Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002208-010.
Published by De Haske
Publications
(BT.DHP-1002208-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
second movement focuses
on ARPAD, the actual
founder of the Hungarian
State. It starts with an
atmospherical passage,
evoking his grandmother,
Emese, who dreamt about
his future destination.
One of Arpad’s
opponents, the Bulgarian
Prince Zalan, was chased
away after a fight. After
this, Arpad officially
named the territory
“Magyarorszag.â€
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
Concert Band - Grade 1.5 SKU: AP.48160S Eine kleine Mutter Gans Musik<...(+)
Concert Band - Grade 1.5
SKU: AP.48160S
Eine kleine Mutter
Gans Musik. Composed
by Various. Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Score. 20 pages. Duration
2:45. Belwin Music
#00-48160S. Published by
Belwin Music (AP.48160S).
UPC: 038081551029.
English.
Scored in
a light and lively
Classical style, familiar
excerpts from Mozart's A
Little Night Music, The
Marriage of Figaro, and
The Magic Flute, cleverly
and subtly intertwine
with the time-honored
Mother Goose melodies,
Jack and Jill, Three
Blind Mice, and Twinkle,
Twinkle, Little Star.
Teaching opportunities
include light tonguing
and dynamic contrasts in
this charismatic work.
The challenge for the
listener is to discover
where Mozart begins and
Mutter Gans takes over.
Hint: It's not as easy as
you might think.
Delightful! (2:45) This
title available in
MakeMusic Cloud.
Concert Band - Grade 1.5 SKU: AP.48160 Eine kleine Mutter Gans Musik(+)
Concert Band - Grade 1.5
SKU: AP.48160
Eine kleine Mutter
Gans Musik. Composed
by Various. Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Score and Part(s). 202
pages. Duration 2:45.
Belwin Music #00-48160.
Published by Belwin Music
(AP.48160).
UPC:
038081551012.
English.
Scored in
a light and lively
Classical style, familiar
excerpts from Mozart's A
Little Night Music, The
Marriage of Figaro, and
The Magic Flute, cleverly
and subtly intertwine
with the time-honored
Mother Goose melodies,
Jack and Jill, Three
Blind Mice, and Twinkle,
Twinkle, Little Star.
Teaching opportunities
include light tonguing
and dynamic contrasts in
this charismatic work.
The challenge for the
listener is to discover
where Mozart begins and
Mutter Gans takes over.
Hint: It's not as easy as
you might think.
Delightful! (2:45) This
title is available in
MakeMusic Cloud.
A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115036-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115036-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2010. De Haske
Publications #DHP
1115036-010. Published by
De Haske Publications
(BT.DHP-1115036-010).
9x12 inches.
English-German-French-Dut
ch.
This piece was
commissioned by Oyama
City Symphonic Wind
Orchestra to commemorate
their 30th Anniversary.
The composer was inspired
by Oyama City’s
slogan, ‘water,
green and earth’,
to write this festive
fanfare. Following a
gentle opening a
fanfareleads to a
magnificent chorale. This
turns into a quickly
moving energetic section
with irregular rhythm.
This is a short but
dramatic piece that will
make a brilliant concert
opener.
Een
indrukwekkend en
kleurrijk openingswerk
waarvoor de componist
zich heeft laten
inspireren door de
Japanse stad Oyama.
Beim Komponieren
dieses Werkes ließ
sich Satoshi Yagisawa von
den Schlagwörtern
Wasser“,
grün“ und
Erde“ aus dem Motto
der auftraggebenden Stadt
Oyama inspirieren. Mit
einer sanften Einleitung,
nach der die Fanfare zu
einem prachtvollen Choral
anschwillt, um dann ein
kraftvolles, schnelles
Thema hervorzubringen,
bietet Fanfare - The
Benefaction from Sky and
Mother Earth alles,
was es zu einer
wirkungsvollen
Konzerteröffnung
braucht.
Questo brano è
stato commissionato dalla
Oyama City Symphonic Wind
Orchestra in Giappone,
per celebrare il 30°
anniversario di
fondazione. Nello
scrivere il brano, il
compositore si è
ispirato allo slogan di
Oyama: acqua, verde e
terra.
L’introduzione
è discreta ed è
seguita da una fanfara
che accompagna il brano
ad un splendido corale.
Il brano diventa poi
più energico e veloce.
Un brano breve, ma di
grande impatto, tipico
dello stile di
Yagisawa.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115036-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1115036-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2010. 14 pages. De Haske
Publications #DHP
1115036-140. Published by
De Haske Publications
(BT.DHP-1115036-140).
9x12 inches.
English-German-French-Dut
ch.
This piece was
commissioned by Oyama
City Symphonic Wind
Orchestra to commemorate
their 30th Anniversary.
The composer was inspired
by Oyama City’s
slogan, ‘water,
green and earth’,
to write this festive
fanfare. Following a
gentle opening a fanfare
leads to a magnifi cent
chorale. This turns into
a quickly moving
energetic section with
irregular rhythm. This is
a short but dramatic
piece that will make a
brilliant concert opener.
Beim Komponieren
dieses Werkes ließ
sich Satoshi Yagisawa von
den Schlagwörtern
Wasser“,
grün“ und
Erde“ aus dem Motto
der auftraggebenden Stadt
Oyama inspirieren. Mit
einer sanften Einleitung,
nach der die Fanfare zu
einem prachtvollen Choral
anschwillt, um dann ein
kraftvolles, schnelles
Thema hervorzubringen,
bietet Fanfare - The
Benefaction from Sky and
Mother Earth alles,
was es zu einer
wirkungsvollen
Konzerteröffnung
braucht.
Questo brano è
stato commissionato dalla
Oyama City Symphonic Wind
Orchestra in Giappone,
per celebrare il 30°
anniversario di
fondazione. Nello
scrivere il brano, il
compositore si è
ispirato allo slogan di
Oyama: acqua, verde e
terra.
L’introduzione
è discreta ed è
seguita da una fanfara
che accompagna il brano
ad un splendido corale.
Il brano diventa poi
più energico e veloce.
Un brano breve, ma di
grande impatto, tipico
dello stile di
Yagisawa.
A Mother's Love Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.37819S Composed by Brad Ciechomski. Concer...(+)
Concert Band - Grade 2
SKU: AP.37819S
Composed by Brad
Ciechomski. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Form:
Ballade. Score. 12 pages.
Alfred Music #00-37819S.
Published by Alfred Music
(AP.37819S).
UPC:
038081438474.
English.
A mother's
love is boundless,
never-ending, gentle, and
caressing. Written upon
the passing of the
composer's mother, this
composition opens with a
pure and simple melodic
statement that later
opens into the warmth of
the full ensemble sound,
much like the comfort of
a mother's embrace. The
opening interval of the
minor third is often
heard by a child calling
mom-my, and the piece
closes with the bells
playing this motive. The
composer dedicates this
piece to the memory of
his mother, who always
believed in his hopes and
dreams.
A Mother's Love Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Brad Ciechomski. Concert Band. Concert Band; Part(s); Score. Young Symphonic....(+)
By Brad Ciechomski.
Concert Band. Concert
Band; Part(s); Score.
Young Symphonic. Form:
Ballade. Grade 2. 126
pages. Published by
Alfred Music Publishing
Moyses Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(Biblical Poem). By Federico Agnello. For concert band. Grade 4.5. Score and...(+)
(Biblical Poem). By
Federico
Agnello. For concert
band.
Grade 4.5. Score and full
set
of parts. Duration 16
minutes.
Published by Scomegna
Edizioni
Musical srl
La Terre Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000851-140 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000851-140
Composed by Rob Goorhuis.
Score Only. 61 pages.
Gobelin Music
Publications #GOB
000851-140. Published by
Gobelin Music
Publications
(BT.GOB-000851-140).
In the
composition 'La terre'
several aspects of Earth
have been translated into
sounds in an associative
manner. The first part
depicts Nature, Mother
Earth, stability, the
soil which is the source
of life. Earth symbolizes
tradition, rituals,
fertility. In the music
of the composition this
can be heard in tonic and
ostinato passages.
Furthermore, human
emotions such as
gladness, sorrow, wonder,
resignation, hope and
despair, indissolubly
connected as they are to
mankind's life on earth,
are musically reflected
in sudden gusts of
expression. Earth for us
human beings is the solid
ground on which
everything in life takes
place. In the second part
different moodsare evoked
in a sort of toccata. Now
and then the music sounds
fragmented, at other
times as a solid whole.
The robustness of the
music in this part has
its roots in the earth,
originates from it. It
reflects stability and
strength, but love and
nostalgia are also
present in soft and
fragile tones. 'La terre'
is a musical narrative
about Earth, in which
music has been given
ample room to show its
many-sided beauty.
In het werk La
terre worden op een
associatieve manier
allerlei elementen in
klanken vertaald. De
grondstoffen voor de
instrumenten zijn de
bouwstoffen voor de
compositie. Het eerste
gedeelte schildert de
natuur, moeder aarde,
houvast,de grond, waaruit
alles voortkomt. De grond
staat voor traditie,
rituelen, vruchtbaarheid.
In de muziek vertaalt
zich dit in grondtonige
passages, ostinato, maar
ook de windvlagen van de
inspiratie. De reflecties
van menselijkeemoties,
verbonden aan de aarde,
het leven op de aarde,
zijn o.a.: blijdschap,
verdriet, verwondering,
berusting, hoop, wanhoop.
De aarde is de vaste
grond, waarop alles zich
voltrekt. In het tweede
deel wordt gespeeld met
destemmingen in een soort
toccata. Soms
verbrokkelt, dan weer als
een massief geheel. De
robuustheid van de klank
is gegrond op de aarde,
komt er uit voort. Er
klinkt houvast en kracht
in door, maar ook de
liefde en nostalgie
wordtervaren in de zachte
en broze klanken. La
terre is het verhaal van
de aarde, waaruit muziek
oprijst in zijn
veelzijdige
schoonheid.
La Terre Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000851-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000851-010
Composed by Rob Goorhuis.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000851-010. Published by
Gobelin Music
Publications
(BT.GOB-000851-010).
In the
composition 'La terre'
several aspects of Earth
have been translated into
sounds in an associative
manner. The first part
depicts Nature, Mother
Earth, stability, the
soil which is the source
of life. Earth symbolizes
tradition, rituals,
fertility. In the music
of the composition this
can be heard in tonic and
ostinato passages.
Furthermore, human
emotions such as
gladness, sorrow, wonder,
resignation, hope and
despair, indissolubly
connected as they are to
mankind's life on earth,
are musically reflected
in sudden gusts of
expression. Earth for us
human beings is the solid
ground on which
everything in life takes
place. In the second part
different moodsare evoked
in a sort of toccata. Now
and then the music sounds
fragmented, at other
times as a solid whole.
The robustness of the
music in this part has
its roots in the earth,
originates from it. It
reflects stability and
strength, but love and
nostalgia are also
present in soft and
fragile tones. 'La terre'
is a musical narrative
about Earth, in which
music has been given
ample room to show its
many-sided beauty.
In het werk La
terre worden op een
associatieve manier
allerlei elementen in
klanken vertaald. De
grondstoffen voor de
instrumenten zijn de
bouwstoffen voor de
compositie. Het eerste
gedeelte schildert de
natuur, moeder aarde,
houvast,de grond, waaruit
alles voortkomt. De grond
staat voor traditie,
rituelen, vruchtbaarheid.
In de muziek vertaalt
zich dit in grondtonige
passages, ostinato, maar
ook de windvlagen van de
inspiratie. De reflecties
van menselijkeemoties,
verbonden aan de aarde,
het leven op de aarde,
zijn o.a.: blijdschap,
verdriet, verwondering,
berusting, hoop, wanhoop.
De aarde is de vaste
grond, waarop alles zich
voltrekt. In het tweede
deel wordt gespeeld met
destemmingen in een soort
toccata. Soms
verbrokkelt, dan weer als
een massief geheel. De
robuustheid van de klank
is gegrond op de aarde,
komt er uit voort. Er
klinkt houvast en kracht
in door, maar ook de
liefde en nostalgie
wordtervaren in de zachte
en broze klanken. La
terre is het verhaal van
de aarde, waaruit muziek
oprijst in zijn
veelzijdige
schoonheid.
Als die alte Mutter Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band and Vocal Solo - Grade 3 SKU: BT.DHP-1084580-010 For opti...(+)
Concert Band and Vocal
Solo - Grade 3
SKU:
BT.DHP-1084580-010
For optional Soprano
and Concert Band.
Composed by Antonin
Dvorak. Arranged by Tohru
Takahashi. Great
Classics. Transcription.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084580-010. Published by
De Haske Publications
(BT.DHP-1084580-010).
Grade 5 SKU: CL.RWS-1823-01 (based on the vision and imagery of Harvey...(+)
Grade 5
SKU:
CL.RWS-1823-01
(based on the vision
and imagery of Harvey
Dunn, a great American
artist). Concert
Band. RWS Symphony Band
Series. Extra full score.
Composed 2018. Duration 8
minutes, 28 seconds. RWS
Music Company
#RWS-1823-01. Published
by RWS Music Company
(CL.RWS-1823-01).
Inspired by and
based on the masterpiece
The Prairie Is My Garden
by American painter
Harvey Thomas Dunn, this
work for the symphonic
band is large in scope
and musical depth. In the
painting, a mother and
her two children are out
gathering flowers from
the quintessential
prairie of the Great
Plains. Composer Robert
W. Smith delivers us to
the same Great Plains in
this epic musical tone
poem. From the reflective
opening solo to the bold
and courageous statements
that follow, this homage
to the generations that
built the great American
west is an excellent
concert/festival
selection for the mature
concert band.
A Mother's Hymn Orchestre d'harmonie [Conducteur] - Facile RWS Music Company
Concert Band; Orchestra - Grade 3 SKU: AP.98-RWS228801 How Great Thou ...(+)
Concert Band; Orchestra -
Grade 3
SKU:
AP.98-RWS228801
How Great Thou
Art. Arranged by
Robert W. Smith. Full
Orchestra; Performance
Music Ensemble; Single
Titles. RWS - Concert
Orchestra. Score.
Composed 2022. RWS Music
Company #98-RWS228801.
Published by RWS Music
Company
(AP.98-RWS228801).
ISBN 9781470696986.
UPC: 038081612836.
English.
Simple,
poignant and beautiful, A
Mother's Hymn by Robert
W. Smith is an artistic
experience for both full
orchestra and audience.
Based on an old Swedish
melody also known as How
Great Thou Art, this
setting is appropriate
for any concert or
festival performance. An
instant standard in the
orchestra
repertoire.
A Mother's Hymn Orchestre d'harmonie - Facile RWS Music Company
Concert Band; Orchestra - Grade 3 SKU: AP.98-RWS228800 How Great Thou ...(+)
Concert Band; Orchestra -
Grade 3
SKU:
AP.98-RWS228800
How Great Thou
Art. Arranged by
Robert W. Smith. Full
Orchestra; Performance
Music Ensemble; Single
Titles. RWS - Concert
Orchestra. Score and
Part(s). Composed 2022.
RWS Music Company
#98-RWS228800. Published
by RWS Music Company
(AP.98-RWS228800).
ISBN 9781470693497.
UPC: 038081609348.
English.
Simple,
poignant and beautiful, A
Mother's Hymn by Robert
W. Smith is an artistic
experience for both full
orchestra and audience.
Based on an old Swedish
melody also known as How
Great Thou Art, this
setting is appropriate
for any concert or
festival performance. An
instant standard in the
orchestra
repertoire.
Up From Earth's Center Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4257-01 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4257-01
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR381 & CL.WFR387).
Extra full score.
Composed 2014. Duration 8
minutes, 13 seconds. Opus
III Wind Orchestra
Publications
#012-4257-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4257-01).
This brilliant
programmatic work from
the pen of Rob Romeyn is
an incredible display of
beauty, sensitivity,
emotion and vigorous
intensity. The journey
begins on the morning of
the great 1868 Hawaii
earthquake. Peaceful and
beautiful sounds of the
black sand beach of
Punalu’u are heard
as the sun rises. The
music then develops,
first with a statement of
the traditional melody
The Earth Is Our Mother
to remind us to respect
Mother Earth and be
mindful of her incredible
powers. As the tempo
quickens we are musically
transported into the
events of the fateful
day, as the earthquake
and resulting Tsunami
ensued. As the movement
of the earth subsides, we
return to the beach of
Punalu’u as Mother
Earth begins her renewal
of new life. Certain to
become a classic for
concert and festival use,
this is music of highest
quality!
Goodnight Moon Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Arranged for Grade 3-4 Concert Band - Score Only. Composed by Eric Whitacre (1...(+)
Arranged for Grade 3-4
Concert
Band - Score Only.
Composed by
Eric Whitacre (1970-).
Arranged by Michael
Markowski.
Eric Whitacre Concert
Band.
Children, Concert.
Softcover.
Published by Hal Leonard
For Concert Band - Score Only. Composed by Eric Whitacre (1970-). Arranged by ...(+)
For Concert Band - Score
Only.
Composed by Eric Whitacre
(1970-). Arranged by
senbichler-Bryant and
Verena
Mö. Eric Whitacre
Concert
Band. Children, Concert
Band.
Softcover. 14 pages.
Published
by Hal Leonard
Grade
4 - Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
Piece. Score Only.
Composed 2004. 28 pages.
Anglo Music Press
#AMP067. Published by
Anglo Music Press
(HL.44004957).
UPC:
073999693393.
8.5x11.0x0.073
inches.
The
commissioner of this work
requested a piece that
characterized humankind's
ability to overcome
personal tragedy, a
scenario which often
leaves one with a
philosophy of serenity.
The composer decided to
use the analogy of the
sequoia, a generic name
for the huge redwood
trees, particularly the
Californian redwood. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground which
require heat to open
their shells and
germinate. The redwood
forests are frequently
subject to fires which
can destroy the mother
tree but ironically also
provide the impetus for
their seeds to spring
into life; the trees
actually need a disaster
to procreate. In a
similar way, the human
spirit can actually gain
from setbacks - we become
stronger after adversity.
The music falls into
sections which can
broadly be characterised
as doubt, conflict,
catharsis, inner calm
and, finally,
triumph.
A Mother’s Hymn Orchestre d'harmonie [Conducteur et Parties séparées] - Facile RWS Music Company
Grade 3 SKU: CL.RWS-2028-00 How Great Thou Art. Concert Band. RWS ...(+)
Grade 3
SKU:
CL.RWS-2028-00
How
Great Thou Art.
Concert Band. RWS Concert
Band Series. Score and
set of parts. Composed
2020. Duration 4 minutes,
40 seconds. RWS Music
Company #RWS-2028-00.
Published by RWS Music
Company (CL.RWS-2028-00).
Simple,
poignant and beautiful, A
Mother’s Hymn by
Robert W. Smith is an
artistic experience for
both band and audience.
Based on an old Swedish
melody also known as How
Great Thou Art, this
setting is appropriate
for any concert or
festival performance. An
instant standard in the
concert band
repertoire.
The Spirit of the Sequoia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
The Spirit of the Sequoia (Grade 4 - Score and Parts). By Philip Sparke (1951-)....(+)
The Spirit of the Sequoia
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band. Anglo Music Concert
Band. Grade 4. Anglo
Music Press #AMP067.
Published by Anglo Music
Press
And Still, the Spirit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
(Easier Version of Spirit of the Sequoia). Composed by Philip Sparke (195...(+)
(Easier Version of
Spirit of the
Sequoia). Composed by
Philip Sparke (1951-). De
Haske Concert Band.
Festival. Softcover.
Published by De Haske
Publications
(HL.44012829).
Jeannette, Isabella Orchestre d'harmonie [Conducteur] - Débutant Manhattan Beach Music
By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable f...(+)
By Traditional French
Carol. Arranged by
William Ryden. Concert
band. Suitable for
elementary and middle
school bands. Christmas.
Grade 1. Conductor Full
Score. Duration 1:45.
Published by Manhattan
Beach Music