| Canzona No. 1 Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-060-2 Composed by Giovanni Gabriel...(+)
Concert band - Grade 4
SKU:
MH.1-59913-060-2
Composed by Giovanni
Gabrieli. Arranged by Bob
Margolis. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 4:20.
Published by Manhattan
Beach Music
(MH.1-59913-060-2).
ISBN
9781599130606. Ense
mble instrumentation: 1
Piccolo 1, 1 Piccolo 2, 3
Flute 1, 3 Flute 2, 1
Oboe 1, 1 Oboe 2, 1
Bassoon 1, 1 Bassoon 2, 3
Solo and Bb Clarinet 1 -
top of divisi, 3 Bb
Clarinet 1 - bottom of
divisi, 6 Bb Clarinet 2,
2 Eb Alto Clarinet, 2 Bb
Bass Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 1 Eb Baritone
Saxophone, 2 Solo and Bb
Trumpet 1 - top of
divisi, 2 Bb Trumpet 1 -
bottom of divisi, 2 Bb
Trumpet 2 - top of
divisi, 2 Bb Trumpet 2 -
bottom of divisi, 2 F
Horn 1, 2 F Horn 2, 3
Trombone 1, 3 Trombone 2,
1 Euphonium 1 treble
clef, 1 Euphonium 2
treble clef, 1 Euphonium
1 bass clef, 1 Euphonium
2 bass clef, 3 Tuba 1, 3
Tuba 2, 1 Snare Drum 1
and Cymbals 1, 1 Snare
Drum 2 and Cymbals 2, 1
Orchestra Bells, 1 Chimes
and Xylophone. $125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Canzona No. 1 Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Giovanni Gabrieli (1553-1612). Arranged by Bob Margolis. Concert band - antip...(+)
By Giovanni Gabrieli
(1553-1612). Arranged by
Bob Margolis. Concert
band - antiphonal.
Suitable for high school,
community, and college
bands. Grade 4. Conductor
Full Score. Duration
4:20. Published by
Manhattan Beach Music .
Conductor Full Score.
$16.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| On with the Snow! Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
(Featuring "Sleigh Ride," "Winter Wonderland," and "Let It Snow! Let It Snow! Le...(+)
(Featuring "Sleigh Ride,"
"Winter Wonderland," and
"Let It Snow! Let It
Snow! Let It Snow!")
Arranged by Douglas E.
Wagner. Conductor's score
and set of performance
parts for concert band (1
- solo vocal, 1 -
optional solo alto
saxophone, 1 - optional
solo trumpet, 3 - 1st
flute, 3 - 2nd flute, 2 -
oboe, 3 - 1st clarinet, 3
- 2nd clarinet, 3 - 3rd
clarinet, 1 - alto
clarinet, 2 - bass
clarinet, 2 - bassoon, 2
- 1st alto saxophone, 2 -
2nd alto saxophone, 1 -
tenor saxophone, 1 -
baritone saxophone, 3 -
1st trumpet, 3 - 2nd
trumpet, 3 - 3rd trumpet,
1 - 1st horn in F, 1 -
2nd horn in F, 1 - 3rd
horn in F, 1 - 4th horn
in F, 2 - 1st trombone, 2
- 2nd trombone, 2 - 3rd
trombone, 2 - euphonium,
1 - baritone treble clef,
4 - tuba, 1 - string
bass, 1 - mallet
percussion, 1 - timpani,
2 - percussion I, 5 -
percussion II). Series:
Belwin Symphonic Band.
Published by Alfred
Publishing.
$87.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lyric Music Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
By Robert Starer (1924-2001). Concert band - solo trumpet feature. Suitable for ...(+)
By Robert Starer
(1924-2001). Concert band
- solo trumpet feature.
Suitable for advanced
middle school, high
school, community and
college bands. Grade 3.
Conductor Condensed
Score. Duration 4:00.
Published by Manhattan
Beach Music
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto Pour Quartet De Saxophones Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Orchestra, Concert Band Concert Band - Grade 4 SKU: FL.FX072849 Composed ...(+)
Orchestra, Concert Band
Concert Band - Grade 4
SKU: FL.FX072849
Composed by Gilles
Arcens. Original
Composition. Classical.
Score and Set of Parts.
FLEX Editions #FX072849.
Published by FLEX
Editions (FL.FX072849).
Instruments:
Soprano Saxophone Solo (1
part) Alto Saxophone Solo
(1 part) Tenor Saxophone
Solo (1 part) Baritone
Saxophone Solo (1 part)
Flute 1 (1 part) Flute 2
(1 part) Flute 3 (1 part)
Oboe 1 (1 part) Oboe 2 (1
part) Bassoon 1(1 part)
Bassoon 2(1 part) Bb
Clarinet 1 (4 parts) Bb
Clarinet 2 (4 parts) Bass
Clarinet (1 part) Alto
Saxophones 1&2 (2 parts)
Tenor Saxophones 1&2 (2
parts) Baritone Saxophone
(1 part) Bb Trumpet 1 (1
part) Bb Trumpet 2 (1
part) Bb Trumpet 3 (1
part) F Horn 1 (1 part) F
Horn 2 (1 part) F Horn 3
(1 part) Trombone 1 (1
part) Trombone 2 (1 part)
Bass Trombone (1 part) Bb
Baritone / Euphonium B.C.
(1 part) C Tuba (1 part)
Double Bass (1 part)
Vibraphone & Timpani (1
part) Glockenspiel &
Xylophone (1 part)
Suspended
Cymbal/Tambourine/Bass
Drum (2 parts)
Triangle/Cymbal/Chimes/Sn
are Drum/Wood Block (2
parts) Additional
Parts: C Baritone /
Euphonium T.C. (1 part)
Bb Baritone / Euphonium
T.C. (1 part) C Euphonium
B.C. (1 part) Bb Tuba (1
part) Eb Tuba (1 part);
Difficuly Level: Grade 4;
Duration: 11 mn 30 s;
Musical Style: Classical;
Category: Original
Composition; Composer:
Gilles ARCENS;. $113.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pacific Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high...(+)
By Frank Ticheli. Concert
band - antiphonal.
Suitable for the most
advanced high school
bands, community,
college, university, and
professional bands. Grade
5. Conductor score and
set of parts. Duration
5:30
$165.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Galloping Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4
SKU:
MH.1-59913-064-5
Composed by William
Ryden. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 2:45. Published
by Manhattan Beach Music
(MH.1-59913-064-5).
ISBN
9781599130644. I
wrote Galloping Ghosts (A
Ragtime March) to
conclude a concert of my
chamber music in New York
City on October 28, 1986.
It is the final part of a
work called Rags for
Divers Players. This work
was written to show the
variety possible within
the standard rag form. I
used all the players
available for the finale
-- two violins, viola,
cello, bass, flute, oboe,
clarinet, horn, bassoon,
and piano. Since this is
a rather unusual
instrumental combination
and not easy to
reassemble, I decided to
rescore the work for
concert band. Galloping
Ghosts is written in a
standard march form but
incorporates many of the
syncopations found in
ragtime. The uniquely
American music called
ragtime traces its
history to African
rhythms brought over by
slaves. Over the years
this music became welded
to European musical forms
such as the quadrille and
the march. Drums and
banjos and the minstrel
tradition lent a special
flavor, and from all
these elements ragtime
slowly evolved within the
largely unknown black
subculture of the late
19th century. In the late
1890's it emerged as a
fully developed form in
the classic piano solos
of Scott Joplin
(1869-1917). Joplin's
1899 hit, Maple Leaf Rag,
was an overnight
sensation and brought
ragtime worldwide fame.
Ensemble instrumentation:
1 Piccolo, 8 Flute 1 and
2, 2 Oboe, 1 Eb Clarinet,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 2 Eb Alto Clarinet, 3
Bb Bass and Bb Contrabass
Clarinet, 2 Bassoon 1 and
2, 2 Eb Alto Saxophone 1,
2 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Cornet 1, 3 Bb Cornet 2,
3 Bb Cornet 3, 2 Horn 1
and 2 in F, 2 Horn 3 and
4 in F, 4 Trombone 1 and
2, 4 Bass Trombone, 2
Baritone (B.C.), 2
Baritone (T.C.), 4 Tuba,
1 String Bass, 1 Timpani,
1 Xylophone, 3 Percussion
1, 3 Percussion 2. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
(2)$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
$365.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| New Sounds in Brass: Welcome to the Tokyo III jazz club Orchestre d'harmonie [Conducteur et Parties séparées] Yamaha
Concert Band SKU: YM.GTW01101608 Composed by Shirō Sagisu. Arranged by M...(+)
Concert Band SKU:
YM.GTW01101608
Composed by Shirō
Sagisu. Arranged by
Masamichi Amano and Miho
Hazama. New Sounds in
Brass. Anime Song; Jazz.
Score and parts. Yamaha
Music Media #GTW01101608.
Published by Yamaha Music
Media (YM.GTW01101608).
ISBN 9784636112993.
8.25 x 11.75
inches. Welcome to
the Tokyo III jazz club
serves as the opening
song from the album The
world! EVAngelion JAZZ
night =The Tokyo III Jazz
club=, which is a jazz
arrangement of the
TV/movie soundtrack of
the Evangelion series by
Miho Hazama, now arrenged
for wind orchestra. Why
not try a fullfledged
JAZZ arrangement with
superb solos for alto
saxophone and trumpet?
Instrumentation:
Conductor×1; Piccolo×1;
1st & 2nd Flutes×2; 1st
& 2nd Oboes×2; 1st
Bassoon×1; 2nd
Bassoon×1; Clarinet in
E♭×1; 1st Clarinet in
B♭×3; 2nd Clarinet in
B♭×3; 3rd Clarinet in
B♭×3; Alto Clarinet in
E♭×1; Bass Clarinet in
B♭×1; 1st Alto
Saxophone in E♭×1; 2nd
Alto Saxophone in
E♭×1; 1st Tenor
Saxophone in B♭×1; 2nd
Tenor Saxophone in
B♭×1; Baritone
Saxophone in E♭×1; 1st
Trumpet in B♭×1; 2nd
Trumpet in B♭×1; 3rd
Trumpet in B♭×1; 4th
Trumpet in B♭×1; 1st &
2nd Horns in F×2; 3rd &
4th Horns in F×2; 1st
Trombone×1; 2nd
Trombone×1; 3rd
Trombone×1; Bass
Trombone×1;
Euphonium×2; Tuba×2;
String Bass or Electric
Bass Guitar×1; Electric
Guitar×1; Drums×1;
Triangle×1; Xylophone &
Glockenspiel×2;
Vibraphone×1
Performance time:
Approximately 6 minutes
17 seconds Difficulty
Level: 5. $81.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828. Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion. $125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concertino Classico for Flute and Concert Band Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
(Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band, Flute. ...(+)
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band, Flute. Anglo Music
Concert Band. Grade 4.
Anglo Music Press
#AMP288010. Published by
Anglo Music Press
$129.00 $122.55 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Sounds in Brass: Nessun dorma from "Turandot" Orchestre d'harmonie [Conducteur et Parties séparées] Yamaha
Concert Band SKU: YM.GTW01101612 Composed by Giacomo Puccini. Arranged by...(+)
Concert Band SKU:
YM.GTW01101612
Composed by Giacomo
Puccini. Arranged by
Hideaki Miura. New Sounds
in Brass. Arranged
Classic. Score and parts.
Yamaha Music Media
#GTW01101612. Published
by Yamaha Music Media
(YM.GTW01101612). ISBN
9784636113037. 8.25 x
11.75 inches. The
famous aria sung in the
third act of Puccini's
opera Turandot has been
arranged in the style of
EDM (electronic dance
music). Be sure to try
out the trumpet solo
played by Eric Miyashiro
in the recording.
Instrumentation:
Conductor×1; Piccolo×1;
1st & 2nd Flutes×2;
*Oboe×1; *Bassoon×1;
Clarinet in E♭×1; 1st
Clarinet in B♭×3; 2nd
Clarinet in B♭×3; 3rd
Clarinet in B♭×3;
*Alto Clarinet in
E♭×1; Bass Clarinet in
B♭×1; 1st Alto
Saxophone in E♭×1; 2nd
Alto Saxophone in
E♭×1; Tenor Saxophone
in B♭×1; Baritone
Saxophone in E♭×1; 1st
Trumpet in B♭×1; 2nd
Trumpet in B♭×1; 3rd
Trumpet in B♭×1; 1st &
2nd Horns in F×2; 3rd &
4th Horns in F×2; 1st
Trombone×1; 2nd
Trombone×1; Bass
Trombone×1;
Euphonium×2; Tuba×2;
Electric Bass Guitar×1;
*Electric Guitar×1;
Drums×1; Timpani×1;
Cymbals, Tambourine, Wood
Block & Bass Drum×1;
Wind Chime & Suspended
Cymbal×1;
Glockenspiel×1;
Xylophone, Marimba &
Chimes×3 The composition
can also be performed
without the instruments
marked with *.
Performance time:
Approximately 4 minutes
15 seconds Difficulty
Level: 3. $61.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Fugue a la Gigue Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Flute 1/Piccolo, Flute 2, Oboe, Eb Clarinet, Solo Bb Clarinet, Bb ...(+)
Concert band (Flute
1/Piccolo, Flute 2, Oboe,
Eb Clarinet, Solo Bb
Clarinet, Bb Clarinet 1,
Bb Clarinet 2, Bb
Clarinet 3, Bb Bass
Clarinet, Bassoon 1/2,
Alto Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Cornet 1,
Bb Cornet 2, Horn in F
1/2, Trombone 1/2, Bass)
- grade 5 SKU:
CN.R10299 Composed by
Johann Sebastian Bach.
Edited by Michael Brand.
Score and parts. Duration
5:10. Published by G & M
Brand Music Publishers
(CN.R10299).
Holst's
masterful military band
orchestration of J.S.
Bach's Organ Fugue in G
Major BWV 577. Michael
Brand's new edition
expands/doubles some of
Holst's original parts to
make the piece playable
by today's modern concert
band.
When Holst
was commissioned to write
'Hammersmith' for the BBC
Wireless Military Band in
1928 he felt rather out
of practice in
orchestrating for the
medium. For some years he
had had the idea of
arranging some Bach
fugues for brass and
military band so he set
himself the task of
scoring the Organ Fugue
in G Major BWV 577 (from
Preludes, Fugues and
Fantasias). He, rather
than Bach, called it
'Fugue a la Gigue.' The
piece made an ideal
exercise and Holst's
brilliant dovetailing of
the counterpoint between
different instruments
shows his mastery. The
piece is technically
demanding and the
characteristic unison
clarinet writing suggests
the orchestral conception
of a large wind ensemble
rather than a band. It
was this conception which
the composer carried
forward into
'Hammersmith.' 'Fugue a
la Gigue' was published
for military band in 1928
by Boosey & Hawkes and
shortly afterwards for
orchestra, but with only
short scores, as was
customary at the time.
This edition has the full
score of Holst's original
orchestration with
optional added parts for
full concert band. $85.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Reflections on the Mississippi Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic
Band). Composed by
Michael Daugherty
(1954-). For Concert Band
(Full Score). Michael
Daugherty Music. Grade
5-6. Softcover. Published
by Hal Leonard
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To Create a Voice Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226 Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226). ISBN
9781491152522. UPC:
680160910021. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create a Voice Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Shaker,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS226F Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F). ISBN
9781491153208. UPC:
680160910700. Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cosmic Expedition Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 3 SKU:
CF.CPS216 Composed by
Michael J. Miller.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+2+8+16+16+4+4+4+4+4
+4+8+8+8+4+4+6+6+6+8+6+2+
2+4+10+36+4 pages.
Duration 3 minutes, 3
seconds. Carl Fischer
Music #CPS216. Published
by Carl Fischer Music
(CF.CPS216). ISBN
9781491152423. UPC:
680160909926. Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cosmic Expedition Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe 1, Oboe 2,
Percussion 1 and more. -
Grade 3 SKU:
CF.CPS216F Composed
by Michael J. Miller.
Concert Band (CPS). Full
score. With Standard
notation. 36 pages. Carl
Fischer Music #CPS216F.
Published by Carl Fischer
Music (CF.CPS216F).
ISBN 9781491153109.
UPC:
680160910601. Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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