(As performed by Bruno Mars on his Doo Wops and Hooligans album). By Khal...(+)
(As performed by Bruno
Mars on his Doo Wops
and Hooligans album).
By Khalil Walton, Bruno
Mars, Ari Levine, and
Khari Cain. Arranged by
Roland Barrett. Concert
Band. Concert Band;
Part(s); Score. Pop Young
Band. Pop. Grade 2. 130
pages. Published by
Alfred Music Publishing
(As performed by Bruno Mars on his Doo Wops and Hooligans album). By Khal...(+)
(As performed by Bruno
Mars on his Doo Wops
and Hooligans album).
By Khalil Walton, Bruno
Mars, Ari Levine, and
Khari Cain. Arranged by
Roland Barrett. Concert
Band. Concert Band;
Score. Pop Young Band.
Pop. Grade 2. 16 pages.
Published by Alfred Music
Publishing
When Hearts Tremble Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Bruno Mars Greatest Hits Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out ...(+)
(Featuring: Just the Way
You
Are (Amazing) / When I
Was
Your Man / Locked Out of
Heaven). Concert Band.
Concert Band; Part(s);
Score. Pop Concert Band.
Form: Medley. Pop. Grade
3.
Published by Alfred Music
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
The Best of Billy Joel Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094671-010 Composed by Billy...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094671-010
Composed by Billy Joel.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1094671-010. Published by
De Haske Publications
(BT.DHP-1094671-010).
9x12 inches.
English-German-French-Dut
ch.
Billy Joel
lässt sich gerne von
ganz verschiedenen
Musikrichtungen
inspirieren - von
Beethoven über Ray
Charles bis zu den
Rolling Stones. Das
spiegelt sich auch in der
Vielfältigkeit seiner
Songs wider, die oft sehr
persönlich und
anrührend sind. Peter
Kleine Schaars‘
Medley enthält vier
Hits, die über die
ganze Gefühlspalette
von fröhlich über
nachdenklich bis
melancholisch gehen: Just
the Way You Are, My Life,
Honesty und Uptown
Girl.
(As performed by Bruno Mars). By Khalik Walton, Bruno Mars, Ari Levine, and Khar...(+)
(As performed by Bruno
Mars). By Khalik Walton,
Bruno Mars, Ari Levine,
and Khari Cain. Arranged
by Jacob White. Concert
Band. Concert Band;
Score. Hot Pop Band. Pop.
Grade 2. 12 pages.
Published by Alfred Music
Publishing
(As performed by Bruno Mars). By Khalik Walton, Bruno Mars, Ari Levine, and Khar...(+)
(As performed by Bruno
Mars). By Khalik Walton,
Bruno Mars, Ari Levine,
and Khari Cain. Arranged
by Jacob White. Concert
Band. Concert Band;
Part(s); Score. Hot Pop
Band. Pop. Grade 2. 124
pages. Published by
Alfred Music Publishing
Concert Band - Grade 1 SKU: AP.47390S Featuring: That's What I Like / ...(+)
Concert Band - Grade 1
SKU: AP.47390S
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score. 28
pages. Duration 4:30.
Alfred Music #00-47390S.
Published by Alfred Music
(AP.47390S).
ISBN
9781470653057. UPC:
038081546582.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
Concert Band - Grade 1 SKU: AP.47390 Featuring: That's What I Like / J...(+)
Concert Band - Grade 1
SKU: AP.47390
Featuring: That's What
I Like / Just the Way You
Are (Amazing) / The Lazy
Song / Marry You.
Composed by Various.
Arranged by Michael
Story. Concert Band;
Performance Music
Ensemble. Pop Beginning
Band. Pop. Score and
Part(s). 276 pages.
Duration 4:30. Belwin
Music #00-47390.
Published by Belwin Music
(AP.47390).
ISBN
9781470653040. UPC:
038081546575.
English.
Bruno Mars
is undoubtedly one of
today's biggest recording
artists. He has had a
string of top hits and
has won a whopping 11
Grammy Awards to date.
Including That's What I
Like, Just the Way You
Are, The Lazy Song, and
Marry You, each of the
songs can be played alone
or may be combined into a
Bruno Mars suite.
(4:30).
Contemplation Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS122F Composed by Larry Clark. Begi...(+)
Band concert band - Grade
1
SKU: CF.BPS122F
Composed by Larry Clark.
Beginning Band (BPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS122F.
Published by Carl Fischer
Music (CF.BPS122F).
ISBN 9781491152768.
UPC:
680160910267.
As
the title implies, this
piece is written in a
contemplative manner for
beginning students.Â
It is a good piece to
demonstrate basic
compositional techniques
that the students will be
able identify easily in
the piece. It begins with
a lush opening section
with an elegant melody to
work on musicianship.
This is contrasted by the
uptempo section of the
piece based on the same
basic musical material,
but in a varied style and
frolicking feel. A very
satisfying piece for
beginning wind
players. Contemplation
: the action to look
thoughtfully at something
for a long time.When
composing music that will
be used with younger
students, I want to
stimulate thoughtfulness
in them. In this
particular piece I want
the students to be able
to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner. To me, this is
the essence of musical
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play. As soon
as possible, they should
be asked to put
themselves into the music
and make it more than the
notes and rhythms on the
page.This piece is my
attempt to provide very
young students, who are
just beginning their
musical journey, with
something they can reach
technically, but have to
stretch for
musically. The amount
of notes and rhythms
is limited, but students
should strive for beauty
of tone, good phrasing
and emotional
involvement.After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme, featuring the
lower voices, before the
piece leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
differences in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all
of my pieces for younger
students, it is
completely acceptable to
me for you to adjust the
tempo to fit the
educational needs of your
students.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
Contemplation Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS122 Composed by Larry Clark. Begin...(+)
Band concert band - Grade
1
SKU: CF.BPS122
Composed by Larry Clark.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+4+12+2 pages. Duration
5 minutes, 1 seconds.
Carl Fischer Music
#BPS122. Published by
Carl Fischer Music
(CF.BPS122).
ISBN
9781491152089. UPC:
680160909582.
As
the title implies, this
piece is written in a
contemplative manner for
beginning students.Â
It is a good piece to
demonstrate basic
compositional techniques
that the students will be
able identify easily in
the piece. It begins with
a lush opening section
with an elegant melody to
work on musicianship.
This is contrasted by the
up tempo section of the
piece based on the same
basic musical material,
but in a varied style and
frolicking feel. A very
satisfying piece for
beginning wind
players. Contemplation
: the action to look
thoughtfully at something
for a long time.When
composing music that will
be used with younger
students, I want to
stimulate thoughtfulness
in them. In this
particular piece I want
the students to be able
to stretch their
musicianship beyond their
experience on their
instruments to play in a
contemplative
manner. To me, this is
the essence of musical
playing in an emotional
and thoughtful way. It is
something that cannot be
stressed enough, even in
students that have just
begun to play. As soon
as possible, they should
be asked to put
themselves into the music
and make it more than the
notes and rhythms on the
page.This piece is my
attempt to provide very
young students, who are
just beginning their
musical journey, with
something they can reach
technically, but have to
stretch for
musically. The amount
of notes and rhythms
is limited, but students
should strive for beauty
of tone, good phrasing
and emotional
involvement.After a short
introduction, the
heartfelt main theme
begins at a lyrical and
slow tempo. This is
developed with the
addition of a secondary
theme, featuring the
lower voices, before the
piece leads to an Allegro
section that is based on
the same musical material
with a difference in
tempo and a variation in
rhythm patterns. The
piece can serve to show
students that the same
basic music can have an
entirely different
emotional connection with
differences in tempo,
rhythm and style, with
the first section of the
piece being sentimental
and the faster section
being more joyous in
nature. As with all
of my pieces for younger
students, it is
completely acceptable to
me for you to adjust the
tempo to fit the
educational needs of your
students.It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your
program.—Larry
ClarkLakeland, FL
2018.
National Anthems Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.026-4661-00 Canada, United Kingdom, France. Arrang...(+)
Grade 3
SKU:
CL.026-4661-00
Canada, United
Kingdom, France.
Arranged by Stanton.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2018. Duration 3 minutes,
16 seconds. C.L.
Barnhouse #026-4661-00.
Published by C.L.
Barnhouse
(CL.026-4661-00).
Take your
musicians on a cultural
exchange trip to Canada,
France and the United
Kingdom! You can play any
of these three national
anthems individually, or
pair them with the Star
Spangled Banner
(available separately in
Build-A-Band format) as
an opening travel-log at
your next concert. Lots
of ways to teach across
the curriculum with these
easy, great sounding
arrangements meant for
smaller bands with
limited instrumentation.
Hosting foreign exchange
students from these
countries? Honor them at
your concert with their
national anthem! Please
stand, remove hats and
join in the presentation
of the national
anthems!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
National Anthems Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.026-4661-01 Canada, United Kingdom, France. Arrang...(+)
Grade 3
SKU:
CL.026-4661-01
Canada, United
Kingdom, France.
Arranged by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2018.
Duration 3 minutes, 16
seconds. C.L. Barnhouse
#026-4661-01. Published
by C.L. Barnhouse
(CL.026-4661-01).
Take your
musicians on a cultural
exchange trip to Canada,
France and the United
Kingdom! You can play any
of these three national
anthems individually, or
pair them with the Star
Spangled Banner
(available separately in
Build-A-Band format) as
an opening travel-log at
your next concert. Lots
of ways to teach across
the curriculum with these
easy, great sounding
arrangements meant for
smaller bands with
limited instrumentation.
Hosting foreign exchange
students from these
countries? Honor them at
your concert with their
national anthem! Please
stand, remove hats and
join in the presentation
of the national
anthems!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Flying Away Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS267F Composed by Yukiko Nishimura....(+)
Band Concert Band - Grade
3
SKU: CF.CPS267F
Composed by Yukiko
Nishimura. Cps. Full
score. 16 pages. Duration
3 minutes, 53 seconds.
Carl Fischer Music
#CPS267F. Published by
Carl Fischer Music
(CF.CPS267F).
ISBN
9781491161777. UPC:
680160920464.
I
love to look up at the
sky. When I see
contrails, I wonder where
they are going, and it
reminds me of my
hometown. Because of the
pandemic, many people are
still unable to visit
their loved ones, and I
thought they would want
to fly away as soon as
possible. This is the
concept of this piece.
You may be thinking about
the places you want to go
to or the family and
friends you want to see,
and you may feel excited,
or you may feel lonely.
At such times, the sky is
always watching over us
with its great receptive
power. The sky gives us
energy and courage. When
I'm in a cheerful mood, I
just want to flap my
wings like a bird to the
sky and fly away!. I
love to look up at the
sky. When I see
contrails, I wonder where
they are going, and it
reminds me of my
hometown. Because of the
pandemic, many people are
still unable to visit
their loved ones, and I
thought they would want
to fly away as soon as
possible. This is the
concept of this
piece. You may be
thinking about the places
you want to go to or the
family and friends you
want to see, and you may
feel excited, or you may
feel lonely. At such
times, the sky is always
watching over us with its
great receptive power.
The sky gives us energy
and courage. When I'm in
a cheerful mood, I just
want to flap my wings
like a bird to the sky
and fly away!
Flying Away Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS267 Composed by Yukiko Nishimura. ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS267
Composed by Yukiko
Nishimura. Cps. Set of
Score and Parts.
8+8+4+8+8+8+4+2+4+4+4+2+4
+4+4+4+3+3+3+2+4+2+1+3+16
pages. Duration 3
minutes, 53 seconds. Carl
Fischer Music #CPS267.
Published by Carl Fischer
Music (CF.CPS267).
ISBN 9781491161517.
UPC:
680160920143.
I
love to look up at the
sky. When I see
contrails, I wonder where
they are going, and it
reminds me of my
hometown. Because of the
pandemic, many people are
still unable to visit
their loved ones, and I
thought they would want
to fly away as soon as
possible. This is the
concept of this piece.
You may be thinking about
the places you want to go
to or the family and
friends you want to see,
and you may feel excited,
or you may feel lonely.
At such times, the sky is
always watching over us
with its great receptive
power. The sky gives us
energy and courage. When
I'm in a cheerful mood, I
just want to flap my
wings like a bird to the
sky and fly away!. I
love to look up at the
sky. When I see
contrails, I wonder where
they are going, and it
reminds me of my
hometown. Because of the
pandemic, many people are
still unable to visit
their loved ones, and I
thought they would want
to fly away as soon as
possible. This is the
concept of this
piece. You may be
thinking about the places
you want to go to or the
family and friends you
want to see, and you may
feel excited, or you may
feel lonely. At such
times, the sky is always
watching over us with its
great receptive power.
The sky gives us energy
and courage. When I'm in
a cheerful mood, I just
want to flap my wings
like a bird to the sky
and fly away!
The Craftsmen Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053879-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1053879-015
Composed by Christian
Bouthier. Flexible 5
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053879-015. Published by
De Haske Publications
(BT.DHP-1053879-015).
9x12 inches.
English-German-French-Dut
ch.
The energetic
activities of three
craftsmen at a local
crafts market inspired
the composer Christian
Bouthier to write this
work in three movements.
The clockmaker gets many
curious visitors at his
stand. He patiently and
proudly shows the
precision work of his
beautiful clocks and lets
all of them tick - the
small ones and large
ones. The cooper
(barrel-maker) skillfully
puts together
fine-looking, sturdy
barrels of the best types
of wood. From afar, you
can hear the cooper
hammering. In the final
movement things are
hectic at the blacksmith
because the local
horse-riding society has
just arrived. Many horses
are provided with new
shoes. The experienced
blacksmith hits
thehorseshoes into the
proper shape on his
anvil; now the horses can
spiritedly trot and
gallop on the way back. A
fascinating new addition
to the concert band
repertoire.
De
energieke werkzaamheden
van drie ambachtslieden
op een plaatselijke
ambachtsmarkt
inspireerden de Belgische
componist Christian
Bouthier tot het
schrijven van The
Craftsmen, een
compositie in drie delen.
De klokkenmaker,de kuiper
(tonnenmaker) en de
hoefsmid worden
achtereenvolgens op
ludieke wijze in de
muziek
weergegeven.
Zu
The Craftsmen -
‘Die
Handwerker’ -
ließ sich Christian
Bouthier beim Bummel
über einen Markt
inspirieren, wo alte
Handwerkskünste
vorgeführt wurden. In
den drei Sätzen seiner
Komposition werden sehr
anschaulich die
Klangeindrücke in
Musik umgesetzt: das
Ticken nostalgischer
Uhren beim Uhrmacher, das
Hämmern des
Böttchers beim Bau von
Holzfässern und
schließlich das
Schlagen der Hufeisen,
bevor der Hufschmied die
Pferde beschlägt. Ein
Werk der Reihe
Flexible 5 für
eine fünfstimmig
variable Besetzung, an
dem Musiker und Publikum
ihre Freude haben
werden!
Affascinato
dall’originalit e
dallo charme di un
mercato di artigiani, per
comporre questa suite in
tre movimenti, Christian
Bouthier si è ispirato
al
“savoir-faireâ€
di tre artigiani.
All’ombra dei
platani, dinnanzi ad un
pubblico numeroso ed
appassionato, gli
artigiani eseguono e
ripetono gesti ancestrali
che danno vita a oggetti
unici. Scoprite le
tradizioni attraverso un
orologiaio, un bottaio e
un fabbro.
Grade 2 SKU: CL.011-3827-01 Composed by Conaway. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3827-01
Composed by Conaway.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR363). Extra full
score. Composed 2009.
Duration 2 minutes. C.L.
Barnhouse #011-3827-01.
Published by C.L.
Barnhouse
(CL.011-3827-01).
Holiday cheer
takes a time-out in Matt
Conaway’s humorous
tale of Christmas
carolers who just
can’t agree on
which song to sing. A
series of interruptions,
interjections, and
intrusions breaks down
into an all-out argument
until the musicians find
common ground in a song
that will always be
popular this time of
year. A great way to add
some humor to your winter
concert!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Will Drum for Food Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
By Carl Strommen. Concert Band. For Concert Band. Carl Fischer Young Performance...(+)
By Carl Strommen. Concert
Band. For Concert Band.
Carl Fischer Young
Performance Series. Grade
2.5. Full Score. Standard
notation. Duration 3:01.
Published by Carl Fischer
The Craftsmen Orchestre d'harmonie - Facile De Haske Publications
Concert Band - Grade 2 SKU: BT.DHP-1053879-040 Composed by Christian Bout...(+)
Concert Band - Grade 2
SKU:
BT.DHP-1053879-040
Composed by Christian
Bouthier. Flexible 5
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053879-040. Published by
De Haske Publications
(BT.DHP-1053879-040).
9x12 inches.
English-German-French-Dut
ch.
The energetic
activities of three
craftsmen at a local
crafts market inspired
the composer Christian
Bouthier to write this
work in three movements.
The clockmaker gets many
curious visitors at his
stand. He patiently and
proudly shows the
precision work of his
beautiful clocks and lets
all of them tick - the
small ones and large
ones. The cooper
(barrel-maker) skillfully
puts together
fine-looking, sturdy
barrels of the best types
of wood. From afar, you
can hear the cooper
hammering. In the final
movement things are
hectic at the blacksmith
because the local
horse-riding society has
just arrived. Many horses
are provided with new
shoes. The experienced
blacksmith hits
thehorseshoes into the
proper shape on his
anvil; now the horses can
spiritedly trot and
gallop on the way back. A
fascinating new addition
to the concert band
repertoire.
De
energieke werkzaamheden
van drie ambachtslieden
op een plaatselijke
ambachtsmarkt
inspireerden de Belgische
componist Christian
Bouthier tot het
schrijven van The
Craftsmen, een
compositie in drie delen.
De klokkenmaker,de kuiper
(tonnenmaker) en de
hoefsmid worden
achtereenvolgens op
ludieke wijze in de
muziek
weergegeven.
Zu
The Craftsmen -
‘Die
Handwerker’ -
ließ sich Christian
Bouthier beim Bummel
über einen Markt
inspirieren, wo alte
Handwerkskünste
vorgeführt wurden. In
den drei Sätzen seiner
Komposition werden sehr
anschaulich die
Klangeindrücke in
Musik umgesetzt: das
Ticken nostalgischer
Uhren beim Uhrmacher, das
Hämmern des
Böttchers beim Bau von
Holzfässern und
schließlich das
Schlagen der Hufeisen,
bevor der Hufschmied die
Pferde beschlägt. Ein
Werk der Reihe
Flexible 5 für
eine fünfstimmig
variable Besetzung, an
dem Musiker und Publikum
ihre Freude haben
werden!
Affascinato
dall’originalit e
dallo charme di un
mercato di artigiani, per
comporre questa suite in
tre movimenti, Christian
Bouthier si è ispirato
al
“savoir-faireâ€
di tre artigiani.
All’ombra dei
platani, dinnanzi ad un
pubblico numeroso ed
appassionato, gli
artigiani eseguono e
ripetono gesti ancestrali
che danno vita a oggetti
unici. Scoprite le
tradizioni attraverso un
orologiaio, un bottaio e
un fabbro.
Fanfare Band - Grade 3 SKU: BT.CMP-0909-05-020 Composed by Stephen Bulla....(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-0909-05-020
Composed by Stephen
Bulla. Arranged by
Frederik Kampstra.
Concert Band. Original
Light Music. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0909-05-020. Published by
Curnow Music
(BT.CMP-0909-05-020).
9x12 inches.
English.
Authentic
Big Band swing style
music for the concert
band! You know this one
will be a crowd pleaser,
and SO much fun to play!
Stephen Bulla works his
magic with the great Jazz
sounds of the 40s and 50s
in such a way that your
band will be able to put
it together and make it
happen. Lots of great
jazz style articulation
and harmonic
considerations ensure
that your students are
doing more than just
playing the piece. They
are learning Big Band
Jazz style interpretation
in the bargain, and
loving it as they do.
This is a great
opportunity to study the
historical American roots
of Jazz!
In dit
werk van de Amerikaanse
componist Stephen Bulla
komen de geweldige
jazzsounds die in de
jaren veertig en vijftig
van de vorige eeuw zo
populair waren - en die
een revival beleven - tot
klinken. De swingende
melodieën in ditwerk
zijn allemaal origineel
gecomponeerd, maar de
bigbandstijl is heel
herkenbaar. Voor jong en
oud een plezier om te
spelen en om naar te
luisteren!
Jump
in at the Swing Train
ist eine originale
Komposition des
Amerikaners Stephen Bulla
im authentischen
Big-Band-Stil für Ihr
Blasorchester! Diese
schwungvolle Komposition
übt den Zauber der
großen Jazzmusik der
1940 und -50er Jahre
aus.Springen Sie auf den
Swing-Zug auf - Ihr
Publikum wird gerne
mitfahren!
Fanfare Band - Grade 3 SKU: BT.CMP-0909-05-120 Composed by Stephen Bulla....(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-0909-05-120
Composed by Stephen
Bulla. Concert Band.
Original Light Music.
Score Only. Composed
2005. 24 pages. Curnow
Music #CMP 0909-05-120.
Published by Curnow Music
(BT.CMP-0909-05-120).
9x12 inches.
English.
Authentic
Big Band swing style
music for the concert
band! You know this one
will be a crowd pleaser,
and SO much fun to play!
Stephen Bulla works his
magic with the great Jazz
sounds of the 40s and 50s
in such a way that your
band will be able to put
it together and make it
happen. Lots of great
jazz style articulation
and harmonic
considerations ensure
that your students are
doing more than just
playing the piece. They
are learning Big Band
Jazz style interpretation
in the bargain, and
loving it as they do.
This is a great
opportunity to study the
historical American roots
of Jazz!
In dit
werk van de Amerikaanse
componist Stephen Bulla
komen de geweldige
jazzsounds die in de
jaren veertig en vijftig
van de vorige eeuw zo
populair waren - en die
een revival beleven - tot
klinken. De swingende
melodieën in ditwerk
zijn allemaal origineel
gecomponeerd, maar de
bigbandstijl is heel
herkenbaar. Voor jong en
oud een plezier om te
spelen en om naar te
luisteren!
Jump
in at the Swing Train
ist eine originale
Komposition des
Amerikaners Stephen Bulla
im authentischen
Big-Band-Stil für Ihr
Blasorchester! Diese
schwungvolle Komposition
übt den Zauber der
großen Jazzmusik der
1940 und -50er Jahre
aus.Springen Sie auf den
Swing-Zug auf - Ihr
Publikum wird gerne
mitfahren!
Operatica Orchestre d'harmonie - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0905-05-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.CMP-0905-05-140
Composed by James Hosay.
Concert Band. Concert
Piece. Score Only.
Composed 2005. 40 pages.
Curnow Music #CMP
0905-05-140. Published by
Curnow Music
(BT.CMP-0905-05-140).
English.
If you
seek truly dramatic
music, look to opera.
Opera has been enormously
influential on Classical,
Popular, and Film and
Television music over the
years. James L.
Hosay’s new
intermediate level piece,
Operatica, incorporates
the important elements of
Opera and Classical music
to bring exhilarating
drama to the concert band
stage. Style and
technical considerations
make this a rich learning
experience for the band.
Add in the dimension of
music history by studying
Opera and Classical
music, and you have a
wonderful teaching tool!
The grand theme explores
a multitude of colours as
it twists and turns its
way through opera-style
development and
variation. Whether for
formal,festival, or just
concert use, you will
find this to be a
thrilling addition to
your library.
Opera heeft in de
loop der jaren enorm veel
invloed gehad op
klassieke, populaire,
film- en televisiemuziek.
In Operatica zijn
belangrijke elementen
(drama, spanning en
passie) uit de
operamuziek van de
achttiende en
negentiendeeeuw verwerkt.
Deze ouverture,
voornamelijk in de
stijlen van Wagner en
Mozart geschreven, is
meeslepend en geeft uw
muzikanten tevens de
mogelijkheid om
belangrijke aspecten uit
de klassieke muziek te
leren kennen. Het
hoofdthemaomvat een
veelvoud van kleuren
terwijl het zijn weg
vindt in opera-achtige
variaties.
Operatica: een
aanwinst voor uw
repertoire!
Sind
Sie auf der Suche nach
wahrhaft dramatischer
Musik? Denken Sie an die
Oper. James L. Hosays
Komposition verbindet
wichtige Elemente von
Oper und klassischer
Musik miteinander und
bringt somit ganz
große Dramatik auf
Ihre Konzertbühne. Das
großartige Thema von
Operatica
entwickelt eine Fülle
an Klangfarben,
während es sich durch
zahlreiche Variationen im
Stil der Oper
schlängelt. Eine
wunderbare neue Erfahrung
für die Musiker und
ein Erlebnis für das
Publikum!
Concert Band Concert Band - Grade 1 SKU: FJ.B1380S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1380S
Score
Only. Composed by
Timothy Loest. Concert
Band. FJH Beginning Band.
Light Concert; Novelty;
Rock. Score. Duration
1:10. The FJH Music
Company Inc #98-B1380S.
Published by The FJH
Music Company Inc
(FJ.B1380S).
English.
Experie
nce 'rush-hour rock' like
you've never experienced
before! This
easy-grooving,
well-crafted original
derives its automotive
charm from the various
car horn effects played
throughout. Various
novelty percussion
instruments such as the
police whistle and bulb
horn will car pool your
audience from the concert
hall to the expressway. A
charming piece that will
put a smile on everyone's
face, even if they get
stuck in traffic on the
way home from the
concert!
Traffic
Jam represents my idea of
rush hour rock. This work
derives its automotive
charm from the various
car horn effects played
throughout. The most
important articulation in
the work is the marcato
accent. Whenever this
articulation appears, a
car horn is being honked.
Each honk should be
percussive and short.
Although the honks are
dissonant, their
composite notes should be
balanced. It is
recommended that the
various honks be isolated
during rehearsal, so that
just the right sound and
feel is achieved. Other
important sounds include
the police whistle and
bulb horn. These novelty
instruments should be
held high for the
audience to see and hear.
With over 4 million miles
of roads in the United
States, one is destined
to experience automotive
gridlock. So before
giving into road rage,
roll down the windows,
turn on the radio, and
enjoy a traffic
jam!
Score only. Full
set (score and parts)
also available:
B1380.
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
By John Philip Sousa. Arranged by Larry Clark. By John Philip Sousa / arr. Larry...(+)
By John Philip Sousa.
Arranged by Larry Clark.
By John Philip Sousa /
arr. Larry Clark. For
Concert Band. Concert
Band. Belwin Beginning
Band. Level: 1 (Very
Easy) (grade 1).
Conductor Score. 16
pages. Published by
Alfred Publishing.
Angela's Song Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.026-4323-01 Composed by Huckeby. Concert B...(+)
Concert band - Grade 2
SKU:
CL.026-4323-01
Composed by Huckeby.
Concert Band.
Build-A-Band. Extra full
score. Composed 2014.
Duration 2 minutes, 7
seconds. C.L. Barnhouse
#026-4323-01. Published
by C.L. Barnhouse
(CL.026-4323-01).
Ed
Huckeby’s
Build-A-Band arrangement
of Angela’s Song
is arranged for solo and
small band. Solo parts
are included for all of
the usual band solo
instruments plus the
usual Build-A-Band
instrumentation which
allows it to performed
with Soloist plus other
instruments so that the
four essential band parts
are covered. Optional
Percussion and keyboard
parts can add to the
overall effect. A great
way to show off your best
player even with a very
small band.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)