentrieke Brit Elton John is een bijzonder groot talent in de wereld van de popmuziek. Meer dan veertig jaar schreef hij ontelbare hits. Don Campbell is een van de succesvolste arrangeurs van deze tijd. Hij bewerkte op vakkundigewijze de onvergetelijke hits Nikita, Blue Eyes en Donâ??t Go Breaking My Heart

Der exzentrische Engländer Elton John ist ein Ausnahmekünstler in der Welt der Popmusik, der in seiner mittlerweile über 40jährigen Schaffenszeit unzählige Hits geschrieben hat. Don Campbell, einer der erfolgreichsten Arrangeure dieser Zeit, bearbeitete auf sachkundige Weise die unvergessenen Titel. Ein unterhaltsames Medley, das jedes Publikum anspricht.

Lâ??excentrique anglais Elton John est un artiste exceptionnel dans le monde de la musique pop. Auteur compositeur et interprète depuis plus dâ??une quarantaine dâ??années, ses chansons restent des tubes incontournables. Le medley réalisé par Don Campbell combine trois célèbres tubes de Sir Elton : Nikita, Blue Eyes et Donâ??t Go Breaking My Heart.

La pop star inglese Elton John è un artista eccezionale. Autore, compositore e interprete da oltre quaranta anni, le sue canzoni sono successi senza tempo, dei veri â??evergreenâ?. Il medley realizzato da Don Campbell raccoglie tre celebri canzoni di Sir Elton: Nikita, Blue Eyes e Donâ??t Go Breaking My Heart.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981143-010

Composed by Elton John. Arranged by Don Campbell. De Haske Pop Collection. Pop and Rock. Set (Score and Parts). Composed 1998. De Haske Publications #DHP 0981143-010. Published by De Haske Publications (BT.DHP-0981143-010).

The songs of Elton John have been in the charts for over thirty years. This medley combines three instantly recognisable melodies: Nikita, Blue Eyes and Donâ??t Go Breaking My Heart. This work will prove a favourite with both players and audience.

De excentrieke Brit Elton John is een bijzonder groot talent in de wereld van de popmuziek. Meer dan veertig jaar schreef hij ontelbare hits. Don Campbell is een van de succesvolste arrangeurs van deze tijd. Hij bewerkte op vakkundigewijze de onvergetelijke hits Nikita, Blue Eyes en Donâ??t Go Breaking My Heart

Der exzentrische Engländer Elton John ist ein Ausnahmekünstler in der Welt der Popmusik, der in seiner mittlerweile über 40jährigen Schaffenszeit unzählige Hits geschrieben hat. Don Campbell, einer der erfolgreichsten Arrangeure dieser Zeit, bearbeitete auf sachkundige Weise die unvergessenen Titel. Ein unterhaltsames Medley, das jedes Publikum anspricht.

Lâ??excentrique anglais Elton John est un artiste exceptionnel dans le monde de la musique pop. Auteur compositeur et interprète depuis plus dâ??une quarantaine dâ??années, ses chansons restent des tubes incontournables. Le medley réalisé par Don Campbell combine trois célèbres tubes de Sir Elton : Nikita, Blue Eyes et Donâ??t Go Breaking My Heart.

La pop star inglese Elton John è un artista eccezionale. Autore, compositore e interprete da oltre quaranta anni, le sue canzoni sono successi senza tempo, dei veri â??evergreenâ?. Il medley realizzato da Don Campbell raccoglie tre celebri canzoni di Sir Elton: Nikita, Blue Eyes e Donâ??t Go Breaking My Heart.

(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 Oboes, Clarinet in Eb, 3 Clarinets in Bb, Bass Clarinet in Bb/Contrabass Clarinet in Bb, 2 Bassoons, Contrabassoon, Soprano Saxophone, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 3 Trumpets in Bb, 4 Horns in F, 3 Trombones. Contemporary. Full score (study). Standard notation. 40 pages. Duration 7 minutes. Published by Theodore Presser Company

By Leslie Bricusse, Frank Wildhorn. Arranged by Jay Bocook. Score and full set of parts. Young Band (Concert Band). Grade 3. Size 9x12 inches. Published by Cherry Lane.

From the Warner Bros. Motion Picture Soundtrack Fantastic Beasts: The Crimes of Grindelwald. Composed by James Newton Howard. Arranged by Jerry Davis. Concert Band; Performance Music Ensemble; Single Titles. Pop Beginning Band. Movie. Score and Parts. 136 pages. Duration 2:30. Alfred Music #00-47377. Published by Alfred Music