Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-140. Published by
De Haske Publications
(BT.DHP-1064079-140).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-010. Published by
De Haske Publications
(BT.DHP-1064079-010).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Concert Band Concert Band - Grade 1; Grade 1.5 SKU: FJ.B1724 Composed by ...(+)
Concert Band Concert Band
- Grade 1; Grade 1.5
SKU: FJ.B1724
Composed by Traditional.
Arranged by Timothy
Loest. Concert Band. FJH
Beginning Band.
Christmas; Holiday Pops.
Score and Part(s).
Duration 4:00. The FJH
Music Company Inc
#98-B1724. Published by
The FJH Music Company Inc
(FJ.B1724).
UPC:
241444386118.
English.
This
magical work for student
narrator(s) and band
brings to life the
centuries old tradition
of writing a letter to
Santa. Beginning with
Jolly Old St. Nicholas
and ending with We Wish
You a Merry Christmas,
each gift request is
followed by a
delightfully arranged
carol including Ring
Little Bells, Jingle
Bells, I Saw Three Ships,
Silent Night, O Christmas
Tree, I Have a Little
Dreidel, and Auld Lang
Syne. An adorable
yuletide gem destined to
be the hit of your next
holiday program!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Concert Band Concert Band - Grade 1; Grade 1.5 SKU: FJ.B1724S Score On...(+)
Concert Band Concert Band
- Grade 1; Grade 1.5
SKU: FJ.B1724S
Score Only.
Composed by Traditional.
Arranged by Timothy
Loest. Concert Band. FJH
Beginning Band.
Christmas; Holiday Pops.
Score. Duration 4:00. The
FJH Music Company Inc
#98-B1724S. Published by
The FJH Music Company Inc
(FJ.B1724S).
English.
This
magical work for student
narrator(s) and band
brings to life the
centuries old tradition
of writing a letter to
Santa. Beginning with
Jolly Old St. Nicholas
and ending with We Wish
You a Merry Christmas,
each gift request is
followed by a
delightfully arranged
carol including Ring
Little Bells, Jingle
Bells, I Saw Three Ships,
Silent Night, O Christmas
Tree, I Have a Little
Dreidel, and Auld Lang
Syne. An adorable
yuletide gem destined to
be the hit of your next
holiday program!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Composed
by Antonin Dvorak.
Arranged by Larry Clark.
Young Band. Full score.
With Standard notation.
16 pages. Duration 2
minutes, 32 seconds. Carl
Fischer Music #YPS133F.
Published by Carl Fischer
Music (CF.YPS133F).
ISBN 9780825896255.
UPC: 798408096250. 9 x 12
inches.
Combining
two wonderful tunes into
one new Christmas
classic, Larry Clark
takes the famous Largo
from Dvorak's Symphony
No. 9, From the New World
and links it together
with the popular holiday
classic Home for the
Holidays. The result is a
piece where these tunes
sound like they were
always meant to be
together. A uniquely
musical way to showcase
your band at their
holiday concert. There is
also a choral setting of
this arrangement that
will add to the
excitement!
Concert Band - Grade 2 SKU: AP.46624 Composed by Michael Kamuf. Concert B...(+)
Concert Band - Grade 2
SKU: AP.46624
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Halloween. Score and
Part(s). 264 pages.
Duration 2:45. Belwin
Music #00-46624.
Published by Belwin Music
(AP.46624).
UPC:
038081535111.
English.
This
exciting and bold
original new work for
developing bands contains
lyrical themes, dissonant
harmonies, and a sinister
development section
combined to create a
musical story of a late
night adventure that's
gone . . . well, a little
awry! Perfect as an
opening or closing
selection, your students
will enjoy performing
this work . . . but let's
be careful out there!
Concert Band Concert Band - Grade 2 SKU: FJ.B1279 Composed by James Swear...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1279
Composed by
James Swearingen.
Arranged by James
Swearingen. Concert Band.
FJH Young Band. Form:
March. Patriotic. Score
and Part(s). Duration
2:05. The FJH Music
Company Inc #98-B1279.
Published by The FJH
Music Company Inc
(FJ.B1279).
UPC:
674398218400.
English.
The legacy
of the march is rich and
steeped in tradition. Now
you can bring the spirit
of national unity to your
next concert with this
easy original march by
James Swearingen.
Complete with all the
elements found in more
difficult marches, this
is an excellent way to
let your students shine
and invigorate your
audience. Sure to work
with smaller
instrumentation, Let the
Flag of Freedom Wave is
ideal as a concert piece
or festival march!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band - Grade 2 SKU: AP.46624S Composed by Michael Kamuf. Concert ...(+)
Concert Band - Grade 2
SKU: AP.46624S
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Halloween. Score. 28
pages. Duration 2:45.
Belwin Music #00-46624S.
Published by Belwin Music
(AP.46624S).
UPC:
038081535128.
English.
This
exciting and bold
original new work for
developing bands contains
lyrical themes, dissonant
harmonies, and a sinister
development section
combined to create a
musical story of a late
night adventure that's
gone . . . well, a little
awry! Perfect as an
opening or closing
selection, your students
will enjoy performing
this work . . . but let's
be careful out there!
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1133S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1133S
Score
Only. Composed by
Various. Arranged by
Elliot Del Borgo. Concert
Band. FJH Young Band.
Christmas; Holiday Pops.
Score. Duration 5:20. The
FJH Music Company Inc
#98-B1133S. Published by
The FJH Music Company Inc
(FJ.B1133S).
English.
Elliot
Del Borgo has included 4
well-known Christmas
carols in a clever
arrangement for younger
musicians. All of the
tunes are clearly
presented with some
harmonic and melodic
twists along the way to
keep everyone
entertained. A classic
arrangement from one of
the country's most
popular and prolific
writers. (5:20).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
At the Threshold Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Bill Calhoun. Score and part(s). 24 136 pages. Duration 4 minutes,...(+)
Composed by Bill Calhoun.
Score and part(s). 24
136 pages. Duration 4
minutes, 22 seconds. Carl
Fischer #YPS0165.
Published by Carl Fischer
(CF.YPS165).
Wind Band; Concert Band SKU: YM.GTW01101388 New Sounds in Brass. C...(+)
Wind Band; Concert Band
SKU:
YM.GTW01101388
New
Sounds in Brass.
Composed by Joe Hisaishi.
Arranged by Takashi
Hoshide. Studio Ghibli.
New Sounds in Brass. Set
of Score & Part. Yamaha
Music Media #GTW01101388.
Published by Yamaha Music
Media (YM.GTW01101388).
ISBN 9784636110005.
8.75 x 12
inches.
The
ultimate full score
medley of beautiful
melodies from the Studio
Ghibli film Princess
Mononoke (1997, dir.
Hayao Miyazaki), arranged
for concert band in the
series: New Sounds in
Brass (NSB). Grade 3;
Duration: approx.8'50;
Composed by Joe Hisaishi;
Arranged by Takashi
Hoshide. Arranger Takashi
Hoshide says, I have
selected beautiful
melodies from the
soundtrack of 'Princess
Mononoke' (1997, directed
by Hayao Miyazaki) and
arranged them into a
medley. What can be said
about these songs as a
whole is that they
combine a grand
continental scale with
the delicacy that
reflects Japanese
emotions. Since there are
no upbeat songs in this
selection, I had to work
hard on the arrangement,
but this allowed for
creating contrasts and
transitions between each
scene in the performance.
'Ashitaka Sekki (English
title: The Legend of
Ashitaka)' - 'Sekki'
means a story that is not
recorded but passed down
orally. In this anime,
this can be considered a
sub-main theme. The song
starts with a feeling
that the story is about
to begin and, once the
theme kicks in, aim for a
grand performance to
convey its scale.
'Encounter' - This is the
music that plays during
the scene where the
protagonist Ashitaka
meets San. Interestingly,
the motif of the main
theme 'Princess Mononoke'
is used in this melody.
Here, let's pursue the
shifts in the timbre of
individual phrases,
creating a beautiful and
aesthetic soundscape.
'Princess Mononoke' -
This is the main title of
the anime. The melody
line is carried by horns
and trumpets.
Moyses Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Scomegna Edizioni Musicali
(Biblical Poem). By Federico Agnello. For concert band. Grade 4.5. Score and...(+)
(Biblical Poem). By
Federico
Agnello. For concert
band.
Grade 4.5. Score and full
set
of parts. Duration 16
minutes.
Published by Scomegna
Edizioni
Musical srl
Grade 1 - Score
Only. Arranged by
James Curnow. Curnow
Music Concert Band.
Christmas. 24 pages.
Published by Curnow Music
(HL.44010621).
UPC:
884088498146. 9x12
inches.
James
Curnow's grade 1 holiday
arrangement is an
energetic exploration of
four great carols. Nice
counterpoint and
stylistic subtleties help
your band reach for a
higher level of
performance. Staccato,
full value, detached,
accented, slurred; it's
all here. There is SO
much you can teach your
band in this arrangement!
Plus, it can also be used
as an audience
sing-along.
Outstanding!
Castle Creek Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.465000110 Composed by Dan Welcher. Arranged by ...(+)
Band Concert Band
SKU:
PR.465000110
Composed
by Dan Welcher. Arranged
by Paul Bissell. Large
Score. With Standard
notation. Composed 1989.
Duration 5 minutes.
Theodore Presser Company
#465-00011. Published by
Theodore Presser Company
(PR.465000110).
ISBN
9781598062090. UPC:
680160575442.
Castl
e Creek was written by
Dan Welcher in
celebration of the Aspen
Music Festival's 40th
anniversary, and served
as a special tribute to
the Festival's longtime
President, Gordon Hardy.
Castle Creek itself is a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as
Hardy's home) is built.
Gordon's initials
(G.A.H.) are used as the
musical basis for the
fanfare, which is
centered on the ascending
pitches G, A and B, and
reflects the upward
motion and positivity of
the Aspen Music Festival
itself. For advanced
players. Duration:
5'. Program Note by
the ComposerThere is no
“secret
program†or hidden
meaning in this lively,
five-minute work: it was
intended as a celebration
of the 40th anniversary
of the Aspen Music
Festival, and as a
special tribute to the
Festival’s
longtime President,
Gordon Hardy. The title
CASTLE CREEK refers to a
tributary of the Roaring
Fork River on which the
Aspen Music Festival
campus (as well as Mr.
Hardy’s home) is
built.The work pays
homage to Gordon Hardy by
utilizing his initials
(“G.A.H.â€) as
a musical motive: the
three letters correspond
to the pitches G, A, and
B). This three-note group
forms the basis of the
fanfare that opens the
work, and it also serves
as an ostinato, a bass
line, and a general means
of organizing the
work’s tonal
centers. Because the
three notes are in
ascending order, the
ever-upward direction of
the Aspen Music Festival
and the positive energy
of Gordon Hardy are
readily evident.The
athletic fanfare that
begins the work (marked
“noble, but
energeticâ€) is
scored for brass and
percussion alone, and may
be played as a separate
piece. The rest of the
ensemble joins at the
conclusion of the
fanfare, and a spirited
tune in 9/8 issues from
the woodwinds. After this
is given a thorough
workout, a middle section
in faster 3/4 time
provides machine-like
energy. Perhaps it is the
energy of the Festival,
in high gear. At the
height of this, the music
of the fanfare returns in
broad open notes in the
brass, with the machine
still pulsing in support.
The overture ends in a
burst of motion, with the
three-note motive in its
highest transposition.My
colleague and former
student Paul Bissell made
this excellent
transcription from the
orchestral original.
American Visions Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255 Composed by Mark Lortz. Set of...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255
Composed by Mark Lortz.
Set of Score and Parts.
17+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+1+2
+1+4+6 pages. Duration
2:10. Carl Fischer Music
#CPS255. Published by
Carl Fischer Music
(CF.CPS255).
ISBN
9781491159835. UPC:
680160918423.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
American Visions Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255F Composed by Mark Lortz. Full ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255F
Composed by Mark Lortz.
Full score. 17 pages.
Carl Fischer Music
#CPS255F. Published by
Carl Fischer Music
(CF.CPS255F).
ISBN
9781491159842. UPC:
680160918430.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
Composed by
John Stafford Smith.
Arranged by Sean
O'Loughlin. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
1+4+4+2+4+4+4+2+2+2+2+2+2
+3+3+3+2+2+2+2+3+3+3+2+3+
4+1+1+2+3+12 pages.
Duration 1 minute, 48
seconds. Carl Fischer
Music #SPS73. Published
by Carl Fischer Music
(CF.SPS73).
ISBN
9781491147689. UPC:
680160905188. 9 x 12
inches. Key: Bb
major.
Composer/arr
anger Sean O'Loughlin has
provided a refreshing new
setting of our National
Anthem. It was originally
written for orchestral
brass and percussion and
has been performed at
both MLB and NBA events.
The arrangement begins
with a bold fanfare to
set the tone, but also to
provide the motive glue
to hold the arrangement
together and create
something unique.
Creative harmonic usage
and colorful
orchestration really make
this version stand out
from the rest. There
have been many great
arrangements of our
National Anthem
throughout the years .
The responsibility of
creating one that truly
brought something new to
the mix was very daunting
. I was fortunate enough
to get an opportunity to
write this version for
the Oregon Symphony Brass
Section to perform at the
Portland Trail Blazers
NBA games . Subsequent
performances have
occurred with the
Baltimore Symphony at the
Baltimore Orioles MLB
games . At this time, it
is my supreme honor to
adapt this for the
advanced concert band .In
bringing something new, I
decided to start with a
bold fanfare to set the
tone for this great music
. Introducing some more
dissonant harmonies also
created a more intense
feel .The first stanza
includes a flowing
counter line in the horns
and alto saxophones . The
trumpets interject some
flourishes on the second
pass to further the
intensity . These
flourishes continue
“ . . . when the
rockets red glare!â€
The final push at m . 29
is colored with pulsating
16th notes in the
woodwinds that lead to
some dramatic harmony at
the fermata in m . 32 .
The opening fanfare then
returns to let everyone
know that it's time to
“Play
ball!â€.
Concert Band/Harmonie, Flute and Percussion - Grade 2.5 SKU: BT.CMP-0901-05-0...(+)
Concert Band/Harmonie,
Flute and Percussion -
Grade 2.5
SKU:
BT.CMP-0901-05-010
Composed by Timothy
Johnson. Young Band. Solo
& Concerto. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0901-05-010. Published by
Curnow Music
(BT.CMP-0901-05-010).
English.
We are
often so focused on
presenting the entire
ensemble that it’s
easy to forget we can
also program solo feature
pieces. There are so many
reasons to do just that.
It rewards that special
player who has been
working so hard. It sets
an example for other
players in the section.
It provides a nice
contrast regardless of
what else is programmed.
Be sure to put on the
demonstration CD found in
this catalog and hear
Flight of Fancy
for yourself.
We’re sure
you’ll like
it.Scintillating!<
br> Met Flight of
Fancy kunt u een
solist (fluit of mallets)
in de schijnwerpers
plaatsen. We zijn zo vaak
gericht op het orkest als
geheel dat we wel eens
vergeten om solowerken te
programmeren, maar er
zijn redenen te over
omdat te doen. U kunt er
een goede, hardwerkende
muzikant mee belonen en
anderen kunnen er een
voorbeeld aan nemen.
Bovendien creëert u
een aangenaam contrast in
uw concertprogramma. Deze
muziek illustreert de
vlucht die de
verbeeldingskrachtvan een
mens kan nemen - dan weer
zorgeloos en grillig, dan
weer beschouwend, maar
altijd
boeiend.
Gibt es
in Ihrem Blasorchester
einen Flötisten oder
Malletspieler, der sich
mit Fleiß und Hingabe
in der wöchentlichen
Orchesterarbeit einen
besonderen Auftritt im
nächsten Konzert
verdient hat? Flight
of Fancy von Timothy
Johnson ist eine
wundervolle Gelegenheit,
wahlweise einen
Flötisten oder
Malletspieler mit einem
nicht allzu schweren
Solostück ins
Rampenlicht zu
rücken!
When Hearts Tremble Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1769 Composed by Brian Bal...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1769
Composed by
Brian Balmages. Concert
Band. FJH Young Band.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1769. Published by
The FJH Music Company Inc
(FJ.B1769).
UPC:
241444399392.
English.
Everyone
is still. The countdown
begins. And in a single
moment, adrenaline surges
in an eruption of energy
and power. This intense
closer does not let go,
keeping the audience and
performer on the edge of
their seats throughout.
Very playable - just make
sure you find time to
catch your breath (or
does that refer to the
audience?. . .). Ready,
set. . .
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Concert Band Concert Band - Grade 1 SKU: FJ.B1533 Composed by Ryan Fraley...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1533
Composed by
Ryan Fraley. Beginning
Band, closer. FJH
Beginning Band. Light
Concert; Novelty; Rock.
Score and Part(s).
Duration 1:15. The FJH
Music Company Inc
#98-B1533. Published by
The FJH Music Company Inc
(FJ.B1533).
UPC:
674398230778.
English.
Using no
eighth notes in the
winds, this solid rock
chart is an ideal concert
closer or encore. An
optional drum set part
lets you showcase the
talents of a student or
you can feature the
entire section with the
expansive percussion
writing. Loads of fun and
extremely playable!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.