By Alfred Reed (1921-2005). For concert band. Concert Band. Sacred. Grade 3.5. S...(+)
By Alfred Reed
(1921-2005). For concert
band. Concert Band.
Sacred. Grade 3.5. Score
and set of parts.
Composed 1995. Duration 4
minutes, 39 seconds.
Published by C.L.
Barnhouse
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along....(+)
SKU: CL.WFR306
Walking Frog Records CD.
Walking Frog Records.
Play Along. CD. Composed
1999. Walking Frog
Records #WFR306.
Published by Walking Frog
Records (CL.WFR306).
An incredible
set utilizing recordings
from the 19 volume Gems
Of The Concert Band LP
record series. These
famous recordings were
remarkable for the
superlative
interpretations and
masterful performances of
Leonard B. Smith and the
Detroit Concert Band.
Digitally remastered with
the clarity of the
original performances
restored. A top notch
band which produced great
music... these are
fabulous recordings. -
Robert Peckham,
Windjammers Unlimited
Volume 1 - Great
Performances Introduction
to Act III of Lohengrin;
Marche Militaire
Francaise; Espana
Rhapsody; Shepherd's Hey;
Excerpts from Andrea
Chenier; Dance of the
Tumblers from
Snegourotchka; Flight of
the Bumblebee; Theme and
Variations from Suite No.
III; Marche Hongroise
Rakoczy; Rhapsodic Dance;
Bamboula; Clear Track
Polka; Polka and Fugue
from Schwanda the Bagpipe
Player; Excerpts from
Manzoni Requiem Volume 2
- Magnificent Marches
Americans We; Chicago
Tribune; Mainliner; Music
Festival; Official West
Point March; Spirit of
Independence; The Chimes
of Liberty; Valdres;
World Events; Barnum and
Bailey's Favorite;
American Patrol;
Jurisprudence; Bombasto;
Boston Commandery; March
of the Toys; On Jersey
Shore; Second Regiment -
Connecticut National
Guard; The Joker; The
March King; Under the
Double Eagle; Gate City;
Lights Out; American Red
Cross March; Entry of the
Gladiators; National
Emblem March; Volume 3 -
Music of the Masters
March and Procession of
Bacchus fromSylvia;
Bacchanale from Samson
and Delilah; Italian
Polka; Slavonic Dance No.
3; Farandole from
L'Arlesienne Suite;
Finlandia; Golliwog's
Cake Walk; The Kaffir on
the Karoo; Fugue a la
Gigue; Symphony No. 4
(Finale); Two Norwegian
Dances; Hungarian Dance
No. 5; Ecossaises; Second
Hungarian Rhapsody Volume
4 - Virtuoso Soloists
Carnival of Venice;
Fantastic Polka; Believe
Me; If All Those
Endearing Young Charms;
Rigoletto: Bella figlia
del amore; The Bugler;
Through the Air; Bugler's
Holiday; Blue Bells of
Scotland; Columbian
Fantasy; The Bride Elect:
An Awkward Complication
This; Wood Up Quickstep;
The Three Solitaires; The
Southern Cross; Bravura
Variations; My Heaven of
Love; Atlantic Zephyrs;
Land of the Free; Sextet:
Chi mi frena... Volume 5
- Legendary Overtures
Zampa Overture; La Forza
del Destino Overture;
Light Cavalry Overture;
Oberon Overture; Raymond
Overture; Ruy Blas
Overture; Egmont
Overture; Roman Carnival
Overture; William Tell
Overture.
The Lion King Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Performed by Elton John. By Elton John, Hans Zimmer, Tim Rice. Arranged by John ...(+)
Performed by Elton John.
By Elton John, Hans
Zimmer, Tim Rice.
Arranged by John Higgins.
Score and full set of
parts. Young Band
(Concert Band). Grade 3.
Size 9x12 inches.
Published by Hal Leonard.
The Lion King Medley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1196168-140 Circle of Life...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1196168-140
Circle of Life - I
Just Can't Wait To Be
King - Can You Feel The
Love Tonight - King Of
Pride Rock. Composed
by Elton John, Hans
Zimmer, and Tim Rice.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
2019. 32 pages. De Haske
Publications #DHP
1196168-140. Published by
De Haske Publications
(BT.DHP-1196168-140).
The ’New
Sounds’ series
showcases the greatest
and most popular titles
in innovative
arrangements by
Japan’s top
arrangers. This medley
from The Lion King
includes 'Circle of
Life’, 'I Just
Can't Wait To Be
King’, 'Can You
Feel The Love
Tonight’ and 'King
Of Pride Rock’.
De serie
’New
Sounds’ zet de
grootste en populairste
titels in vernieuwende
arrangementen van Japanse
toparrangeurs in de
schijnwerpers. Deze
medley uit The Lion King
bevat 'Circle of
Life’, 'I Just
Can't Wait To Be
King’, 'Can You
Feel The Love
Tonight’ en 'King
Of Pride Rock’.
Die legendäre
Reihe New Sounds for
Concert Band“
zeichnet sich durch
innovative und
hochwertige Arrangements
der größten und
beliebtesten Titel von
den besten Arrangeuren
Japans aus. Dieses Medley
mit Stücken aus The
Lion King“
beinhaltet Circle of
Life“, I Just Can't
Wait To Be King“,
Can You Feel The Love
Tonight“ und King
Of Pride Rock“.
La collana 'New
Sounds' presenta i brani
più famosi e
significativi
riarrangiati in modo
innovativo dai migliori
arrangiatori giapponesi.
Il medley di The Lion
King include Circle of
Life, I Just Can't Wait
To Be King, Can You Feel
The Love Tonight e King
Of Pride Rock.
The Lion King Medley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1196168-010 Circle of Life...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1196168-010
Circle of Life - I
Just Can't Wait To Be
King - Can You Feel The
Love Tonight - King Of
Pride Rock. Composed
by Elton John, Hans
Zimmer, and Tim Rice.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed 2019. De Haske
Publications #DHP
1196168-010. Published by
De Haske Publications
(BT.DHP-1196168-010).
The â??New
Soundsâ?? series
showcases the greatest
and most popular titles
in innovative
arrangements by
Japanâ??s top arrangers.
This medley from The Lion
King includes 'Circle of
Lifeâ??, 'I Just Can't
Wait To Be Kingâ??, 'Can
You Feel The Love
Tonightâ?? and 'King Of
Pride Rockâ??.
De serie â??New
Soundsâ?? zet de
grootste en populairste
titels in vernieuwende
arrangementen van Japanse
toparrangeurs in de
schijnwerpers. Deze
medley uit The Lion King
bevat 'Circle of
Lifeâ??, 'I Just Can't
Wait To Be Kingâ??, 'Can
You Feel The Love
Tonightâ?? en 'King Of
Pride Rockâ??.
Die legendäre
Reihe New Sounds for
Concert Bandâ?? zeichnet
sich durch innovative und
hochwertige Arrangements
der grö�ten und
beliebtesten Titel von
den besten Arrangeuren
Japans aus. Dieses Medley
mit Stücken aus The
Lion Kingâ?? beinhaltet
Circle of Lifeâ??, I
Just Can't Wait To Be
Kingâ??, Can You Feel
The Love Tonightâ?? und
King Of Pride Rockâ??.
La collana 'New
Sounds' presenta i brani
più famosi e
significativi
riarrangiati in modo
innovativo dai migliori
arrangiatori giapponesi.
Il medley di The Lion
King include Circle of
Life, I Just Can't Wait
To Be King, Can You Feel
The Love Tonight e King
Of Pride Rock.
The Viking Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé C.L. Barnhouse
(March). By King. Arranged by Andrew Glover. Concert band. Karl L. King Centenni...(+)
(March). By King.
Arranged by Andrew
Glover. Concert band.
Karl L. King Centennial
Series. Audio recording
available separately
(item CL.WFR372). Grade
4. Score and set of
parts. Composed 2011.
Duration 2 minutes, 37
seconds. Published by
C.L. Barnhouse
Score Only Concert Band (Score) - Grade 2-3 SKU: HL.4005025 Arranged by M...(+)
Score Only Concert Band
(Score) - Grade 2-3
SKU: HL.4005025
Arranged by Michael
Brown. Flex-Band Grade 3.
Movies. Softcover. 24
pages. Published by Hal
Leonard (HL.4005025).
UPC: 888680661755.
9.0x12.0x0.054
inches.
Originally
released as an animated
film in 1994, then
adapted as a stunning
musical for Broadway in
1997, The Lion King
remains one of the most
powerful and beloved
productions to come out
of the Disney studios.
Scored for flexible
instrumentation this
medley includes: This
Land, I Just Can't Wait
to Be King, Hakuna
Matata, Can You Feel the
Love Tonight? and Circle
of Life.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Isn't She Lovely? Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-140 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-140
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2012. 24 pages.
De Haske Publications
#DHP 1125254-140.
Published by De Haske
Publications
(BT.DHP-1125254-140).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“ sang
Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das Radio
bekannt und blieb über
die Jahre hinweg in den
Ohren und Herzen der
Menschen auf der ganzen
Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
Isn't She Lovely? Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-010 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-010
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125254-010. Published by
De Haske Publications
(BT.DHP-1125254-010).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“
sang Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das
Radio bekannt und blieb
über die Jahre
hinweg in den Ohren und
Herzen der Menschen auf
der ganzen Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
The Lion King Orchestre d'harmonie - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006233 Highlights f...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006233
Highlights from the
Motion Picture.
Composed by Elton John,
Hans Zimmer, and Tim
Rice. Arranged by Michael
Brown. Young Concert
Band. Disney, Movies.
Softcover. 28 pages.
Published by Hal Leonard
(HL.4006233).
UPC:
888680972141.
9.0x12.0x0.059
inches.
The Lion
King saga continues with
the 2019 live-action
movie that features
stunning visuals, and of
course the familiar
musical numbers. This
medley includes Never Too
Late which was composed
for the new film, along
with the favorites I Just
Can't Wait to Be King,
Hakuna Matata, Can You
Feel the Love Tonight,
and Circle of Life.
March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the...(+)
March. By Karl L. King.
Arranged by Andrew
Glover. Concert Band.
Heritage of the March.
Level: Grade 3.5. Score
and set of parts.
Composed 1999. Duration
0:02:05. Published by
C.L. Barnhouse.
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0950625-015 F...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0950625-015
From The Lion
King. Composed by
Alan Mencken. Arranged by
Ron Sebregts. Film
Spectaculars.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
1995. De Haske
Publications #DHP
0950625-015. Published by
De Haske Publications
(BT.DHP-0950625-015).
9x12 inches.
The
Lion King was a smash-hit
box office success all
over the world, and is
still the highest
grossing 2D animated film
in the US. Can You Feel
The Love Tonight, is a
delightful concert band
arrangement of the song
from this Walt Disney
classic, sung and
composed by Elton John. A
Disney favourite for
young and old alike, your
musicians will look
forward to playing this
piece both in rehearsal
and in concert!
The Lion King
schreef zowel film-,
musical- als
popgeschiedenis. Op alle
drie de gebieden droegen
vooral de songs van Elton
John bij aan het
monumentale succes van
deze Disneyproducties.
Ron Sebregts is al jaren
een ervaren arrangeurvan
popmuziek voor orkest.
Hij is het die deze
authentieke bewerking
schreef van de mooie
balade Can You Feel
the Love
Tonight.
Ca
n You Feel the Love
Tonight ist das mit
einem Golden Globe für
den besten Filmsong
prämierte Lied aus der
Filmmusik zu Walt Disneys
König der
Löwen>, die auch
insgesamt einen Oscar
erhielt. Zum weltweiten
Erfolg des Soundtracks
trugen vor allem Elton
John und sein Texter Tim
Rice bei, aus der
Kooperation neben anderen
Liedern auch diese
gefühlvolle
Liebesballade stammt.
di Elton
John e Tim Rice è
senza dubbio la canzone
più conosciuta del
film e musical Il Re
Leone. Ron Sebregts,
apprezzato arrangiatore
di titoli di musica pop,
firma questo
arrangiamento molto
riuscito
dell’indimenticabi
le canzone.
March. Composed by Karl L. King. Arranged by Andrew Glover. Karl L. King ...(+)
March. Composed by
Karl L. King. Arranged by
Andrew Glover. Karl L.
King Centennial. Audio
recording available
separately (item
CL.WFR391). March. Score
and parts. Composed 2017.
Duration 2 minutes, 30
seconds. Published by
C.L. Barnhouse
(CL.012-4600-00).
King And I, Selections From Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Selections from The King and I by Oscar Hammerstein and Richard Rodgers. Arrange...(+)
Selections from The King
and I by Oscar
Hammerstein and Richard
Rodgers. Arranged by
Calvin Custer. For
Concert Band (Score and
Parts). Score and full
set of parts.. Young
Concert Band. Grade 3.
Published by Hal Leonard
Minor Alterations Orchestre d'harmonie [Conducteur et Parties séparées] - Avancé Lovebird Music
By David Lovrien. For concert band. A deviously clever adaptation of favorite Ch...(+)
By David Lovrien. For
concert band. A deviously
clever adaptation of
favorite Christmas tunes,
transposed from major
keys to minor. Christmas
medley. Grade 5
(advanced). Full score
and set of parts.
Duration 6:10
The Mountain Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As performed by Trans- Siberian Orchestra (Based upon "Mars, the Bringer...(+)
As performed by Trans-
Siberian Orchestra (Based
upon "Mars, the
Bringer of
War" from The
Planets by
Gustav Holst / "In
the Hall
of the Mountain
King" by
Edvard Grieg). Composed
by
Paul O'Neill and
John Oliva
[Trans-Siberian
Orchestra].
Arranged by Bob Phillips,
orch. Bob Phillips and
George Megaw. Concert
Band;
Part(s); Score. Pop
Concert
Band. Christmas; Holiday
Pops; Light Concert; Pop;
Secular; Winter. 276
pages.
Published by Alfred Music
By Tim Rice, Hans Zimmer, Elton John. Arranged by Paul Lavender. Discovery Conce...(+)
By Tim Rice, Hans Zimmer,
Elton John. Arranged by
Paul Lavender. Discovery
Concert Band Plus. Grade
2. Score and full set of
parts. Published by Hal
Leonard.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0950625-215 F...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0950625-215
From The Lion
King. Composed by
Alan Mencken. Arranged by
Ron Sebregts. Film
Spectaculars.
TV-Film-Musical-Show.
Score Only. Composed
1995. 8 pages. De Haske
Publications #DHP
0950625-215. Published by
De Haske Publications
(BT.DHP-0950625-215).
9x12 inches.
The
Lion King was a smash-hit
box office success all
over the world, and is
still the highest
grossing 2D animated film
in the US. Can You Feel
The Love Tonight, is a
delightful concert band
arrangement of the song
from this Walt Disney
classic, sung and
composed by Elton John. A
Disney favourite for
young and old alike, your
musicians will look
forward to playing this
piece both in rehearsal
and in concert!
The Lion King
schreef zowel film-,
musical- als
popgeschiedenis. Op alle
drie de gebieden droegen
vooral de songs van Elton
John bij aan het
monumentale succes van
deze Disneyproducties.
Ron Sebregts is al jaren
een ervaren arrangeurvan
popmuziek voor orkest.
Hij is het die deze
authentieke bewerking
schreef van de mooie
balade Can You Feel
the Love
Tonight.
Ca
n You Feel the Love
Tonight ist das mit
einem Golden Globe für
den besten Filmsong
prämierte Lied aus der
Filmmusik zu Walt Disneys
König der
Löwen>, die auch
insgesamt einen Oscar
erhielt. Zum weltweiten
Erfolg des Soundtracks
trugen vor allem Elton
John und sein Texter Tim
Rice bei, aus der
Kooperation neben anderen
Liedern auch diese
gefühlvolle
Liebesballade stammt.
di Elton
John e Tim Rice è
senza dubbio la canzone
più conosciuta del
film e musical Il Re
Leone. Ron Sebregts,
apprezzato arrangiatore
di titoli di musica pop,
firma questo
arrangiamento molto
riuscito
dell’indimenticabi
le canzone.
Biergarten Mazurka Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Lovebird Music
By David Lovrien. For concert band. A rollicking, swingy German waltz. Waltz. Fu...(+)
By David Lovrien. For
concert band. A
rollicking, swingy German
waltz. Waltz. Full score
and set of parts.
Duration 3:15. Published
by Lovebird Music. (113)
Level: Grade 3
(Intermediate).